In 2008 is Suid-Afrika tot in sy fondamente geskud deur die omstrede Reitz-video-voorval aan die Universiteit van die Vrystaat. In dié video onderwerp vier wit mansstudente vyf swart werkers aan sogenaamde keuringstoetse vir koshuisplasing. Na videobeelde van hoe die werkers kos moes eet waarin daar klaarblyklik geürineer is, het rassespanning op die kampus opgevlam en stemme van protes wêreldwyd opgeklink.

Om die situasie te help beredder, het die universiteit vir Rudi Buys as versoeningskonsultant gewerf, waarna hy as studentedekaan aangestel is. Buys se werk by die universiteit sou uiteindelik simbolies word van ’n feller konflik in Suid-Afrika – tussen versoening en ’n dreigende rassestryd, ou en nuwe denkwyses, hoop en wanhoop.

Hierdie boek fokus op “tussenin-wees”. Die verhale van vier studenteleiers uit daardie onstuimige tydperk, asook die ingrypings wat onderneem is, word belig. Vir Buys was die proses by Kovsies ook ’n geleentheid om van sy eie Afrikaner-verlede sin te maak. Die gebeure by die universiteit illustreer dat Afrikaners, in hulle strewe om hul eie verlede met ’n toekoms in die land te versoen, oor die potensiaal beskik om ware brugbouers te wees en medeargitekte te word van ’n nierassige toekoms.

Brugbouers bied waardevolle lesse vir elkeen wat ernstig is oor aktiewe burgerskap en sinvolle transformasie in Suid-Afrika.

Hermann Giliomee, top historian, is seen as the world expert on the history of the Afrikaners. This book presents the essence of his previous, longer academic work in readable language. Many controversial aspects of South Africa’s past and the role therein of the group of people who in time would refer to themselves as “Afrikaners” are told in colour and flavour in story form, leaving readers with a fresh, sometimes challenging perspective on our past .

In June of 2010, William Kentridge asked Denis Hirson to join him in a public conversation at the opening of Cinq Thèmes, the artist’s retrospective exhibition at the Jeu du Paume in Paris. So fruitful was this event that the two decided to have further conversations, public and private, whenever the time and the occasion seemed right. Nine engagements followed, allowing them to explore at great length the many issues and themes arising from Kentridge’s work. These conversations, in which a writer and an artist grapple with the enormous complexities of making art, grow out of a friendship that stretches back to the 1980s and that is deeply entwined in the fortunes of the city where they both grew up and the country that is the wellspring of their work.

Born in Cambridge in 1951, Denis Hirson lived in South Africa until the age of twenty-two, studying social anthropology at the University of the Witwatersrand in Johannesburg. In 1975 he settled in France, where he has worked as an actor and lecturer at the École Polytechnique. He has written seven books, almost all of them at the frontier between prose and poetry and concerned with memories of South Africa in the time of apartheid. The most recent of these is the novel The Dancing and the Death on Lemon Street. He has also assembled and edited three anthologies of South African writing, including In the Heat of Shadows: South African poetry 1996–2013. Ma langue au chat, a book in French about the delight and torture experienced by an Anglophone when speaking and writing in French, is forthcoming from Les Éditions du Seuil in October 2017.

William Kentridge was born in Johannesburg, South Africa in 1955. He is a graphic artist, filmmaker and theatre artist renowned for his humanist and poetic perspective on apartheid, colonialism and totalitarianism, and on their lingering effects. Best known for his allegorical animations of charcoal drawings that he erases and appends frame by frame, Kentridge has explored disciplines ranging from sculpture to books, stereoscope to opera. His works are included in numerous international collections, including the Museum of Modern Art, New York; Tate Modern, London; the Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; the Stedelijk Museum, Amsterdam and the Albertina Museum, Vienna. His acclaimed production of Wozzeck travels to the Metropolitan Opera, New York, for the 2019–20 season.

The policy of scorched earth followed by the British forces during the Anglo-Boer War of 1899-1902, as well as the concentration camps in which the Boer women and children were placed, led to bitter memories and trauma that haunted Afrikaners and other inhabitants of South Africa alike for many years. In this newly revised edition a group of eminent historians take a fresh and sober look, with the perspective brought about by a hundred years, at this most controversial aspect of the war.

After matric Lesley took a gap year to the United States. Before she left, her mother, in jest or premonition, said: “Don’t get married and don’t join a cult” – but Lesley ended up in what is considered one of the most dangerous existing cults in America.

In this book Lesley shares the story of her life-changing years with this group – living out of a backpack, an arranged marriage to a Brother, having home births, threats of losing her children and surviving in strange, glorious ways.

Danksy die 30 000 koerante wat die afgelope eeu ses dae per week uitgegee is, is Die Burger vandag ’n huishoudelike naam. Die boek diep van die merkwaardigste gebeure, groot en klein, op wat sy joernaliste beleef het – van die Groot Griep en die twee wêreldoorloë tot Chris Barnard se eerste hartoorplanting en Nelson Mandela se afsterwe in 2013.

Skandes en skandale, natuurrampe, persoonlikhede in die nuus, belangrike sportmomente – die boek is nie net ’n belangrike optekening nie, maar het ook groot nostalgiewaarde. Die “onthou jy nog?”-faktor word versterk deur hope foto’s én spotprente.

Enkele hoogtepunte:

• Lindie Koorts skryf oor DF Malan, eerste redakteur
• Dana Snyman ondersoek die oorsprong van DJ Opperman se bekende gedig, Klara Majola – ’n Burger-berig in 1950
• Johann Maarman deel sy indrukke van Jakes Gerwel
• Leopold Scholtz beskryf die val van die Berlynse Muur
• Francois Verster vertel van Die Burger se spotprent-tekenaars – DC Boonzaaier, TO Honiball en Fred Mouton
• Bun Booyens was in Kazakstan vir Mark Shuttleworth se reis as eerste ruimtetoeris in 2002

Bronwyn Davids’ great-grandpa Joe built their family home in Lansdowne, Cape Town, during the 1920s. She recreates their lives in the pages of this book and takes us on a journey with her family against the backdrop of apartheid South Africa. 

A charming family story, but also of gut-wrenching loss that is physical, mental, and spiritual.

Mandela: His Essential Life chronicles the life and legacy of one of the twentieth century's most influential and admired statesmen.

Charting his development from remote rural roots to city lawyer, freedom fighter, and then political leader, Peter Hain takes an in-depth look at Mandela's rise through the ranks of the African National Congress (ANC) and subsequent 27 years imprisonment on Robben Island, as increasingly vocal protests against the injustices of Apartheid brought his struggle against overwhelming prejudice and oppression to the eyes of the world. This book encompasses Mandela's inauguration as South Africa's first democratically elected president, his "retirement" campaigns for human rights, a solution to AIDS and poverty. It goes on to chronicle his later years and death.

Throughout, the humanity and compassion of this extraordinary world leader shine through. The author concludes with a critical analysis of his and the ANC's achievements, its leadership's subsequent slide into corruption, and whether under new direction South Africa can reclaim the values and legacy of Mandela, and the 'rainbow nation' he created and led to such global acclaim.

Patriots & Parasites, completed just days before Smuts’s unexpected death in 2016, is her account of the momentous period known as the Transition Era, through the lens of her 25-year career as a key opposition MP and a respected legislator.

With ambitious breadth and rare insight, she examines:

• The arduous but exhilarating work of writing the Constitution and the Bill of Rights
• The great experiment in catharsis that was the Truth and Reconciliation Commission
• The reinvigoration of racial polarisation under the Mbeki administration, and the slow burn of resentment that is coming to a head among the next generation (as manifested in the #RhodesMustFall campaign)
• The entrenchment of cronyism under Zuma, and the fight to protect the crucial balance of accountability enshrined in the freedom of the media and the independence of the judiciary

AFRIKAANS – ware lewensketse van gebeure met gewone mense wat noodgedwonge in die regswêreld van prokureurs en howe beland. Treffend vertel deur ‘n ervare en ingeligte prokureur.
DIE REG EN WETTE – is op almal se lippe, veral ná die hofsaak van Oscar Pretorius en die Konstitusionele Hofuitspraak oor Nkandla.
RAAK HUMOR – ironiese en humoristiese, dog skreeusnaakse insidente van gebeure met gewone en soms stukkende mense.
Die SKRYWER – ’n ervare prokureur wat betrokke is by nasionale Grondreg- wetgewings. Sy loopbaan word gekenmerk deur sy passie vir die behoeftiges en mense in nood.
WARE STORIES – in en om die Hof, wat die volle spektrum van die reg dek – mense se eerlike foute en ander se oneerlike sette om die Hof te probeer bewimpel.
BELEEF – agter die kostelike stories die skerp denke van ’n mentor wat die leser saamneem en kritieke regsbegrippe leer begryp.

Dollars Eventualis is lekkerlees-stories vir mense van alle soorte, van 18-81 jaar:

• Kostelike leesstof vir dié wat die wet ken.
• Kragtige leesstof vir dié wat in die wet belangstel.
• Kosbare leesstof vir dié wat die wet nodig het.

“Do you really think you can clean up bloody scenes like these?”. “Many people start similar businesses, but they never last.” This was the reaction of sceptical policemen and security officers when they first encountered Eileen de Jager (39) and Roelien Schutte (37). But 15 years and about 7 000 crime scenes later, the Blood Sister’s business, Crime Scene Clean-up, is still flourishing. And they have never had a dissatisfied client.

Eileen and Roelien are not only known as the Blood Sisters because they are biological sisters, but also due to the fact that cleaning bloody crime scenes is their day job. Suicides. Homicides. The most gruesome farm murders. But crime is not always involved.

Sometimes the sisters clean up hoarders’ homes – often packed to the ceiling with junk – at other times they help to restore damage caused by fire or floods.

When Errol Tobias was selected for the Springbok rugby team there was an immediate uproar. He became our first black Springbok in 1980 – in the middle of South Africa’s isolation from international sport and growing protest action against the government. In Errol Tobias: Pure Gold he talks openly about his sporting career: from childhood to the great moments in the green and gold. Here are the joys, the losses, and the controversy.

The truth behind legendary rugby matches is revealed, such as the South American tour where Tobias broke a world record, and the disastrous New Zealand tour that was overshadowed by protests against the Springboks. He writes about his close friendship with fellow Springbok legend Rob Louw, and the unwavering support of Danie ‘Doc’ Craven. Tobias also gives his opinion on the quota system of today.

Many others have talked about Errol Tobias and his effect on South African rugby. Here is his side of the story.

Thami Mnyele's life spanned the era of apartheid. He was born the same year the National Party won office and came of age in a time (the 1960s) and a place (Johannesburg) that offered a sensitive young black artist little encouragement. In 1985, in the waning days of apartheid, he was killed by South African Special Forces operatives in Gaborone, Botswana, where he had joined the banned African National Congress. Although reticent by nature, he played a vanguard role in efforts to throw open the doors of South African culture.

Thami Mnyele's story sheds light on this tumultuous era from an unusual perspective: that of an artist and not a "young lion." Not only does Mnyele's story help us understand the birth of a modern African aesthetic; it also addresses the genesis of revolutionary commitment. How did a man come to face the prospect of martyrdom and learn to accept it? How did this choice affect what he was able to express as an artist?

Diana Wylie's beautifully written and illustrated literary biography reveals the struggles inside and around a gentle South African artist as he remade himself into a revolutionary soldier, and brings fresh insights to our understanding of South Africa's recent history.

As Africa's oldest orchestra, and certainly its most versatile, the Cape Town Philharmonic Orchestra is a proud part of the fabric of the Mother City. Founded in 1914 as a municipally funded ensemble, the orchestra was privatised in 1986 and later merged with the former Capab orchestra, achieving independence in 2000.

A Century Of Symphony tells the story of Cape Town’s orchestras over the past 100 years. Bringing together reminiscences, anecdotes and heartfelt stories by players, conductors and audience members, images of the orchestra both past and present, and information gathered from city, newspaper and university archives, A Century Of Symphony offers a timeless perspective on the place of orchestral music in the life of the city.

The challenges of running an orchestra in the 21st century are formidable, but the orchestra’s mission to deliver first-class music played by first-class musicians in a sustainable way has never been more apparent. Outreach and education efforts in disadvantaged communities point the way to the future. This is a story not only worth telling, but also worth preserving, for Cape Town’s orchestras have been the cultural jewel of the city for 100 years.

(Includes a shrinkwrapped CD of music played by the Cape Town Philharmonic Orchestra)

Min ander gebeurtenisse in die Suider-Afrikaanse geskiedenis het so ’n onuitwisbare indruk gelaat as die Dorslandtrek. Die populêre reisverhaalskrywer Lawrence Green het dit byvoorbeeld beskryf as “the most painful chapter in the whole history of the Afrikaner race”.

Kort ná hulle aankoms op Humpata het die graaf van Mayo die Dorslandtrekkers soos volg beskryf: “Taking them all round, a finer set of men I have never seen; without doubt, during that terrible seven years’ journey it was a case of the survival of the fittest.”

Die Dorslandtrek: 1874–1881 vertel die aangrypende verhaal van die ongeveer 700 persone (benewens ’n onbekende getal swart arbeiders) wat Transvaal gedurende die jare 1874 tot 1877 verlaat het en hulle in 1881 ná ’n swerftog van sewe jaar op Humpata op die hooglande van Angola gevestig het. Gedurende hulle epiese tog het ongeveer 230 blanke trekkers gesterf en ongeveer dieselfde getal na Transvaal teruggekeer. Hoewel ongeveer 130 babas gedurende die trek gebore is, het slegs ongeveer 370 persone hulle beloofde land uiteindelik bereik.

Die Dorslandtrek: 1874–1881 is die eerste boek wat in amper veertig jaar oor dié onderwerp verskyn. Bestaande feite word grondig ontleed en nuwe feite word op ’n omvangryke wyse byeengebring. Die resultaat is die mees omvattende boek oor dié aangrypende gebeurtenis.

Goeiemôre, mnr Mandela vertel die uitsonderlike verhaal van hoe Zelda la Grange se lewe, oortuigings en vooroordele omvergewerp word deur die grootste staatsman van ons tyd.

Dit volg die ongelooflike lewenspad van ’n verskrikte tikster in haar vroeë twintigs wat gekies word as Nelson Mandela se lojaalste steunpilaar en haar loopbaan daaraan wy om reisgenoot en versorger te word van die man wat sy ‘Khulu’ noem.

Hierdie boek wentel om liefde en tweede kanse. Dit sal jou lewe raak en jou laat glo elkeen van ons, ongeag wie ons is en wat ons gedoen het, het die mag om te verander.

Good Morning, Mr Mandela tells the extraordinary story of how Zelda la Grange’s life, beliefs and prejudices were transformed by the greatest statesman of our time.

It is the incredible journey of an awkward, terrified young typist in her twenties who was chosen to become Nelson Mandela’s most loyal servant, spending the greater part of her adult working life travelling with and caring for the man she would come to call ‘Khulu’.

This is a book about love and second chances. It will touch your life and make you believe that every one of us, no matter who we are or what we have done, has the power to change.

Jami Yeats-Kastner's story is both a personal account of a mother's ultimate loss and a universal message of growth and hope. It is centred on the loss of their young son, Sam, and the deeply spiritual path that this sets her on. It is a very sad book but not a depressing one. Sam's death forces her to confront other personal truths about herself, her life and Sam's older special needs brother, Jack. Jami shares her journey with searing honesty and a wry sense of humour and, as she finds her way back into the light, it becomes less about grief and more about self-discovery, about synchronicity and about following the signs that are everywhere. If this story has a message, it is that finding your own true path is the only way to personal self-fulfilment and that it is only when we are ourselves fulfilled that we can be of proper service to others. Initially an unwilling seeker, this is what Jami eventually discovers, and in doing so she draws on all her available strength and inspirational new insights to continue building a happy future for herself and her young family.

Mandela's Kinsmen is the first study of the fraught relationships between the ANC and their relatives inside apartheid's first 'tribal' Bantustan.

Timothy Gibbs reinterprets the complex connections between nationalist elites and the chieftaincies, and overlapping ideologies of national and ethnic belonging. In South Africa, like the rest of the continent, the chieftaincies had often been well-springs of African leadership in the early 20th century, producing leaders such as Nelson Mandela, who hailed from the 'Native Reserves' of rural Transkei. But then the apartheid government turned South Africa's chieftaincies into self-governing, tribal Bantustans in order to shatter African nationalism, starting with Transkei in 1963.

Drawing on a wealth of first-hand accounts and untapped archives, Mandela's Kinsmen offers a vividly human account of how the Bantustan era ruptured rural society. Nevertheless, Gibbs uncovers the social and political institutions and net- works that connected the nationalist leadership on Robben Island and in exile to their kinsmen inside the Transkei. Even at the climax of the apartheid era - when interlocking nationalist insurgencies spiralled into ethnically based civil wars across South Africa and the southern African region - elite connections still straddled Bantustan divides.

These relationships would shape the apartheid endgame and forge the post-apartheid policy.

Leipoldt's Cellar & Kitchen is a delectable, amusing, insightful record of cultural and social history at the Cape, delightfully observed and nostalgically expressed by the pre-eminent connoisseur of Cape cookery.

Leipoldt writes about food and wine expressively as a poet, authoritatively as a medical doctor and botanist, and with the humility of the expert enthusiast. The ingredients of this title spring both literally and metaphorically from the soil of South Africa, articulating and preserving wonderful facets of Afrikaans culture and heritage.

This is not only a title for the cook and the connoisseur, but for everyone able to appreciate exquisite prose, for everyone interested in encountering one of our great poets writing about something that fascinated him throughout his life - the preparation of good food and the enjoyment and value of wine.

’n Dekade of wat gelede het Marita van der Vyver soos ’n wafferse prinses van ’n verre land deur Frankryk gereis en ’n vreeslik verleidelike padda leer ken. Omdat sy so graag in sprokies wil glo, het sy gehoop dat as sy hierdie slim padda soen, hy in ’n prins gaan verander. Dis mos hoe sprokies werk.

En wat gebeur toe?

Saam met haar prins sit sy huis op in ’n Franse dorpie. Hulle gaan woon in ’n ou kliphuis in Rue de l’église – Kerkstraat. Dáároor skryf sy in In die hart van ons huis.

En wat gebeur nou?

Hulle trek. En nie waarheen nie . . . Na ’n plek wat bekend staan as Plek van die Paddas.

’n Fontein Voor Ons Deur is ’n reeks stories oor ’n verhuising – ’n Franse verhuising! Maar dit is dan eintlik stories oor dit wat die hart vasmaak aan ’n huis en sy mense; ook dit waarvan jy jou moet losmaak as jy verhuis. En daardie dinge wat altyd met jou saamtrek.

Een ding is seker: Of dit nou in Kerkstraat of Paddastraat is, soos Marita van der Vyver dit sien, bly die lewe ’n fontein bruisend met verrassings.

Waarom "haak mense se koppe uit"?

Chris Mahlangu, wat vir Eugene Terre'Blanche vermoor het, het hom nie net doodgeslaan nie. Daar is berig dat Terre'Blanche se liggaam 28 keer met 'n ysterpyp, 'n afgebreekte stuk staaldiefwering, geslaan en gekap is. Dit terwyl hy op sy rug gele en slaap het. Dit was 'n bloedbad. Een jong man slaan 'n verpleegster met 'n stuk hout in die veld dood en haar kerel tot in die hospitaal se waakeenheid. 'n Ander slaan beide sy aanneemouers bewusteloos met 'n krieketkolf en dan steek hy hulle meer as 20 keer elk in die bors met 'n mes voor hy sy pa keelaf sny. 'n Manlike prostituut slaan sy vriend soveel keer met 'n knopkierie oor sy "onsedelike voorstelle" dat die sterf aan 'n skedelbreuk. Waarom sal 'n heteroseksuele man wat by prostitute slaap 'n seun by winkelsentrum oplaai en met hom lol?

Vyf gevallestudies oor Suid-Afrikaanse geweldsmisdadigers, vertel deur ervare ware misdaadskrywer Carla van der Spuy en kliniese sielkundige dr Henk Swanepoel. Die boek bevat inligting oor persoonlikheidsversteurings, elke misdadiger se agtergrond, die dag van die misdaad, die hofsaak, onderhoude en bevindings tydens die verhoor, tot die opvolgtronkbesoek - van aangesig tot aangesig met die oortreder.

This book is a chronicle of the political and moral evolution of an Afrikaner within the context of the political evolution of South Africa and how he not only overcame the conservative and biased background of his youth, but was transformed into a revolutionary spokesman for change and a recognition of the injustices of the past.

It is also a realisation that many of the consequences of the Apartheid system are still among us and have not been resolved. Many of these old ghosts which he encountered during his career have to be revisited and confronted.

The author takes the reader on a fascinating journey through the internal political struggles that eventually led to the first fully democratic election in South Africa in 1994 and beyond. His role as a Commissioner of the SA Human Rights Commission since retiring as a politician has exposed him to further realities of the legacy of Apartheid.

It is the story of a courageous politician and a dedicated South African set on a course to make a positive contribution to the future of the country.

South Africa has produced more great cricket all-rounders than any other country, and Jacques Kallis and 12 Other Great South African All-Rounders, a first on these remarkable players, is based on records, articles and interviews with living players as well as archival research of early players.

Over a hundred years ago, there was Jimmy Sinclair, the first man to score a century and take six wickets in an innings in a test match. More recently was the brilliant era of Eddie Barlow, Tiger Lance, Mike Procter and Clive Rice, as well as Tony Greig and Basil D’Oliveira, South Africans who played for England. A great tradition was established for the modern era: since re-admission in 1992 there has been Brian McMillan, Shaun Pollock, Lance Klusener and, the greatest of them all, Jacques Kallis. Jacques Kallis and 12 Other Great South African All-Rounders is about the 13 men each of whom were worth two or three players in one, worth their place as batsmen or bowlers, adored by the fans, and capable of changing a game with either of their skills.

With a readable mix of anecdotes, commentary and statistics, Jacques Kallis and 12 Other Great South African All-Rounders is the first book about these multitalented heroes of cricket. A very special feature of the book is the inclusion of the careers of four black allrounders who were unable to play for national teams because of their race.

Sihle Khumalo loves a challenge. He likes to think on his feet and prefers to depart from what can only be called a wish list.

The plans for his trip to West Africa were lean on practical detail but grand in concept: 'to visit Five World Heritage Sites listed by UNESCO for their historical and cultural significance'. He had never set foot in Senegal, Mali, Burkina Faso, Benin or Togo, but not to worry, he would inform himself about Francophone Africa as he went along, and conclude in an English speaking country.

Had he informed himself more thoroughly beforehand, pondered the implications of having next-to-no French in a part of the world where it is the lingua franca, or what public transport may be like in a country with no infrastructure to speak of, he might have set off less bright-eyed and bushy-tailed. But Sihle is not one to be deterred by setbacks and dead-ends.

His flexibility, irrepressible optimism and robust sense of humour, coupled with an unexpected sensitivity towards his host countries, see him reach all but one - no, two of his goals.