In her much anticipated memoir, Sisonke Msimang writes about her exile childhood in Zambia and Kenya, young adulthood and college years in North America, and returning to South Africa in the euphoric 1990s. She reflects candidly on her discontent and disappointment with present-day South Africa but also on her experiences of family, romance, and motherhood, with the novelist’s talent for character and pathos.

Militant young comrades dance off the pages of the 1970s Lusaka she invokes, and the heady and naive days of just-democratic South Africa in the 1990s are as vividly painted. Her memoir is at heart a chronicle of a coming-of-age, and while well-known South African political figures appear in these pages, it is an intimate story, a testament to family bonds and sisterhood.

Sisonke Msimang is one of the most assured and celebrated voices commenting on the South African present – often humorously; sometimes deeply movingly – and this book launches her to an even broader audience.

Drawing on Nelson Mandela's own unfinished memoir, Dare Not Linger is the remarkable story of his presidency told in his own words and those of distinguished South African writer Mandla Langa.

In 1994, Nelson Mandela became the first president of democratic South Africa. Five years later, he stood down. In that time, he and his government wrought the most extraordinary transformation, turning a nation riven by centuries of colonialism and apartheid into a fully functioning democracy in which all South Africa's citizens, black and white, were equal before the law.

Dare Not Linger is the story of Mandela's presidential years, drawing heavily on the memoir he began to write as he prepared to finish his term of office, but was unable to finish. Now, the acclaimed South African writer, Mandla Langa, has completed the task using Mandela's unfinished draft, detailed notes that Mandela made as events were unfolding and a wealth of previously unseen archival material. With a prologue by Mandela's widow, Graça Machel, the result is a vivid and inspirational account of Mandela's presidency, a country in flux and the creation of a new democracy. It tells the extraordinary story of the transition from decades of apartheid rule and the challenges Mandela overcome to make a reality of his cherished vision for a liberated South Africa.

When the Boer Republics invaded Natal on the north-east coast of what is now South Africa in 1899, they could have been driven out with nominal casualties. Instead, Britain was to lose nearly 9,000 men killed in action, more than 13,000 to disease and a further 75,000 wounded and sick invalided back to Britain. The war ended in 1902 with an unsatisfactory Peace Treaty. The Boer commandoes represented a new challenge to the British Army, practising a mobile form of warfare equipped with smokeless Mauser rifles and modern European field and siege artillery. The British forces did not have the training to deal with this new form of warfare. Perhaps the greatest blunder was the failure in the beginning to take advantage of local advice and capability. The organisation of locally raised Volunteers was designed to meet the threat. They soon demonstrated how the Boers might be defeated and when finally given their heads, they chased the invaders out of Natal at the gallop, while suffering only nominal casualties. When the Siege of Ladysmith was finally raised, the relieving force found the garrison and civilian population suffering from malnutrition and disease. This book uses primary source material to chronicle the experiences of the people of Natal - soldiers and civilians, black and white, men, women and children - during the Natal Campaign.

Piet Matipa is jonk, swart, gay en Afrikaans. Sy rubrieke in Beeld is baie gewild omdat dit aan ’n sonderlinge lewensuitkyk uitdrukking gee. Hy praat vanuit ’n perspektief wat jy nie sommer in Suid-Afrika kry nie. Sy siening van die wêreld is gevorm deur interessante bestemmings waar sy lewenspad aangedoen het. As skolier aan Hoërskool Waterkloof en student aan die Pukke het Piet uitgeblink. Sy skryftande is geslyp as joernalis in Beeld se misdaadkantoor en as sepieskrywer vir 7de Laan , waar hy steeds werksaam is. Nie sleg vir iemand wat in ’n kinderhuis grootgeword het nie!

Afrikaans het sy lê op ’n unieke manier in Piet se mond gekry. En vir één ding deins hy nie terug nie: dit is om sy mond verby te praat. In Dwarsklap laat Piet hom uit oor aangeleenthede wat alle Suid-Afrikaners raak. Misdaad en taxi-bestuurders is groot klippe in die skoen. Wenke oor gewigsverlies word gegee, en ook hoe om ’n ontkleedanser by ’n henneparty te kry. En oor liefdesavonture kan jy vir Piet min vertel, veral wanneer sosiale media betrokke is.

’n Hoogs vermaaklike boek wat die donkerte van die lewe in ligte skakerings laat glim.

Travels with My Father is a beautifully written autobiographical novel.

Written from the point of view of a young woman, daughter and writer, it is a frank, yet delicate and moving, account of her relationship with her father and his influence on her own life.In the footsteps of her father, the author travels the world. Yet, key scenes are set in Plumstead, a suburb of Cape Town, where her father lived most of his life.

The relationships and divisions between members of a family that does not wear its heart on its sleeve, and some of whom are real eccentrics, are sensitively recorded.

It all adds to an intricate picture of a changing South African society.

Thuli Nhlapo was seven years old when she realised that no one called her by name. She thought she had a disease and started isolating herself from her family and so-called school friends.

Years later, Thuli confronts her mother about her real father and real surname. She then embarks on years of searching for the truth to all her childhood questions. In the process she uncovers dangerous family secrets.

Jacana Media is proud to make this important book available again, now with a completely new introduction. First published by Oceanbooks, New York and Melbourne and University of Natal Press, Pietermaritzburg in 2001, the book was short-listed for the Sunday Times Alan Paton Award in 2002.

In the public imagination the struggle that saw the end of apartheid and the inauguration of a democratic South Africa is seen as one waged by black people who were often imprisoned or killed for their efforts. Raymond Suttner, an academic, is one of a small group of white South Africans who was imprisoned for his efforts to overthrow the apartheid regime. He was first arrested in 1975 and tortured with electric shocks because he refused to supply information to the police. He then served 8 years because of his underground activities for the African National Congress and South African Communist Party.

After his release in 1983, he returned to the struggle and was forced to go underground to evade arrest, but was re-detained in 1986 under repeatedly renewed states of emergency, for 27 months, 18 of these in solitary confinement, because whites were kept separately and all other whites apart from Suttner were released. In the last months of this detention Suttner was allowed to have a pet lovebird, which he tamed and used to keep inside his tracksuit. When he was eventually released from detention in September 1988 the bird was on his shoulder. Suttner was held under stringent house arrest conditions, imposed to impede further political activities. He, however, defied his house arrest restrictions and attended an Organisation for African Unity meeting in Harare in August 1989 and he remained out of the country for five months. Shortly after his return, when he anticipated being re-arrested, the state of emergency was lifted and the ANC and other banned organisations were unbanned. Suttner became a leading figure in the ANC and SACP.

The book describes Suttner’s experience of prison in a low-key, unromantic voice, providing the texture of prison life, but unlike most ‘struggle memoirs’ it is also intensely personal. Suttner is not averse to admitting his fears and anxieties.

The new edition contains an introduction where Suttner describes his break with the ANC and SACP. But, he argues, the reason for his rupturing this connection that had been so important to his life were the same – ethical reasons – that had led him to join. He remains convinced that what he did was right and continues to act in accordance with those convictions.

Mandela's Kinsmen is the first study of the fraught relationships between the ANC and their relatives inside apartheid's first 'tribal' Bantustan.

Timothy Gibbs reinterprets the complex connections between nationalist elites and the chieftaincies, and overlapping ideologies of national and ethnic belonging. In South Africa, like the rest of the continent, the chieftaincies had often been well-springs of African leadership in the early 20th century, producing leaders such as Nelson Mandela, who hailed from the 'Native Reserves' of rural Transkei. But then the apartheid government turned South Africa's chieftaincies into self-governing, tribal Bantustans in order to shatter African nationalism, starting with Transkei in 1963.

Drawing on a wealth of first-hand accounts and untapped archives, Mandela's Kinsmen offers a vividly human account of how the Bantustan era ruptured rural society. Nevertheless, Gibbs uncovers the social and political institutions and net- works that connected the nationalist leadership on Robben Island and in exile to their kinsmen inside the Transkei. Even at the climax of the apartheid era - when interlocking nationalist insurgencies spiralled into ethnically based civil wars across South Africa and the southern African region - elite connections still straddled Bantustan divides.

These relationships would shape the apartheid endgame and forge the post-apartheid policy.

Bheki Mseleku is widely considered one of the most accomplished jazz musicians to have emerged from South Africa. His music has a profound significance in recalling and giving emphasis to that aspect of the African American jazz tradition originating in the rhythms and melodies of Africa. The influences of Zulu traditional music, South African township, classical music and American jazz are clearly evident and combine to create an exquisite and particularly lyrical style, evoking a sense of purity and peace that embraces the spiritual healing quality central to his musical inspiration.

The Artistry of Bheki Mseleku is an in-depth study of his musical style and includes annotated transcriptions and analysis of a selection of compositions and improvisations from his most acclaimed albums including ‘Celebration’, ‘Timelessness’, ‘Star Seeding’, ‘Beauty of Sunrise’ and ‘Home at Last’. Mseleku recorded with several American jazz greats including Ravi Coltrane, Joe Henderson, Pharoah Sanders, Charlie Haden, Billy Higgins and Abbey Lincoln. His music serves as a vital link to the African–American musical art form that inspired many of the South African jazz legends.

A deeply moving and powerful biography of Fezekile Kuzwayo – better known as Khwezi – the woman the ANC tried to forget.

In August 2016, following the announcement of the results of South Africa’s heated municipal election, four courageous young women interrupted Jacob Zuma’s victory address, bearing placards asking us to ‘Remember Khwezi’. Before being dragged away by security guards, their powerful message had hit home and the public was reminded of the tragic events of 2006, when Zuma was on trial for the rape of Fezekile Ntsukela Kuzwayo, better known as Khwezi. In the aftermath of the trial, which saw Zuma acquitted, Khwezi was vilified by his many supporters and forced to take refuge outside of South Africa.

Ten years later, just two months after this protest had put Khwezi’s struggle back into the minds and hearts of South Africans, Khwezi passed away … But not before she had slipped back into South Africa and started work with Redi Tlhabi on a book about her life. How as a young girl living in ANC camps in exile she was raped by the very men who were supposed to protect her; how as an adult she was driven once again into exile, suffering not only at the hands of Zuma’s devotees but under the harsh eye of the media.

In sensitive and considered prose, journalist Redi Tlhabi breathes life into a woman for so long forced to live in the shadows. In giving agency back to Khwezi, Tlhabi is able to focus a broader lens on the sexual abuse that abounded during the ‘struggle’ years, abuse which continues to plague women and children in South Africa today.

This is a fascinating collection on the life and times of Brenda Fassie, which includes a Foreword by Hugh Masekela and contributions from people who knew Brenda in both professional and personal capacities. It is being published in the year of the tenth anniversary of her death and is intended as both a tribute and to give fresh insight into Africa's biggest pop star.

The collection includes reminiscences, criticism, elegies, essays and appreciation by friends, ex-lovers, critics, poets, academics and musicians, reflecting the endless and boundary-crossing legacy of Brenda Fassie.

Funny, crazy, poignant, insightful and tragic, I'm Not Your Weekend Special traces the highs and lows of Brenda Fassie's life, celebrating the significance of this South African icon.

Priscilla Jana is a legendary figure in South African revolutionary politics. As an Indian woman who had experienced racial oppression first-hand, she decided to use her degree in law to fight for the rights of her fellow people and do all she could to bring down the Apartheid state - who saw her as a very real threat. At one time she represented every single political prisoner on Robben Island, including both the late Nelson Mandela and his wife Winnie. Priscilla spent her days in court, fighting human rights case after human rights case, but it was at night when her real work was done. As part of an underground cell, she fought tirelessly to bring down the hated government. This activism, however, came at a price. One of South Africa's infamous 'banned persons', for five years Priscilla was unable to take part in any political activities, enter any place where a large number of people were gathered, and had her movements severely restricted. Worse, her own home was attacked with petrol bombs on multiple occasions. Undeterred, Priscilla Jana continued her work, even adopting the baby daughter of a client imprisoned on Robben Island, bringing here up, educating her, and providing a loving home. Finally, upon Mandela's release and the political revolution of her beloved country, Priscilla's work was rewarded, as she was elected as a member of South Africa's first democratic parliament. Later, she was to become an ambassador to both The Netherlands and Ireland. Now retired and living in Cape Town, Priscilla still works and waits for her most fervent desire: the true healing and unification of South Africa.

n Versameling stories oor rugby, die lewe en allerhande ander dinge wat jou sal laat lag, ontroer en opkikker, deur een van Suid-Afrika se ware rugbylegendes… Theuns Stofberg se glorieryke rugbyloopbaan het van 1976 tot 1985 geduur, en hy word in die algemeen beskou as een van die grootste Springbokke ooit. As die 36ste Springbokkaptein – een van slegs 56 spelers wat die eer kon he – was hy taai en kompromisloos op die veld, maar langs die kantlyn was hy ’n ware heer en uitstekende storieverteller – soos bewys word deur die anekdotes wat byeengebring is in hierdie boek. In Stories van die kantlyn neem hy lesers tot agter die skerms, na sy kinderdae as skoolseun-rugbyspeler, tot die berugte meelbom-toer in Nieu-Seeland in 1981, en ook sy Curriebeker-oorwinnings vir drie provinsies – tot vandag toe ’n ongeewenaarde prestasie. Hy skryf ook oor hoe dit was om saam met legendes soos Morne du Plessis, Gerrie Germishuys, Schalk Burger snr. en Gysie Pienaar te speel, hy roep bewonderaars se vreemde en dikwels fleurige gedrag in herinnering en gee lesers ’n fassinerende blik op die amateurdae van rugby in Suid-Afrika. Hy vertel in sy unieke, onnabootsbare styl van sy persoonlike stryd met ’n spraakgebrek en gesondheidsprobleme, en hoe hy ’n tragedie in die familie hanteer het. Elke Suid-Afrikaanse rugbyliefhebber sal hierdie boek, wat soms diep persoonlik, soms amusant en partymaal nostalgies is, koester en geniet.

’n Bekroonde joernalis, Malvory Adams, skrik wakker in ’n hospitaalbed en wonder hoe hy daar beland het. Dit tref hom soos ’n tienpondhamer tussen die oë: Sy selfmoordpoging het misluk! ’n Bleddie “Samaritaan” het hom uit die kloue van die dood weggeruk.

Malvory se hartverskeurende lewensreis sleep jou enduit saam en laat jou by tye na jou asem snak.

Als is nie net swart en wit nie skets ’n prentjie van swaarkry, stryd, sukses, selfvernietiging, ’n dans met die dood en die lewe.

’n QR-kode word ook by Als is nie net swart en wit nie ingesluit van sy nuutste liedjie, “Hemel-Dal” asook ’n Engelse weergawe genaamd “Heaven’s Vale”.

Unrecognised, ignored and forgotten. The Forgotten Scientist: The Story of Saul Sithole is the untold story of a pioneering black scientist who made a great contribution to the fields of anthropology and ornithology in South Africa. Saul Sithole was so committed to his craft that even the weight of apartheid did not stop him from giving 62 years of his life to the scientific world of birds and fossils. Saul never received the official recognition he deserved - until now. This book validates his contribution, sharing his life's work and laying out a story that will inspire future generations of scientists. This book would not have been possible without the support of Biblionef and funding from the National Heritage Council.

A woman reluctantly takes on the responsibility of putting her eccentric rebellious mother into a retirement home, and managing her care. She has her own daughter to raise and nurture, a marriage and a business to hold together, and her own psychological troubles due in good part to how she was mothered.

My Mother, My Madness is Colleen Higgs’s diary of her mother’s last ten years. It is at once funny, harrowing, mundane, chaotic, and full of insight. It is a rich and moving story which unfolds through its characters like a novel.

Colleen Higgs is the author of two collections of poetry (Halfborn Woman, 2004, and Lava Lamp Poems, 2011) and a short story collection (Looking for Trouble – Yeoville Stories, 2012). She founded Modjaji Books in 2007 and, after publishing more than 150 books, is still Modjaji’s manager and publisher.

Her business burnt to the ground, her home flooded, family bankruptcy a harsh reality, and yet, these events paled into insignificance for what was to come. Mala was diagnosed with four complex and debilitating, incurable diseases. She became riddled with inflammation and excruciating symptoms. The medical prognosis – no hope and wheelchair bound for the rest of her life. Her relationships and life were falling apart.

But, Mala defied the limited beliefs of medical science and today is walking, dancing, driving and thriving again. How? She used her adverse situation to conduct intensive research resulting in a unique Take-Charge Wellness formula that works! This non-fiction, self-help book is a success story that is both gripping and empowering for those caught up in the stress of everyday life or battling a chronic illness.

This, is Mala’s story, scientifically researched and referenced.

Hierdie boek is Willie Steyn se eerstehandse weergawe van wat ongetwyfeld die grootste ontsnappingsveraal van die Anglo-Boereoorlog is. Hy was een van seshondred Boere wat per skip na die eiland van Ceylon gestuur is om daar in die Diyatalawa-kamp geïnterneer te word. Die skip was op 'n donker, maanlose nag in die hawe van Colombo vasgeanker toe Steyn en vier van sy mede-gevangenes een-een met 'n tou in die water afsak terwyl Britse soldate om die skip patrolleer.

Die bekoring van Willie Steyn se persoonlike weergawe lê in die onderbeklemtoning en die feitlike eenvoud daarvan. Hy probeer homself nie as 'n held voorstel nie en maak geen aanspraak op roem nie, maar die intensiteit en krag van die vertelling verhoog namate dit ontvou. Vanaf die oomblik dat hy op die slagveld gevange geneem word, het Willie Steyn een doel voor oë: Hy gáán ontsnap. Die leser word bewus van hierdie dwingende dryfkrag, en leer Willie ken as 'n ongebonde gees, wat selfs in gevangenskap nooit sy brandende begeerte en vasberadenheid om tot die stryd terug te keer, verloor nie.

Deneys Reitz - skrywer van Kommando en bekend vir sy eie dapperheid - het in 1903 Steyn as 'een van ons dapperste burgers' beskryf, en sy ontsnapping as 'n daad 'sonder weerga in die geskiedenis van ontsnapping' genoem.

Met sy heel eerste verskyning op televisie as hoërskool-laaitie het Rian van Heerden reeds die volk die josie ingemaak. Sedertdien het hy dikwels koerantvoorblaaie gehaal - en is telkens afgedank! - vir sy omstrede uitlatings. In dié boek skryf hy onbeskaamd oor al die goed wat mense meen hy eerder nié moes gesê het nie. Hy maak vir die eerste keer sy hart oop oor sy persoonlike lewe, sy worsteling met gaywees en sy eerste liefdesverhouding. Blatant eerlik, skreeusnaaks, aangrypend.

Waarom "haak mense se koppe uit"?

Chris Mahlangu, wat vir Eugene Terre'Blanche vermoor het, het hom nie net doodgeslaan nie. Daar is berig dat Terre'Blanche se liggaam 28 keer met 'n ysterpyp, 'n afgebreekte stuk staaldiefwering, geslaan en gekap is. Dit terwyl hy op sy rug gele en slaap het. Dit was 'n bloedbad. Een jong man slaan 'n verpleegster met 'n stuk hout in die veld dood en haar kerel tot in die hospitaal se waakeenheid. 'n Ander slaan beide sy aanneemouers bewusteloos met 'n krieketkolf en dan steek hy hulle meer as 20 keer elk in die bors met 'n mes voor hy sy pa keelaf sny. 'n Manlike prostituut slaan sy vriend soveel keer met 'n knopkierie oor sy "onsedelike voorstelle" dat die sterf aan 'n skedelbreuk. Waarom sal 'n heteroseksuele man wat by prostitute slaap 'n seun by winkelsentrum oplaai en met hom lol?

Vyf gevallestudies oor Suid-Afrikaanse geweldsmisdadigers, vertel deur ervare ware misdaadskrywer Carla van der Spuy en kliniese sielkundige dr Henk Swanepoel. Die boek bevat inligting oor persoonlikheidsversteurings, elke misdadiger se agtergrond, die dag van die misdaad, die hofsaak, onderhoude en bevindings tydens die verhoor, tot die opvolgtronkbesoek - van aangesig tot aangesig met die oortreder.

In this memoir, the first of two, Dikgang Moseneke pays homage to the many people and places that have helped to define and shape him. These influences include his ancestry; his parents; his immediate and extended family; and his education both in school and on Robben Island as a 15-year-old prisoner. These people and places played a significant role in forming his principled stance in life and his proud defiance of all forms of injustice.

Robben Island became a school not only in politics but an opportunity for dedicated studies towards a law degree that would provide the bedrock for a long and fruitful career. The book charts Moseneke’s rise as one of the country’s top legal minds, who not only helped to draft the Constitution, but for 15 years acted as a guardian of it for all South Africans.

Not only did Moseneke assist in shaping our new Constitution, he has helped to make it a living document for many South Africans over the past 15 years.

This book is an account of Paul O'Sullivan's role in helping to not only nail South Africa's most powerful policeman, but also the world's top cop. It is based on thousands of pages of emails, statements, affidavits, letters, press reports, court records and transcripts as well as interviews with O'Sullivan himself. This version provides a perspective from his point of view as a key player in the saga. While O'Sullivan's name consistently appears in almost every key breaking story around the Selebi matter, his role, for whatever reason, has been played down.

The Jackie Selebi story, and the satellite narratives that orbited it, is a truly remarkable chronicle that requires commitment and stamina to grasp fully. There is so much detail, so much subterfuge, lying, dishonesty and cover-up by Selebi and his cronies that it is extremely challenging and almost impossible to pick out one comprehensive, linear thread. The drama played itself out in different layers and strata of South African society, sometimes simultaneously and often in an apparently unrelated fashion. The characters that populate the saga, apart from Jackie Selebi, include the then president of the country, his political rival, myriad crooked, corrupt businessmen, a gallery of rotten, very senior rogue cops, a phalanx of undercover intelligence operatives, two- bit hired guns, scrap metal dealers, drug and human traffickers, international criminal syndicates and a cast of thousands of common-or-garden-variety petty thugs and criminals.

"Sounds like a movie," say most of those who have asked about this project. Yes, but what is startling and disturbing is that this is no fairy-tale. Those of us who have become accustomed to the commodification of crime as "entertainment" in popular television series have this need to make sense of it by blurring fiction with chilling reality.

Paul O'Sullivan is no suave James Bond in a tuxedo, equipped with special equipment, downing his martini surrounded by a bevy of women. When dealing with criminals he can be abrasive, brusque and uncompromising. But who wouldn't be in a world that is populated with real thugs and dangerous killers, people who kill, maim and disrupt law and order and destabilise the country? These are sociopaths and psychopaths who do not care how much harm they cause as they go about their "business". So, what drove or drives O'Sullivan? Revenge? A thirst for justice? It's simple really. Paul O'Sullivan hates criminals and low-lifes like dogs hate flies. His long career in international law enforcement has equipped him with the intellectual and physical tools to deal with the most canny and violent of criminals.

He enjoys hunting them down and, like the radioactive bite that imbues Spiderman with special powers, criminals provide O'Sullivan with an energy and a stamina that seems to grow in proportion to the challenges they present him. His work, he says, is far from done. He is presently attempting to ensure that Czech-born fugitive, Radovan Krejcir, is extradited to his home country to face numerous charges.

This is the book President Jacob Zuma does not want you to read. From Shaik to ‘The Spear’, award-winning investigative journalist Adriaan Basson reveals the truth behind Jacob Zuma’s presidency of the ANC and South Africa.

From one bad decision to another, this explosive, roller-coaster account traces the unravelling of a likeable but deeply flawed leader who came to power as victim, not visionary. Basson forensically unpacks the charges against Zuma and reveals a president whose first priority is to serve and protect his own, rather than the 50 million people he was elected to lead.

To be published on the eve of the ANC elective conference in Mangaung, this is essential reading for any South African who cares about the country they live in.

“Ek het my mammie sien loop na die hofgebou met ’n hoodie aan en ’n doek oor haar gesig. Sy het byna gelyk soos iemand wat arm is. Mense het haar uitgevloek … Dit het my gebreek. Dit is die vrou wat elke dag daar was vir my, wat middagete vir my en my vriende gemaak het as ons van die skool af kom, en hier is sy nou op televisie en word ’n misdadiger genoem.”

Die ontvoering van baba Zephany Nurse uit die kot langs haar ma se hospitaalbed het die hele Suid-Afrika aangegryp. Haar desperate ouers het herhaaldelik gepleit dat sy veilig terugbesorg word, maar daar was geen teken van die baba nie. Vir 17 jaar lank, op haar verjaarsdag, het die Nurse-gesin kerse aangesteek en gehoop en gebid.

’n Klipgooi van die Nurse-gesin af het die 17-jarige Miché Solomon pas met matriek begin. Sy het ’n kêrel gehad en toegewyde ouers. Sy het gedroom oor die matriekafskeid en die rok wat haar ma vir haar sou maak. Sy het nie die vaagste benul gehad dat ’n nuwe meisie in die skool, wat ongelooflik baie soos sy lyk, en ’n DNS-toets haar wêreld tot in sy fondamente sou skud nie.

Miché is nou 22. Met verbysterende volwassenheid, eerlikheid en deernis vertel sy hier vir die eerste keer háár storie, in haar eie woorde, oor wat dit beteken om lief te hê en geliefd te wees, en om jou eie identiteit op te eis.

The fascinating true story behind South Africa’S most notorious bank robbers.

Five bank robberies. Fifteen years in jail. That was the sentence handed down to Allan Heyl in 1977. He was twenty-six years old and couldn’t face that many years behind bars. By the time André Stander, ex-police captain and convicted bank robber, arrived at the prison, Heyl was well advanced with his plan to escape. The two of them teamed up, made their escape and proceeded to rob banks at an unprecedented rate.

In this fast-paced, no-holds-barred, no-punches-pulled memoir, Heyl exposes the hell of prison life, revels in the sheer gung-ho audacity of robbing banks and hiding in plain sight, and reveals an inept and incompetent police force. As a member of the notorious ‘Stander Gang’, which both appalled and enthralled South Africans in the late ’70s and early ’80s, Allan became a career criminal. But this choice of lifestyle had its consequences …

With humour, fresh insight and self-revelation, the last surviving member of the socalled Stander Gang turns a critical eye on himself and the times in which he operated. This book takes you into the heart of a bank robber.