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Books > Local Author Showcase > Biography
Gordon Jephtas (1943–92) was born into an impoverished, coloured, single-parent family in South Africa. He began piano lessons after being intrigued by the harmonium player at the local church. In his teens he worked as an accompanist with the amateur coloured opera group “Eoan” in Cape Town, then moved to Europe to further his studies. His first big break came in 1972 when the Zurich Opera House appointed him to assist the conductor Nello Santi. Jephtas thereafter established an international reputation as a vocal coach of Italian opera, and Switzerland provided him with a liberal environment where he was free to express his sexuality. Both there and later in the USA, Jephtas worked with the biggest names in the opera world, from Renata Tebaldi to Plácido Domingo, Montserrat Caballé and Luciano Pavarotti. He always longed to be accepted back in South Africa, but his attempts to return culminated each time in disaster because talent and experience meant little in a land where “whiteness” trumped everything. An official offer to be made an “honorary white” merely intensified his inner turmoil. Back in the USA, Jephtas’s professional success was tempered by private misfortune. He died in New York in 1992. This book examines the life and career of Gordon Jephtas through the letters that he wrote home to May Abrahamse, a coloured singer with whom he had worked since his teens. They reveal in unique detail the life and achievements of a remarkable musician, but also the psychological damage wrought upon him by apartheid. Jephtas provides a fascinating case study of a gifted South African abroad, struggling with issues of race and sexuality at the height of the AIDS epidemic.
In 2011 the world was shocked when the news broke that Joost van der Westhuizen, known for years as the golden boy of South African rugby and a former Springbok captain, had been diagnosed with motor neuron disease (MND). This rare condition attacks the central nervous system, causing progressive disability. There is no known cure. All who have seen Joost in action will know that he is not one to give up without a fight. His game-changing prowess as a brilliant scrum half is now focused on a battle for survival and, more importantly, on making a difference to the lives of others with the disease. In a race against time, Joost has a dream to fulfil. He says: “In the beginning you go through all the emotions and you ask, ‘Why me?’ It’s quite simple. ‘Why not me?’ If I have to go through this to help future generations, why not me?” His acceptance of his symptoms is equally pragmatic: “One day you can’t move your arm, another day you don’t have speech. Every day you are reborn and you take the day as it comes.” Glory Game – The Joost van der Westhuizen Story is a compelling narrative of redemption set against the backdrop of an illustrious career in rugby. It is the story of a modern-day warrior forced to face his own human frailty. Joost shows us that beyond ambition, success and fame lies the true wealth of family and friends, and that within a ravaged body the spirit can remain invincible.
On 22 November 1977, 40 years ago, Robert Smit and his wife Jean were brutally murdered in their Springs home. They were shot and stabbed several times. The words RAU TEM were spray-painted in red on the walls. A high-ranking member of the National Party, Robert Smit was involved in probable sanctions-busting activities through a front company, SANTAM International. Told by Liza Smit, daughter of Robert and Jean, who was 13 years old at the time of the murders, this is a book of two stories, the story of the life-long and destructive impact the murders had on the lives of those left behind, and particularly and very poignantly on that of Liza’s own life. It also tries to unravel the mystery of the murders. We follow Liza as she gathers evidence to present to the Truth and Reconciliation Commission and meets with a wide array of those who might help solve the crime, from ministers to shady conmen. Despite Liza’s efforts and the huge public interest in the murders, despite the numerous conjectures on who might have murdered this high-ranking politician and his wife, despite the complicated reasons put forward as to who might have given the orders to have them killed, 40 years later we are no closer to a conviction and trial.
More than a million black South African women are domestic workers. These nannies, housekeepers and chars continue to occupy a central place in in postapartheid society. But it is an ambivalent position. Precariously situated between urban and rural areas, rich and poor, white and black, these women are at once intimately connected and at a distant remove from the families they serve. ‘Like family’ they may be, but they and their employers know they can never be real family. Ena Jansen shows that domestic worker relations in South Africa were shaped by the institution of slavery at the Cape. This established social hierarchies and patterns of behaviour and interaction that persist to the present day, and are still evident in the predicament of the black female domestic worker. To support her argument, Jansen examines the representation of domestic workers in a diverse range of texts in English and Afrikaans. Authors include André Brink, JM Coetzee, Imraan Coovadia, Nadine Gordimer, Elsa Joubert, Antjie Krog, Sindiwe Magona, Kopano Matlwa, Es’kia Mphahlele, Sisonke Msimang, Zukiswa Wanner and Zoë Wicomb. Later texts by black authors offer wry and subversive insights into the madam/maid nexus, capturing paradoxes relating to shifting power relationships. Like Family is an updated version of the award-winning Soos familie published in 2015 and the highly-acclaimed 2016 Dutch translation, Bijna familie.
'n Biografie van die bekroonde skrywer Jeanne Goosen, met foto's, briewe en bydraes van vriende wat vertel hoe hulle dié ikoniese figuur ken. Die skrywer, Petrovna Metelerkamp, is die 2019-wenner van die ATKV-Veertjie vir nie-fiksie vir Ingrid Jonker - 'n Biografie. Die boek bevat materiaal wat voorheen ontoeganklik was en beloof om ure se leesgenot te verskaf aan die duisende aanhangers van die digter-dramaturg en skrywer van Ons is nie almal so nie.
I in me is an autobiography of a popular South African musician, Steve Kekana, who became blind at the age of five. The book is written through a first person narrative to capture the emotions and experiences that Steve has gone through in his life as a blind person. He focuses on many stages of his life: attending school at Siloe school for the blind, which was an escape from humiliations in his community where blind people were stigmatised on a daily basis.
Die Suid-Kaapse Agulhas-kus is ongetwyfeld besaai met stories en legendes oor die tientalle skeepsrampe wat hulle aan hierdie gevaarlikste deel van die ganse Suid-Afrikaanse kuslyn afgespeel het. Met hierdie besonderse boekstawing deur Jeanette Grobbelaar word hierdie boeiende verhale nie net byeengebring nie, maar word dit ook op só ‘n manier aangebied dat jy dié boek eenvoudig nie neer wíl sit nie.
This book traces the history of the Soul Brothers, a popular South African mbaqanga group that was formed in 1975. In this book the reader is invited to a 43 year journey of the Soul Brothers in music covering their successes and tribulation and their contribution to revolutionizing Mbaqanga music. The book provides details about how the group was formed: who the original members were and how they met. It further highlights some painful but encouraging moments of the tragic deaths of original members and how the group managed to forge courage and carry on recording albums and performing live on local and international stages. In the book the reader learns more about when the group began recording albums and the events that led to the composition of certain songs. Furthermore, using colorful photos of their accolades, gold and platinum discs, newspaper and magazine articles, and the views of other mbaqanga musicians, the book shows why the Soul brothers are proclaimed the Kings of Mbaqanga. It also has a chapter that analyses their music focusing specifically on the social meanings of their music.
A riveting memoir of the Great War from a uniquely African perspective. The author helped suppress a rebellion in South Africa, defeat German West Africa, fight in German East Africa, and fight in France, where he commanded a Scottish battalion at the end of the war. King George V told the author in later years that he kept this book at his bedside in Windsor Castle.
What does the national conference of the ANC mean for the average South African? Mandy Rossouw explains, in easy and engaging fashion, how Zuma replaced Mbeki, how we got from the shock at Polokwane to daggers drawn at Mangaung – and who got us here. Rossouw charts how the national conference will be put together, and why what happens at Mangaung will impact on our every day, whatever our political affiliations. The personalities focused on:
Jacob Zuma – the incumbent
Hierdie is Ina Bonnette se eie weergawe van die wrede aanval en marteling deur die Modimolle Monster wat opslae gemaak het toe hy en drie handlangers haar ontvoer het. Ina: Verhaal Van Genade En Genesing is die merkwaardige verhaal van ’n oorwinnaar, ’n vrou wat wreed oorval en gemartel is deur haar eksman en sy handlangers. Ina moes nie net die onmenslike trauma, pyn en lewensveranderende gevolge van daardie dag verduur nie, sy het ook haar seun aan die dood afgestaan toe hy deur haar aanvaller vermoor is. Hierdie is haar verhaal van oorlewing, genade en uiteindelike genesing.
Born in 1985 in Daveyton, Junior Khanye’s story cycles through themes of comedy, tragedy and triumph. His love for Kung Fu movies characterises his moxie for life - Ghetto Ninja. Kung Fu and dancing soon translated to undeniable skill on the soccer field. Junior was scouted to Kaizer Chiefs aged just seventeen, where he soon became the darling of the nation with his goal scoring prowess. He shares how often he flirted with dangerous situations. Junior’s reputation as a troubled youth soon saw him kicked out of Kaizer Chiefs. From there he went through a tumultuous period cycling through phases of poverty and prosperity. As Junior was at the brink of cementing his comeback and affirming his maturity, he suffered a great tragedy when a gang was sent to kill his family. His father was murdered that night. Junior was in the house but managed to escape the attack. The soccer commentator and actor is living proof that one can come back from a state of darkness to achieve greatness.
Life is like that sometimes draws readers into the unforgettable personal experiences that have shaped Khaya Dlanga’s world. Weaving heartfelt and often hilarious tales, from his rural Eastern Cape childhood to the profound losses he has faced as an adult, Khaya reflects on life’s unpredictability with warmth and wit. The vivid stories explore love, loss, loyalty, forgiveness, tradition, chance, mischief, justice, responsibility and resilience, offering insights on relationships, identity and the lessons found in life’s toughest moments. Both deeply moving and laugh-out-loud funny, Life is like that sometimes is an exploration of personal growth, faith and the power of storytelling to find meaning in it all.
This compilation of accounts of people, events and incidents reflects how they shaped and continue to shape the future of South Africa. Now, as history is brought back into perspective, the unbiased stories, the stories of foolishness, bravery, happiness and sadness, can be correctly told.
Born Perlé van Schalkwyk, into a strict Jehovah Witness family, after studying drama at Stellenbosch University, Perlé quickly realises that acting is not going to buy her that house on the hill. And so erotic dancing and stripping becomes her modus operandi and GiGi is born. Tales of drugs, murder and porn lace her fascinating life, along with stories of courage and cunning in the sexist underworld. GiGi is a true survivor. Ultimately, this bare all memoir will both titillate and inspire.
Brand Pretorius knows what it means to be a leader: he was at the head of Toyota South Africa during its heyday, and took over as chief executive at the McCarthy Group. He knows that leadership means making hard and unpopular decisions with an eye on the long term. He writes about his four decades in business and the lessons he learnt. He illustrates his lessons on leadership with tales from his illustrious career in motoring, like how it feels to be in a Formula 1 racing car with one of the world’s best drivers. This book gives a rare insight into what it means to do business in South Africa, and how a South African business leader can navigate all of our country’s complexities. Filled with the wisdom of hard experience, with lessons which, though in the first instance aimed at business people, can be applied in any sphere of life. An inspirational and gripping book.
Broken Porcelain is not just a book of essays describing one Black woman’s experience of mental illness, but rather a memoir-in-essays that shatters the walls of our hearts and guides us towards empathy – all while providing social commentary that demystifies stigmas of mental illness. In her singular lyrical prose, Relebone Rirhandzu eAfrika covers topics such as social media’s role in how we view depression, generational trauma, what self-care really is, taking anti-depressant medication, and finding love when you are mentally ill. The author writes with poignant honesty about the darkness of her mental illness and breaks down what mental illness is (and is not).
Toe hy 21 jaar gelede vir die eerste keer in Parys aankom, sou die kunstenaar Louis Jansen van Vuuren hom nooit kon indink dat hy eendag ’n château in die Franse platteland sou besit nie. In Amper Frans vertel hy op skreesnaakse wyse hoe hy alles wat Frans is ontdek en beproef het – daar is neusoptrekkerige kelners, statige hertoginne, etlike botsings met die berugte Franse burokrasie en natuurlike talle faux pas in sy gebrekkige Frans. Om die vervalle château saam met sy lewensmaat, Hardy Olivier, in ’n boetiekhotel te omskep het groot geduld en uithouvermoë geverg. Talle lesse is op die harde manier geleer. Een daarvan is dat vier verwarmers geensins genoeg is om ’n hele château te verhit nie en dit sal jou dae lank sonder elektrisiteit laat. Louis vertel ook van kaskenades met hulle gaste en hul eie avonture soos hulle die land platry agter vlooimarkte en avontuur aan. Hy vermeng stories oor hul lewe in Frankryk met brokkies geskiedenis en fassinerende inligting oor eg Franse tradisies. Dit is ’n moet vir Frankofiele!
Robben Island best known as the place where Nelson Mandela was imprisoned for eighteen years has been a place of harshness and brutality; its history steeped in the suffering of those banished there. Yet it has also become a universal symbol of hope, forgiveness, and triumph.With a storyteller s sensibility, combined with rigorous research, Charlene Smith charts the evolution of the Island s political and social history, from mail station, place of exile, and military defence post to maximum security prison and World Heritage Site.Fully revised, this new edition of "Robben Island" provides absorbing accounts of daring escapes, maritime disasters, lepers ostracized from mainland society, the fates of the great Xhosa chiefs of the nineteenth century, and the unique bonds of friendship and compassion forged among the political prisoners confined on the Island during the apartheid era.Today Robben Island is recognized for both its environmental riches and its cultural significance. More than just a geographical location or a tourist attraction, it is an enduring tribute to the resilience of the human spirit. Sobering and uplifting, Robben Island is an essential read for anyone interested in South Africa s turbulent journey to democracy and the people who made it possible."
Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.
Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.
Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.
Anneli Drummond-Hay's autobiography is a fascinating insight into the making of an equestrian champion through her struggle for survival. It is a heart-warming story of a war baby with aristocratic connections, who grew up with very little money and even less love. She never went to school, she had no friends growing up, but she did have a gift with the horses in which she sought solace. The big love story of her life was one particularly special horse, Merely-AMonarch. He was invincible in eventing, but as female eventers were not permitted to compete in the Olympics in that era, Anneli switched to show jumping. She came so close to going to three Olympics but was foiled at the last moment each time, despite winning just about everything else in the sport. Besides her wonderful horses, Anneli gives an amazing account of the people she met - from Harvey Smith to the Queen, in front of whom she was asked to lend her horse for the British Olympic effort, and refused; to her asking a favour, in person, of Colonel Gaddafi. The jet-set life of an elite show jumper may be glamorous but there are more lows than highs, whether it's her top ride being stolen, a potential plane disaster above the Alps, or the sudden death of a star horse. As The Princess Royal so rightly says in the foreword to this book: 'Thank goodness Anneli decided to write her story.'
A story for men and boys about never coming of age. And for women who want to know why. Gareth has published half a dozen novels, made a horror film, run a 90 kilometre race in which he bled through his shoes, successfully failed to play right wing for Manchester United, attempted the Olympics at 38, wrestled a ghost, been the spokesperson for a company whose head office exploded, been run over by a Honda, survived two almost plane crashes and is currently filming a superhero TV show. And yet Gareth’s story is also your story. It’s about the small moments and the big events that make up a life. About the few victories and the many defeats, the adventures and the calamities. The missteps and the madness. From his bumbling days at school, to fumbled encounters with girlfriends and disasters on the sports field and in the office … this is a story for boys and men everywhere. And for women, of course, because contained within these pages are vital clues as to what makes the male mind tick. This isn’t just Gareth’s story – it’s everyone’s.
“There was no definite decision on the length of the [hunger] strike – it was to go on until their demands for release were met, or until collapse. They became slow and flagging and they didn’t talk much.” Previously banned and unavailable in South Africa, Helen Joseph writes a moving personal account of enduring the Treason Trial - one of the longest and most important trials in South African history. She shares stories of the Pony Post -the trialists' own postal service and language, the treatment of prisoners, and the ‘real heroes’ of the Trial: the wives of the accused. She writes honestly and details the trialists' perseverance, struggles, compassion and commitment to fighting oppression for all South Africans. This edition is a vital addition to curating our South African history and to our ever-growing Pocket Series. |
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