Greg du Toit recounts his fascinating life having spent decades as an African Wildlife Photographer, including incredible once-in-a-lifetime experiences like photographing lions from the middle of a watering hole. This autobiography is a must for anyone who dreams of Africa.

Packed with adrenalin-fuelled adventures, humour and true-life campfire tales, Wilderness Dreaming is an endearingly honest memoir of one photographer’s unforgettable quest for his own lost Africa.

Operation Savannah entered the annals of South African military tradition four decades ago. Few are aware of the significant role played during the course of this operation by a fragmented Bushman unit led by one of the most enigmatic personalities to emerge in uniform.

Until now, Colonel Delville Linford has had very little to say about his role as commander of Combat Group Alpha, or of that played by his Bushman soldiers. In this volume he allows us a peek at not only how this tiny combat force operated, but also at many ‘behind the screens’ machinations which explain how the unit was formed.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

In her much anticipated memoir, Sisonke Msimang writes about her exile childhood in Zambia and Kenya, young adulthood and college years in North America, and returning to South Africa in the euphoric 1990s. She reflects candidly on her discontent and disappointment with present-day South Africa but also on her experiences of family, romance, and motherhood, with the novelist’s talent for character and pathos.

Militant young comrades dance off the pages of the 1970s Lusaka she invokes, and the heady and naive days of just-democratic South Africa in the 1990s are as vividly painted. Her memoir is at heart a chronicle of a coming-of-age, and while well-known South African political figures appear in these pages, it is an intimate story, a testament to family bonds and sisterhood.

Sisonke Msimang is one of the most assured and celebrated voices commenting on the South African present – often humorously; sometimes deeply movingly – and this book launches her to an even broader audience.

The classic story of life in Apartheid South Africa.

Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa's most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university.

This extraordinary memoir of life under apartheid is a triumph of the human spirit over hatred and unspeakable degradation. For Mark Mathabane did what no physically and psychologically battered "Kaffir" from the rat-infested alleys of Alexandra was supposed to do -- he escaped to tell about it.

Gordon Jephtas (1943–92) was born into an impoverished, coloured, single-parent family in South Africa. He began piano lessons after being intrigued by the harmonium player at the local church. In his teens he worked as an accompanist with the amateur coloured opera group “Eoan” in Cape Town, then moved to Europe to further his studies. His first big break came in 1972 when the Zurich Opera House appointed him to assist the conductor Nello Santi. Jephtas thereafter established an international reputation as a vocal coach of Italian opera, and Switzerland provided him with a liberal environment where he was free to express his sexuality. Both there and later in the USA, Jephtas worked with the biggest names in the opera world, from Renata Tebaldi to Plácido Domingo, Montserrat Caballé and Luciano Pavarotti. He always longed to be accepted back in South Africa, but his attempts to return culminated each time in disaster because talent and experience meant little in a land where “whiteness” trumped everything. An official offer to be made an “honorary white” merely intensified his inner turmoil. Back in the USA, Jephtas’s professional success was tempered by private misfortune. He died in New York in 1992.

This book examines the life and career of Gordon Jephtas through the letters that he wrote home to May Abrahamse, a coloured singer with whom he had worked since his teens. They reveal in unique detail the life and achievements of a remarkable musician, but also the psychological damage wrought upon him by apartheid. Jephtas provides a fascinating case study of a gifted South African abroad, struggling with issues of race and sexuality at the height of the AIDS epidemic.

Well-known television anchor and media personality Ruda Landman talks to a wide variety of South Africans about their life choices and how change has affected them.

A colourful mosaic of diverse experiences emerges as people share life stories and lessons. The book includes insights by the likes of John Kani, Ferial Haffajee, Pieter-Dirk Uys, Katlego Maboe, Gugu Zulu, Zapiro, ProVerb, Arno Carstens, Mam' Khanyi (who takes in street children and orphans), Nick Binnedell and Marc Lottering.

Revealing, sad, funny and filled with hope as well-known and ordinary people equally show how each one of us always has options and can make a difference by how we respond to what we encounter.

South African icon Pieter-Dirk Uys has been on stage over 7 000 times. In this funny and tender memoir, Uys reveals the person behind the persona.

We meet his forbidding, musically driven Afrikaner father, his brilliant but troubled mother, and Sannie Abader, his Cape Flats ma who raised him in Pinelands, Cape Town.

Filled with photographs from the family album and 40 years of satire, The Echo Of A Noise also features Pieter’s Paarlse ouma, his strudel-baking German Oma, his devotion to Sophia Loren, the invention of Evita Bezuidenhout, and the joys and sorrows of a remarkable life.

More than a million black South African women are domestic workers. These nannies, housekeepers and chars continue to occupy a central place in in postapartheid society. But it is an ambivalent position. Precariously situated between urban and rural areas, rich and poor, white and black, these women are at once intimately connected and at a distant remove from the families they serve. ‘Like family’ they may be, but they and their employers know they can never be real family.

Ena Jansen shows that domestic worker relations in South Africa were shaped by the institution of slavery at the Cape. This established social hierarchies and patterns of behaviour and interaction that persist to the present day, and are still evident in the predicament of the black female domestic worker.

To support her argument, Jansen examines the representation of domestic workers in a diverse range of texts in English and Afrikaans. Authors include André Brink, JM Coetzee, Imraan Coovadia, Nadine Gordimer, Elsa Joubert, Antjie Krog, Sindiwe Magona, Kopano Matlwa, Es’kia Mphahlele, Sisonke Msimang, Zukiswa Wanner and Zoë Wicomb. Later texts by black authors offer wry and subversive insights into the madam/maid nexus, capturing paradoxes relating to shifting power relationships. Like Family is an updated version of the award-winning Soos familie published in 2015 and the highly-acclaimed 2016 Dutch translation, Bijna familie.

What does the national conference of the ANC mean for the average South African? Mandy Rossouw explains, in easy and engaging fashion, how Zuma replaced Mbeki, how we got from the shock at Polokwane to daggers drawn at Mangaung – and who got us here.

Rossouw charts how the national conference will be put together, and why what happens at Mangaung will impact on our every day, whatever our political affiliations.

The personalities focused on:

Jacob Zuma – the incumbent
Kgalema Motlanthe – the contender
Tokyo Sexwale – the smooth operator
Cyril Ramaphosa – the dark horse
Zwelinzima Vavi – Cosatu secretary and kingmaker
Fikile Mbalula – the Razzmatazz showman
Malusi Gigaba – Zuma’s cheerleader-in-chief and a future contender
Julius Malema – and how he changed the ANC for good

2016 was 50 years on from when District Six was declared a whites only area and this publication commemorates this event in our history. This revised edition (in a smaller format aimed at the tourist market) of this beautiful book shows poignant images from Breytenbach’s collection of District Six during the 1970s before the area was dramatically demolished by the apartheid government. It is an historical record about the inhabitants and their surroundings of that time and was compiled over a period of five years.

The Cape Town area known as District Six (so called for its geographic position on the municipal map of the city) developed into a dense residential area close to the centre of Cape Town during the second part of the nineteenth century. Home to a diverse community with a wide range of historical origins, neglect on the part of landlords and local authorities led to the area becoming rundown. The government repeatedly directed requests to the city council and the landlords – most of whom were white and not residing in the area – to upgrade what was fast becoming a slum on the doorstep of one of the most beautiful cities in the world. On 11 February 1966, the government declared District Six a white area under the Group Areas Act, and the wholesale removal of the inhabitants was started – mainly to areas away from the city.

This process took fifteen years and some 60 000 people were removed.

A riveting memoir of the Great War from a uniquely African perspective.

The author helped suppress a rebellion in South Africa, defeat German West Africa, fight in German East Africa, and fight in France, where he commanded a Scottish battalion at the end of the war.

King George V told the author in later years that he kept this book at his bedside in Windsor Castle.

Born in 1985 in Daveyton, Junior Khanye’s story cycles through themes of comedy, tragedy and triumph. His love for Kung Fu movies characterises his moxie for life - Ghetto Ninja. Kung Fu and dancing soon translated to undeniable skill on the soccer field.

Junior was scouted to Kaizer Chiefs aged just seventeen, where he soon became the darling of the nation with his goal scoring prowess. He shares how often he flirted with dangerous situations. Junior’s reputation as a troubled youth soon saw him kicked out of Kaizer Chiefs. From there he went through a tumultuous period cycling through phases of poverty and prosperity.

As Junior was at the brink of cementing his comeback and affirming his maturity, he suffered a great tragedy when a gang was sent to kill his family. His father was murdered that night. Junior was in the house but managed to escape the attack.

The soccer commentator and actor is living proof that one can come back from a state of darkness to achieve greatness.

Tendai Mtawarira is known throughout the rugby world simply as Beast. Or, more often than not, ‘Beeeaaassssttt!’, as crowds from Durban to London, Buenos Aires to Auckland cry whenever he gets the ball. In 2018 he became the most capped prop in Springbok history, earning his 100th Test cap for the Springboks, and in 2019 he became the most capped Super Rugby player in South Africa.

Due to play in his third World Cup in September 2019, Beast has been in a winning series against the British and Irish Lions, contested two Super Rugby finals and won three Currie Cups with his beloved Sharks. Along the way, he has been moved from back row to front row, bullied by xenophobic politicians and undergone three bouts of heart surgery.

Beast is the story of how a humble man from Zimbabwe has become a rugby icon.

The Jacana series of pocket guides is meant for those who are looking for a brief but lively introduction to a wide range of relevant topics of South African history, politics and biography. Written by some of the leading experts in their fields, the individual volumes are informative and accessible, inexpensive yet well produced, slim enough to put in your pocket and carry with you to read.

Steve Biko is often seen as the charismatic leader of the Black Consciousness Movement, who played a useful stopgap role in South African politics in the late 1960s and 1970s. This biography of Biko shows, on the contrary, just how fundamental he was to the transformation of South Africa in the second half of the 20th century – and just how relevant he remains today.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

Ronnie Kasrils's memoir reflects on compelling questions as to what turned a white youngster from a modest background into a lifelong revolutionary of note. A tiny minority who abandoned a life of privilege were the antithesis of conventionality and toeing the line. What made those such as Kasrils break all the rules and confront white power with such courage, unbridled spirit and yearning for the truth? This is a challenging and fascinating conundrum but Kasrils will claim he is no aberration of history. The answers to that question, which unravel through twenty years, will beguile readers as he peers back with endearing frankness into the origins and experiences of his formative years. A Yeoville-born boykie with Yiddish roots; heartfelt empathy for the underdog; an instinctive rejection of authoritarianism in school and wider society were influences informing his adult life as revolutionary activist. With a remarkable memory and flair for the written and spoken word the narrative revels in the social, sexual and political awakening of a roguish boy's adventures with girls, rock music, bohemian culture and leaping across the colour barrier. Kasrils's tadpoles of the memoir's title represent the submerged often illusive tracts of memory he searches for as he delves into the mystery of his metamorphosis. This stylistic element adds to the creativity of this fourth memoir.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Anneli Drummond-Hay's autobiography is a fascinating insight into the making of an equestrian champion through her struggle for survival.

It is a heart-warming story of a war baby with aristocratic connections, who grew up with very little money and even less love. She never went to school, she had no friends growing up, but she did have a gift with the horses in which she sought solace.

The big love story of her life was one particularly special horse, Merely-AMonarch. He was invincible in eventing, but as female eventers were not permitted to compete in the Olympics in that era, Anneli switched to show jumping. She came so close to going to three Olympics but was foiled at the last moment each time, despite winning just about everything else in the sport.

Besides her wonderful horses, Anneli gives an amazing account of the people she met - from Harvey Smith to the Queen, in front of whom she was asked to lend her horse for the British Olympic effort, and refused; to her asking a favour, in person, of Colonel Gaddafi.

The jet-set life of an elite show jumper may be glamorous but there are more lows than highs, whether it's her top ride being stolen, a potential plane disaster above the Alps, or the sudden death of a star horse.

As The Princess Royal so rightly says in the foreword to this book: 'Thank goodness Anneli decided to write her story.'

Jonathan Kaplan, celebrated international rugby referee and former world record-holder for most Test caps, had his fair share of challenging moments on the field. He was known for his commitment to fair play, ability to defuse tense situations, and courage in making difficult, and sometimes controversial, decisions. All this would stand JK in good stead and come back into play when, at the age of 47, he made two life-changing decisions. The first was to blow his whistle for the last time and end his career as a professional rugby ref. The second was to become a parent – and a solo parent at that.

This is the story of JK’s decision to have a baby by surrogate, the two-year fertility process that followed, and the subsequent birth of his son Kaleb. Winging It draws on the insights of key role-players in JK’s journey, including the extraordinary experience of the surrogate mother herself.

Exchanging rucks for reflux, mauls for milk bottles, scrums for storks (and other stories about Kaleb’s conception), this account of how JK navigates the choppy waters of parenthood is disarmingly frank and scrupulously honest. At times poignant and tender, and at others downright funny, this is a thoroughly contemporary take on what constitutes a family and how we dare to build one.

In A Man Apart Richard Steyn once again brings to life a South African icon. Louis Botha was the first Prime Minister of the Union of South Africa, a union he did much to create in the decade after the devastation of the Anglo-Boer War. During the war Botha was a brilliant young Boer general who through his battlefield strategy won significant victories over the British in the early stages of the war. When the weight of British arms overhelmed the Boers, Botha along with Smuts did much to encourage peace between English and Afrikaner and led the country to Union in 1910 and dominion status.

Botha was a big-hearted and generous man who showed magnanimity in his dealings with all, including former enemies. He led the South African troops to victory and the capture of German South West Africa – prior to this he had to put down a revolt of pro-German Afrikaners. At the Peace of Versailles, representing South Africa, he pleaded unsuccessfully for magnanimity towards the Germans. Botha was a globally respected figure – he and Smuts effectively operated as a double act in South Africa and on the international stage before Botha’s untimely death in August 1919 at only 57. In A Man Apart this tragically short life is illuminated in full.

This extraordinary account of imprisonment shows with exacting clarity the awful injustices of the system. Sylvia Neame, activist against apartheid and racism and by profession a historian (see the three-volume, The Congress Movement, HSRC Press, 2015), has not written a classical historical memoir. Rather, this book is a highly personal account, written in an original style. At the same time, it casts a particularly sharp light on the unfolding of a policedominated apartheid system in the 1960s.

The author incorporates some of her experiences in prisons and police stations around the country, including the fabricated trial she faced while imprisoned in Port Elizabeth, one of the many such trials which took place in the Eastern Cape. But her focus is on Barberton Prison. Here she was imprisoned together with a small number of other white women political prisoners, most of whom had stood trial and been sentenced in Johannesburg in 1964–5 for membership to an illegal organisation, the Communist Party. It is a little known story. Not even the progressive party MP Helen Suzman found her way here.

Barberton Prison, a maximum security prison, part of a farm jail complex in the eastern part of what was then known as the Transvaal province, was far from any urban centre. The women were kept in a small space at one end of the prison in extreme isolation under a regime of what can only be called psychological warfare, carried out on the instructions of the ever more powerful (and corrupt) security apparatus. A key concern for the author was the mental and psychological symptoms which emerged in herself and her fellow prisoners and the steps they took to maintain their sanity. It is a narrative partly based on diary entries, written in a minute hand on tissue paper, which escaped the eye of the authorities. Moreover, following her release in April 1967 – she had been altogether incarcerated for some three years – she produced a full script in the space of two or three months. The result is immediacy, spontaneity, authenticity; a story full of searing detail. It is also full of a fighting spirit, pervaded by a sharp intellect, a capacity for fine observation and a sense of humour typical of the women political prisoners at Barberton.

A crucial theme in Sylvia Neame’s account is the question of whether something positive emerged out of her experience and, if so, what exactly it was.

A Long Letter To My Daughter is award-winning South African author Marita van der Vyver's youth memoir.

An unputdownable read that weaves together both love letter, to a daughter, a language and a country, whilst tracing Van der Vyver's early years. Above all, it is a mother's effort to make sense of a world that seems increasingly senseless.

Hermann Giliomee, top historian, is seen as the world expert on the history of the Afrikaners. This book presents the essence of his previous, longer academic work in readable language. Many controversial aspects of South Africa’s past and the role therein of the group of people who in time would refer to themselves as “Afrikaners” are told in colour and flavour in story form, leaving readers with a fresh, sometimes challenging perspective on our past .