Born in 1917 in Bizana in the Eastern Cape, Oliver Reginald Tambo became Nelson Mandela's legal partner and a prominent member of the ANC's Youth League.

Following the Sharpeville massacre in 1960, Tambo left South Africa to set up the ANC's international mission. As President of the ANC in exile, he led the fight against apartheid on both the diplomatic and military fronts. He died in 1993 on the eve of liberation. Tambo had a profound influence on the ANC during the difficult years of uncertainty, loneliness and homesickness in exile. His simplicity, his nurturing style, his genuine respect for all people seemed to bring out the best in them.

This is the story of one of South Africa's great sons - 'the most loved leader', the Moses who led his people to the promised land but did not live to enter it.

In general, lives of noteworthy accomplishment are led by people with an obvious talent, or more than one. Occasionally, though, someone with no discernible gift whatsoever may distinguish him or herself with a remarkable life. Such cases invite the question of how? How did it happen? With age I have realised that mine is such a life, and, inevitably, I have asked that question. It may happen in cases like this that, as one searches for an answer, one looks for precedents: or even for gifts not inherent in oneself but from outside. I did neither: it came to me unbidden. As I sang, the lines in the hymn resonated so powerfully I could not get away from them: ‘As noiseless let Thy blessings fall as fell Thy manna down.’ That was it. Unobtrusively I had been blessed – again and again and again.

A dozy, unsocialised child follows a boringly ordinary course through life until gradually things start to work out for him in increasingly extraordinary ways. The only prize I ever won at school was the Natural History Prize, no academic accolades or colours for any sport. I was rewarded for loving undemanding nature; almost a non-prize. Nearly fifty years later, in a small town I had never visited before I was introduced to the author of a slim volume on the geography of the area. “Not THE Nick Norman,” she asked. I might have blushed. In 1987, aged 42 I had married, and gone on to father two children, one now a top lawyer, the other on a similar trajectory in medicine. Having dreamt of being a farmer, I owned a farm in Franschhoek, which put me in about the most envied group of people in South Africa. After a successful career in mineral exploration in Africa and South America I turned my hand to writing about geology in a way accessible to lay readers. Three best-sellers followed. The Red Sea opened up and the River Jordan stopped flowing, for the Israelites to reach their land of milk and honey. In between, though, there were 40 years in the wilderness.

This is my narrative. Yours will be different. Unpack it and you will find blessing after blessing. See how I found mine.

Native Life in South Africa is one of South Africa’s great political books. First published in 1916, it was first and foremost a response to the Native’s Land Act of 1913 and was written by one of the most gifted and influential writers and journalists of his generation. Native Life in South Africa provides an account of the origins of this crucially important piece of legislation and a devastating description of its immediate effects. Plaatje spent many weeks traveling in the countryside and the most moving chapters in the book tell us what he saw. His book explores the wider political and historical context that produced policies of the kind embodied in the Land Act, and documents meticulously steps taken by South Africa’s rulers to exclude black South Africans from the exercise of political power.

In 1956, Clarence van Buuren was found guilty of the murder of Myrna Joy Aken and executed - despite insisting on his innocence right until the end. And despite evidence proclaiming that Van Buuren was a narcissistic psychopath and a sadist, women queued to attend his trial.

What secret did Van Buuren take with him to the grave?

Fifty years after the events, Chris Marnewick tries to solve this mystery.

The stories of Naz Gool Ebrahim and District Six are intimately linked; in fact it is hard to imagine the one without the other.

As the niece of Cissie Gool, Naz came from fighting stock. Strong women with strong voices ran in the family. So when the Apartheid Government declared 'the District', a slum in 1966 and announced plans to flatten it, Naz wasn’t about to lose all that she held dear without a fight. She became the voice of the voiceless, both in South Africa and in the USA and was nominated as ‘Woman of the Year’. Naz combined her radical political activism with her roles as devoted wife and mother to six children. Up until the end of her life in 2005, she worked tirelessly to oppose the evil of racial segregation.

To her opponents, she was an indomitable adversary, but to her friends she was ‘Naz – Raz-a-ma-tazz’, a great lady who certainly knew how to tell a story and put on a good show.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present.

In 10 Inspiring Singers, Writers & Artists, you will read about the poets, singers, painters and writers who used their creative talents to express themselves. These are women who shape our worlds with art, culture and literature.

• Nontsizi Mgqwetho
• UMntwana uMagogo Constance Zulu
• Gladys Mgundlandlu
• Noni Jabavu
• Miriam Masoli Tlali
• Dorothy Masuku
• Esther Nikwambi Nostokana Mahlangu
• Madosini Latozi Mpahleni
• Busi Mhlongo
• Brenda Nokuzola Fassie

Louis Botha was ’n briljante Boeregeneraal wie se taktiese vernuf en intuïtiewe aanslag vir etlike oorwinnings oor die Britse magte in die Anglo-Boereoorlog gesorg het. Maar dit was sy enigmatiese karakter en vaste oortuiging om te hou by wat hy geglo het reg was, wat hom as ’n leier van die Boerevolk bevestig het.

Richard Steyn gee op meesterlike wyse insae in die lewe van hierdie grootse Suid-Afrikaanse krygsman en staatsman. Hy beskryf verhelderend hoe Botha saam met sy hegte vriend, Jan Smuts, die vier Suid-Afrikaanse kolonies na Uniewording in 1910 gelei het waarna Botha as die eerste eerste minister van die Unie aangewys is.

Gedurende die Eerste Wêreldoorlog was Botha aan die voorpunt van die Suid-Afrikaanse magte se suksesvolle inval van Duits-Suidwes-Afrika. Tog is hy deur talle Afrikaners verkwalik vir sy steun aan Brittanje, en die Afrikaner-rebellie van 1914, waartydens hy teen voormalige makkers moes optree, het sy hart gebreek.

Botha se groothartig en vrygewige omgang met mense – van Vereeniging tot Versailles – het hom bo sy tydgenote laat uitstaan.

Daniel Dumile Qeqe (1929–2005), ‘Baas Dan’, ‘DDQ’. He was the Port Elizabeth leader whose struggles and triumphs crisscrossed the entire gamut of political, civic, entrepreneurial, sports and recreational liberation activism in the Eastern Cape. Siwisa tells the story of Qeqe’s life and times and at the same time has written a social and political biography of Port Elizabeth – a people’s history of Port Elizabeth. As much as Qeqe was a local legend, his achievements had national repercussions and, indeed, continue to this day.

Central to the transformation of sports towards non-racialism, Qeqe paved the way for the mainstreaming and liberation of black rugby and cricket players in South Africa. He co-engineered the birth of the KwaZakhele Rugby Union (Kwaru), a pioneering non-racial rugby union that was more of a political and social movement. Kwaru was a vehicle for political dialogues and banned meetings, providing resources for political campaigns and orchestrations for moving activists into exile.

This story is an attempt at understanding a man of contradictions. In one breath, he was generous and kind to a fault. And yet he was the indlovu, an imposing authoritarian elephant, decisively brutal and aggressive. Then there was Qeqe, the man whose actions were not in keeping with the struggle. This story narrates his role in ‘collaborationist’ civic institutions and in courting reactionary homeland structures, yet through all that he was the signal actor in the emancipation of rugby in South Africa.

In this book Nomvuyiseko narrates a story of feeling that at twenty six years old, she was hanging by a thread six years after leaving her marital home, tormented by emotions of failure, hopelessness, and cliff broken dreams. The self-hatred lingered longer than she thought and “almost became the end of me”.

By the time she realised how dark the place was that she had reached, she was already in pieces. Her being had fallen out of sync with itself and was headed fast on a destructive trajectory. She either had to collect the pieces or watch herself fall apart. She kept thinking she wished that she was older; then perhaps she would have better skills and the ability to help herself collect what she saw as her scattered pieces. She was angry at herself for having taken a decision so huge that it had brought three children into this world yet failed to keep to the decision to remain married.

With an understanding that healing is complex, she commenced her journey towards collecting the broken pieces of her life with the aim to be joyful again. This is a self help book that seeks to convey the message that despite moments of unhappiness one can find true happiness and joy if they commit to do the inner work.

Kojo Baffoe embodies what it is to be a contemporary African man. Of Ghanaian and German heritage, he was raised in Lesotho and moved to South Africa at the age of 27. Forever curious, Kojo has the enviable ability to simultaneously experience moments intimately and engage people (and their views) sincerely, while remaining detached enough to think through his experiences critically. He has earned a reputation as a thinker, someone who lives outside the box and free of the labels that society seeks to place on us.

Listen to Your Footsteps is an honest and, at times, raw collection of essays from a son, a father, a husband, a brother and a man deeply committed to doing the internal work. Kojo reflects on losing his mother as a toddler, being raised by his father, forming an identity, living as an immigrant, his tussles with substance abuse, as well as his experiences of fatherhood, marriage and making a career in a fickle industry. He gives an extended glimpse into the experiences that make boys become men, and the battles that make men discover what they are made of, all the while questioning what it means to be ‘a man’.

Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong; Henry ‘Mr Drum’ Nxumalo; the Women’s March of 1955; the Sophiatown removals; the funeral of the Sharpeville massacre victims …

Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa, but his personal story is no less extraordinary. His affiliation for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine. In this powerfully evocative memoir of an international, award-winning career spanning over 50 years – in Europe, Africa and the US – this behind-the-scenes journey with a legendary photojournalist and visual storyteller is a rare and special privilege.

Schadeberg’s first-hand experiences as a child in Berlin during the Second World War, where he witnessed the devastating effect of the repressive Nazi regime, and felt the full wrath of the Allied Forces’ relentless bombing of the city, are vividly told. The only child of an actress, who left her son largely to his own devices, Jürgen became skilled at living by his wits, and developed a resourcefulness that held him in good stead throughout his life. At the end of the war, his mother married a British officer and emigrated to South Africa, leaving Jürgen behind in a devastated Germany to fend for himself. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at the German Press Agency, then graduating to taking photos at football matches.

After two years there, Jürgen made the decision to travel to South Africa. He arrived at Johannesburg station on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the platform beside him, and his Leica camera, as always, around his neck.

Son of a Preacher Man is a story about a loving but fraught relationship between a father and son in apartheid South Africa.

The father was Bruce Evans, a Jewish-born, evangelical Anglican clergyman who became Bishop of Port Elizabeth. His children grew up in the 1960s and ’70s in a world awash with chapter-and-verse ‘born-again’ Christianity that included ‘talking-in-tongues’, ‘divine healings’ and exorcism.

Gavin, his middle son, who narrates the tale, eventually broke with the religious beliefs he’d inherited and threw himself into the ‘struggle’ for democracy while keeping his father at arms’ length. But they reconciled shortly before Bruce’s death from motor neuron disease in 1993.

The book delves into the psyches of both men and examines how it played out in the 33 years they had together.

Legendary South African dancer and choreographer Gregory Maqoma’s childhood was marked by a deep connection to the rhythms of his hometown, Soweto. From a young age, he showed a passion for dance and music, playing the big drum in the community marching band and starting his own group before winning a place in a dance company – against his father‘s wishes.

Maqoma’s upbringing in the 1980s, a politically charged era, nurtured his desire to use his art for good. He has always had a profound respect for his cultural heritage, a commitment to social justice and an unwavering belief in the power of the arts to transform, to heal and to rebuild. Gregory never allowed his challenges to define his experience. His journey from Soweto to the global stage reveals his courage, creativity and determined spirit.

Maqoma has written a dazzling memoir, which encourages everyone to embrace their passions, overcome obstacles and believe in the strength of their dreams. It is a testament to the great heights you can reach when you dance to the rhythm of your own soul!

Ruth was four years old when her father was arrested for high treason and her world was turned upside-down. She grew up in constant fear of Special Branch policemen knocking on the door to arrest her mother or father, prominent South African communist. Ruth learned how to keep her mouth shut, to look out for microphones in the walls and to beware of friends who could betray her trust.

At fourteen, Ruth left South Africa, clutching her teddy bear in one hand and her drawings in the other. A plan to England carried her into exile, a new world where she struggled to reconstruct a life fractured by fear.

With an artist’s eye for detail and colour, Ruth recalls her life with unflinching honesty: the Treason Trial; her struggle to conform; Friern Barnet Asylum for the ‘hopeless insane’; LSD, protests, and free love in London, art school and motherhood; communes and camping- all steps in a journey that finally brought her home to South Africa on the brink of change.

Heart- wrenchingly sad one minute, bursting with life and vigour the next, seamed throughout by strength and courage, girl on the edge allows us to look deep into one woman’s life and travel with her to the brink and back again.

MaZwane has become a legend in South Africa as a pioneering entrepreneur – and an inspiration for those who ask questions about opportunities in the informal township economy. Her answer to those who doubt whether they can make it, is that you do it through perseverance, sacrifice, seizing opportunities, and offering superior products and service.

In 1989 Phumlaphi (‘Rita’) Zwane left KwaZulu-Natal to find work in Johannesburg after becoming a teenage mother. She could count on the love of her family, a matric certificate and her faith, but had no job prospects, and no knowledge of the business world or life in the big cities. Her memoir takes the reader from the tough times of finding her feet in Johannesburg, through a variety of jobs and life experiences, to finally fighting her way to success as a respected member of the township economy and starting the successful Imbizo Shisanyama business. MaZwane tells how she progressed from having virtually no income or permanent home to becoming the first person to formalise and commercialise shisanyama in the townships – and provide a comfortable home and legacy for her children.

Along the way, she befriended many people who contributed accommodation, job opportunities, advice, and companionship. With them cheering her on, she learned how to navigate the different and difficult aspects of the hospitality industry – and slowly reach her desired place of independent security. Conquering the Poverty of the Mind shows the true grit of a Zulu girl who believed in herself – and did it against all odds.

Winner of the Thurber Prize for American Humor and an NAACP Image Award. Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist.

Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

Whitey Basson, een van SA se mees suksesvolle sakeleiers, word deur sy eweknieë beskryf as “geniaal”. Whitey het ’n legende geword toe hy, in SA se beroemdste oorname, die sukkelende OK Bazaars vir een rand gekoop het. In dié gemagtigde biografie vertel die bekroonde sakejoernalis Niel Joubert die volle storie van Whitey se opkoms en fabelagtige sukses.

Van ’n paar klein winkeltjies, gewaardeer teen R1 miljoen, het hy Shoprite in Afrika se grootste kleinhandelaar omskep – en die 35ste grootste kleinhandelaar in die wêreld. Ná jare se navorsing, en baie ure in gesprek met Whitey self, herskep Joubert Whitey se kleurryke lewe, van sy seunsdae op die plaas buite Porterville via Pep Stores tot Shoprite.

Nadat hy Grand Bazaars, Checkers en OK Bazaars oorneem, bereik Whitey uiteindelik sy groot mikpunt: om Pick n Pay verby te steek. In die proses het hy SA se grootste private werkgewer geword en welvaart geskep vir tallose Suid-Afrikaners. ’n Hoogs leesbare en inspirerende sakestorie.

This biography of Michael Mosoeu Moerane (1904-1980) surveys the unique life, times and music of the first classically educated African composer in southern Africa.

The Times Do Not Permit is the first extended overview of the life, times, and music of Michael Mosoeu Moerane (1904-1980), a composer brought up in rural South Africa in the early twentieth century. It offers a close study of African choral music that dates back to mission schools and colleges in the Eastern Cape, where a number of future African composers, as well as future political leaders, were educated. Moerane was one of many mission-trained musicians who wrote short a cappella choral works for churches and schools.

The Times Do Not Permit explores the political changes and social conditions that made life for Moerane both possible and impossible as a composer. He was the first black South African to qualify with a BMus degree in 1941. However, this caused difficulties for him both within the African choral circuit, where his advanced modernist style was considered strange and difficult, and within white concert life, from which he was largely excluded. Only his symphonic poem for orchestra, Fatšo La Heso, attained some recognition locally and internationally during his lifetime, and the score survived, unlike many of the piano pieces and smaller instrumental works he wrote.

In addition to telling the story of his ancestry, upbringing, education and teaching career, Christina Lucia offers an analysis of his music, the famous symphonic poem and four of his choral pieces, to reflect the major themes he expressed. The Times Do Not Permit is supplemented with interviews with those who knew Moerane, and ends with a coda of professional letters to, from and about him that gives his voice a presence in the absence of much personal documentation.

Son of a Preacher Man is a deeply personal and profound exploration of faith and self-realisation. Never experiencing God through the Anglican Church, Matthew Gregorowski embarks on a journey that is as much about understanding his father's calling as it is about discovering one's own path to purpose and fulfilment.

Taking up Vedic meditation as a way to manage his snowballing anxiety, he finally meets God on his own terms. But most surprising of all is that it unlocks the secret to an entirely new way of living.

Borne of the hope it may inspire others to realise their true potential, Son of a Preacher Man offers a unique perspective on finding peace and purpose in life, regardless of one's circumstances, and a compelling narrative about the transformative power of spirituality.

Sometimes real life is stranger than fiction. That certainly is the case when considering the things that happen to Khaya Dlanga in the course of his everyday life. Khaya often shares these stories in brief via Instagram or his other social media platforms. He is finally succumbing to the pressure from the many people who read his posts and want more details, and is telling all of these stories and more in These Things Really Do Happen To Me.

Always entertaining, and often containing astute observations regarding various social practices and situations, Khaya tells wide-ranging stories – his lunch with William Shatner; how he fell asleep next to President Thabo Mbeki; how he got hit on by a deaf girl; how his dreadlocks didn’t get the expected reaction from his mom; the greatest pick-up line ever used on him; awkward encounters with exes; what happens when you parallel park in Parkhurst; and what he has learnt in the course of his eventful life – that are guaranteed to entertain and enlighten readers.

Dov Fedler was a "laatlammetjie", born and bred in Johannesburg in 1940 just as Hitler was getting into his stride. A third child was not on his parents' "want-list". It was hard enough supporting two much older children and a printing business struggling to exist.

When Dov was about three his mother had a "nervous breakdown" which is when he remembers seeing his first pencil and knowing precisely what it was that he wanted to do with his life. There are no coincidences in Dov's life. He believes that a hand of destiny has steered his path towards becoming a leading South African cartoonist for more than 45 years. Many dramatic encounters (not with aliens or spirits, but with everyday people) have shaped him and he wouldn't have missed any of it.

Dov's story is intensely personal and honest, with a powerful combination of humour, emotion and community history. OUt Of Line attempts to do a few short things. It is an autobiography but it is also an attempt to capture a particular history of a specific generation; that of the Jewish baby boomers who descended from mainly Lithuanian stock.