Leon and his twin Norman were born in August 1929, the youngest of four children born to Mary and Mark Levy, immigrants from Lithuania. His father died when Leon was six; to heroic degree, his mother carried the family – financially, practically and emotionally – in her widowhood. Leon was an intensely bookish boy but left school aged sixteen to help makes ends meet through a series of jobs. Deeply affected by the events of the Second World War and the Holocaust, Leon was radicalised in the Hashomer Hatza’ir, a left-wing Zionist youth movement. He was seventeen when he joined the Communist Party and became a committed young activist.

In 1953, at the age of twenty-four, Leon became a full-time trade unionist. ‘It was a defining moment in my life story,’ he writes. ‘It gave practical form to my political beliefs; it also determined the shape and scope of my life. It transpired that I would spend the next six decades and more working in trade unions, industrial relations and mediation.’

A comrade in the trade union movement nicknamed Leon, TsabaTsaba – which means “here, there and everywhere”. Anyone who reads Leon’s account of his years as a full-time unionist will agree that the soubriquet was well earned. (Alongside trade union work, Leon was also committed to the remarkable Discussion Club, which he co-founded and ran throughout the 1950s; he was also secretary of the South African Peace Council from 1951 to 1961.) In the mid-1950s, he was part of a small group of progressive trade unionists who pushed for the formation of the first non-racial trade union federation in South Africa. These aspirations were realised in March 1955 with the launch of the South African Congress of Trade Unions (SACTU). Later that year Leon was elected president and remained in that position for nine years. SACTU linked day-to-day concerns of workers with support for national liberation and the abolition of apartheid and was one of the five organisations which formed the Congress Alliance. As SACTU leader, Leon served on the committee that directed the activities of the Alliance; he was present at Kliptown when the Freedom Charter was adopted – and as SACTU president was one of the five original signatories of the Freedom Charter.

Political activism of this order came at a high price. Leon Levy was served with banning orders and arrested several times; he was Accused No 4 of the 156 people arrested and charged with treason, and from November 1958 was one of the final 30 (and with Helen Joseph one of only two whites) who faced charges until the trial was finally dismissed in March 1961. He was detained for five months during the 1960 State of Emergency. In May 1963 he was the first person to be detained under the notorious General Laws Amendment Act, known as the 90-day Act. Unable to continue his work he chose to go into exile in the United Kingdom. There, he studied politics, economics and industrial relations at Oxford – and then applied what he had learned in a series of positions in industrial relations. After 1994, he was determined to make the skills and knowledge that he had acquired available to a democratic South Africa – and he and his wife Lorna returned to the country of their birth in 1997. In a remarkable final phase of his career, Leon took office shortly after his 70th birthday as a full-time commissioner for the Commission for Conciliation, Mediation and Arbitration – and spent the next 19 years in this capacity.

In A Path Unexpected, Evans shares her life, working as a journalist in the big city, then moving to the small town of Viljoenskroon in the northern Free State with her husband, Anthony Evans, a well-known and respected businessman and farmer. It is here that she created her non-profit organisation to provide education and training for the wives and children of farm labourers during the height of apartheid. Her profound influence on these families labels her as an activist for her early childhood development (ECD) and adult teaching advocacy in rural communities.

This memoir is about family, love, loss, finding purpose and dedicating oneself to a life of service.

Eloquently written and told with great sensitivity and humility, this is a memoir about how one woman’s unexpected path led to family-like bonds in the unlikeliest of places, and a dream so profound that it would impact generations of young learners and the women who teach them.

Winner of the Thurber Prize for American Humor and an NAACP Image Award. Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist.

Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

Legendary South African dancer and choreographer Gregory Maqoma’s childhood was marked by a deep connection to the rhythms of his hometown, Soweto. From a young age, he showed a passion for dance and music, playing the big drum in the community marching band and starting his own group before winning a place in a dance company – against his father‘s wishes.

Maqoma’s upbringing in the 1980s, a politically charged era, nurtured his desire to use his art for good. He has always had a profound respect for his cultural heritage, a commitment to social justice and an unwavering belief in the power of the arts to transform, to heal and to rebuild. Gregory never allowed his challenges to define his experience. His journey from Soweto to the global stage reveals his courage, creativity and determined spirit.

Maqoma has written a dazzling memoir, which encourages everyone to embrace their passions, overcome obstacles and believe in the strength of their dreams. It is a testament to the great heights you can reach when you dance to the rhythm of your own soul!

"I feel as if I have been holding onto myself and holding my breath; as if I have had a bomb strapped around my body and have had to watch my every step and move - just in case it exploded. Slowly, I'm gaining the confidence to breathe deeply and exhale longer. Slowly, I'm reclaiming the freedom to move my body, to dance as I sing."

Dealing with the topical issue of trauma and mental health, Nompumelelo's inspirational story resonates deeply.

In No life of my own, Frank Chikane, one of the leading figures in the Christian resistance to apartheid, recounts his life – beginning with his childhood, growing up black under apartheid, and continuing through his call to the Christian ministry. He tells of his family's increasing involvement in the struggle against apartheid and of disapproval and suspension from his own church. He relates a harrowing story of harassment, detention and firebombing, torture and exile – and his return, despite death threats and further detention, to South Africa to continue the fight. Through it all, one thing is clear: he is a man whose faith compels and sustains him in a courageous and selfless journey toward freedom.

When Robert McBride was sentenced to death, he turned to the public gallery in court and said: ‘Freedom is just around the corner. I am leaving you at the corner – and you must take that corner to find freedom on the other side.’ As the guard moved in, he raised his fist and shouted: ‘The struggle continues till Babylon falls!’

It was 1987: the time of ‘total onslaught’. The trial of the MK unit that planted the Magoo's bomb on the Durban beachfront dominated the news but few knew the real facts of the brave young people who brought the armed struggle to KwaZulu-Natal.

This is the remarkable story of McBride and his comrades: the substation sabotage spree, rescuing a compatriot from hospital and smuggling him to Botswana, the devastating Why Not and Magoo's car bomb that killed three women, the dramatic trial and McBride’s 1 463 days on Death Row.

Now updated to include McBride’s controversial life after the end of apartheid, this is a thrilling tale of a young South African’s incredible courage, loyalty between friends and falling in love across the race barrier. Today, the struggle continues as McBride fights against corruption and state capture.

Native Life in South Africa is one of South Africa’s great political books. First published in 1916, it was first and foremost a response to the Native’s Land Act of 1913 and was written by one of the most gifted and influential writers and journalists of his generation. Native Life in South Africa provides an account of the origins of this crucially important piece of legislation and a devastating description of its immediate effects. Plaatje spent many weeks traveling in the countryside and the most moving chapters in the book tell us what he saw. His book explores the wider political and historical context that produced policies of the kind embodied in the Land Act, and documents meticulously steps taken by South Africa’s rulers to exclude black South Africans from the exercise of political power.

Mario Cesare wrote about his life as a game ranger in his memoir Man-eaters, Mambas and Marula Madness. Through these stories his readers have come to know and love, Shilo, a dog in a million and the love of Mario’s life.

Though Mario is a game ranger and conservationist, this is not just another “40 years as a game ranger” type of book. It is the story of an adventurous life - spanning both pre- and post-1994 Southern Africa – which is interwoven with the tale of an intense, loving 14-year relationship between himself and his dog Shilo.

This relationship between man and dog was clearly meant to be from the day Mario first took the tiny newborn pup into his hands. It has lasted through innumerable adventures of duck-hunt and killer crocodile, wounded buffalo, lion, leopard and poacher.

The Man with the Black Dog is permeated by the same love and empathy that made Jock of the Bushveld such a classic and it is also, of course, a very South African story. Never before has the story of a man and his dog revealed so much of the flavour of life in such an exquisite wild location and, though over a century has passed since the transport wagons carved their trails to and from Delagoa Bay, the scent evoked of dust and rain remains the same and the grey ghosts of kudu and elephant still melt into the bush.

Mario Cesare’s career has taken him, and Shilo, from Timbavati and Mala Mala to Olifants River and beyond – and he delights in sharing his good fortune.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Kolonie aan die Kaap is die derde van vyf boeke oor vroeë blanke vestiging aan die Kaap.

In dié deel vestig Karel Schoeman die aandag op die eerste blanke intrekkers. Die VOC (Verenigde Oostindische Compagnie), het in 1651 besluit om in Tafelbaai ’n verversingspos te stig ten behoewe van die Kompanjie se skeepvaart tussen Nederland en die Ooste en dis met hierdie doel dat kommandeur Jan van Riebeeck in Desember van daardie jaar met sy vlootjie van vyf skepe na die Kaap uitgeseil het.

Die eerste hoofstuk gee aandag aan Van Riebeeck se lewe en loopbaan tot en met hierdie datum en in die tweede hoofstuk word die werksaamhede rondom die vestiging van die verversingspos aan die hand van Van Riebeeck se dagboeke en briewe en die geskrifte van vroeë besoekers beskryf. Die omstandighede van die pioniersgroepie wat uitvoering aan Van Riebeeck se opdragte en ambisieuse planne moes gee, word in hoofstuk 3 bespreek. Aanvanklik moes alle lewensmiddele, gereedskap, saad, plantjies en selfs perde uit die Ooste ingevoer word. ’n Fort, wat skuiling en beskerming teen wilde diere en vyandige Khoi-stamme moes gee, is in 1666 voltooi. Hoe die verskillende sosiale groeperinge soos die hoë amptenare, die ambagsmanne, soldate en slawe in dié Fort gewerk, geleef en soms ook gesterf het, die onthale, kerk- en gebedsdienste en militêre parades kom in hoofstuk 4 aan die bod.

’n Klein klompie hoë Kompanjiesamptenare was deel van die Kaapse nedersetting, maar dit was hoofsaaklik uit die groter groep werksvolk, soldate en matrose dat die latere vryburgers afkomstig was. Die uiters moeilike omstandighede, teenslae en mislukkings van die aanvanklike groepie van nege, maar ook die enkele suksesverhale, word in hoofstuk 7 bespreek. Die boek sluit af met ’n oorsig oor Van Riebeeck se latere loopbaan in die Ooste en sy oorlye in 1677.

In general, lives of noteworthy accomplishment are led by people with an obvious talent, or more than one. Occasionally, though, someone with no discernible gift whatsoever may distinguish him or herself with a remarkable life. Such cases invite the question of how? How did it happen? With age I have realised that mine is such a life, and, inevitably, I have asked that question. It may happen in cases like this that, as one searches for an answer, one looks for precedents: or even for gifts not inherent in oneself but from outside. I did neither: it came to me unbidden. As I sang, the lines in the hymn resonated so powerfully I could not get away from them: ‘As noiseless let Thy blessings fall as fell Thy manna down.’ That was it. Unobtrusively I had been blessed – again and again and again.

A dozy, unsocialised child follows a boringly ordinary course through life until gradually things start to work out for him in increasingly extraordinary ways. The only prize I ever won at school was the Natural History Prize, no academic accolades or colours for any sport. I was rewarded for loving undemanding nature; almost a non-prize. Nearly fifty years later, in a small town I had never visited before I was introduced to the author of a slim volume on the geography of the area. “Not THE Nick Norman,” she asked. I might have blushed. In 1987, aged 42 I had married, and gone on to father two children, one now a top lawyer, the other on a similar trajectory in medicine. Having dreamt of being a farmer, I owned a farm in Franschhoek, which put me in about the most envied group of people in South Africa. After a successful career in mineral exploration in Africa and South America I turned my hand to writing about geology in a way accessible to lay readers. Three best-sellers followed. The Red Sea opened up and the River Jordan stopped flowing, for the Israelites to reach their land of milk and honey. In between, though, there were 40 years in the wilderness.

This is my narrative. Yours will be different. Unpack it and you will find blessing after blessing. See how I found mine.

Justice Mahomed was a philosopher of law whose insights and analysis brought about refinements in the law that enlarged the scope of freedom and dignity during apartheid. He spent his life in the service of law to establish justice, contributing to laying the foundation for human rights. As a fearless advocate he challenged immoral and repressive legislation and executive action, developing the common law, especially in the areas of administrative and public law. As a judge, he was at the forefront of a radical and visionary constitutional transformation.

Mahomed’s vision of a human rights culture pre-dated our transition to democracy. We are constantly reminded of his deep love for and understanding of the law, his unmatched oratory, his passion and his unwavering commitment to human rights.

The book comprises four sections:

• Section one consists of a commentary, preceded by a foreword by President Cyril Ramaphosa;
• Section two consists of perspectives of Mahomed by colleagues, friends and family;
• Section three is a selection of his speeches that deal with a range of issues from philosophy to a Bill of Rights;
• Section four identifies some of his illuminating judgments.

A collection of Robert Sobukwe’s political writings, speeches and court testimonies supplemented by an account of his years in Kimberley following his release from Robben Island.

There are several accounts of Robert Sobukwe’s courageous role in contesting South Africa’s system of apartheid and of his incarceration on Robben Island after the Anti-Pass Campaign that led to the tragic events of Sharpeville in March 1960. Far less attention has been paid to the years the leader of the Pan-Africanist Congress spent in Kimberley, between 1969 and 1978, after his release from the Island.

Darkest Before Dawn, the follow-up to Lie on Your Wounds: The Prison Correspondence of Robert Mangaliso Sobukwe, captures the story of the post-prison years of Sobukwe’s life. This latest compilation complete with a biographical narrative by the editors and enriched with images from Sobukwe’s life in this period of his life demonstrates the many challenges Sobukwe faced as well as his continued political resolve to fight for an end to apartheid. This is captured in the many meetings he had in spite of banning orders and letters he exchanged with friends and admirers, including the celebrated novelist Bessie Head whose letters to Sobukwe are published here for the first time. Sobukwe continued to meet political allies, such as Black Consciousness leader Steve Biko, he pursued a legal career and played host to international visitors. The portrait of Sobukwe that emerges is that of a highly ethical man, a figure of dignity and fortitude, and a wise elder whose commitment to the people of Africa and to the vision of Pan-Africanism who remained undeterred, despite his being forced to live, in his final years, under near impossible conditions. To do justice to Sobukwe’s legacy, his intellectual contribution and his unfailing desire to pursue liberation for the African people, we need to view his biography against the backdrop of his words.

Darkest Before Dawn includes a definitive collection of his political writings, speeches, unpublished court testimonies, interviews with Gail Gerhart and Joe Thloloe, and expansive annotations by the compilers. The book ends with a reflective essay which highlights the ongoing pertinence of Sobukwe’s legacy.

Khulu Radebe had had a full life. Then, at the age of 50, he discovered that he was a king.

As a teenager, Khulu Radebe was part of the Alexandra Township 1976 uprisings. Arrested and sent to Robben Island, he was one of the youngest prisoners there. Returning to Alex, he participated in the township’s 1986 Six Days War. Radebe joined the armed struggle, repeatedly dodging death from the enemy and from fellow MK soldiers in Angola.

At age 50, and proving a prophet’s prediction correct, Khulu Radebe learned about his royal roots. He was informed that he was the ruler of the AmaHlubi people of the Embo Nation, a nation that stretches along the east coast of Africa.

In chronicling his extraordinary life and times in this landmark autobiography, Radebe, in a humane and vivid way, chronicles too the revolutionary path for freedom in South Africa. Alexandra Township in Johannesburg is a central character in this book and Radebe reveals an astonishing story of the post-1990 war between Inkatha and the ANC in Alex.

Gripping, bold and original, Comrade King, is an unforgettable story.

This book is an account of Paul O'Sullivan's role in helping to not only nail South Africa's most powerful policeman, but also the world's top cop. It is based on thousands of pages of emails, statements, affidavits, letters, press reports, court records and transcripts as well as interviews with O'Sullivan himself. This version provides a perspective from his point of view as a key player in the saga. While O'Sullivan's name consistently appears in almost every key breaking story around the Selebi matter, his role, for whatever reason, has been played down.

The Jackie Selebi story, and the satellite narratives that orbited it, is a truly remarkable chronicle that requires commitment and stamina to grasp fully. There is so much detail, so much subterfuge, lying, dishonesty and cover-up by Selebi and his cronies that it is extremely challenging and almost impossible to pick out one comprehensive, linear thread. The drama played itself out in different layers and strata of South African society, sometimes simultaneously and often in an apparently unrelated fashion. The characters that populate the saga, apart from Jackie Selebi, include the then president of the country, his political rival, myriad crooked, corrupt businessmen, a gallery of rotten, very senior rogue cops, a phalanx of undercover intelligence operatives, two- bit hired guns, scrap metal dealers, drug and human traffickers, international criminal syndicates and a cast of thousands of common-or-garden-variety petty thugs and criminals.

"Sounds like a movie," say most of those who have asked about this project. Yes, but what is startling and disturbing is that this is no fairy-tale. Those of us who have become accustomed to the commodification of crime as "entertainment" in popular television series have this need to make sense of it by blurring fiction with chilling reality.

Paul O'Sullivan is no suave James Bond in a tuxedo, equipped with special equipment, downing his martini surrounded by a bevy of women. When dealing with criminals he can be abrasive, brusque and uncompromising. But who wouldn't be in a world that is populated with real thugs and dangerous killers, people who kill, maim and disrupt law and order and destabilise the country? These are sociopaths and psychopaths who do not care how much harm they cause as they go about their "business". So, what drove or drives O'Sullivan? Revenge? A thirst for justice? It's simple really. Paul O'Sullivan hates criminals and low-lifes like dogs hate flies. His long career in international law enforcement has equipped him with the intellectual and physical tools to deal with the most canny and violent of criminals.

He enjoys hunting them down and, like the radioactive bite that imbues Spiderman with special powers, criminals provide O'Sullivan with an energy and a stamina that seems to grow in proportion to the challenges they present him. His work, he says, is far from done. He is presently attempting to ensure that Czech-born fugitive, Radovan Krejcir, is extradited to his home country to face numerous charges.

Kojo Baffoe embodies what it is to be a contemporary African man. Of Ghanaian and German heritage, he was raised in Lesotho and moved to South Africa at the age of 27. Forever curious, Kojo has the enviable ability to simultaneously experience moments intimately and engage people (and their views) sincerely, while remaining detached enough to think through his experiences critically. He has earned a reputation as a thinker, someone who lives outside the box and free of the labels that society seeks to place on us.

Listen to Your Footsteps is an honest and, at times, raw collection of essays from a son, a father, a husband, a brother and a man deeply committed to doing the internal work. Kojo reflects on losing his mother as a toddler, being raised by his father, forming an identity, living as an immigrant, his tussles with substance abuse, as well as his experiences of fatherhood, marriage and making a career in a fickle industry. He gives an extended glimpse into the experiences that make boys become men, and the battles that make men discover what they are made of, all the while questioning what it means to be ‘a man’.

The first comprehensive biography of this iconic artist to appear in English. Richly illustrated with 160 photographs. Since her dramatic death at the age of 31 the name Ingrid Jonker has been linked to that of James Dean, Marilyn Monroe, Sylvia Plath - legends who died young. In her first biography to appear in English, the frail figure of Jonker as a child, a young poet, daughter of a prominent politician, wife, mother, mistress of a famous author, lover and rebel is portrayed against the backdrop of revolt against South Africa's policies of censorship and apartheid.

This biography of Michael Mosoeu Moerane (1904-1980) surveys the unique life, times and music of the first classically educated African composer in southern Africa.

The Times Do Not Permit is the first extended overview of the life, times, and music of Michael Mosoeu Moerane (1904-1980), a composer brought up in rural South Africa in the early twentieth century. It offers a close study of African choral music that dates back to mission schools and colleges in the Eastern Cape, where a number of future African composers, as well as future political leaders, were educated. Moerane was one of many mission-trained musicians who wrote short a cappella choral works for churches and schools.

The Times Do Not Permit explores the political changes and social conditions that made life for Moerane both possible and impossible as a composer. He was the first black South African to qualify with a BMus degree in 1941. However, this caused difficulties for him both within the African choral circuit, where his advanced modernist style was considered strange and difficult, and within white concert life, from which he was largely excluded. Only his symphonic poem for orchestra, Fatšo La Heso, attained some recognition locally and internationally during his lifetime, and the score survived, unlike many of the piano pieces and smaller instrumental works he wrote.

In addition to telling the story of his ancestry, upbringing, education and teaching career, Christina Lucia offers an analysis of his music, the famous symphonic poem and four of his choral pieces, to reflect the major themes he expressed. The Times Do Not Permit is supplemented with interviews with those who knew Moerane, and ends with a coda of professional letters to, from and about him that gives his voice a presence in the absence of much personal documentation.

This book is an autobiography/memoir of a South African scientist and academic leader which honestly explores the inter-relation between professional/public and private life, revealing what happens to a person’s inner being and family as a career unfolds over a lifetime. It shows how chance and opportunity affect such a life, how the elusive qualities responsible for repeated survival and success can be retrospectively identified, with lessons for the young and hopeful who might wish to tread on a similar path.

The story also maps onto the country’s history, by including crucial aspects of the closely linked spheres of higher education, research and scholarship in both the protagonist’s home country, South Africa and some of the strongest centres in Britain and America. It describes the life-path of an individual citizen who sought to change, and in some key instances did change, the basic workings of higher education and research as the country went through the post-apartheid transition. The author developed a special interest and skill in building new institutions such as the Academy of Science of South Africa (ASSAf) and a number of highly successful research institutes and consortia in a changing country.

The major part of the book amounts to a concise history of higher education and research in the democratic era in SA, but, unusually, readers of the book will be able to see into many aspects of workings that are usually hidden from the public gaze, yet may significantly affect their own lives or those of their communities. The story of a love-marriage impacted by a prolonged health tragedy is fully interwoven with the professional narrative in a completely open and telling manner.

It is the authors’ belief that a diverse market for such an autobiography/memoir exists in South Africa and possibly abroad. There are few ‘warts and all’ memoirs in this domain, and few understand how scientists and university leaders function as people in their apparently uncomplicated ‘white-coated’ or ‘ivory tower’ public lives.

“Becoming a mother has been my deepest desire. But it’s not happening. Now what?”

Through her very open and honest first-hand account of her seven-year struggle to conceive, titled Abundantly Empty, Cathy hopes to help remove the stigma, improve understanding and provide inspiration to others on how to cope and keep moving forward.

Abundantly Empty delves deep into the world of infertility and offers an insightful 360-degree perspective, with informative contributions from leading fertility specialists, including Professor Thabo Matsaseng, and her clinical psychologist, as well as input from her husband Julian, family and friends. The egg donors and surrogates share their experiences too. In clear, direct ‘journal’ language, the book traces the highs and lows, the elation and intense grief of the infertility rollercoaster. It also explores its impact on Cathy’s marriage, her friendships and her career.

The primary reason for writing this book, Cathy says, was to send a ‘You are not alone’ message to other couples battling to start a family, to break the silence and increase understanding of what it takes to survive infertility and retain hope, courage and meaning.

Abundantly Empty is an emotionally gripping, heart-warming and useful must-read not just for those on the fertility journey, but also for those on the sidelines who want to provide support, but don’t know how.

Albertina Sisulu is revered by South Africans as the true mother of the nation. A survivor of the golden age of the African National Congress, whose life with the second most important figure in the ANC exemplified the underpinning role of women in the struggle against apartheid.

In 1944 she was the sole woman at the inaugural meeting of the radical offshoot of the ANC, the Youth League, with Walter Sisulu, Nelson Mandela, Oliver Tambo and Anton Lembede in the vanguard. Her final years were spent in an unpretentious house in the former white Johannesburg suburb of Linden. A friend said of her, "she treated everybody alike. But her main concern was the welfare of our women and children." This abridged account of Sisulu’s overflowing life provides a fresh understanding of an iconic figure of South African history.

This new abridged memoir is written by Sindiwe Magona, one of South Africa’s most prolific authors, and Elinor Sisulu, writer, activist and daughter-in-law of Albertina.

Hierdie verhalende nie-fiktiewe werk vertel die storie van Beryl Botman wat aan Russel Botman onthul hoe sy sy skielike afsterwe ervaar en hanteer. “Hoe moet sy leer leef en hul liefde vir mekaar herken in hierdie nuwe dimensies van bestaan?” is die sentrale vraagstuk van die eenrigtinggesprek.

Die gebeure speel af vanaf die oomblikke voordat sy besef dat Russel gesterf het tot die op die dag van die eerste herdenking van sy afsterwe – die verloop van een jaar. Dis vir haar die jaar waarin sy haar op haar diepste sterkpunte beroep; haar troebelste swakhede in die gesig staar en op haar hele wording staatmaak om selfs een tree te gee.

Die vertelling vind in drie dele plaas en begin met ‘n dag-vir-dag weergawe van die eerste twee weke van ervaringe en gewaarwordinge. Die daaropvolgende twee dele is weeklikse en daarna maandlikse onthullings. Haar spirituele en reële blootlegging volg ‘n reis vanaf Stellenbosch tot Wynberg en sommige ander plekke in die wêreld.

Beryl hanteer lewensveranderende besluite en optredes in haar wêreld met die gemak en liefdevolle ondersteuning van familie en vriende, en terselfdertyd die vyandigheid van ander familie en die afsydigheid en verwerping van vriende en kennisse.

Hilariously funny and in many cases unbelievably believable.

From a kid with a chemical laboratory in his bedroom where Peter would operate on frogs, to the hilarious experiences of a hospital Houseman, and the first few years of general practice. Also included are stories of a patient set alight in her bed, being trapped in the toilet with a patient and a colleague being defibrillated! It’s a story of childhood dreams to medical practice tribulations!

Peter Desmarais graduated M.B, Ch.B at the University of Pretoria South Africa in 1971. He relates the funny side of his experiences at medical school, his internship at Addington hospital Durban and the first few years of his life as a general practitioner.

Ruth was four years old when her father was arrested for high treason and her world was turned upside-down. She grew up in constant fear of Special Branch policemen knocking on the door to arrest her mother or father, prominent South African communist. Ruth learned how to keep her mouth shut, to look out for microphones in the walls and to beware of friends who could betray her trust.

At fourteen, Ruth left South Africa, clutching her teddy bear in one hand and her drawings in the other. A plan to England carried her into exile, a new world where she struggled to reconstruct a life fractured by fear.

With an artist’s eye for detail and colour, Ruth recalls her life with unflinching honesty: the Treason Trial; her struggle to conform; Friern Barnet Asylum for the ‘hopeless insane’; LSD, protests, and free love in London, art school and motherhood; communes and camping- all steps in a journey that finally brought her home to South Africa on the brink of change.

Heart- wrenchingly sad one minute, bursting with life and vigour the next, seamed throughout by strength and courage, girl on the edge allows us to look deep into one woman’s life and travel with her to the brink and back again.