The Lolly Jackson murder case - a mix of elements that has grabbed the public's imagination. Fast cars, fast money, murder, revenge, missing millions and smashed up Teazers clubs. With kilometres of newspaper headlines and a body count growing by the week, the insatiably curious public is still no closer to the truth. Amidst the confusing reports, money laundering on a grand scale, SARS investigations and the mafia-like killings, Jacana Media brings you the inside story in a book entitled: Lolly Jackson: When fantasy becomes reality. The book opens on the night of Lolly's murder and is a personal, inside track into the reality of Lolly's private and business lives, as never before made public. Intimate and detailed, it provides the reader with a fascinating view of a previously only imagined world.

When the artist Louis Jansen van Vuuren first visited Paris he could never have imagined that he would end up owning a château in rural France. Almost French is the highly entertaining account of his induction over the past 21 years into all things French: snooty waiters, high-brow countesses, numerous faux pas with the French language and of course, several encounters with the infamous French bureaucracy.

Turning the dilapidated château into a boutique hotel with his life partner, Hardy Olivier, required patience and perseverance. Many lessons were learnt the hard way. Four heaters are not enough to heat an entire château and they will blow your power supply.

And practising your French is a must. On a visit to the butcher, Louis asked for “sheep socks” when he was after leg of lamb. Talk about butchering the lamb!

Louis interweaves the stories about his life in France with fascinating snippets of history, culture and tradition. A must for all Francophiles.

Kojo Baffoe embodies what it is to be a contemporary African man. Of Ghanaian and German heritage, he was raised in Lesotho and moved to South Africa at the age of 27. Forever curious, Kojo has the enviable ability to simultaneously experience moments intimately and engage people (and their views) sincerely, while remaining detached enough to think through his experiences critically. He has earned a reputation as a thinker, someone who lives outside the box and free of the labels that society seeks to place on us.

Listen to Your Footsteps is an honest and, at times, raw collection of essays from a son, a father, a husband, a brother and a man deeply committed to doing the internal work. Kojo reflects on losing his mother as a toddler, being raised by his father, forming an identity, living as an immigrant, his tussles with substance abuse, as well as his experiences of fatherhood, marriage and making a career in a fickle industry. He gives an extended glimpse into the experiences that make boys become men, and the battles that make men discover what they are made of, all the while questioning what it means to be ‘a man’.

Legendary South African dancer and choreographer Gregory Maqoma’s childhood was marked by a deep connection to the rhythms of his hometown, Soweto. From a young age, he showed a passion for dance and music, playing the big drum in the community marching band and starting his own group before winning a place in a dance company – against his father‘s wishes.

Maqoma’s upbringing in the 1980s, a politically charged era, nurtured his desire to use his art for good. He has always had a profound respect for his cultural heritage, a commitment to social justice and an unwavering belief in the power of the arts to transform, to heal and to rebuild. Gregory never allowed his challenges to define his experience. His journey from Soweto to the global stage reveals his courage, creativity and determined spirit.

Maqoma has written a dazzling memoir, which encourages everyone to embrace their passions, overcome obstacles and believe in the strength of their dreams. It is a testament to the great heights you can reach when you dance to the rhythm of your own soul!

In this book Nomvuyiseko narrates a story of feeling that at twenty six years old, she was hanging by a thread six years after leaving her marital home, tormented by emotions of failure, hopelessness, and cliff broken dreams. The self-hatred lingered longer than she thought and “almost became the end of me”.

By the time she realised how dark the place was that she had reached, she was already in pieces. Her being had fallen out of sync with itself and was headed fast on a destructive trajectory. She either had to collect the pieces or watch herself fall apart. She kept thinking she wished that she was older; then perhaps she would have better skills and the ability to help herself collect what she saw as her scattered pieces. She was angry at herself for having taken a decision so huge that it had brought three children into this world yet failed to keep to the decision to remain married.

With an understanding that healing is complex, she commenced her journey towards collecting the broken pieces of her life with the aim to be joyful again. This is a self help book that seeks to convey the message that despite moments of unhappiness one can find true happiness and joy if they commit to do the inner work.

Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong; Henry ‘Mr Drum’ Nxumalo; the Women’s March of 1955; the Sophiatown removals; the funeral of the Sharpeville massacre victims …

Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa, but his personal story is no less extraordinary. His affiliation for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine. In this powerfully evocative memoir of an international, award-winning career spanning over 50 years – in Europe, Africa and the US – this behind-the-scenes journey with a legendary photojournalist and visual storyteller is a rare and special privilege.

Schadeberg’s first-hand experiences as a child in Berlin during the Second World War, where he witnessed the devastating effect of the repressive Nazi regime, and felt the full wrath of the Allied Forces’ relentless bombing of the city, are vividly told. The only child of an actress, who left her son largely to his own devices, Jürgen became skilled at living by his wits, and developed a resourcefulness that held him in good stead throughout his life. At the end of the war, his mother married a British officer and emigrated to South Africa, leaving Jürgen behind in a devastated Germany to fend for himself. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at the German Press Agency, then graduating to taking photos at football matches.

After two years there, Jürgen made the decision to travel to South Africa. He arrived at Johannesburg station on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the platform beside him, and his Leica camera, as always, around his neck.

Sometimes real life is stranger than fiction. That certainly is the case when considering the things that happen to Khaya Dlanga in the course of his everyday life. Khaya often shares these stories in brief via Instagram or his other social media platforms. He is finally succumbing to the pressure from the many people who read his posts and want more details, and is telling all of these stories and more in These Things Really Do Happen To Me.

Always entertaining, and often containing astute observations regarding various social practices and situations, Khaya tells wide-ranging stories – his lunch with William Shatner; how he fell asleep next to President Thabo Mbeki; how he got hit on by a deaf girl; how his dreadlocks didn’t get the expected reaction from his mom; the greatest pick-up line ever used on him; awkward encounters with exes; what happens when you parallel park in Parkhurst; and what he has learnt in the course of his eventful life – that are guaranteed to entertain and enlighten readers.

Dov Fedler was a "laatlammetjie", born and bred in Johannesburg in 1940 just as Hitler was getting into his stride. A third child was not on his parents' "want-list". It was hard enough supporting two much older children and a printing business struggling to exist.

When Dov was about three his mother had a "nervous breakdown" which is when he remembers seeing his first pencil and knowing precisely what it was that he wanted to do with his life. There are no coincidences in Dov's life. He believes that a hand of destiny has steered his path towards becoming a leading South African cartoonist for more than 45 years. Many dramatic encounters (not with aliens or spirits, but with everyday people) have shaped him and he wouldn't have missed any of it.

Dov's story is intensely personal and honest, with a powerful combination of humour, emotion and community history. OUt Of Line attempts to do a few short things. It is an autobiography but it is also an attempt to capture a particular history of a specific generation; that of the Jewish baby boomers who descended from mainly Lithuanian stock.

Voortrekkerstamouers 1835–1845 is die eerste keer in 2000 gepubliseer. Dié tweede, hersiende uitgawe is aangevul met 214 nuwe stamouers. Dit bring die aantal mense wat die Groot Trek meegemaak het, op 23 000 te staan, in plaas van die oorspronklik geskatte 20 000.

Wat hierdie databasis van Voortrekkers nog meer besonders maak, is die versameling uiters skaars foto’s en portrette wat aangebied word.

In hierdie fotokabinet kan ongeveer 150 afbeeldings van Voortrekkers gesien word.

Winner of the Thurber Prize for American Humor and an NAACP Image Award. Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist.

Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

On bended knee, he leaned over the stricken boxer and counted him out. When he waved the fight over, there was exactly one second to go in the dramatic and brutal world championship bout and Víctor Galíndez had retained his title. But the referee, his shirt stained with the champion’s blood, had cemented his reputation as a cool professional, one destined to become an esteemed figure in world boxing.

South Africa’s own Stanley Christodoulou has officiated an unprecedented 242 world title fights over five decades, some of them among the most iconic in boxing history, and became his nation’s very first inductee into the International Boxing Hall of Fame. He rose from humble beginnings, learning his trade in the South African townships of the 1960s, and went on to lead his national boxing board as it sought to shed the racial restrictions of the apartheid era. It was a contribution to his country’s sporting landscape that saw him recognised by the president of the ‘new’ South Africa, Nelson Mandela.

The Life and Times of Stanley Christodoulou is Stanley’s memoir in boxing. It takes the reader to a privileged position, inside the ropes with champions and into the company of boxing legends.

This biography of Michael Mosoeu Moerane (1904-1980) surveys the unique life, times and music of the first classically educated African composer in southern Africa.

The Times Do Not Permit is the first extended overview of the life, times, and music of Michael Mosoeu Moerane (1904-1980), a composer brought up in rural South Africa in the early twentieth century. It offers a close study of African choral music that dates back to mission schools and colleges in the Eastern Cape, where a number of future African composers, as well as future political leaders, were educated. Moerane was one of many mission-trained musicians who wrote short a cappella choral works for churches and schools.

The Times Do Not Permit explores the political changes and social conditions that made life for Moerane both possible and impossible as a composer. He was the first black South African to qualify with a BMus degree in 1941. However, this caused difficulties for him both within the African choral circuit, where his advanced modernist style was considered strange and difficult, and within white concert life, from which he was largely excluded. Only his symphonic poem for orchestra, Fatšo La Heso, attained some recognition locally and internationally during his lifetime, and the score survived, unlike many of the piano pieces and smaller instrumental works he wrote.

In addition to telling the story of his ancestry, upbringing, education and teaching career, Christina Lucia offers an analysis of his music, the famous symphonic poem and four of his choral pieces, to reflect the major themes he expressed. The Times Do Not Permit is supplemented with interviews with those who knew Moerane, and ends with a coda of professional letters to, from and about him that gives his voice a presence in the absence of much personal documentation.

Son of a Preacher Man is a deeply personal and profound exploration of faith and self-realisation. Never experiencing God through the Anglican Church, Matthew Gregorowski embarks on a journey that is as much about understanding his father's calling as it is about discovering one's own path to purpose and fulfilment.

Taking up Vedic meditation as a way to manage his snowballing anxiety, he finally meets God on his own terms. But most surprising of all is that it unlocks the secret to an entirely new way of living.

Borne of the hope it may inspire others to realise their true potential, Son of a Preacher Man offers a unique perspective on finding peace and purpose in life, regardless of one's circumstances, and a compelling narrative about the transformative power of spirituality.

Both in South Africa and in Namibia, the name Hans Merensky summons a multitude of well-known public places and instututions: There is the famous Merensky Reef in the Bushveld Complex, the Merensky Dam and Hans Merensky Nature Reserve near Tzaneen, the Hans Merensky Hotel and Golf Estate in Phalaborwa, the Hans Merensky Library at the University of Pretoria, a Hans Merensky Foundation and a Hans Merensky High School, to name but a few. These names, however, leave untold a biography that resembles an adventure novel: The story of Hans Merensky’s extraordinary discoveries.

Born the son of the well-know missionary Alexander Merensky at Botshabelo in the eastern Transvaal, trained as a geologist in Germany and drawn back to South Africa by his creative ambition to explore the potential of the country of his birth, Hans Merensky (16 March 1871 – 21 October 1952) proved to be far more than the “wizard geologist” the press dubbed him during his heyday. Today it is obvious that Merensky was not only a scientist of note, but also an extremely far-sighted economic strategist, agricultural trendsetter, humanitarian and philanthropist. Nothing could extinguish his enthusiasm for his adopted homeland’s undiscovered treasures and despite bankruptcy, internment, illness, political obstacles and later, old age, Hans Merensky saw only opportunity wherever he went.

From the discovery of the richest deposit of alluvial gem diamonds ever found at Alexander Bay to the initial attempt at the commercial cultivation of avocados and pecan nuts – almost everything Hans Merensky touched turned to gold.

Aan die hand van eietydse dokumentasie het Karel Schoeman in hierdie titel die lewe herkonstrueer van sy Suid-Afrikaanse stamvader, die Duitser Hendrik Schoeman uit Sleeswyk-Holstein, wat in 1724 as matroos in diens van die VOC die Kaap bereik het, 'n prekere bestaan gemaak het as veeboer in die binneland van Suid-Afrika, en in 1765 in armoede in die huidige Klein-Karoo oorlede is. Soos Schoeman opmerk, is hierdie man in verskeie opsigte geskik om as "tipiese" stamvader uit die Kompanjiestyd beskou te word.

Louis Botha was ’n briljante Boeregeneraal wie se taktiese vernuf en intuïtiewe aanslag vir etlike oorwinnings oor die Britse magte in die Anglo-Boereoorlog gesorg het. Maar dit was sy enigmatiese karakter en vaste oortuiging om te hou by wat hy geglo het reg was, wat hom as ’n leier van die Boerevolk bevestig het.

Richard Steyn gee op meesterlike wyse insae in die lewe van hierdie grootse Suid-Afrikaanse krygsman en staatsman. Hy beskryf verhelderend hoe Botha saam met sy hegte vriend, Jan Smuts, die vier Suid-Afrikaanse kolonies na Uniewording in 1910 gelei het waarna Botha as die eerste eerste minister van die Unie aangewys is.

Gedurende die Eerste Wêreldoorlog was Botha aan die voorpunt van die Suid-Afrikaanse magte se suksesvolle inval van Duits-Suidwes-Afrika. Tog is hy deur talle Afrikaners verkwalik vir sy steun aan Brittanje, en die Afrikaner-rebellie van 1914, waartydens hy teen voormalige makkers moes optree, het sy hart gebreek.

Botha se groothartig en vrygewige omgang met mense – van Vereeniging tot Versailles – het hom bo sy tydgenote laat uitstaan.

Louis, a self trained photorapher , grew up on a smallholding north east of Pretoria in South Africa. Louis qualified in the field of commerce and followed a corporate career in a large financial services organisation . At the age of 40, Louis started to take photography, his hobby for many years, more seriously.

He enrolled for varies courses and did a lot of self studying on the subject. Louis discovered the value of photography as a medium to communicate without words and how to paint stories with light. He became passionate about photographing remote landscapes, places and ordinary people. Over the last 20 years, Louis has participated in several solo and group exhibitions. He exhibits permanently in Price Albert, his hometown, and shares his passion for photography with others during workshops .

Ben Viljoen sal in die eerste plek onthou word as die Boeregeneraal, die oorwinnaar in die Slag van Vaalkrans en, danksy FW Reitz se bekende gedig, die veroweraar van die Lady Roberts. Viljoen was flambojant van geaardheid, romanties, ’n sterk leier, behulpsaam en lojaal. Gedurende die Anglo-Boereoorlog word hy bevorder van kommandant tot assistent-kommandant-generaal. Sy individualisme het hom egter verhinder om effektief in ’n groter georganiseerde eenheid te funksioneel. Hy verkies om sy eie kop te volg en sy besluite was dikwels omstrede. Kort voor die einde van die oorlog word hy krygsgevange geneem en na St. Helena verban. Na die oorlog vestig hy hom in Nieu-Mexiko in die VSA en Mexiko en word daar militere raadgewer van die Mexikaanse president.

Gender based violence is widely prevalent in South African society, but male rape is often a neglected area. According to The Conversation, in an article by Prof Louise Du Toit, men make up around 10% of victims of sexual violence.

The group South African Male Survivors of Sexual Abuse says one in six adult males in the country have been victims of sexual offences in their lifetimes and, in 2012, almost 20% of all sexual abuse victims were male. But men are up to 10 times less likely than women to report sexual violence against them. Frequently men who report sexual assault are accused of being gay. In addition, according to Prof Du Toit, “Some feminist activists are reluctant to focus on the male victims because they think it will undermine long-fought-for attention for female victims.”

Silent Scream is a refreshing acknowledgement of this disturbing picture, told firsthand by a survivor of multiple instances of sexual violence, including gang rape and other forms of physical and sexual violence.

The author is a man in his fifties, intelligent and multifaceted, who carried the weight of the ages on his tattooed shoulders. Following a childhood marred by distant parents, he was assaulted in his late teens.

This is a book filled with hurt, with anger, with events that should never occur, but that the author has been able to rise above. It’s also a book about recovery, redemption, and the power of healing. No punches are pulled. It’s a very necessary book for our country and our time.

In No life of my own, Frank Chikane, one of the leading figures in the Christian resistance to apartheid, recounts his life – beginning with his childhood, growing up black under apartheid, and continuing through his call to the Christian ministry. He tells of his family's increasing involvement in the struggle against apartheid and of disapproval and suspension from his own church. He relates a harrowing story of harassment, detention and firebombing, torture and exile – and his return, despite death threats and further detention, to South Africa to continue the fight. Through it all, one thing is clear: he is a man whose faith compels and sustains him in a courageous and selfless journey toward freedom.

Met die deurlees van Jeanne Goosen se notaboeke, dagboeke, flardes en uitknipsels verskyn 'n verrassing! Die skrywer het deurentyd los gedagtes neergepen - nie net 'n paar nie, maar honderde gedagtes, te kosbaar om verlore te gaan: sêgoed, insigte, waarnemings, aforismes, mymerings . . . alles dáár, om oplaas in boekvorm met haar lesers gedeel te word.

Die aantekeninge weerspieël die merkwaardige intellektuele aktiwiteit van 'n denker-kunstenaar. Sy bemoei haar intens met letterkundige, filosofiese, politiese, wetenskaplike, sielkundige insae en bevindings wat sy soms ernstig, soms satiries en soms ook kru verwoord. Die versameling is spesifiek nie volgens onderwerp geklassifiseer nie, maar lukraak soos die losstaande aantekeninge opeenvolgend gevind is. Daar is ook nie geredigeer om taalgebruik te verbeter nie. Jeanne Goosen praat hier in haar eie, unieke stem.

Voorbeelde:

• Feite steur hulle nie aan sielkunde nie.
• Ek moet probeer om nuwe foute te maak.
• Date rape. Dit klink soos 'n nagereg.
• Jy kan nie 'n held wees met R100 'n maand vir groceries nie.
• 'n Jakkals is 'n wolf wat blomme stuur.
• As julle trou, word julle een. Watter een?
• Moenie steel nie, die regering hou nie van kompetisie nie.
• Moet nooit 'n geskenk aanvaar wat eet nie.

Khulu Radebe had had a full life. Then, at the age of 50, he discovered that he was a king.

As a teenager, Khulu Radebe was part of the Alexandra Township 1976 uprisings. Arrested and sent to Robben Island, he was one of the youngest prisoners there. Returning to Alex, he participated in the township’s 1986 Six Days War. Radebe joined the armed struggle, repeatedly dodging death from the enemy and from fellow MK soldiers in Angola.

At age 50, and proving a prophet’s prediction correct, Khulu Radebe learned about his royal roots. He was informed that he was the ruler of the AmaHlubi people of the Embo Nation, a nation that stretches along the east coast of Africa.

In chronicling his extraordinary life and times in this landmark autobiography, Radebe, in a humane and vivid way, chronicles too the revolutionary path for freedom in South Africa. Alexandra Township in Johannesburg is a central character in this book and Radebe reveals an astonishing story of the post-1990 war between Inkatha and the ANC in Alex.

Gripping, bold and original, Comrade King, is an unforgettable story.

Thando Manana was the third black African player to don a Springbok jersey after unification in 1992, when he made his debut in 2000 in a tour game against Argentina A.

His route to the top of the game was unpredictable and unusual. From his humble beginnings in the township of New Brighton, Port Elizabeth, Thando grew to become one of the grittiest loose-forwards of South African rugby, despite only starting the game at the age of 16. His rise through rugby ranks, while earning a reputation as a tough-tackling lock and later openside flanker, was astonishingly rapid, especially for a player of colour at the time. Within two years of picking up a rugby ball, he represented Eastern Province at Craven Week, and by 2000 he was a Springbok. But it isn’t solely Thando’s rugby journey that makes Being A Black Springbok a remarkable sports biography. It’s learning how he has negotiated life’s perils and pitfalls, which threatened to derail both his sporting ambitions and the course of his life.

He had to negotiate an unlikely, but fateful, kinship with a known Port Elizabeth drug-lord, who took Thando under his wing when he was a young, gullible up-and-comer at Spring Rose. Rejected by his father early in his life, Thando had to deal with a sense of abandonment and a missing protective figure and find, along the way, people to lean on.

Thando tells his story with the refreshing candour he has become synonymous with as a rugby commentator, pundit and member of the infamous Room Dividers team on Metro FM. He has arguably become rugby’s strongest advocate for the advancement of black people’s interests in the sport, and his personal journey reveals why.

In this graphic memoir, Cape Town artist Karen Vermeulen reflects on the absurdities of contemporary womanhood—from romance and friendship to the ever-elusive “self-care”.

Trust her—Karen is trying really hard to be an adult. Harder than she should probably have to, as a thirtysomething with a cat, a flat, and a job. She would have gotten away with it, too, if it weren’t for those meddling influencers, always raising the bar of what it means to be a proper woman.

Brandishing by her trademark quirky artwork and signature wit, Karen pokes fun at her attempts to “grow up”: whether that’s becoming a meditation girlie, getting Botox, faking self-confidence, using dating apps, going to therapy, or living the childfree life (unless you count her feline companion Sir Henry, which, of course, she does.)

From emotional support pigs to ectopic pregnancies, cuticle care to under-boob chakras, the laugh-outloud and deeply perceptive illustrated essays in Good Luck to Us All are a testament to these wild and crazy times.

A Long Letter To My Daughter is award-winning South African author Marita van der Vyver's youth memoir.

An unputdownable read that weaves together both love letter, to a daughter, a language and a country, whilst tracing Van der Vyver's early years. Above all, it is a mother's effort to make sense of a world that seems increasingly senseless.