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Books > Local Author Showcase > Biography
‘Miskien issit omdat poverty my define en nie die racial politics vannie land ie.’ Wit issie ’n colour nie is ’n versameling verhale oor grootword en die lewe in die buitewyke van die Kaapse Vlakte. Dit dek identiteit, rassepolitiek, sosio- ekonomiese kwessies en bruin kultuur, en bevraagteken die Suid-Afrika waarin ons ons bevind. Dit is gevul met galgehumor, rou eerlikheid en hartverskeurende vertellings van pogings om die lewe op die Vlakte te navigeer. Hierdie versameling is diep persoonlik en ’n ontstellend waar weergawe van die lewe aan die ander kant van die spoor, geskryf in Kaapse Afrikaans.
In 2003, Thabo Jijana's father was gunned down in a scrap between rival taxi associations who had been forced to operate from a single rank. A decade later, Thabo faces up to South Africa's most violent industry to try to figure out how and why his father was murdered. In this searing first-person investigation, Thabo puts a face behind a recurrent tragedy that plagues South African working class communities. By speaking to the people who knew his father best he tries to fill in the blanks that are the years that have followed his father's death. He begins by trying to reconstruct the night the murder took place, but what he uncovers about the ongoing strife that has plagued government's consistent attempts to formalise this multi-million rand industry comes with more baggage than he expected.
François Levaillant was the first and greatest South African birder, the first major figure of modern ornithology, the creator of the first safari, the first anthropologist of the Cape and the first investigative reporter criticising colonial brutality at the Cape. He predicted the rebellion of the frontier Boers and portrayed the dilemmas of coloured identity. He created the most beautiful illustrated bird books of his time, becoming a model for Audubon and others, and inspired a map for King Louis XVI that has become the most valuable African map ever produced. His Travels into the Interior of Africa was a best-seller across Europe and the most widely translated text on South Africa until Nelson Mandela’s autobiography two centuries later. This book tells how, for a quarter of a century, the author searched for Levaillant’s travel notebooks and the fate of his collection. Glenn’s search took him from the banks of the Orange River to the vaults of the Paris Natural History Museum facing 30 000 dead birds in search of Levaillant’s legacy; from tracing Levaillant’s travels to Theefontein, Pampoenkraal and Kokskraal to showing that the bloubok exhibit in the hall of extinct animals in Paris’s Natural History Museum came from Levaillant; from encounters with billionaires to interactions with French archivists. Glenn’s experiences show that research means searching. The revised second edition reflects new information and research on Levaillant’s descendants; the provenance of the Paris bloubok; Levaillant’s use of illustrations as a re-viewing of his experiences and his collaboration with Colonel Robert Gordon as a crucial part of his development as an ornithologist. The book appeals to all natural history lovers, to researchers on colonialism and criticism of it and to people interested in birding who want to know more about Levaillant’s role in establishing ornithology as a new discipline.
As ’n jong seun wat kaalvoet en vry grootgeword het op sy ouers se
sitrusplaas in die Oos-Kaap, sou Ian Roberts nooit kon dink dat hy
eendag ’n ikoon van die silwerskerm sou word nie. Vandag nog herken
mense hom as die taai Bittereinder Sloet Steenkamp van
Franschhoek Literary Festival co-founder Jenny Hobbs' new memoir Through A Dragonfly Eye is a moving account of growing up and coming of age in mid-twentieth century South Africa, full of insight, humour, and tenderness for family and country.
Wilderness guide Sicelo Mbatha shares lessons learnt from a lifetime’s intimate association with Africa’s wildest nature. Black Lion begins in rural South Africa where a deeply traumatic childhood experience – he witnessed his cousin being dragged away by a crocodile – should have turned Sicelo against the surrounding wilderness. Instead, he was irresistibly drawn to it. As a volunteer at Imfolozi Nature Reserve, close encounters with buffalo, lion, elephant and other animals taught him to ‘see’ with his heart and thus began a spiritual awakening. Drawing from his Zulu culture and his own yearning to better understand human’s relationship to nature, Sicelo has forged a new path, disrupting the conventional approach to nature with an immersive, respectful and transformative way of being in the wilderness. Both memoir and philosophical reflection, Black Lion - co-written with environmentalist Bridget Pitt - is his brilliant and profound account of life as a wilderness spiritual guide. As humanity hurtles into the anthropogenic 21st century, Black Lion is an urgent reminder of just how much we need wilderness for our emotional and spiritual survival.
Rebecca Davis has been described as one of the funniest writers in South Africa today. Her razor-sharp wit combines with her acute powers of observation to produce social and political commentary that will have you in stitches even as it informs and provokes you to think seriously about the topics she discusses. In Best White And Other Anxious Delusions, Davis offers advice on life's tricky issues; discusses the perils of being a 'Best white'; laments the fact that society does not have a universally adopted form of greeting, such as the high-five; explores the intricacies of social media and internet dating; considers the future of reading and tackles a range of controversial topics in between.
The Thabo Mbeki I Know is a collection that celebrates one of South Africa’s most exceptional thought leaders. The contributors include those who first got to know Thabo Mbeki as a young man, in South Africa and in exile, and those who encountered him as a statesman and worked alongside him as an African leader. In The Thabo Mbeki I Know, these friends, comrades, statesmen, politicians and business associates provide insights that challenge the prevailing academic narrative and present fresh perspectives on the former president’s time in office and on his legacy – a vital undertaking as we approach a decade since an embattled Thabo Mbeki left office. Edited by Miranda Strydom and Sifiso Mxolisi Ndlovu, The Thabo Mbeki I Know provides readers with an opportunity to reassess Thabo Mbeki’s contribution to post-apartheid South Africa – as both deputy president and president – to the African continent and diaspora – as a highly respected state leader – and to the international community as a whole.
After a string of police botches, Captain Ben "Bliksem" Booysen was assigned the Krugersdorp Killers' case in 2016. Eleven people had already been brutally murdered by a group calling themselves Electus Per Deus. Booysen made headlines when he arrested the mastermind Cecilia Steyn, and her accomplices. South Africa's own "Chuck Norris" takes the reader behind the scenes of the satanic killings, divulging new and shocking details of the crimes that have kept the nation on edge for almost a decade.
Emile Joubert is sy lewe lank ’n kosgenieter. Op sesjarige ouderdom het sy ouma se kerrie ’n groot indruk op hom gemaak en van daar af was hy ’n onkeerbare smulpaap en het kos hom betower – of dit nou die skoolmaaltye in sy kortstondige verblyf in Londen was, die honger en dors in die weermag, of die seekos wat hy uitgeduik het – Joubert se kosobessies word lewend in sy lekker skryfstyl in die oortreffende trap. Sy kosreise strek van Londen tot Griekeland, Italië, Frankryk en die dorre landskap van Angola. Die Mars bar, fondue, baked beans, oesters en boeliebief is enkele van die kossoorte wat sy reise vergesel.
Frederik van Zyl Slabbert was a man on a mission, whether as an academic, opposition politician, democratic facilitator or businessman. When he famously led a delegation of leading Afrikaners to Dakar in 1987 to meet the exiled ANC, many saw it as a breakthrough moment, while others felt he had been taken in. And yet his reputation – for honesty, integrity, wit and courage – still towers above many of his contemporaries. An academic turned politician, Slabbert brought unusual intellectual rigour to Parliament, transforming the upstart Progressive Federal Party into a force that could challenge the National Party. Disillusioned by South African society, he resigned in 1986 to explore democratic alternatives. Sidelined during the democratic transition, he continued to pursue a broad range of initiatives aimed at building democracy, empowering black South Africans and transforming the economy. Grundlingh offers insights into this most unlikely politician, providing new perspectives on a figure who even today remains an enigma.
Most serial murderers undeniably spring from abusive or neglected childhoods, and/or are potentially predisposed to various genetic, sociopathic or schizophrenic afflictions, rendering the root cause of their murderous behaviour a complex, lethal combination of factors. What is less credited, however, is the role of pathological narcissism and narcissistic personality disorder (NPD) in the making of a serial killer. Narcissistic rage, sexual narcissism, necrophilia and cannibalism are all driven by a need to control and satisfy a grandiose sense of entitlement for personal pleasure, and of those, narcissistic rage is possibly the most dangerous factor of all in the understanding of serial rape and murder. In this riveting book, the author explores the role of NPD through the lived experiences of various serial murderers and showcases the profiles of both infamous and lesser-known serial offenders from South Africa and around the world. From the blatant, callous criminality of the likes of Jason Rohde, Dina Rodrigues and Henri van Breda to the unspeakable cruelty of serial rapists and murderers like Ted Bundy, Jeffrey Dahmer, Kobus Geldenhuys (the Norwood killer) and Don Steenkamp (the Griekwastad murderer), this book reveals the role pathological narcissism might have played in some of the most notorious and gruesome criminal cases of our times. Just one warning: Don’t read this book at night!
Dogtag Memories is a raw, darkly humorous memoir that follows Jon Goetzsche’s chaotic journey through South Africa’s military machine. Drafted into the Defence Force in 1977as a carefree seventeen-year-old, Jon’s tranquil schooldays are abruptly replaced by the brutal regimentation of army life. What begins as naive indifference soon spirals into a struggle against authority, misfortune and the absurdities of war. After surviving the gruelling training to become a Parabat, Jon is court-martialled for assaulting a fellow soldier and sent to Detention Barracks. Reassigned to an ordinary infantry battalion, he completes five months of training and is sent to the border for the rest of his two years’ national service, followed by several camps. Through the laughable rules, harsh punishment, grinding boredom, fatal mishaps and clashes with enemy guerrillas, he endures with wit, irony and a stubborn refusal to surrender his humanity. Told with unflinching honesty and biting humour, Dogtag Memories transcends the typical border war narrative. Decades later, Jon reflects on how those formative years shaped him, offering a poignant, irreverent and deeply human account of camaraderie, hardship and resilience.
The Mending of a Broken Vessel chronicles how the yearn to be loved became something that she chased for, the result of which was a promiscuous lifestyle. It details the journey of rejection, pain, disappointments, abusive relationships, suicide attempts, alcoholism and many ill that the author fell into and survived.
Noni Jabavu was the first black South African woman to publish books on her life. Her memoirs Drawn in Colour and The Ochre People have been compared to Zora Neale Hurston's work. A cosmopolitan, free-spirited woman, she returned home in 1977 and wrote a weekly column in the Daily Dispatch. This book is a compilation of these cheeky, insightful and hilarious columns for a younger audience of empowered women.
Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929–2014), one of South Africa’s foremost artists. A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release. Clarke left his job as a dockworker in Simon’s Town to devote himself to art. The wisdom of this decision is reflected in a remarkable career, which extended over some six decades and was acknowledged in the awards of the Order of Ikhamanga (silver) in 2005 and a Lifetime Achievement Award in 2010. Listening To Distant Thunder: The Art Of Peter Clarke recounts an artist’s life in the context of the social history of South Africa from the 1940s onwards. His images reflect the social disruption of the Cape Flats, and the trauma of his community’s forced removal from Simon’s Town to the bleak apartheid township of Ocean View. Yet Clarke’s images have avoided bitterness, and his work is a perceptive scrutiny and celebration of life in all its aspects. Illustrated with over 200 reproductions and photographs, this book was researched and written by well-known South African art historians Philippa Hobbs and Elizabeth Rankin, in close collaboration with the artist over almost seven years.
Eben Etzebeth is the most-capped player in South African rugby history.
A towering lock, his intelligence, energy and aggression on the pitch
is feared, respected, often imitated but never matched.
Eben Etzebeth is tans die speler wat al die meeste toetswedstryde in
die Suid-Afrikaanse rugbygeskiedenis gespeel het. Op die veld word
hierdie ellelange slot se intelligensie, energie en aggressie gevrees,
gerespekteer en dikwels nageboots – maar hy bly ongeëwenaard.
Benni had everything that a coach loves in a player.’ – José Mourinho
When Stephen Clingman was two, he underwent an operation to remove a birthmark under his right eye. The operation failed, and the birthmark returned, but in somewhat altered form. In this captivating and beguiling book, Clingman takes the fact of that mark – its appearance, disappearance and return – as a guiding motif of memory. This is how we remember the worlds we are born into, how they become a set of images in the mind, surfacing and resurfacing across time and space. South Africa under apartheid was itself governed by the markings of birth – the accidents of colour, race, and skin. But what were the effects on the mind? Here a further motif comes into play, for in the operation Stephen’s vision was affected, and his eyes came to see differently from one another: divided vision in a divided world. How, in these circumstances, can we come to a deeper kind of vision, how can we achieve wholeness, acceptance, find our place in the midst of turmoil and change? In an enchanting and cumulative narrative set on three continents, Stephen’s memories make up the hologram of the book’s subtitle. It is a story that is personal, painful, comic, and ultimately uplifting: a book not so much of the coming of age, but the coming of perspective.
In December 2017, Walter Meyer was stabbed in the heart with a kitchen knife by his wife, Sophia. Dubbed "South Africa's own van Gogh" and critically acclaimed as the finest landscape artist to emerge from this country in the last century, his brutal death left a deep void. Written by his brother, Frans, along with rare insights from Walter's rehab journals, Impossible Skies explores the artist's roots, his genius as a painter and a poignant relationship between two brothers.
Journalist Lesley Mofokeng investigates the life of his remarkable grandfather, Mongangane Wilfred Mofokeng, a prominent Dutch Reformed Church evangelist, who built a thriving community out of the dust of the far Northwest. The journey takes him from Joburg’s Marabi-soaked townships of the 1930s to his childhood home of Gelukspan near Lichtenburg and then to the rural Free State and the remote mountain kingdom of Lesotho. In what becomes a spiritual quest, he traces the inspirational footsteps of his ancestors and the legendary King Moshoeshoe. In the process, Mofokeng proudly claims his heritage and also uncovers a long-lost chapter of South African history and the church of the apartheid regime.
Hierdie is 'n biografie in konteks en lees soos 'n roman. Die jaar is 1700, die plek Amsterdam. Die bruid is 21 jaar oud en inderhaas getroud met 'n wewenaar wat oud genoeg is om haar pa te wees. Wie is die Franse vrou wat kans sien vir 'n pionierslewe op 'n verre voorpos? Marie Buisset is 'n vlugteling, 'n weeskind uit Sedan, Frankryk, gebore tydens die felste Hugenootvervolging. Sy word die stammoeder van die families Du Plessis en Smith in Suid-Afrika. As vroedvrou - later op die loonlys van die VOC - word Marie (later genoem Maria) die hulp van die kwesbares: 'n verkragte meisietjie, 'n tiener wat geboorte gee en verskeie vroue wat deur hul eienaars, minnaars of eggenote verniel is. Die leser ontmoet talle bekende name in die Suid-Afrikaanse geskiedenis. Dis 'n verhaal van politieke stryd, ontbering, politiek en liefde. Dis 'n storie oor mense en die uitdagings wat hulle aanpak. Uit skrapse oorblyfsels soos hofverslae, mediese rekeninge, veilings en testament onthul Joan Kruger 'n ryk en boeiende verhaal, vol humor en patos. Wieg: die verhaal van Maria du Plessis, née Buisset, (1679 - 1751) Hugenoot en vroedvrou is a vonds vir historici en lesers wat nuwe lig werp op 'n gedeelde verlede. 'n Kragtoer.
A Dangerous Love is an exhilarating, true love story that plays out in the chaos and lawlessness of the political turmoil that was South Africa in the late 80s and early 90s. The mayhem and desperation of a country whose social fabric is unravelling is mirrored in Karen Daniels’s own life, and hers is an up-close-and-personal account of life as a young woman of colour in the anarchy of early post-apartheid South Africa. Karen Daniels was only 21 when she met Martin, a mysterious, dangerous man who, at 22 years of age, had the world at his feet. Captivated by this man, she was soon caught up in a love affair that turned into obsession and violence. Gutsy and charming, Martin wasn’t born into a life of crime and drugs, but his greed and passion soon pulled him into the underworld and he was overcome by a darkness he could not escape. Hold your breath as Karen takes you with her on a roller-coaster ride into an abyss of armed heists, crime, and violent abuse. Her story shows how having such intense and conflicting emotions for a man – loving him and being petrified of him – is only a few heartbeats away from hate. Karen’s eventual escape from this life is a success story that has taken her to the heights of the corporate world, and encouraged her to become an advocate for human rights and women empowerment. Her story is one of human resilience, courage and determination. It offers hope to those struggling to break free from their circumstances, and will inspire anyone who wants to live their best life and go from surviving to thriving. "A tightly coiled story of obsession and crime that plays out in an era of lawlessness" - Terry-Ann Adams, author of Those Who Live in Cages.
For more than five decades Walter and Albertina Sisulu were at the forefront of the struggle against apartheid. As secretary-general of the ANC, Walter was sentenced to life imprisonment with Nelson Mandela in 1964 and spent 26 years in prison until his release in 1989. While her husband and his colleagues were in jail, Albertina played a crucial role in keeping the ANC alive underground, and in the 1980s was co-President of the United Democratic Front. Their story has been one of persecution, bitter struggle and painful separation. But it is also one of patience, hope and enduring love. |
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