Janet Hodgson traces the life of Xhosa prophet Ntsikana (1780–1821) from his birth through his years as a Christian convert, evangelist, and composer of enduring hymns.

Ntsikana is known as one of the first Christians to adapt Christian ideas to African culture, writing hymns in isiXhosa and translating concepts into terms that resonated with his Xhosa community.

Even today, his hymns are among the most important in the amaXhosa churches, and he is regarded as an important symbol of both African unity and Black Consciousness.

In hierdie opvolg op Daniël Lötter se eerste bundel moordverhale, 17 Maal Moord, wat einde 2020 verskyn het, vertel hy nog van Suid-Afrika se mees opspraakwekkende ware moordverhale in sy gemaklike en dikwels humoristies styl.

Nuwe lewe word geblaas in die slagoffers sowel as oortreders wat Suid-Afrikaners destyds na hul asem laat snak en dié verhale laat verslind het.

You will find a real life, gritty account of drug addiction in the pages of Rocks – One Man’s Climb from Drugs to Dreams.

Set in the leafy suburbs of Joburg in the 90s, and at the height of the Johannesburg Rave Culture, this book brings to life the agonising heartache of the drug addicted Marco Broccardo, and that of his family members including the dirty details of the daily life of an addict – the close encounters with the law, moments of insanity and rock bottom desperation. But amidst all the despair, there is a moment of liberation and hope. Hope that addiction can be beaten through the right decisions and the over-arching idea of love.

This book will take you on a journey – from the despair of being rock bottom to the elation of the mountain-tops of Kilimanjaro.

In A Path Unexpected, Evans shares her life, working as a journalist in the big city, then moving to the small town of Viljoenskroon in the northern Free State with her husband, Anthony Evans, a well-known and respected businessman and farmer. It is here that she created her non-profit organisation to provide education and training for the wives and children of farm labourers during the height of apartheid. Her profound influence on these families labels her as an activist for her early childhood development (ECD) and adult teaching advocacy in rural communities.

This memoir is about family, love, loss, finding purpose and dedicating oneself to a life of service.

Eloquently written and told with great sensitivity and humility, this is a memoir about how one woman’s unexpected path led to family-like bonds in the unlikeliest of places, and a dream so profound that it would impact generations of young learners and the women who teach them.

I came to know the country, I have enacted my life not better or worse than others, the harvest was not richer or poorer than that of others, though full of good shoots. But I knew that I was coming to die here next to the river; I came to look for it like the elephants do.

Poet Antjie Krog returns to the landscape of her childhood. The Free State plains enchant her – it is her home, and the home of her mother, the writer Dot Serfontein. In her nineties, Dot is frail and needs full-time care, but her intellect and sense of humour are razor-sharp, and her writing is comparable to that of her daughter.

In Blood’s Inner Rhyme, Antjie Krog breaks the boundaries between genres and writes about this relationship that continues to fascinate and torment her. Using letters, diary entries and care-home records, the book explores creative influence, ideological disagreements and the realities of ageing.

Krog exposes the insurmountable differences between generations but also shows the love and mutual admiration between two highly skilled writers. Beautifully and poignantly written, Blood’s Inner Rhyme delves into cultural heritage, the country's Anglo-Boer War history, issues of land ownership and race, as well as romantic relationships across racial boundaries.

The story of the relationship between mother and daughter, this is Krog’s most personal book, as well as the most universal.

The Game Ranger, The Knife, The Lion And The Sheep offers spell-binding stories of some amazing, little known characters from South Africa, past and very past. Let us introduce you to some of the characters you’ll meet inside.

Starting with Krotoa, the Khoi maiden who is found working in the Van Riebeeck household as both servant and interpreter. In time she becomes the concubine of Danish surgeon Pieter Merhoff and later his wife. But did she jump (allured by the European glitz and good food) or was she pushed (abducted or sold to the Van Riebeeck’s by her uncle Atshumatso, otherwise Herry)? Was she raped or a willing sexual parter of Meerhoff? Women, like fresh meat and vegetables, were in short supply in those early colonial years in the Cape.

Then there is Mevrou Maria Mouton who preferred to socialise with the slaves than her husband on their farm in the Swartland, and with whom she conspired to murder him. What became of them is … best those gory details are glossed over for now.

And the giant Trekboer Coenraad de Buys, rebel, renegade, a man with a price on his head who married many women (none of them white) and fathered a small nation. The explorer Lichtenstein called him a modern-day Hercules. Then there are the men of learning and insight, such as Raymond Dart and Adrian Boshier, who opened up the world of myths and ancient artefacts so we now better understand the ancients and the world they created for us to inherit. Or James Kitching who broke open rocks in the Karoo to reveal creatures that inhabited this region long before even Africa was born.

And so, without further ado, we give you our selection of stories about remarkable characters from the veld. These stories will excite, entertain and enthral you! You will finish reading them wishing you had more!

Xoliswa Nduneni-Ngema loved the theatre and dreamed of being an actress. She soon discovered that acting wasn't for her – managing productions was. She meets rising-star, Mbongeni Ngema and they marry.  As his success grows, they start a company that births the hit Sarafina! But beneath the stardom, Xoliswa experiences constant abuse.  With Fred Khumalo, she tells her powerful story. 

Navigating motherhood from the age of 18, Kim Stephens shelved her inner journo and embraced a life of media sales and sports marketing, working with some of the biggest sports brands globally, and locally, whilst pursuing her own ultra-running ambitions.

Arguing vehemently against the possibility that she was running from her own truth, Covid-19 wiped out Kim’s possibilities for continued escape. After three children, two divorces and a gradual sexual awakening, Kim found herself at 40-something virtually unemployed, with all the time in the world to write, sip gin and study a general response to one of the world’s most draconian lockdowns. Her humorous observations of middle-class South African behaviour through the various levels of lockdown earned her a certain notoriety and a degree of viral success, and with that the courage to put it all into a book.

Hold the Line tells the story of teenage pregnancy, the situational blindness of white South Africa, the disappointment of divorce and the deep joy found through true awakening. Stitched together with the lockdown writing that Kim penned for a growing base of followers, she shares a more in-depth life story with her usual candid self-deprecation.

Written to rattle a few truths from within its readers, Hold the Line ends ironically as the world begins to follow a potential third World War via TikTok.

“Dis politici wat oorlog verklaar, nie ons nie. Ons het gedoen wat ons geglo het ons moes doen en hulle [die vyand] ook . . .” – Marco Caforio, ouddienspligtige

Op 10 Junie 1980 gedurende ’n eindelose dag van bloedige gevegte onder die Angolese son is 13 lede van die Suid-Afrikaanse Weermag dood en etlike beseer toe 61 Gemeganiseerde Bataljon Groep ’n kompleks van Swapo-basisse in die suide van Angola aangeval het.

Gedurende Operasie Sceptic het tweede luitenant Paul Louw sy peleton in vier Ratels na die slagveld by die doelwit Smokeshell gelei.

In die chaos wat daardie dag gevolg het, is 12 dienspligtiges in sy peleton van 44 noodlottig gewond en hy is self ook beseer. Een van sy troepe, die 18-jarige HP Ferreira, is met ’n 14,5 mmmasjiengeweer deur sy pelvis geskiet en hy is ook deur etlike AK-47 koeëls getref. Hy het wonderbaarlik oorleef. Louw, nog met die bloed van sy manne aan sy klere, en ’n handjievol ander soldate het die aand deurgebring in ’n Ratel wat deur ’n RPG-vuurpyl getref is. Hulle was heeltemal afgesny van die res van die aanvalsgroep en het nie geweet of hulle die son sou sien opkom nie.

In Bloedbroers vertel van die oorlewendes van hul ervarings tydens die geveg. Dit werp ook lig op wat met soldate gebeur nadat die laaste skote afgevuur is en volg die veterane toe hulle vier dekades ná die operasie vir die eerste keer na die slagveld teruggekeer het.

Dis 'n fassinerende verslag van die lewe in maksimumsekuriteit-gevangenisse, met vars invalshoek: China was hondemeester, aan die voorfront tydens tronkgevegte. Gewapen slegs met 'n knuppel en sy hond moes hy messtekers en oproeriges afweer. Hy is 'n mensch, 'n ongeslypte diamant met hart en ondernemingsgees.

Hy herinner aan Bennie Griessel: hy rook en drink straf, sy huwelik is op die rotse, hy sukkel om gevoelens te wys, maar oor 'n hond wat doodgaan, grens hy. Sy eerste pos, toe hy net 16 was, was op Robbeneiland, waar hy 'n lang, breedgeskouerde gevangene met 'n vriendelike gesig gesien skerm het. Hy was self 'n bokser en kon sien die man het 'n besonderse tegniek, dat hy lig op sy voete soos 'n weltergewig was.

Die bokser was Nelson Mandela. Saans het Mandela deur sy tralies vir die seun hardgekookte eiers wat hy afgeskil het, aangegee, dan eet hulle saam en gesels. Mandela het hom altyd aaangepor om verder te gaan leer.

Annamarie van Niekerk gaan brutaal eerlik om met vraagstukke waarmee ons daagliks worstel: plaasmoord, geweld teen vroue, skuld en onmag, aandadigheid en keuse.

Sy woon in Den Haag, maar keer terug Suid-Afrika toe vir die begrafnis van haar liewe vriend, Ruben, wat saam met sy ma in ʼn wrede plaasmoord vermoor is. Dié reis lei terug na ander reise: Van haar kinderjare in PE in ʼn streng Nasionale huishouding met ʼn Broederbondpa. Na Umtata, waar sy gaan klasgee en verlief raak op ʼn swart kollega. Na Hillbrow, waar die twee van hulle onwettig saamwoon en aktief is in skrywersirkels met vriende soos Nadine Gordimer en Njabulo Ndebele. Tot geweld ook hul verhouding binnedring. Uiteindelik na die tronk, waar sy Ruben se moordenaars gaan soek in haar strewe na verstaan.

Van Niekerk vervleg haar eie storie aangrypend met ’n verkenning van die groot kwessies in ons land. Onder ʼn bloedrooi hemel is ʼn diep ontroerende persoonlike reis, van geweld na genade, meesterlik vertel.

With this singular book Nataniël tells the story of a childhood in three small towns and one large suburb, in an era during which rules were seldom questioned and of a young boy’s overwhelming fear of the ordinary. Look At Me is Nataniël's first full-length memoir. 

Memoirs of a much-loved teacher and legendary headmaster of Pretoria Boys High.

Bill Schroder is the stuff teaching legends are made of. He was strict, yet kind; firm and consistent, yet creative and playful when needed. He knew the magical mix of discipline and care needed to ensure the loyalty of his students. In this warm-hearted, inspiring and often funny memoir, Schroder looks back on four decades as an English and Latin teacher and, later, headmaster, including 19 years at Pretoria Boys High.

His holistic approach to teaching earned him the respect of both teachers and students. Teaching is not only about conveying knowledge, he believed, but also about looking after the emotional needs of students. For Schroder, the institution was never more important than the individual – he always put his students first. As a headmaster he became known for doing things his own way. He gave students a voice where others wanted to silence them, he found creative ways to turn problem schools around and never allowed departmental admin to get in the way of teaching. In the early 1990s when schools were opened to all races, Pretoria Boys High under him played a leading role in transforming their school. In his retirement he also served as a consultant and a mentor to a school in a Pretoria township.

Here is a teacher who left an indelible mark on thousands of pupils from Cape Town to Pretoria.

His truth. His story. In his words.

There have been many comments made and books written about Siya Kolisi, captain of the Springboks, and the first black man to lead his country in over 128 years of South African rugby.

But now, for the very first time, Siya Kolisi shares his story in an extraordinarily intimate memoir, charting his journey from being born into the impoverished Zwide township, to leading his proud nation to an astonishing victory at the Rugby World Cup in 2019.

However, Rise is not simply a chronology of matches played and games won; it is an exploration of a man’s race and his faith, a masterclass in attaining a positive mindset, and an inspirational reminder that it is possible to defy the odds, no matter how they are stacked against you.

In 2020, partly in response to the pandemic, Siya and his wife, Rachel, launched The Kolisi Foundation, providing personal protective equipment to healthcare workers and delivering food parcels throughout South Africa.

The title Rise is inspired by Siya’s mother – Phakama – which translates to the book’s name, as well as a celebration of his Xhosa heritage.

On bended knee, he leaned over the stricken boxer and counted him out. When he waved the fight over, there was exactly one second to go in the dramatic and brutal world championship bout and Víctor Galíndez had retained his title. But the referee, his shirt stained with the champion’s blood, had cemented his reputation as a cool professional, one destined to become an esteemed figure in world boxing.

South Africa’s own Stanley Christodoulou has officiated an unprecedented 242 world title fights over five decades, some of them among the most iconic in boxing history, and became his nation’s very first inductee into the International Boxing Hall of Fame. He rose from humble beginnings, learning his trade in the South African townships of the 1960s, and went on to lead his national boxing board as it sought to shed the racial restrictions of the apartheid era. It was a contribution to his country’s sporting landscape that saw him recognised by the president of the ‘new’ South Africa, Nelson Mandela.

The Life and Times of Stanley Christodoulou is Stanley’s memoir in boxing. It takes the reader to a privileged position, inside the ropes with champions and into the company of boxing legends.

Desiree Ellis has been associated with Banyana Banyana, the South African women’s national football team, for 30 years – initially making her mark as a player (1993–2002), before transitioning to coaching. Taking the experience of 32 caps, including captaining the team when South Africa won the inaugural Cosafa Women’s Cup in 2002, she went on to become the most successful women’s coach in South Africa.

After a stint as assistant coach to Vera Pauw, Desiree was officially appointed head coach in 2018 and continued adding to her outstanding resumé. A high point came in 2022 when she coached Banyana Banyana to the Wafcon title in Morocco. The win also earned the team automatic qualification for the 2023 FIFA Women’s World Cup.

But Desiree’s inspiring football journey began many years before on the streets of Salt River in Cape Town where she developed the strength and skills that earned her the nickname ‘Magic’ on the field. Back then soccer boots were only dreamed of and it was her Bata Toughees school shoes that suffered the wear and tear, often to the despair of her hardworking parents. In the early days of the Athlone Celtic women’s side, it was a family affair: (Uncle) Eddie took on the role of coach, (Mom) Natalie’s seamstress skills saw them all kitted out, and (Dad) Ernest handled everything else, from transport to scheduling games.

When Desiree’s talent and dedication saw her become a serious contender at league and then provincial level, and finally gave her a chance to play with and against the world’s best, there was no stopping her. As South Africa emerged from sporting exile after the dark days of apartheid and stepped up to the international stage, Desiree proved to everyone who believed in her that dreams can come true.

Petrovna Metelerkamp het geen bekendstelling nodig nie. Sy het jare lank vir tydskrifte soos Huisgenoot en Insig geskryf en in 2000 die uitgewery Hemel & See Boeke gestig. Sy het bekendheid verwerf vir haar biografieë van Ingrid Jonker en Jeanne Goosen.

Petrovna was ook verantwoordelik vir die publikasie van die brieweboeke van onder andere Audrey Blignault, Uys Krige en Hennie Aucamp, asook die memoires van Wilna Snyman, Fanus Rautenbach en Ollie Viljoen.

Met hierdie langverwagte boek deel Petrovna haar herinneringe, wat die geskiedenis van haar herkoms en haar persoonlike ervarings oor baie dekades insluit.

In Kambrokind deel F.A. Venter sy jeugherinneringe vanaf sy voorskoolse jare tot op universiteit.

Op boeiende wyse vertel Venter hoe hy die Karoo se sagte én harde kant leer ken. Hy kon homself wees in die veld en sy gedagtes vrye teuels gee, maar hy het ook die wreedheid van droogtes en siektes en die lang trekpad met skaap na beter weiding ervaar.

Op skool het sekere onderwysers hom ontvanklik gemaak vir die wêreld van boeke en oordenking en het dit hom gedryf om hard te werk sodat hy met ’n studielening en twee pakke klere kon gaan studeer aan die Universiteit van Stellenbosch.

"So here I am, at a psychiatric hospital, looking for myself in a building I’ve never been in before. A few nights ago, I was ready to rid myself of myself. I still am, only, in a different way. This time, I want to do away with what I hope will soon be my former self. I don’t know what is wrong with me, I never have. All I know is that my head is clouded with loud voices screaming in different frequencies; none of them making sense. With only a stony face to hide it all behind, and a pained smile to offer my friends and colleagues."

Patient 12A is Lesedi Molefi’s absorbing memoir, reflecting on his time spent in a psychiatric clinic in 2016. With vulnerability and candour, Lesedi reflects on the moments, large and small, that led him here. It is at once a personal history, an observation of how childhood experiences can have a profound effect on the adults we become, and a commentary on how mental illness remains a difficult conversation in black families.

But more than anything, Patient 12A is Lesedi’s attempt to filter out the noise in his head to find the truth, however uncomfortable that may be.

Die Herero-opstand 1904–1907 is ’n heruitgawe van ’n boek wat ses keer tussen 1976 en 1979 deur HAUM gepubliseer is. Die lotgevalle van die Hererovolk word in hierdie boek geskets, ’n stuk geskiedenis wat ’n sentrale plek in Namibie se kleurryke geskiedenis beklee. Die opstand van die Herero’s in 1904 teen Duitse koloniale gesag kan beskou word as die enkele gebeurtenis wat die gebied se volksverhoudinge die ingrypendste verander het. Die Herero-opstand 1904–1907 vertel van die geleidelike opbou na die konflik, die skielike uitbarsting van geweld en die tragiese afloop vir die Herero’s toe duisende verhonger het en hulle grond en politieke seggenskap verloor het.

Systemic racism and sexism caused one of South Africa’s most important writers to disappear from public consciousness. Is it possible to justly restore her historical presence?

Regina Gelana Twala, a Black South African woman who died in 1968 in Swaziland (now Eswatini), was an extraordinarily prolific writer of books, columns, articles, and letters. Yet today Twala’s name is largely unknown. Her literary achievements are forgotten. Her books are unpublished. Her letters languish in the dusty study of a deceased South African academic. Her articles are buried in discontinued publications. Joel Cabrita argues that Twala’s posthumous obscurity has not developed accidentally as she exposes the ways prejudices around race and gender blocked Black African women like Twala from establishing themselves as successful writers.

Drawing upon Twala’s family papers, interviews, newspapers, and archival records from Pretoria, Uppsala, and Los Angeles, Cabrita argues that an entire cast of characters—censorious editors, territorial White academics, apartheid officials, and male African politicians whose politics were at odds with her own—conspired to erase Twala’s legacy. Through her unique documentary output, Twala marked herself as a radical voice on issues of gender, race, and class. The literary gatekeepers of the racist and sexist society of twentieth-century southern Africa clamped down by literally writing her out of the region’s history.

Written Out also scrutinizes the troubled racial politics of African history as a discipline that has been historically dominated by White academics, a situation that many people within the field are now examining critically. Inspired by this recent movement, Cabrita interrogates what it means for her —a White historian based in the Northern Hemisphere—to tell the story of a Black African woman. Far from a laudable “recovery” of an important lost figure, Cabrita acknowledges that her biography inevitably reproduces old dynamics of White scholarly privilege and dominance. Cabrita’s narration of Twala’s career resurrects it but also reminds us that Twala, tragically, is still not the author of her own life story.

Life is like that sometimes draws readers into the unforgettable personal experiences that have shaped Khaya Dlanga’s world. Weaving heartfelt and often hilarious tales, from his rural Eastern Cape childhood to the profound losses he has faced as an adult, Khaya reflects on life’s unpredictability with warmth and wit.

The vivid stories explore love, loss, loyalty, forgiveness, tradition, chance, mischief, justice, responsibility and resilience, offering insights on relationships, identity and the lessons found in life’s toughest moments.

Both deeply moving and laugh-out-loud funny, Life is like that sometimes is an exploration of personal growth, faith and the power of storytelling to find meaning in it all.

Hierdie bundel is 'n keur uit Anton se liedjies; (hi)stories en "his stories", fabels en feite. Goosen se musiekloopbaan strek reeds oor 25 jaar - 15 albums, 2 SARIE-toekennings, 2 SAMA-toekennings en 'n Geraas-toekenning (2002) vir sy bydrae tot Afrikaanse musiek. Sy werk word gekenmerk deur reisverhale (Liedjieboer), kulturele ontwaking (Lappiesland) en stedelike beskouings (City/Stad).

Dr Joan Louwrens was always drawn to wild places, which were balm to her soul. When her husband died, leaving her alone with two small daughters to raise, she threw herself wholeheartedly into ‘adventure medicine’, seeking out the world’s most remote corners – on land and at sea – to practise her healing, both her own and others.

Working in wild places from the Kruger Park to the Australian Outback, the Atlantic Ocean islands, and both the south and north poles, ‘Doctor Joan’ dealt with a vast range of medical issues, from rabies to deep-vein thrombosis, childbirth to wisdom-tooth extraction, catatonia to depression.

Showing an eagerness to learn and a humility that isn’t always a given in her profession, and with a wry eye and a sympathetic outlook, Joan Louwrens has written a memoir that’s a poignant and often funny story of a life lived to the full

A captivating and insightful account of Dr Max Price’s journey at the helm of a major South African university during a period of immense upheaval.

As Vice-Chancellor of the University of Cape Town for two terms from 2008 to 2018, he offers a candid look at the challenges he faced during his time including transformation, rights of artistic expression, institutional culture, clemencies and amnesties, restorative justice and ethical decision, and of course, #FeesMustFall protests – which shook the country's higher education sector to its core.

Drawing on his experiences, Price delves into the complexities of multi-stakeholder decision-making, crisis management, and the importance of values such as academic freedom in an increasingly polarised world. Part memoir, part insider's view of history, and part leadership guide, Statues and Storms is a must-read for anyone interested in higher education, South African history, or the art of leadership during times of crisis.