The Records of Mazu and the Making of Classical Chan Literature explores the growth, makeup, and transformation of Chan (Zen) Buddhist literature in late medieval China. The volume analyzes the earliest extant records about the life, teachings, and legacy of Mazu Daoyi (709-788), the famous leader of the Hongzhou School and one of the principal figures in Chan history. While some of the texts covered are well-known and form a central part of classical Chan (or more broadly Buddhist) literature in China, others have been largely ignored, forgotten, or glossed over until recently. Poceski presents a range of primary materials important for the historical study of Chan Buddhism, some translated for the first time into English or other Western language. He surveys the distinctive features and contents of particular types of texts, and analyzes the forces, milieus, and concerns that shaped key processes of textual production during this period. Although his main focus is on written sources associated with a celebrated Chan tradition that developed and rose to prominence during the Tang era (618-907), Poceski also explores the Five Dynasties (907-960) and Song (960-1279) periods, when many of the best-known Chan collections were compiled. Exploring the Chan School's creative adaptation of classical literary forms and experimentation with novel narrative styles, The Records of Mazu and the Making of Classical Chan Literature traces the creation of several distinctive Chan genres that exerted notable influence on the subsequent development of Buddhism in China and the rest of East Asia.

This book explores how to utilize Buddhism in psychotherapy and how Buddhism itself acts as a form of psychotherapy, using Buddhism practices as a lens for universal truth and wisdom rather than as aspects of a religion. Based on the author's over 30 years of study and practice with early Buddhism and his experiences of Buddhism with his patients, the book outlines a new form of psychotherapy incorporating three Buddhist principles: the properties of the body and mind, the principle of world's movement, and living with wisdom. This technique provides a unique perspective on mental health and offers new approaches for clinicians and researchers to effectively addressing mental health and well-being.

The essays in this volume, written by specialists working in the field of tantric studies, attempt to trace processes of transformation and transfer that occurred in the history of tantra from around the seventh century and up to the present. The volume gathers contributions on South Asia, Tibet, China, Mongolia, Japan, North America, and Western Europe by scholars from various academic disciplines, who present ongoing research and encourage discussion on significant themes in the growing field of tantric studies. In addition to the extensive geographical and temporal range, the chapters of the volume cover a wide thematic area, which includes modern Bengali tantric practitioners, tantric ritual in medieval China, the South Asian cults of the mother goddesses, the way of Buddhism into Mongolia, and countercultural echoes of contemporary tantric studies.

This book presents the welfare regime of China as a liminal space where religious and state authorities struggle for legitimacy as new social forces emerge. It offers a unique analysis of relations between religion and state in the People's Republic of China by presenting how the Chinese Communist Party (CCP) tries to harness Buddhist resources to assist in the delivery of social services and sheds light on the intermingling of Buddhism and the state since 1949. This book will appeal to academics in social sciences and humanities and broader audiences interested in the social role of religions, charity, NGOs, and in social policy implementation. The author explores why the CCP turns to Buddhist followers and their leaders and presents a detailed view of Buddhist philanthropy, contextualized with an historical overview, a regional comparative perspective, and a review of policy debates. This book contributes to our understanding of secularity in a major non-Western society influenced by religions other than Christianity.

This collection brings together scholarly contributions relating to the research of Lance Cousins (1942-2015), an influential and prolific scholar of early Buddhism. Cousins' interests spanned several related fields from the study of Abhidhamma and early Buddhist schools to Pali literature and meditation traditions. As well as being a scholar, Cousins was a noted meditation teacher and founder of the Samantha Trust. The influence of Cousin's scholarship and teaching is felt strongly not only in the UK but in the worldwide Buddhist Studies community. The volume is introduced by Peter Harvey and the following chapters all speak to the core questions in the field such as the nature of the path, the role of meditation, the formation of early Buddhist schools, scriptures and teachings and the characteristics and contributions of P?li texts. The volume is of interest to students and scholars in Buddhist Studies, Religious Studies and Asian Studies as well as Buddhist practitioners.

Buddhism continues to enjoy increasing interest in the West, both for its emphasis on reflection and meditation and as an object of scholarship. Drawing the words actually spoken by the Buddha, Rahula gives a full account of his fundamental teachings, from the Buddhist attitude of mind and meditation to the Buddha's teaching in the contemporary world. The text also features a selection of texts from original Buddhist literature.

We spend our lives protecting an elusive self - but does the self actually exist? Drawing on literature from Western philosophy, neuroscience and Buddhism (interpreted), the author argues that there is no self. The self - as unified owner and thinker of thoughts - is an illusion created by two tiers. A tier of naturally unified consciousness (notably absent in standard bundle-theory accounts) merges with a tier of desire-driven thoughts and emotions to yield the impression of a self. So while the self, if real, would think up the thoughts, the thoughts, in reality, think up the self.

This work introduces the reader to the central issues and theories in Western environmental ethics, and against this background develops a Buddhist environmental philosophy and ethics. Drawing material from original sources, there is a lucid exposition of Buddhist environmentalism, its ethics, economics and Buddhist perspectives for environmental education. The work is focused on a diagnosis of the contemporary environmental crisis and a Buddhist contribution for positive solutions. Replete with stories and illustrations from original Buddhist sources, it is both informative and engaging.

This book examines the use of Buddhist ideas, particularly mindfulness, to manage a broad spectrum of emotions and to address social and economic issues impacting the world, such as climate change. Beginning with a brief history of emotion studies, it highlights how recent developments in neuroscience and cognitive science have paved the way for exploring the utility of Buddhist concepts in addressing various psychological and social problems in the world. It profiles a wide range of emotions from Western and Buddhist perspectives including anger, sadness, depression, pride, and compassion, and analyses the integration of Buddhist ideas into modern clinical practice. Finally, the author demonstrates the utility of mindfulness in the regulation of emotions in various settings, including psychiatric clinics, schools, and businesses. Anchored in the Buddhist tradition this book this book provides a unique resource for students and scholars of counselling, psychotherapy, clinical psychology and philosophy.

The Kalacakratantra is the latest and most comprehensive Buddhist Tantra that is available in its original Sanskrit. This will be the first thorough academic work to be published on this Tantra. The Kalacakratantra's five chapters are classified into three categories: Outer, Inner, and Other Kalacakratantra. The present work concentrates on the Inner Kalacakratantra, which deals with the nature of a human being.

Originally published in 1916. Author: Ananda Coomaraswamy D.Sc. Language: English Keywords: Religion Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

En esta obra los Seres de Luz intentaran lograr que un Alma que vive un 95% del tiempo en su Reino de Oscuridad, logre reintegrar todas las formas de su Alma en los 7 Niveles de Conciencia, para que de esta manera alcance la iluminacion, ya que si esta Alma logra alcanzar la iluminacion, La Conciencia de la Humanidad se expandira mas rapidamente. Hoy, aproximadamente el 5% de todas las Almas ya estan viviendo en la 4ta Dimension, el otro 95% continua viviendo en su mente tridimensional.

This book is about a sacred place called Balkh, known to the ancient Greeks as Bactra. Located in the north of today's Afghanistan, along the silk road, Balkh was holy to many. The Prophet Zoroaster is rumoured to have died here, and during late antiquity, Balkh was the home of the Naw Bahar, a famed Buddhist temple and monastery. By the tenth century, Balkh had become a critical centre of Islamic learning and early poetry in the New Persian language that grew after the Islamic conquests and continues to be spoken in Iran, Afghanistan and parts of Central Asia today. In this book, Arezou Azad provides the first in-depth study of the sacred sites and landscape of medieval Balkh, which continues to exemplify age-old sanctity in the Persian-speaking world and the eastern lands of Islam generally. Azad focuses on the five centuries from the Islamic conquests in the eighth century to just before the arrival of the Mongols in the thirteenth century, the crucial period in the emergence of Perso-Islamic historiography and Islamic legal thought. The book traces the development of 'sacred landscape', the notion that a place has a sensory meaning, as distinct from a purely topographical space. This opens up new possibilities for our understanding of Islamisation in the eastern Islamic lands, and specifically the transition from Buddhism to Islam. Azad offers a new look at the medieval local history of Balkh, the Fada"il-i Balkh, and analyses its creation of a sacred landscape for Balkh. In doing so, she provides a compelling example of how the sacredness of a place is perpetuated through narratives, irrespective of the dominant religion or religious strand of the time.

A new publication from the Buddhist Society bringing together twenty-one stories with over fifty color illustrations, accompanied by a map of the Old Silk Road and extensive glossary. In the Further Stories From The Old Silk Road the reader is transported to a world of flying monks and hidden jewels, where heroes undertake extraordinary quests across ancient empires. These remarkable stories, retold here by Eric Cheetham and illustrated by Roberta Mansell, contain within them an extraordinary degree of warmth and humour and provide a powerful insight into the Buddha's teachings.

Intended as a methodological and theoretical contribution to the study of religion and society, this book examines Buddhist monasticism in Myanmar. The book focuses on the Shwegyin, one of the most important but least understood monastic groups in the country. Analyzing the group as a tradition constructed around ideas of continuity and disruption/rupture, the study illuminates key aspects of monastic and wider Burmese Buddhist thought and practice, and ultimately argues for the distinctiveness of elements of that thought and practice in comparison to the Buddhist cultures of Sri Lanka and Laos. After situating the Shwegyin within the history of Buddhist monasticism more generally, and within the vicissitudes of modern Burmese political history, the book proceeds along two scholarly avenues. It adopts an interdisciplinary method with attention to biographical, administrative, doctrinal, and ethnographic evidence. Theoretically, the book engages scholarly discussion about "traditions" and their "traditionalisms" and advances a specific type of interpretive approach built on bringing the viewpoints and practices of the Shwegyin into conversation with the enterprise of understanding larger historical and cultural patterns in the Buddhist societies of South and Southeast Asia.

The Genius of Japanese Carpentry tells the story of the 1200-year-old Yakushiji monastery in Nara, a UNESCO World Heritage Site, and the dedicated modern-day craftsmen who are working to restore what has been lost to the depredations of time, fire and warfare. Although the monastery's reconstruction will not be fully completed until 2030, one of the primary temples, the Picture Hall, has been wholly restored employing the same materials, tools and techniques originally used in its creation over a millennium ago. Featuring intricate, puzzle-like joinery and the integration of timber pieces to orient them in the same direction as when it was a growing tree, this book skillfully documents the stunning craftsmanship of the ancient Japanese, which is still alive today. First published more than thirty years ago, this book has become a classic. Author Azby Brown, one of the world's leading experts on Japanese architecture, chronicles the painstaking restoration of the Yakushiji monastery through: Extensive interviews with carpenters and woodworkers Original drawings based on the plans of master carpenter Tsunekazu Nishioka Detailed photographs and diagrams showing the woodworking techniques, tools and materials used This revised edition of the book contains a new foreword by Mira Locher, one of the world's leading experts on vernacular and modern Japanese architecture. An inspiring testament to the dedication of these craftsmen and their philosophy of carpentry work as a form of personal fulfillment, The Genius of Japanese Carpentry offers detailed documentation of the restoration of this historic building and a moving reminder of the unique cultural continuity found in Japan.

The Lotus Sutra is one of the most important sutras in Mahayana Buddhism. Translated by Kumarajiva in the 5th century, its teachings have inspired many Buddhist scholars such as Chih-i and Saicho from the Tiantai (Tendai) tradition, Dogen from the Zen tradition and Nichiren the 13th century Kamakura founder and reformer. There is a relative lack of scholarly works that are devoted to an examination of how its philosophical ideas were received and developed throughout history. This book remedies that lack by tracing the origin and development of Lotus Sutra thought, and interprets the text from the perspective of the doctrine of Buddha-nature in Mahayana Buddhism.

Analayo outlines how to meditate on emptiness, according to early Buddhism. His presentation is geared to practical concerns, something that the reader can put into practice when sitting on the cushion, with an appendix giving a translation of the key discourses from the Pali and Chinese. This brings out an aspect of early Buddhism so far fairly neglected, providing an important perspective on emptiness as a form of meditation in relation to later developments, and is a practical companion to his bestselling book: Satipatthana.

Pamela D. Winfield offers a fascinating juxtaposition and comparison of the thoughts of two pre-modern Japanese Buddhist masters on the role of imagery in the enlightenment experience. Kukai (774-835) believed that real and imagined forms were indispensable to his new esoteric Mikkyo method for ''becoming a Buddha in this very body'' (sokushin jobutsu), yet he deconstructed the significance of such imagery in his poetic and doctrinal works. Conversely, Dogen (1200-1253) believed that ''just sitting'' in Zen meditation without any visual props or mental elaborations could lead one to realize that ''this very mind is Buddha'' (sokushin zebutsu), but he too privileged select Zen icons as worthy of veneration. In considering the nuanced views of Kukai and Dogen, Icons and Iconoclasm in Japanese Buddhism updates previous comparisons of their oeuvres and engages their texts and images together for the first time in two decades. Winfield liberates them from sectarian scholarship, which has long pigeon-holed them into iconographic/ritual vs. philological/philosophical categories, and restores the historical symbiosis between religious thought and artistic expression that was lost in the nineteenth-century disciplinary distinction between religious studies and art history. Winfield breaks new methodological ground by proposing space and time as organizing principles for analyzing both meditative experience as well as visual/material culture and presents a wider vision of how Japanese Buddhists themselves understood the role of imagery before, during, and after awakening.