This book offers a broad overview of public attitudes to the death penalty in India. It examines in detail the progress made by international organizations worldwide in their efforts to abolish the death penalty and provides statistics from various countries that have already abolished it. The book focuses on four main aspects: the excessive cost and poor use of funds; wrongful executions of innocent people; the death penalty's failure as an efficient deterrent; and the alternative sentence of life imprisonment without parole. In closing, the book analyses the current debates on capital punishment around the globe and in the Indian context. Based on public opinion surveys, the book is essential reading for all those interested in India, its government, criminal justice system, and policies on the death penalty and human rights.

By the time that Queen Victoria ascended the throne in 1837, the list of crimes liable to attract the death penalty had been reduced to murder, yet the gallows remained a source of controversy in Victorian Britain and there was growing unease in liberal quarters surrounding the question of capital punishment. Focusing in part on the activities of the Society for the Abolition of Capital Punishment, James Gregory examines abolitionist strategies, leaders and personnel. He locates the 'gallows question' in an imperial context and explores the ways in which debates about the gallows and abolition featured in literature, from poetry to 'novels of purpose' and popular romances of the underworld. He places the abolitionist movement within the wider Victorian worlds of philanthropy, religious orthodoxy and social morality in a study which will be essential reading for students and researchers of Victorian history.

Reflections on Hanging is a searing indictment of capital punishment, inspired by its author's own time in the shadow of a firing squad. During the Spanish Civil War, Arthur Koestler was held by the Franco regime as a political prisoner, and condemned to death. He was freed, but only after months of witnessing the fates of less-fortunate inmates. That experience informs every page of the book, which was first published in England in 1956, and followed in 1957 by this American edition. As Koestler ranges across the history of capital punishment in Britain (with a focus on hanging), he looks at notable cases and rulings, and portrays politicians, judges, lawyers, scholars, clergymen, doctors, police, jailers, prisoners, and others involved in the long debate over the justness and effectiveness of the death penalty. In Britain, Reflections on Hanging was part of a concerted, ultimately successful effort to abolish the death penalty. At that time, in the forty-eight United States, capital punishment was sanctioned in forty-two of them, with hanging still practiced in five. This edition includes a preface and afterword written especially for the 1957 American edition. The preface makes the book relevant to readers in the U.S.; the afterword overviews the modern-day history of abolitionist legislation in the British Parliament. Reflections on Hanging is relentless, biting, and unsparing in its details of botched and unjust executions. It is a classic work of advocacy for some of society's most defenseless members, a critique of capital punishment that is still widely cited, and an enduring work that presaged such contemporary problems as the sensationalism of crime, the wrongful condemnation of the innocent and mentally ill, the callousness of penal systems, and the use of fear to control a citizenry.

There have been many heroes and victims in the battle to abolish the death penalty, and Marie Deans fits into both of those categories. A South Carolina native who yearned to be a fiction writer, Marie was thrust by a combination of circumstances-including the murder of her beloved mother-in-law-into a world much stranger than fiction, a world in which minorities and the poor were selected to be sacrificed to what Supreme Court Justice Harry Blackmun called the ""machinery of death."" Marie found herself fighting to bring justice to the legal process and to bring humanity not only to prisoners on death row but to the guards and wardens as well. During Marie's time as a death penalty opponent in South Carolina and Virginia, she experienced the highs of helping exonerate the innocent and the lows of standing death watch in the death house with thirty-four condemned men.

This book explores the idea of the prison boundary, identifying where it is located, which processes and performances help construct and animate it, and who takes part in them. Although the relationship between prison and non-prison has garnered academic interest from various disciplines in the last decade, the cultural performance of the boundary has been largely ignored. This book adds to the field by exploring the complexity of the material and symbolic connections that exist between society and carceral space. Drawing on a range of cultural examples including governmental legislation, penal tourism, prisoner work programmes and art by offenders, Jennifer Turner attends to the everyday, practised manifestations and negotiations of the prison boundary. The book reveals how prisoners actively engage with life outside of prison and how members of the public may cross the boundary to the inside. In doing so, it shows the prison boundary to be a complex patchwork of processes, people and parts. The book will be of great interest to scholars and upper-level students of criminology, carceral geography and cultural studies.

Capital punishment is irrevocable. It prohibits the correction of mistakes by the justice system and leaves no room for human error, with the gravest of consequences. There is no evidence of a deterrent effect of the death penalty. Those sacrificed on the altar of retributive justice are almost always the most vulnerable. This book covers a wide range of topics, from the discriminatory application of the death penalty, wrongful convictions, proven lack of deterrence effect, to legality of the capital punishment under international law and the morality of taking of human life.

A must for collectors and librarians. Contains a powerful analysis of three of English law's most iconic criminal cases with extracts from the original transcripts and court reports. Readable, accessible and engaging. Paints vivid pictures of three different social eras.There are cases in the annals of English criminal law that forever resonate. In Three Cases that Shook the Law former district judge Ronald Bartle has selected three for close scrutiny: cases where the defendants paid the ultimate penalty even though demonstrably the victims of injustice. They are those of Edith Thompson who suffered due to her romantic mind-set, a young lover and the prevailing moral climate; William Joyce (Lord 'Haw Haw') where the law was stretched to its limits to accommodate treason; and Timothy Evans who died due to the lies of the principal prosecution witness Reginald John Halliday Christie who it later transpired was both a serial killer and likely perpetrator.Weaving narrative, transcripts and original court records the author presents the reader with a captivating book in which his long experience as a lawyer and magistrate is brought fully to bear.A valuable addition to the history of English law that will be of particular interest to those concerned about miscarriages of justice or capital punishment (which remains rife in parts of the world).

An American Dilemma examines the issue of capital punishment in the United States as it conflicts with the nation's obligations under the 1963 Vienna Convention on Consular Relations. In a number of high profile cases, foreign nationals have been executed after being denied their rights under the Vienna Convention. The International Court of Justice has ruled against the United States, but individual states have chosen to defy international law. The Supreme Court has not resolved the question of legal remedies for such breaches.

This book examines public attitudes to the death penalty in Japan, focusing on knowledge and trust-based attitudinal factors relating to support for, and opposition to, the death penalty. A mixed-method approach was used. Quantitative and qualitative surveys were mounted to assess Japanese death penalty attitudes. The main findings show that death penalty attitudes are not fixed but fluid. Information has a significant impact on reducing support for the death penalty while retributive attitudes are associated with support. This book offers a new conceptual framework in understanding the death penalty without replying on the usual human rights approach, which can be widely applied not just to Japan but to other retentionist countries.

Examining the successful movements to abolish capital punishment in the UK, France, and Germany, this book examines the similarities in the social structure and political strategies of abolition movements in all three countries. An in-depth comparative analysis with other countries assesses chances of success of abolition elsewhere.

This is the story of lifelong musician Buzzy Martin, music teacher to the hardened criminals inside the walls of San Quentin Prison-and what he learned, note by incredible note.

In his first book since the Pulitzer Prize-winning Polio: An American Story, renowned historian David Oshinsky takes a new and closer look at the Supreme Court's controversial and much-debated stances on capital punishment-in the landmark case of Furman v. Georgia.

Career criminal William Furman shot and killed a homeowner during a 1967 burglary in Savannah, Georgia. Because it was a "black-on-white" crime in the racially troubled South, it also was an open-and-shut case. The trial took less than a day, and the nearly all-white jury rendered a death sentence. Aided by the NAACP's Legal Defense Fund, Furman's African-American attorney, Bobby Mayfield, doggedly appealed the verdict all the way to the U.S. Supreme Court, which in 1972 overturned Furman's sentence by a narrow 5-4 vote, ruling that Georgia's capital punishment statute, and by implication all other state death-penalty laws, was so arbitrary and capricious as to violate the Eighth Amendment's prohibition against "cruel and unusual punishment."

Furman effectively, if temporarily, halted capital punishment in the United States. Every death row inmate across the nation was resentenced to life in prison. The decision, however, did not rule the death penalty per se to be unconstitutional; rather, it struck down the laws that currently governed its application, leaving the states free to devise new ones that the Court might find acceptable. And this is exactly what happened. In the coming years, the Supreme Court would uphold an avalanche of state legislation endorsing the death penalty. Capital punishment would return stronger than ever, with many more defendants sentenced to death and eventually executed.

Oshinsky demonstrates the troubling roles played by race and class and region in capital punishment. And he concludes by considering the most recent Supreme Court death-penalty cases involving minors and the mentally ill, as well as the impact of international opinion. Compact and engaging, Oshinsky's masterful study reflects a gift for empathy, an eye for the telling anecdote and portrait, and a talent for clarifying the complex and often confusing legal issues surrounding capital punishment.

Few subjects are as intensely debated in the United States as the death penalty. Some form of capital punishment has existed in America for hundreds of years, yet the justification for carrying out the ultimate sentence is a continuing source of controversy. "No Winners Here Tonight "explores the history of the death penalty and the question of its fairness through the experience of a single state, Ohio, which, despite its moderate midwestern values, has long had one of the country's most active death chambers.
In 1958, just four states accounted for half of the forty-eight executions carried out nationwide, each with six: California, Georgia, Ohio, and Texas. By the first decade of the new century, Ohio was second only to Texas in the number of people put to death each year. "No Winners Here Tonight "looks at this trend and determines that capital punishment has been carried out in an uneven fashion from its earliest days, with outcomes based not on blind justice but on the color of a person's skin, the whim of a local prosecutor, or the biases of the jury pool in the county in which a crime was committed.
Andrew Welsh-Huggins's work is the only comprehensive study of the history of the death penalty in Ohio. His analysis concludes that the current law, crafted by lawmakers to punish the worst of the state's killers, doesn't come close to its intended purpose and instead varies widely in its implementation. Welsh-Huggins takes on this controversial topic evenhandedly and with respect for the humanity of the accused and the victim alike. This exploration of the law of capital punishment and its application will appeal to students of criminal justice as well as those with an interest in law and public policy.

Killing Times begins with the deceptively simple observation-made by Jacques Derrida in his seminars on the topic-that the death penalty mechanically interrupts mortal time by preempting the typical mortal experience of not knowing at what precise moment we will die. Through a broader examination of what constitutes mortal temporality, David Wills proposes that the so-called machinery of death summoned by the death penalty works by exploiting, or perverting, the machinery of time that is already attached to human existence. Time, Wills argues, functions for us in general as a prosthetic technology, but the application of the death penalty represents a new level of prosthetic intervention into what constitutes the human. Killing Times traces the logic of the death penalty across a range of sites. Starting with the legal cases whereby American courts have struggled to articulate what methods of execution constitute "cruel and unusual punishment," Wills goes on to show the ways that technologies of death have themselves evolved in conjunction with ideas of cruelty and instantaneity, from the development of the guillotine and the trap door for hanging, through the firing squad and the electric chair, through today's controversies surrounding lethal injection. Responding to the legal system's repeated recourse to storytelling-prosecutors' and politicians' endless recounting of the horrors of crimes-Wills gives a careful eye to the narrative, even fictive spaces that surround crime and punishment. Many of the controversies surrounding capital punishment, Wills argues, revolve around the complex temporality of the death penalty: how its instant works in conjunction with forms of suspension, or extension of time; how its seeming correlation between egregious crime and painless execution is complicated by a number of different discourses. By pinpointing the temporal technology that marks the death penalty, Wills is able to show capital punishment's expansive reach, tracing the ways it has come to govern not only executions within the judicial system, but also the opposed but linked categories of the suicide bombing and drone warfare. In discussing the temporal technology of death, Wills elaborates the workings both of the terrorist who produces a simultaneity of crime and "punishment" that bypasses judicial process, and of the security state, in whose remote-control killings the time-space coordinates of "justice" are compressed and at the same time disappear into the black hole of secrecy. Grounded in a deep ethical and political commitment to death penalty abolition, Wills's engaging and powerfully argued book pushes the question of capital punishment beyond the confines of legal argument to show how the technology of capital punishment defines and appropriates the instant of death and reconfigures the whole of human mortality.

'[A] vivid, inquiring memoir... A properly soul-searching book' - Tim Adams, Observer As one of our leading campaigners for justice, human rights lawyer Clive Stafford Smith has spent a lifetime getting to know his clients - from detainees in Guantanamo Bay to prisoners facing execution on Death Row - and finding out, in his own words, 'what makes them tick'. But for much of his life, closer to home, there was a man whose mind remained off limits: his own father. It was only years after Dick's death, when Clive inherited more than 3,000 of his letters, that he could finally take a breath and start to piece together the obsessive personality behind them. In The Far Side of the Moon, Stafford Smith seeks the broad conversation about mental illness that was not accessible in his earlier years, reflecting on his father's fragmented life together with that of Larry Lonchar, a client who also struggled with severe depression, and whose fate continues to preoccupy him. Following the critically acclaimed Injustice, this courageous new book is an indictment of the failures in our social and justice systems, a meditation on privilege and its consequences, and an intimate exploration of how the mind's hinterlands can impact a family and shape a life.

"The Last Gasp "takes us to the dark side of human history in the first full chronicle of the gas chamber in the United States. In page-turning detail, award-winning writer Scott Christianson tells a dreadful story that is full of surprising and provocative new findings. First constructed in Nevada in 1924, the gas chamber, a method of killing sealed off and removed from the sight and hearing of witnesses, was originally touted as a "humane" method of execution. Delving into science, war, industry, medicine, law, and politics, Christianson overturns this mythology for good. He exposes the sinister links between corporations looking for profit, the military, and the first uses of the gas chamber after World War I. He explores little-known connections between the gas chamber and the eugenics movement. Perhaps most controversially, he has unearthed new evidence about American and German collaboration in the production and lethal use of hydrogen cyanide and about Hitler's adoption of gas chamber technology developed in the United States. More than a book about the death penalty, this compelling history ultimately reveals much about America's values and power structures in the twentieth century.

There have been many heroes and victims in the battle to abolish the death penalty, and Marie Deans fits into both of those categories. A South Carolina native who yearned to be a fiction writer, Marie was thrust by a combination of circumstances-including the murder of her beloved mother-in-law-into a world much stranger than fiction, a world in which minorities and the poor were selected to be sacrificed to what Supreme Court Justice Harry Blackmun called the ""machinery of death."" Marie found herself fighting to bring justice to the legal process and to bring humanity not only to prisoners on death row but to the guards and wardens as well. During Marie's time as a death penalty opponent in South Carolina and Virginia, she experienced the highs of helping exonerate the innocent and the lows of standing death watch in the death house with thirty-four condemned men.

On April 19, 1995, Timothy McVeigh detonated a two-ton truck bomb that felled the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 people. On June 11, 2001, an unprecedented 242 witnesses watched him die by lethal injection. In the aftermath of the bombings, American public commentary almost immediately turned to "closure" rhetoric. Reporters and audiences alike speculated about whether victim's family members and survivors could get closure from memorial services, funerals, legislation, monuments, trials, and executions. But what does "closure" really mean for those who survive-or lose loved ones in-traumatic acts? In the wake of such terrifying events, is closure a realistic or appropriate expectation? In Killing McVeigh, Jody Lynee Madeira uses the Oklahoma City bombing as a case study to explore how family members and other survivors come to terms with mass murder. The book demonstrates the importance of understanding what closure really is before naively asserting it can or has been reached.

On April 19, 1995, Timothy McVeigh detonated a two-ton truck bomb that felled the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 people. On June 11, 2001, an unprecedented 242 witnesses watched him die by lethal injection. In the aftermath of the bombings, American public commentary almost immediately turned to "closure" rhetoric. Reporters and audiences alike speculated about whether victim's family members and survivors could get closure from memorial services, funerals, legislation, monuments, trials, and executions. But what does "closure" really mean for those who survive--or lose loved ones in--traumatic acts? In the wake of such terrifying events, is closure a realistic or appropriate expectation? In Killing McVeigh, Jody Lynee Madeira uses the Oklahoma City bombing as a case study to explore how family members and other survivors come to terms with mass murder. As the fullest case study to date of the Oklahoma City Bombing survivors' struggle for justice and the first-ever case study of closure, this book describes the profound human and institutional impacts of these labors to demonstrate the importance of understanding what closure really is before naively asserting it can or has been reached.