This important contemporary Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with poems from other cultures and traditions, Jackson here has created a work which embraces a wide-ranging perspective on human mortality. Each movement is given a different character and musical style, and the result is a unique, sublime work which cannot fail to impress. Vocal scores are available on sale and on hire/rental.

for SATB and piano or orchestra This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings, while the piano part complements the vocal lines with rich, luscious harmonies. An accessible and enjoyable option for mixed choirs. Orchestral material is available on hire.

for SATB and piano or orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for unison or SSA is also available. Orchestral material is available on hire.

for S or SSA and piano or chamber orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for SATB is also available. Orchestral material is available on hire.

for SATB and organ This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody, floating soprano descant, and mellifluous closing 'Amen' make this a setting of great beauty.

for SATB and piano four-hands or orchestra Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on rental.

for SATB and organ, or piano four hands, or orchestra The new organ accompaniment was transcribed by Peter Stevens for the King's College, Cambridge Nine Lessons and Carols service in 2007. The organ part is presented under Wilberg's original choral parts for an effective alternative to the already existing version for piano four hands. Orchestral material is available on hire.

for SATB choir, soprano solo, mezzo-soprano solo, and chamber orchestra or piano McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, Magnificat is ideal for SATB choirs seeking fresh and inspiring new repertoire suitable for church or concert use. Instrumental parts and vocal scores are available on hire/rental.

for SATB accompanied and unaccompanied
Fred Onovwerosuoke and the St. Louis African Chorus carefully selected the favorite, most requested songs from their workshops, while trying to represent a wide spectrum of Africas regions and cultural practicessongs of spirituality, religion, community, work, and play from Nigeria, Ghana, Congo, Benin Republic, South Africa, Namibia, Gambia, and others. The result is Songs of Africa, a user-friendly resource that will satisfy the hunger for new, diverse choral repertoire. As a performance aid, this exciting collection also includes a pronunciation guide, notes on performance practice and cultural context, and, where accompaniment is needed or suggested, some accessible percussion charts.

for SATB choir, solo trumpet, and organ Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary and first performed at the United Guilds Service in St Paul's Cathedral in March 2008, this is an impressive and stately setting of verses from Psalm 90, culminating in a jubilant, maestoso final section. The work would suit any festive service or concert. The trumpet part is available separately.

for SATB and organ This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use. Alongside his own material Chilcott includes the traditional 'Morning has broken' melody, allowing members of the congregation to join in with the choir.

for SATB, organ, and optional strings A gentle melody and lush harmonic backdrop create a stunning musical setting of a text by eminent American hymn writer, Thomas Troeger. One Gift sheds new light on the gifts that the Magi bring to the Christ child. The strings add an attractively profound dimension to the work. Score and string parts on are sale (978-0-19-387034-5)

for vocal soloists or SATB choir and orchestra or reduced orchestra Serenade to Music is sublime - one of the most stunningly beautiful musical creations of the 20th century. This choral meditation on the nature of music and its power to enrapture is a setting of text from Shakespeare's The Merchant of Venice. This tender and much-loved work was composed in 1938 in honour of Sir Henry Wood. It was written for 16 soloists and orchestra but may also be sung by four soloists and chorus, or by mixed-voice chorus. This beautifully presented edition includes an introduction by Michael Kennedy. Also available for full orchestra without choir.

for unison children's choir, SATB choir, and piano or strings This beautiful song combines a melodic setting of Christina Rossetti's 'A Birthday' with Robert Burns's 'A Red, Red Rose', sung to the tune of a traditional Scottish ballad. Both themes are imbued with a sense of happiness and contentment with the world, and the interplay between the melodies results in a truly stirring finish. Also available for SATB and piano or strings.

for SATB, baritone solo and orchestra A newly engraved edition of this vibrant choral work and fully compatible with the new Walton Edition full score. There are minor adjustments to the piano reduction to improve playability and the text underlay is now English only, as Walton's original.