for SATB and harp or piano This delightful choral work brings together arrangements of four well-loved folksongs: 'Green Bushes', 'The Rambling Sailor', 'The Crystal Spring', and 'O, No John!'. A joyful celebration of youthful love and courtship, A Fancy of Folksongs bears all the hallmarks of Cecilia McDowall's appealing and popular style: rhythmic vitality, occasional astringent harmonies, and strong melodies, all brought together to create a distinctive and fresh sound. A Fancy of Folksongs can be accompanied by piano or harp (harp part available separately), and it is sure to be an instant hit with all lovers of McDowall's music. Vocal scores and harp part are available on sale and on hire/rental.

for unison voices and piano The central piece in Three Children's Songs, this setting of words by Frances Farrer is charming and lively. Having sung about the various professions to be pursued by their peers, the young choir proclaim their love of singing in a joyful chorus.

for flexible voices in one or two parts, with optional mixed-voice choir and piano or organ or chamber orchestra Due to popular demand, this tuneful carol is being made available as a separate choral publication. Setting a text by Timothy Dudley-Smith, the piece is characterized by a strong, memorable melody and warm harmonies. The choral leaflet preserves the flexible scoring of the original (first published in The Oxford Book of Flexible Carols), making it accessible to choirs of all types and sizes.

for SATB with optional solo, unaccompanied This is a sonorous and dramatic arrangement of Robert MacGimsey's Christmas spiritual by Canadian composer Larry Nickel. It opens with an optional solo that may be sung by the sopranos, and, towards the end, the rest of the choir sings a beautiful and repetitive pattern on 'oo' while the sopranos take the melody towards a surprising but effective close.

for SATB and piano or orchestra
Mack Wilberg's new arrangement of The Twelve Days of Christmas for SATB and piano or orchestra is fresh and unconventional. The setting includes witty references in the accompaniment to the music of Brahms, Offenbach, Tchaikovsky, and other familiar tunes that allude to various gifts mentioned in the lyrics. The final round is a race to the finish, fueled with excitement and drama, as the music inches upwards with the recounting of each set of gifts.
Orchestral accompaniment is available on rental.

for SATB choir and organ This work was commissioned in honor of the Sanctuary Choir of the First Methodist Church in Houston, Texas. The text was written by Henry F. Lyte in 1834, and the melody by John Goss in 1869. Though other arrangements of this work for SATB and organ do exist, none are written as well and by Mack Wilberg, who has used his compositional craftsmanship to create this memorable arrangement suitable for choirs of all sizes and for performance throughout the liturgical year.

for SATB with divisions and piano This secular text, written by Edgar Allen Poe, is fanciful, calling into question whether reality is a dream, or even a dream within a dream. The music is lush and has a subtle hint of popular harmonies alongside well-written choral lines and an accessible piano part. This would be perfect material for a good secondary school choir.

for SATB and piano or orchestra Known for his arrangements of Christmas carols, given his high exposure as Director of the Mormon Tabernacle Choir, Mack Wilberg has created a new carol arrangement of Adam Adolphe's O Holy Night for mixed choirs. The piece has been arranged in the accessible key of D-flat major along with Wilberg's signature lush textures, which maintain the warm, rich, and dramatic qualities found in this famous carol. Included underneath the English is the French text for those choirs wishing to sing in the original language. Orchestral material is available on rental.

for SATB and piano, piano three-hands, and organ or orchestra
This collection of five new arrangements by Mack Wilberg is scored with varying accompaniments. Most are for piano, but one is with piano three-hands and another with organ. All five hymns have orchestral accompaniments available on rental. Either way, each hymn is beautifully arranged and is a wonderful addition to any service or concert program.

The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each carol is presented with flexible scoring options, clearly explained throughout, enabling performance by various combinations of singers. With a fabulous range of accessible, quality material, including traditional favourites and carols written specially for the collection, this is a must-have for all choirs at Christmas.

for SA and piano with body percussion This fun, raucous, and traditional Canadian sea-shanty is arranged for SA, piano, handclaps, thigh slaps, and foot stomps and has wonderful Canadian imagery: Were you ever in Quebec stowing timber on a deck? The piano part is easy to play and the vocal lines are a delight to sing. This title from the Oxford Music from Canada series is a perfect fit for school choirs.

for SATB and piano or orchestra Whether performed with piano or with an orchestral accompaniment, this music will surely provide a fresh and memorable experience at Christmas. The music is set in ABA format with light and bouncy A sections that surround a lush, slower, lyrical section. This work is appropriate in church services as well as holiday concerts. Orchestral accompaniments are available on rental. A version for upper voices is available separately (978-0-19-380495-1).

for unaccompanied SSATB choir (with optional soprano solo) Combining a number of early lullaby texts in one setting, Adam and the Mother is a haunting carol recalling the fall of Adam. It combines irregular melodic lines with lilting ostinato passages and will appeal to experienced choirs looking for a unique addition to the Christmas repertory.

for SATB unaccompanied Setting a contemporary poem by Kevin Crossley-Holland, The Heart-in-Waiting is a rich, expressive carol with sonorous chords and a deep, rich sound. Ideal for mixed-voice choirs looking for an evocative addition to the Christmas repertory.

for SATB and organ This is an energetic setting of a traditional text, with a memorable tune, attractive sequences and exciting climax, all in a lilting swing. A version for upper voices is also available.

for SATB and organ The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Chesterton, it is highly original yet approachable, and develops the opening melodic motif to provide a sense of cohesion throughout the piece.

for SATB and piano four-hands or orchestra Written as a processional, the setting has brief musical interludes perfect for the entrance of a choir and clergy in a Christmas service. The energy and excitement built into this bouyant arrangement draws the listener in as it bounces from key to key with growing anticipation for a fantastic program (or service) of Christmas music!

for equal voices in 4 parts
This unaccompanied carol is scored for four equal parts and comprises a sequence of three rounds. Rhythmic and engaging, this carol demonstrates the distinctive clarity of Skempton's musical language. It will particularly appeal to good chamber choirs.

for SATB unaccompanied I saw three ships is a lively setting of the traditional English text for unaccompanied mixed voices. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually builds to a forte last verse complete with chiming bells. Accessible and fun to sing, this would be an enjoyable addition to any carol concert.

for SSSAAA unaccompanied Published for the very first time, this is a beautiful arrangement of the old German tune 'Lasst uns das Kindlein Wiegan', setting words adapted from an old Scots poem by Ursula Wood. With flowing contrapuntal lines and characteristic harmonies, O my dear heart will be popular with all upper-voice choirs.

for SATB and organ or brass quartet and timpani Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts available separately). The sound is majestic and declamatory, just as one would expect from an Easter fanfare, with a hint of modal harmony, resulting in a strong and accessible Eastertide anthem.

for SATB and piano four-hands or orchestra Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on rental.