for SATB and organ This is an energetic setting of a traditional text, with a memorable tune, attractive sequences and exciting climax, all in a lilting swing. A version for upper voices is also available.

for SATB and organ The World's Desire was commissioned by the Choir of Truro Cathedral for their service of Nine Lessons and Carols in December 2008, to be performed after the eighth lesson. Setting a text by G. K. Chesterton, it is highly original yet approachable, and develops the opening melodic motif to provide a sense of cohesion throughout the piece.

for equal voices in 4 parts
This unaccompanied carol is scored for four equal parts and comprises a sequence of three rounds. Rhythmic and engaging, this carol demonstrates the distinctive clarity of Skempton's musical language. It will particularly appeal to good chamber choirs.

for SSSAAA unaccompanied Published for the very first time, this is a beautiful arrangement of the old German tune 'Lasst uns das Kindlein Wiegan', setting words adapted from an old Scots poem by Ursula Wood. With flowing contrapuntal lines and characteristic harmonies, O my dear heart will be popular with all upper-voice choirs.

for SATB and organ or brass quartet and timpani Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts available separately). The sound is majestic and declamatory, just as one would expect from an Easter fanfare, with a hint of modal harmony, resulting in a strong and accessible Eastertide anthem.

Described as the "life and soul of British contemporary music", Jane Manning is an internationally celebrated English concert and opera soprano. In this new follow-up to her highly regarded New Vocal Repertory, Volumes I and II, she provides a seasoned expert's guidance and insight into the vocal genre she calls home. Vocal Repertoire for the Twenty-First Century spans the late middle-20th century through the second decade of the 21st. Manning's comprehensive selection of contemporary art songs ranges from the avant-garde to the more easily accessible, including substantial song cycles, shorter encore pieces, and songs suitable for auditions and competitions. The two-volume guide presents expertly-informed selections tailored to particular voice types. Each of the 160 selections is accompanied by a highly detailed performance guide, music examples, levels of difficulty, and a brief encapsulation of vocal characteristics or challenges contained in the piece. A supplemental companion website provides composer biographies and an up-to-date list of recommended recordings. With a focus on younger composers in addition to prominent figures, Manning encourages singers to refresh and expand their recital repertoire into less familiar territory, and discover the rewards therein. Volume 2 features works written from 2000 onwards, including pieces from contemporary composers Mohammed Fairouz ("Annabel Lee"), Missy Mazzoli ("As Long as We Live"), Judith Weir ("The Voice of Desire"), and Raymond Yiu ("The Earth and Every Common Sight").

for SATB and piano four-hands or orchestra Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on rental.

for SATB and piano or orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for unison or SSA is also available. Orchestral material is available on hire.

for S or SSA and piano or chamber orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds, harp, and strings adds a wonderful texture beneath the accessible choral lines. A version for SATB is also available. Orchestral material is available on hire.

for SATB and organ, or piano four hands, or orchestra The new organ accompaniment was transcribed by Peter Stevens for the King's College, Cambridge Nine Lessons and Carols service in 2007. The organ part is presented under Wilberg's original choral parts for an effective alternative to the already existing version for piano four hands. Orchestral material is available on hire.

for SATB and organ This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody, floating soprano descant, and mellifluous closing 'Amen' make this a setting of great beauty.

for SATB and organ This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use. Alongside his own material Chilcott includes the traditional 'Morning has broken' melody, allowing members of the congregation to join in with the choir.

for SATB accompanied and unaccompanied
Fred Onovwerosuoke and the St. Louis African Chorus carefully selected the favorite, most requested songs from their workshops, while trying to represent a wide spectrum of Africas regions and cultural practicessongs of spirituality, religion, community, work, and play from Nigeria, Ghana, Congo, Benin Republic, South Africa, Namibia, Gambia, and others. The result is Songs of Africa, a user-friendly resource that will satisfy the hunger for new, diverse choral repertoire. As a performance aid, this exciting collection also includes a pronunciation guide, notes on performance practice and cultural context, and, where accompaniment is needed or suggested, some accessible percussion charts.

for SATB and organ or orchestra This meaningful text by David Warner is accompanied by beautiful leaps and subsequent suspensions in the memorable melody, which is supported by rich textures in the organ and orchestra. Appropriate throughout the year, this piece is especially suited for Pentecost. Orchestral material is available on hire.

This gentle song is taken from the song cycle 'Songs for Seven Storeys', which Bob Chilcott wrote to celebrate the opening of the New Evelina Children's Hospital on London's South Bank. With a singable, folksy tune and an atmospheric piano part, this song has wide appeal. Orchestral material for 'Songs for Seven Storeys' is available on hire from the OUP Hire Library, or appropriate overseas agent.

for SATB, organ, and optional strings A gentle melody and lush harmonic backdrop create a stunning musical setting of a text by eminent American hymn writer, Thomas Troeger. One Gift sheds new light on the gifts that the Magi bring to the Christ child. The strings add an attractively profound dimension to the work. Score and string parts on are sale (978-0-19-387034-5)

for SA and piano This attractive setting of a text by Christina Rossetti combines a shapely melody with a gentle, rippling piano accompaniment. Ideal for Easter concerts and services.

Wilberg arranged this familiar hymn for the funeral of US President Gerald Ford. To distinguish this arrangement from the other known settings of O God our help in ages past, Wilberg chose a much lower key for a warmer, more comforting sound. Also, in the last verse, the melody is passed to the tenors and altos, which allows the outer voices to develop and further broaden the texture. Whether performing this work with piano accompaniment or with orchestra, it will certainly rejuvenate this traditional favorite.