In the English-speaking world Ernst Kasemann's name is associated primarily with the renewed quest for the historical Jesus which he helped to initiate in the mid-1950s. In addition he is well known for his passionate theological commitment, and for the highly polemical character and sheer difficulty of his writing. There is less appreciation of the breadth of Kasemann's interests, the system of his thought, and the key role of his understanding of Pauline theology within the whole. This study, the first of any length to be written in English, seeks to redress this imbalance. Dr Way traces Kasemann's views from his doctoral dissertation to his magnum opus, the Commentary on Romans. From its context in German Protestant theology, Kasemann's Pauline interpretation is systematically analysed and emphasis is given to the major theological themes which identify the continuing significance of his interpretation to biblical scholars and the Church. Certain unpublished lectures and letters are referred to in tracing Kasemann's views, and the influence of this most provocative of Rudolf Bultmann's students on contemporary New Testament scholarship is assessed.

Volume 50 of the American Edition of Luther's Works is the third and final volume of letters in this series; it presents 89 letters written by Luther in the period from January 1532, to February 14, 1546, a date four days prior to Luther's death.

Many readers are convinced that the Psalms are hopelessly "masculine," especially given that seventy-three of the 150 psalms begin with headings linking them to King David. In this volume, Denise Dombkowski Hopkins sets stories about women in the Hebrew Bible alongside Psalms 42-89 as "intertexts" for interpretation. The stories of women such as Hannah, Rahab, Tamar, Bathsheba, Susanna, Judith, Shiphrah, Puah, and the Levite's concubine can generate a different set of associations for psalm metaphors than have traditionally been put forward. These different associations can give the reader different views of the dynamics of power, gender, politics, religion, family, and economics in ancient Israel and in our lives today that might help to name and transform the brokenness of our world. From the Wisdom Commentary series Feminist biblical interpretation has reached a level of maturity that now makes possible a commentary series on every book of the Bible. It is our hope that Wisdom Commentary, by making the best of current feminist biblical scholarship available in an accessible format to ministers, preachers, teachers, scholars, and students, will aid all readers in their advancement toward God's vision of dignity, equality, and justice for all. The aim of this commentary is to provide feminist interpretation of Scripture in serious, scholarly engagement with the whole text, not only those texts that explicitly mention women. A central concern is the world in front of the text, that is, how the text is heard and appropriated by women. At the same time, this commentary aims to be faithful to the ancient text, to explicate the world behind the text, where appropriate, and not impose contemporary questions onto the ancient texts. The commentary addresses not only issues of gender (which are primary in this project) but also those of power, authority, ethnicity, racism, and classism, which all intersect. Each volume incorporates diverse voices and differing interpretations from different parts of the world, showing the importance of social location in the process of interpretation and that there is no single definitive feminist interpretation of a text.

Conflicts between protestants and Catholics intensified as the Cromwellian invasion of 1649 inflamed the blood-soaked antagonism between the English and Irish. In the ensuing decade, half of Ireland's landmass was confiscated while thousands of natives were shipped overseas - all in a bid to provide safety for English protestants and bring revenge upon the Irish for their rebellion in 1641. Centuries later, these old wounds linger in Irish political and cultural discussion. In his new book, Crawford Gribben reconsiders the traditional reading of the failed Cromwellian invasion as he reflects on the invaders' fractured mental world.
As a tiny minority facing constant military threat, Cromwellian protestants in Ireland clashed over theological issues such as conversion, baptism, church government, miraculous signs, and the role of women. Protestant groups regularly invoked the language of the "Antichrist," but used the term more often against each other than against the Catholics who surrounded them. Intra-protestant feuds splintered the Cromwellian party. Competing quests for religious dominance created instability at the heart of the administration, causing its eventual defeat. Gribben reconstructs these theological debates within their social and political contexts and provides a fascinating account of the religious infighting, instability, and division that tore the movement apart.
Providing a close and informed analysis of the relatively few texts that survive from the period, Gribben addresses the question that has dominated discussion of this period: whether the protestants' small numbers, sectarian divisions and seemingly beleaguered situation produced an idiosyncratictheology and a failed political campaign.

In the years since 1945, the Church of Jesus Christ of Latter-day Saints has grown rapidly in terms of both numbers and public prominence. Mormonism is no longer merely a home-grown American religion, confined to the Intermountain West; instead, it has captured the attention of political pundits, Broadway audiences, and prospective converts around the world. While most scholarship on Mormonism concerns its colorful but now well-known early history, the essays in this collection assess recent developments, such as the LDS Church's international growth and acculturation; its intersection with conservative politics in recent decades; its stances on same-sex marriage and the role of women; and its ongoing struggle to interpret its own tumultuous history. The scholars draw on a wide variety of Mormon voices as well as those of outsiders, from Latter-day Saints in Hyderabad, India, to "Mormon Mommy blogs," to evangelical "countercult" ministries. Out of Obscurity brings the story of Mormonism since the Second World War into sharp relief, explaining the ways in which a church very much rooted in its nineteenth-century prophetic and pioneering past achieved unprecedented influence in the realms of American politics and international business.

The Philokalia (literally "love of the beautiful") is, after the Bible, the most influential source of spiritual tradition within the Orthodox Church. First published in Greek in 1782 by St. Nicodemos of the Holy Mountain and St. Macarios of Corinth, the Philokalia includes works by thirty-six influential Orthodox authors such as Maximus the Confessor, Peter of Madascus, Symeon the New Theologian, and Gregory Palamas. Surprisingly, this important collection of theological and spiritual writings has received little scholarly attention. With the growing interest in Orthodox theology, the need for a substantive resource for Philokalic studies has become increasingly evident. The purpose of the present volume is to remedy that lack by providing an ecumenical collection of scholarly essays on the Philokalia that will introduce readers to its background, motifs, authors, and relevance for contemporary life and thought.

The sixteen pieces of Officium Divinum are made up of four choral pieces with organ, two a cappella pieces and ten choral pieces with organ and instrumental accompaniment. They follow the journey of Daily Prayer from awakening at the break of the day to the eyelids closing at the end of the day. Margaret says: "Chants are so easy to perform and also lovely to sing and to work at. Through the repetitions, a chant starts in the head with all its thinking and begins the long journey into the heart. There one begins to be open to the beauty of prayer, and drawn into deeper levels of reflection and stillness. Singing chants is a wonderful way to share, as we come to pray together." The music has also been recorded by Convivium Singers, conducted by Eamonn Dougan, and is available as a CD.

This is a biography of Hensley Henson, one of the most controversial religious figures in England during the late nineteenth and early twentieth centuries. This book examines Henson's education at Oxford University and describes the highlights of his career as pastor of Ilford and Barking Church, as canon of Westminster Abbey, and as bishop of Hereford and Durham. It explores his involvement in political issues and his controversial views on such issues as divorce, the Italian invasion of Abyssinia, and the anti-Semitic policies of Nazi Germany.

Spanish America has produced numerous "folk saints" -- venerated figures regarded as miraculous but not officially recognized by the Catholic Church. Some of these have huge national cults with hundreds -- perhaps millions -- of devotees. In this book Frank Graziano provides the first overview in any language of these saints, offering in-depth studies of the beliefs, rituals, and devotions surrounding seven representative figures. These case studies are illuminated by comparisons to some hundred additional saints from contemporary Spanish America. Among the six primary cases are Difunta Correa, at whose shrines devotees offer bottles of water and used auto parts in commemoration of her tragic death in the Argentinean desert. Gaucho Gil is only one of many gaucho saints, whose characteristic narrative involves political injustice and Robin-Hood crimes on behalf of the exploited people. The widespread cult of the Mexican saint Nino Fidencio is based on faith healing performed by devotees who channel his powers. Nino Compadrito is an elegantly dressed skeleton of a child, whose miraculous powers are derived in part from an Andean belief in the power of the skull of one who has suffered a tragic death. Graziano draws upon site visits and extensive interviews with devotees, archival material, media reports, and documentaries to produce vivid portraits of these fascinating popular movements. In the process he sheds new light on the often fraught relationship between orthodox Catholicism and folk beliefs and on an important and little-studied facet of the dynamic culture of contemporary Spanish America.

This festive little kit includes everything you need to cross-stitch three wooden canvases to create unique, handcrafted Christmas ornaments to hang on your tree or give as gifts!
Materials: 3 round wooden stitching canvases (3-inch diameter), 3 pieces of ribbon for hanging, 5 skeins of embroidery floss, and 2 tapestry needles
Book included: Kit includes a 32-page, full-color mini book with cross-stitching instructions and 6 patterns
Unique patterns: The original patterns in this kit are perfectly sized to the wooden canvases, and there are 6 options so you can choose your 3 favorites to stitch
Perfect decoration or gift: The ornaments you create will be perfect on your own tree or as thoughtful gifts for everyone on your list

The promise of land and progeny to the patriarchs-Abraham, Isaac, and Jacob-is a central, recurring feature of the Pentateuch. From the beginning of the story of Abraham to the last moment of Moses's life, this promise forms the guiding theological statement for each narrative. Yet literary and historical inquiries ascribe the promise texts to a variety of sources, layers, and redactions, raising questions about how the promise functioned in its original manifestations and how it can be used to understand the formation of the Pentateuch as a whole. Joel S. Baden reexamines the patriarchal promise in its historical and contemporaneous contexts, evaluating the benefits and drawbacks of both final-form and literary-historical approaches to the promise. He pays close attention to the methodologies employed in both documentary and non-documentary analyses and aims to bring source-critical analysis of the promise to bear on the understanding of the canonical text for contemporary readers. The Promise to the Patriarchs addresses the question of how the literary-historical perspective can illuminate and even deepen the theological meaning of the Pentateuch, particularly of the promise at the heart of this central biblical corpus.

In 'n samelewing waar fronte voorgehou word en ons soos almal wil wees om in te pas, is dit tyd om ontslae te raak van die behoefte om jou met ander te vergelyk en aan ander se eise te voldoen.

God het aan jou unieke talente gegee sodat jy sy doel vir jou lewe kan vervul. Miskien het jy nog nie jou unieke talente ontdek nie. Neem die eerste stap en vra God om dit wat jou spesiaal en uniek maak aan jou uit te wys. Elke mens verskil immers: vir sommiges het hy leierskapseienskappe gegee; vir ander die gawe om musiek te komponeer. Laat God dan toe om jou unieke talente te gebruik en jou van binne te omvorm om iets kragdadig te doen. Jy sal boonop rus vind in dié wete: God het jou lief net soos jy is.

A comprehensive study of the rise, development and use of credal formulaines in the creative centuries of the Church's history.

Something Old, Something New: Contemporary Entanglements of Religion and Secularity offers a fresh perspective on debates surrounding a significant if underappreciated relationship between religious and secular interests. In entanglement, secularity competes with religion, but neither side achieves simple dominance by displacing the other. As secular ideas and practices entangle with their religious counterparts, they interact and alter each other in a contentious but oddly intimate relationship. In each chapter, Wayne Glausser focuses on a topic of contemporary relevance in which something old-e. g., the sacrament of extreme unction, Greek rhetorical tropes, scholastic theology-entangles with something new: psilocybin therapy for the dying, new atheism, cognitive science. As traditional religious knowledge and values come into conflict with their secular counterparts, the old ideas undergo stress and adaptation, but the influence works in both directions. Those with primary allegiance to secular interests find themselves entangled with aspects of religious thinking. Whether they do it intentionally or without knowing, entangled secularists engage with and sometimes borrow from older paradigms they believe they have surpassed. Glausser's approach offers a new perspective in the conversation between believers and secularists. Something Old, Something New is a book that theists, atheists, agnostics, and everyone still searching for the right label will find respectful but provocative.

Music in the California missions was a pluralistic combination of voices and instruments, of liturgy and spectacle, of styles and functions-and even of cultures-in a new blend that was non-existent before the Franciscan friars made their way to California beginning in 1769. This book explores the exquisite sacred music that flourished on the West Coast of America when it was under Spanish and Mexican rule; it delves into the historical, cultural, biographical, and stylistic aspects of California mission music during the late eighteenth and early nineteenth centuries. The book explores how mellifluous plainchant, reverent hymns, spunky folkloric ditties, "classical" music in the style of Haydn, and even Native American drumming were interwoven into a tapestry of resonant beauty. Aspects of music terminology, performance practice, notation, theory, sacred song, hymns, the sequence, the mass, and pageantry are addressed. Russell draws upon hundreds of primary documents in California, Mexico, Madrid, Barcelona, London, and Mallorca, and it is through the melding together of this information from geographically separated places that he brings the mystery of California's mission music into sharper focus. In addition to extensive musical analysis, the book also examines such things as cultural context, style, scribal attribution, instructions to musicians, government questionnaires, invoices, the liturgy, architectural space where performances took place, spectacle, musical instruments, instrument construction, shipping records, travelers' accounts, letters, diaries, passenger lists, baptismal and burial records, and other primary source material. Within this book one finds considerablebiographical information about Junipero Serra, Juan Bautista Sancho, Narciso Duran, Florencio Ibanez, Pedro Cabot, Martin de Cruzelaegui, Ignacio de Jerusalem, and Francisco Javier Garcia Fajer. Furthermore, it contains five far-reaching appendices: a Catalogue of Mission Sources; Photos of Missions and Mission Manuscripts (with over 150 color facsimiles); Translations of Primary Texts; Music Editions (that are performance-ready); and an extensive Bibliography.