Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown's rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer's remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams's post-Whiskeytown self-reinvention as a solo act. Menconi draws on early interviews with Adams, conversations with people close to him, and Adams's extensive online postings to capture the creative ferment that produced some of Adams's best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had an absolutely determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion.

Sure to elicit an "aw shucks" from fans of old country legends and new tabloid faves, this whimsical book moseys through a variety of classic activities, such as connect-the-dots, coloring, and simple puzzles. Cowboys and girls with a loaded six-shooter of crayons can help Willie Nelson escape the taxman's maze, outline Billy Ray Cyrus's mullet, insert a hat on Dwight Yoakam's head, and draw Dolly Parton's notorious curves.

A riveting tale of unfathomable success great joy deep pain, and redemption that can come only from above. From a working-class background in North Carolina to a job as a cook and club singer in Nashville to his "overnight success" with his smash 1986 album Storms of Life--which launched the neotraditional movement in country music--Randy's first three decades are a true rags-to-riches story. But in 2009, this seemingly charmed life began a downward spiral. His marriage dissolved, he discovered that his finances had unraveled, and his struggles with anger led to alcohol abuse, public embarrassment, and even police arrest in 2012. Then, just as he was putting his life back together, Randy suffered a devastating viral cardiomyopathy that led to a massive stroke which he was not expected to survive. Yet he not only survived but also learned to walk again and, in 2016, accepted his induction into the Country Music Hall of Fame by singing the hymn that explains his life today: "Amazing Grace." Filled with never-before-told stories, Forever and Ever, Amen is a fascinating behind-the-scenes look at dizzying success and the miraculous road to restoration.

For more than half a century, Kenny Rogers has been recording some of the most revered and beloved music in America and around the world. In that time, he has become a living legend by combining everything from R and B to country and gospel to folk in his unique voice to create a sound that's both wholly original and instantly recognizable. Now, in his first-ever memoir, Kenny details his lifelong journey to becoming one of American music's elder statesmen-a rare talent who's created hit records for decades while staying true to his values as a performer and a person. Exploring the struggles of his long road, his story begins simply: growing up in Depression-era Texas, living in the projects, surviving in poverty, and listening to his mother, who always had just the right piece of wisdom. Recounting his early years, first as a jazz bassist and later as a member of the pioneering folk group the New Christy Minstrels, Kenny charts how he came into his own as an artist with the First Edition, only to have the band's breakup in the 1970s raise questions about his musical future. Yet, as Kenny explains, it was precisely this soul-searching that led him to a new direction on his own in Nashville. Telling the stories that have become legends in a town that's seen many of them, he recalls the making of his career in country music and his most memorable songs, including Lucille, The Gambler, Lady, and Islands in the Stream. Along the way, he shares the friendships, both big and small, that have meant the most to him, describing the good times he's had with Dottie West, Lionel Richie, and, of course, Dolly Parton, and how through it all he continues to make music with the passion that has defined him from the start. Staring across the decades, Kenny writes a story seemingly straight from one of his songs. The end result is a rollicking ride through fifty years of music history, which offers a heartwarming testament to a time when country music wasn't just a brand but a way of life.

There are many biographies and histories of early country music and its creators, but surprisingly little attention has been given to the actual songs at the heart of these narratives. In this groundbreaking book, music historian Tony Russell turns the spotlight on seventy-eight original 78rpm discs of songs and tunes from the 1920s and 1930s, uncovering the hidden stories of how they came to be recorded, the musicians who sang and played them, the record companies that marketed them, and the listeners who absorbed them. In these essays, based upon new research, contemporary newspaper accounts, and previously unpublished interviews, and copiously illustrated with rare images, readers will find songs about home and family, love and courtship, crime and punishment, farms and floods, chain gangs and chain stores, journeys and memories, and many other aspects of life in the period. Rural Rhythm not only charts the tempos and styles of rural and small-town music-making and the origins of present-day country music, but also traces the larger rhythms of life in the American South, Southwest, and Midwest. What emerges is a narrative that ingeniously blends the musical and social history of the era.

Recorded in 1949, "Foggy Mountain Breakdown" changed the face of American music. Earl Scruggs's instrumental essentially transformed the folk culture that came before it while helping to energize bluegrass's entry into the mainstream in the 1960s. The song has become a gateway to bluegrass for musicians and fans alike as well as a happily inescapable track in film and television. Thomas Goldsmith explores the origins and influence of "Foggy Mountain Breakdown" against the backdrop of Scruggs's legendary career. Interviews with Scruggs, his wife Louise, disciple Bela Fleck, and sidemen like Curly Seckler, Mac Wiseman, and Jerry Douglas shed light on topics like Scruggs's musical evolution and his working relationship with Bill Monroe. As Goldsmith shows, the captivating sound of "Foggy Mountain Breakdown" helped bring back the banjo from obscurity and distinguished the low-key Scruggs as a principal figure in American acoustic music.Passionate and long overdue, Earl Scruggs and Foggy Mountain Breakdown takes readers on an ear-opening journey into two minutes and forty-three seconds of heaven.

Merle Haggard enjoyed numerous artistic and professional triumphs, including more than a hundred country hits (thirty-eight at number one), dozens of studio and live album releases, upwards of ten thousand concerts, induction into the Country Music Hall of Fame, and songs covered by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Bobby "Blue" Bland, Willie Nelson, the Grateful Dead, and Bob Dylan. In The Running Kind, a new edition that expands on his earlier analysis and covers Haggard's death and afterlife as an icon of both old-school and modern country music, David Cantwell takes us on a revelatory journey through Haggard's music and the life and times out of which it came. Covering the breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music: songs that helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including "Okie from Muskogee," "Sing Me Back Home," "Mama Tried," and "Working Man Blues," among many more), Cantwell explores the fascinating contradictions-most of all, the desire for freedom in the face of limits set by the world or self-imposed-that define not only Haggard's music and public persona but the very heart of American culture.