On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman.
Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine."
Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.

The Complete Country Music Discography, 1922-1942 compiles details of all country music recording sessions through 1942 in a single volume. Based on record-company files and session logs as well as the recording archives of the Country Music Foundation, this discography documents every commercial country music recording, including unreleased sides. Each entry lists the musicians playing at every session, instrumentation, dates and locations, songwriting credits, and recording master numbers and release numbers. An introduction explains how to use the book, research methodology, and editorial policy; summary histories of each key record company are also provided, along with a bibliography. The discography will include alphabetical indexes to all song titles and to musicians listed.

"The Starday Story: The House That Country Music Built" is the first book entirely dedicated to one of the most influential music labels of the twentieth century. In addition to creating the largest bluegrass catalogue throughout the 1950s and '60s, Starday was also known for its legendary rockabilly catalog, an extensive Texas honky-tonk outpouring, classic gospel and sacred recordings, and as a Nashville independent powerhouse studio and label. Written with label president and cofounder Don Pierce (1915-2005), this book traces the label's origins in 1953 through the 1968 Starday-King merger. Interviews with artists and their families, employees, and Pierce contribute to the stories behind famous hit songs, including "Y'all Come," "A Satisfied Mind," "Why Baby Why," "Giddy-up Go," "Alabam," and many others. Gibson's research and interviews also shed new light on the musical careers of George Jones, Arlie Duff, Willie Nelson, Roger Miller, the Stanley Brothers, Cowboy Copas, Red Sovine, and countless other Starday artists. Conversations with the children of Pappy Daily and Jack Starns provide a unique perspective on the early days of Starday, and extensive interviews with Pierce offer an insider glance at the country music industry during its golden era. Weathering through the storm of rock and roll and, later, the Nashville Sound, Starday was a home to traditional country musicians and became one of the most successful independent labels in American history. Ultimately, "The Starday Story" is the definitive record of a country music label that played an integral role in preserving our nation's musical heritage.

For many diehard music fans and critics, Oklahoma-born James Talley ranks among the finest of American singer-songwriters. Talley's unique style-a blend of folk, country, blues, and social commentary-draws comparisons with the likes of Woody Guthrie, Merle Haggard, and Johnny Cash. In this engaging, down-to-earth memoir, Talley recalls the highs and lows of his nearly fifty-year career in country music. Talley's story begins in the hardscrabble towns of eastern Oklahoma. As a young man, he witnessed poverty and despair and worked alongside ordinary Americans who struggled to make ends meet. He has never forgotten his Oklahoma roots. These experiences shaped Talley's artistic vision and inspired him to write his own songs. Eventually Talley landed in Nashville, where his first years included exciting brushes with fame but also bitter disappointments. As an early champion of social justice causes, his ideals did not fit neatly into Nashville's star-making machine. By his own admission, Talley at times made poor business decisions and trusted the wrong people. His relationship with the country music industry was-and still is-fraught, but he makes no apology for staying true to his core principles. Nashville City Blues offers hard-won wisdom for any aspiring artist motivated to work hard and handle whatever setbacks might follow. Readers will also gain valuable understanding about the country music industry and the inescapable links between commerce and artistry.

Recognising one of the most-honoured performers of all time, A Celebration of Dolly Parton: The Activity Book is 2021's follow-up to A Celebration of David Attenborough: The Activity Book and The Unofficial Michelle Obama Activity Book. Spanning Dolly's long and illustrious career, The Activity Book includes: Illustrations and graphics to colour-in dedicated to Dolly's Greatest Hits Anagrams of our favourite Dolly songs A solution for when the daily 9 to 5 grind is transported to the working-from-home environment A tour of Dollywood: try to spot Dolly among the throngs of visitors and maze your way around to reunite her with her missing guitar Inspirational word clouds, quizzes, puzzles, games, drawings, facts, emotional rollercoaster graphs and much, much more Not just a musician, Dolly has used her vast fame and fortune for good: setting up The Dollywood Foundation, the My People Fund and, perhaps most famously, The Imagination Library which provides free books to children throughout their childhood. Dolly the Philanthropist sections are interspersed throughout the activities - providing information on her charitable endeavours, such as her recent contribution to the funding for research into the Moderna COVID-19 vaccine. But what do we really know about the woman behind the chart-toppers, successful enterprises and charitable foundations? Dolly's Wit & Wisdom punctuates the book, offering an insight into 'the living legend' - what makes her so likeable, why she is considered a queer icon, as well as valuable life advice on love, fashion and femininity to ensure you're as successful as 'Saint Dolly' herself.

(String Letter Publishing). Learn the fundamentals of bluegrass by exploring its various styles and the masters who defined the genre: Doc Watson, Clarence White, and Norman Blake. The book includes background information, instruction and 12 classic songs, including: Greenback Dollar * Kingdom Come * Lonesome Old River * Midnight on the Stormy Deep * Up the Creek * Whiskey Before Breakfast * and more. The CD includes demos of the exercises and songs.

From Queen Latifah to Count Basie, Madonna to Monk, "Hole in our soul: the loss of beauty and meaning in American popular music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock'n'roll and the emergence of heavy metal, punk, and rap. Yet despite the vigour and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defended the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls"perverse". She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility", Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant moods".

(Piano/Vocal/Guitar Songbook). This essential compendium of country tunes includes: Abilene * Always on My Mind * Are You Lonesome Tonight? * Blue Bayou * Breathe * Butterfly Kisses * Can the Circle Be Unbroken * Cold, Cold Heart * Desperado * The Devil Went Down to Georgia * Flowers on the Wall * For the Good Times * Galveston * The Gambler * God Bless the U.S.A. * I Swear * Jolene * The Keeper of the Stars * On the Road Again * Rocky Top * Smoky Mountain Rain * Stand by Your Man * When Will I Be Loved * You Don't Know Me * Your Cheatin' Heart * and scores more 400 pages of music

In the 1960s and 1970s, Randy Wood was a forerunner in the vintage instrument industry. Known as the instrument repairman to the stars, the list of Wood's clients reads like a Hall of Fame roster: Elvis Presley, Eric Clapton, Johnny Cash, Chet Atkins, Emmylou Harris, Billy Gibbons, Bill Monroe, Keith Richards, Roy Acuff, Ricky Skaggs, and Hank Williams Jr. . . . to name a few. In Randy Wood: The Lore of the Luthier, Daniel Wile traces the life and work of a man who quietly influenced a hidden history of bluegrass and country music. In his twenties, Wood vowed to avoid complacency in his work. What started simply as a quest to find fulfillment turned into a career that has shaped a generation of musicians, professional and amateur alike. Through his incredible gift for lutherie, Wood brought cherished pre-WWII instruments back to life, many of which were considered beyond repair. He crafted his own instruments as well, based on what he learned from vintage instruments, and these instruments found their way into the hands of some of the most renowned musicians, thanks in part to Wood's strategic location in Nashville during the resurgence of country music in the 1970s. Humble, unassuming, and unfazed by the presence of celebrities, Wood has spent his life devoted to building and repairing stringed instruments. Wood also built community. After tiring of big-city Nashville, he retreated to the Georgia coast, where his home shop became a hub of bluegrass activity. He eventually opened a new shop near Savannah, where a new generation of friends and strangers can come in, visit, and pick a little. Randy's stories, complemented with those of his friends and family, create a compelling picture of a modest man with a talent for his craft, a genuine care for people, and the courage to follow his passion.

As Earl Scruggs picked his banjo with machine gun precision at his 1945 debut at the Ryman Auditorium, he set in motion a successful career and enduring legacy that would eclipse anything the humble farm boy from North Carolina could have imagined. Scruggs's revolutionary three-finger roll patterns electrified audiences and transformed the banjo into a mainstream solo instrument pursued by innumerable musicians. In Earl Scruggs: Banjo Icon, Gordon Castelnero and David L. Russell chronicle the life and legacy of the man who single-handedly reinvigorated the five-string banjo and left an indelible mark on bluegrass and folk music. After his tenure with the father of bluegrass music, Bill Monroe, Scruggs formed (with Lester Flatt) the Foggy Mountain Boys, also known as Flatt and Scruggs; the Earl Scruggs Revue with his sons; and finally his Family & Friends band. Scruggs released more than forty albums and reached millions of fans through performances on The Beverly Hillbillies and his music's inclusion in the 1967 movie Bonnie and Clyde. Over his long career, Scruggs received numerous accolades and collaborated with stars such as Billy Joel, Elton John, Sting, Johnny Cash, Bob Dylan, Joan Baez, Vince Gill, Travis Tritt, the Byrds, and Steve Martin. Through interwoven interviews with the Scruggs family and more than sixty notable musicians and entertainers, Castelnero and Russell reveal that, despite the fame Scruggs achieved, he never lost his humility and integrity. This biography testifies to Scruggs's enduring influence and sheds light on the history of bluegrass for musicians, students, and anyone entranced by Scruggs's unmistakable sound.

Tommy Thompson was a banjo player, writer, actor, teacher and thinker. He arrived in Chapel Hill, North Carolina, in the early 1960s smitten by folk and traditional Appalachian music. In 1972, he teamed up with Bill Hicks and Jim Watson to form the nontraditional string band the Red Clay Ramblers. Mike Craver, Jack Herrick, Clay Buckner, Bland Simpson and Chris Frank would eventually join them. Using interviews and writings from Thompson and his loved ones, the author presents to us a life that revolved around music and creativity. Included are appendices on Thompson's banjos, a discography and notes on his collaborative lyric writing.

Country Music: A Very Short Introduction presents a compelling overview of the music and its impact on American culture. Country music has long been a marker of American identity; from our popular culture to our politics, it has provided a soundtrack to our national life. While traditionally associated with the working class, country's appeal is far broader than any other popular music style. While this music rose from the people, it is also a product of the popular music industry, and the way the music has been marketed to its audience is a key part of its story. Key artists, songs, and musical styles are highlighted that are either touchstones for a particular social event (such as Tammy Wynette's "Stand By Your Man," which produced both a positive and negative backlash as a marker of women's roles in society at the beginning of the liberation movement) or that encompass broader trends in the industry (for example, Jimmie Rodgers' "T for Texas" was an early example of the appropriation of black musical forms by white artists to market them to a mainstream audience). While pursuing a basically chronological outline, the book is structured around certain recurring themes (such as rural vs. urban; tradition vs. innovation; male vs. female; white vs. black) that have been documented through the work of country artists from the minstrel era to today. Truly the voice of the people, country music expresses both deep patriotism as well as a healthy skepticism towards the powers that dominate American society. Country Music: A Very Short Introduction illuminates this rich tradition and assesses its legacy in American popular music culture.

For many diehard music fans and critics, Oklahoma-born James Talley ranks among the finest of American singer-songwriters. Talley's unique style-a blend of folk, country, blues, and social commentary-draws comparisons with the likes of Woody Guthrie, Merle Haggard, and Johnny Cash. In this engaging, down-to-earth memoir, Talley recalls the highs and lows of his nearly fifty-year career in country music. Talley's story begins in the hardscrabble towns of eastern Oklahoma. As a young man, he witnessed poverty and despair and worked alongside ordinary Americans who struggled to make ends meet. He has never forgotten his Oklahoma roots. These experiences shaped Talley's artistic vision and inspired him to write his own songs. Eventually Talley landed in Nashville, where his first years included exciting brushes with fame but also bitter disappointments. As an early champion of social justice causes, his ideals did not fit neatly into Nashville's star-making machine. By his own admission, Talley at times made poor business decisions and trusted the wrong people. His relationship with the country music industry was-and still is-fraught, but he makes no apology for staying true to his core principles. Nashville City Blues offers hard-won wisdom for any aspiring artist motivated to work hard and handle whatever setbacks might follow. Readers will also gain valuable understanding about the country music industry and the inescapable links between commerce and artistry.

The definitive collection of songs by the greatest names in country. 90 songs, all arranged for acoustic guitar including full lyrics, chord symbols, guitar boxes and playing guide.

Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.

Country music of late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the flowering hippie counterculture. But in 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to reclaim it for their own progressive scene. These children of the Cold War, post-World War II suburban migration, and the Baby Boom escaped the socially conservative world their parents had created, to instead create for themselves an idyllic rural Texan utopia. Progressive country music-a hybrid of country music and rock-played out the contradictions at work among the residents of the growing Austin community: at once firmly grounded in the conservative Texan culture in which they had been raised and profoundly affected by the current hippie counterculture. In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians as diverse as Willie Nelson, Jerry Jeff Walker, and Doug Sahm. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks brings new insight into the inner workings of Austin's progressive country music scene - by bringing the music and musicians brilliantly to life. This book will appeal to students and scholars of popular music studies, musicology and ethnomusicology, sociology, cultural studies, folklore, American studies, and cultural geography; the lucid prose and interviews will also make the book attractive to fans of the genre and artists discussed within. Austin residents past and present, as well as anyone with an interest in the development of progressive music or today's 'alt.country' movement will find Cosmic Cowboys and New Hicks an informative, engaging resource.

On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride-a radio "barn dance" or country music variety show like the Grand Ole Opry-not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman. Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the "king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine." Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley-who made his national radio debut on the show in 1954-those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both documented and contributed to a powerful transformation in American popular music.

In this revised edition of his definitive biography of Dolly Parton, Stephen Miller has updated his original book on the superstar. Going behind the larger-than-life image to discover what makes Dolly tick, Miller gets to the core of a remarkable woman from a poor East Tennessee background who made it in the male-dominated world of Sixties Nashville and went on to build a respectable movie career. Talking to Dolly's family members, musicians and producers, the author explores Dolly's private life, including her closely-guarded relationships with her husband of nearly fifty years, Carl Dean, and her lifelong friend Judy Ogle. What emerges is a unique portrait of a strong woman who took control of her life, her music and a successful business career with resolute determination. Dolly loves making jokes at her own expense; perhaps the best joke has been how one of America's great singer-songwriters became a legend by being serious about her music while being frivolous about her image.

In August 1967, "Ode to Billie Joe," a B-side throwaway performed by a total unknown, knocked the Beatles' "All You Need is Love" out of the Billboard chart's top slot. Listeners obsessed over the mysteries ensnarled in the song's haunting refrain: Billie Joe McAllister jumped off the Tallahatchie Bridge. Why did Billie Joe kill himself? Is he the narrator's secret lover? Fans also wanted to know: Who is this glamorous young woman who could boil air with just a parlor guitar and voice low as the Mississippi moon? That is a mystery as deep as the Tallahatchie's rushing water. Less than 10 years after bursting onto the world's stage with an album that scored an unprecedented trifecta on the Pop, Country and Black charts, the woman born Roberta Lee Streeter vanished from the spotlight. This much we know: Gentry was an artistic polymath and astute businesswoman. After "Ode," she wrote more music, DJed a radio program, hosted a TV show and started her own publishing company. Disenchanted with the record business, she produced spectacular Las Vegas shows, writing the music, choreographing the routines and designing the costumes. But despite working herself to exhaustion, Gentry was unable to replicate the commercial sales of her debut, and she disappeared. Bobbie Gentry has not been seen in public for over 30 years. With unprecedented access to a treasure trove of Gentry's memorabilia, Murtha excavates the mysteries of "Ode to Billie Joe," in terms of both the record's production and the effect of its success on Gentry. With input from the artist's collaborators and contemporaries, Murtha argues that though Gentry has every right to vanish, her role as a pioneering woman in the music industry should not.

Willie Nelson - award-winning country-music superstar, author, poet, actor and activist - is widely recognized as an American icon. This is the first full-colour book to comprehensively celebrate his life and music. His discography includes 68 studio albums, 10 live albums, 37 compilations, the soundtracks of The Electric Horseman and Honeysuckle Rose, as well as 27 collaborations. His albums have been successful in many countries, especially Ireland, Germany, New Zealand and Australia. Nelson has sold more than 40 million albums in the U.S. alone. His newest album, For theGood Times: A Tribute to Ray Price, was released in September 2016, debuted at No. 5 on the Billboard country chart.

In his brief life, Hank Williams created one of the defining bodies of American music. Songs like Your Cheatin' Heart, Hey Good Lookin' and Jambalaya sold millions of records and became the model for virtually all country music that followed. But by the time of his death at age twenty-nine, Williams had drunk and drugged and philandered his way through two messy marriages and out of his headline spot on the Grand Ole Opry. Even though he was country music's top seller, toward the end he was so famously unreliable that he was lucky to get a booking in a beer hall. After his death, Williams' records sold more than ever, and have continued to do so in the half-century since. His oft-covered catalog has produced hits for artists ranging from Fats Domino and John Fogerty's Blue Ridge Rangers to Ray Charles and B.J. Thomas; from Bob Dylan and jazz diva Norah Jones, to crooner Perry Como, R&B star Dinah Washington, and British punk band, The The. In this definitive account Colin Escott vividly details the singer's stunning rise and his spectacular decline, and reveals much that was previously unknown or hidden about the life of this country music legend. Now, over sixty years after his death, a major motion picture starring Tom Hiddleston and Elizabeth Olsen brings Hank Williams' tragic story to the screen. I Saw The Light first premiered at the Toronto International Film Festival and will be distributed by Sony Picture Classics in the UK.