The page-turning, never-before-told story of Kim Campbell's roller-coaster thirty-four-year marriage to music legend Glen Campbell, including how Kim helped Glen finally conquer his addictions only to face their greatest challenge when he was diagnosed with Alzheimer's disease. Kim Campbell was a fresh-faced twenty-two-year-old dancer at Radio City Music Hall when a friend introduced her to Glen Campbell, the chart-topping, Grammy-winning, Oscar-nominated entertainer. The two performers from small Southern towns quickly fell in love, a bond that produced a thirty-four-year marriage and three children. In Gentle on My Mind, Kim tells the complete, no-holds-barred story of their relationship, recounting the highest of highs-award shows, acclaimed performances, the birth of their children, encounters with Mick Fleetwood, Waylon Jennings, Alan Jackson, Alice Cooper, Jane Seymour, and others-and the lowest of lows, including battles with alcohol and drug addiction and, finally, Glen's diagnosis, decline, and death from Alzheimer's. With extraordinary candor, astonishing bravery, and a lively sense of humor, Kim reveals the whole truth of life with an entertainment giant and of caring for and loving him amid the extraordinary challenge of Alzheimer's disease. This is a remarkable account of enduring love, quiet strength, and never-faltering faith.

This fifth edition includes even more of your favorite country hits - over 700 songs by country superstars of yesterday and today: Achy Break Heart * Ain't Going Down ('Til the Sun Comes Up) * Always on My Mind * Amazed * American Soldier * Are You Lonesome Tonight? * Bless the Broken Road * Blue Clear Sky * Boot Scootin' Boogie * A Boy Named Sue * Breathe * Butterfly Kisses * Crazy * Daddy Sang Bass * Does Fort Worth Ever Cross Your Mind * Down at the Twist and Shout * Elvira * Family Tradition * Forever and Ever, Amen * Friends in Low Places * The Gambler * Georgia on My Mind * The Greatest Man I Never Knew * Harper Valley P.T.A. * I Am a Man of Constant Sorrow * I Hope You Dance * Jambalaya * King of the Road * Long Black Train * Redneck Woman * Rocky Top * She Believes in Me * Sixteen Tons * There's a Tear in My Beer * Walkin' After Midnight * What's Forever For * Where Were You (When the World Stopped Turning) * You're Still the One * Your Cheatin' Heart * and more. Also features a glossary of guitar chord frames, alphabetical and artist indexes, and plastic-comb binding.

In his brief life, Hank Williams created one of the defining bodies of American music. Songs like Your Cheatin' Heart, Hey Good Lookin' and Jambalaya sold millions of records and became the model for virtually all country music that followed. But by the time of his death at age twenty-nine, Williams had drunk and drugged and philandered his way through two messy marriages and out of his headline spot on the Grand Ole Opry. Even though he was country music's top seller, toward the end he was so famously unreliable that he was lucky to get a booking in a beer hall. After his death, Williams' records sold more than ever, and have continued to do so in the half-century since. His oft-covered catalog has produced hits for artists ranging from Fats Domino and John Fogerty's Blue Ridge Rangers to Ray Charles and B.J. Thomas; from Bob Dylan and jazz diva Norah Jones, to crooner Perry Como, R&B star Dinah Washington, and British punk band, The The. In this definitive account Colin Escott vividly details the singer's stunning rise and his spectacular decline, and reveals much that was previously unknown or hidden about the life of this country music legend. Now, over sixty years after his death, a major motion picture starring Tom Hiddleston and Elizabeth Olsen brings Hank Williams' tragic story to the screen. I Saw The Light first premiered at the Toronto International Film Festival and will be distributed by Sony Picture Classics in the UK.

Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes-the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly's media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly's roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly's gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.

The official memoir of Margo O'Donnell, legendary Irish Country Music singer For fifty years now the name 'Margo' has been synonymous with everything that is positive and enriching in Country and Irish music. Blessed with an instantly recognisable voice, a voice unlike any other in the music business, the Donegal-born singer, despite the ever changing musical trends, has remained a star attraction, much loved by her fans, not only in Ireland and Britain, but also in the USA, Canada, Australia and other far destinations. She still possesses an infectious enthusiasm for performing and recording that she had in those very early days with The Keynotes. This is the story of her life, the successes and difficult times, in her own words.

In this revised edition of his definitive biography of Dolly Parton, Stephen Miller has updated his original book on the superstar. Going behind the larger-than-life image to discover what makes Dolly tick, Miller gets to the core of a remarkable woman from a poor East Tennessee background who made it in the male-dominated world of Sixties Nashville and went on to build a respectable movie career. Talking to Dolly's family members, musicians and producers, the author explores Dolly's private life, including her closely-guarded relationships with her husband of nearly fifty years, Carl Dean, and her lifelong friend Judy Ogle. What emerges is a unique portrait of a strong woman who took control of her life, her music and a successful business career with resolute determination. Dolly loves making jokes at her own expense; perhaps the best joke has been how one of America's great singer-songwriters became a legend by being serious about her music while being frivolous about her image.

With its rich but underappreciated musical heritage, Washington, D.C. is often overlooked as a cradle for punk, the birthplace of go go, and as the urban center for bluegrass in the Untied States. Capital Bluegrass: Hillbilly Music Meets Washington, D.C. richly documents the history and development of bluegrass in and around the nation's capital since it emerged in the 1950s. In his seventeenth book, American vernacular music scholar Kip Lornell discusses both well-known progressive bluegrass bands including the Country Gentlemen and the Seldom Scene, and lesser known groups like the Happy Melody Boys, Benny and Vallie Cain and the Country Clan, and Foggy Bottom. Lornell focuses on colorful figures such as the brilliant and eccentric mandolin player, Buzz Busby, and Connie B. Gay, who helped found the Country Music Association in Nashville. Moving beyond the musicians to the institutions that were central to the development of the genre, Lornell brings the reader into the nationally recognized Birchmere Music Hall, and tunes in to NPR powerhouse WAMU-FM, which for five decades broadcast as much as 40 hours a week of bluegrass programming. Dozens of images illuminate the story of bluegrass in the D.C. area, photographs and flyers that will be new to even the most veteran bluegrass enthusiast. Bringing to life a music and musical community integral to the history of the city itself, Capital Bluegrass tells an essential tale of bluegrass in the United States.

They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard.

In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California.

From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.

Across all imaginable borders, Johnny Cash fans show the appeal of a thoroughly American performer who simultaneously inspires people worldwide. A young Norwegian shows off his Johnny Cash tattoo. A Canadian vlogger sings 'I Walk the Line' to camel herders in Egypt's White Desert. A shopkeeper in Northern Ireland plays Cash as his constant soundtrack. A Dutchwoman coordinates the activities of Cash fans worldwide and is subsequently offered the privilege of sleeping in Johnny's bedroom. And on a more global scale, millions of people watch Cash's videos online, then express themselves through commentary and debate.In Johnny Cash International, Hinds and Silverman examine digital and real-world fan communities and the individuals who comprise them, profiling their relationships to Cash and each other. Studying Johnny Cash's international fans and their love for the man reveals new insights about music, fandom, and the United States.

Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes-the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly's media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly's roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly's gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.

Glenn Ohrlin (1926-2015) was a cowboy singer, working cowboy, rodeo rider, storyteller, and illustrator. In The Hell-Bound Train he has gathered dozens of his favorite songs, which chronicle the range and rodeo life he lived. Ohrlin was known for singing in an unornamented Western style, accompanying himself on the guitar and harmonica. Most of his repertoire comes from the period of 1875 to 1925. The book includes music and lyrics for songs such as "My Home's in Montana," "The Texas Rangers," and "Bull Riders in the Sky," along with Ohrlin's commentary on each work's provenance and meaning. This collection is a must-have for any fan of cowboy and folk music.

The long-awaited, deeply personal story of one of American music's greatest icons, a remarkable tale of the utmost heights of fame and success, the deepest lows of life's sorrows, and a miraculous return from the brink of death-told as only Randy Travis can. Beloved around the world, Randy Travis has sold more than 25 million albums in both country and gospel and is considered one of the finest performers of his generation, admired by superstars across the musical landscape, from Garth Brooks to Mick Jagger. From a working-class background in North Carolina to a job as a cook and club singer in Nashville to his "overnight success" with his smash 1986 album Storms of Life--which launched the neotraditional movement in country music--Randy's first three decades are a true rags-to-riches story. But in 2009, this seemingly charmed life began a downward spiral. His marriage dissolved, he discovered that his finances had unraveled, and his struggles with anger led to alcohol abuse, public embarrassment, and even police arrest in 2012. Then, just as he was putting his life back together, Randy suffered a devastating viral cardiomyopathy that led to a massive stroke which he was not expected to survive. Yet he not only survived but also learned to walk again and in 2016 accepted his induction into the Country Music Hall of Fame by singing the hymn that explains his life today: "Amazing Grace." Filled with never-before-told stories, Forever and Ever, Amen is a riveting tale of unfathomable success, great joy, deep pain, and redemption that can come only from above.

A No Depression Most Memorable Music Book of 2022 Roland White's long career has taken him from membership in Bill Monroe's Blue Grass Boys and Lester Flatt's Nashville Grass to success with his own Roland White Band. A master of the mandolin and acclaimed multi-instrumentalist, White has mentored a host of bluegrass musicians and inspired countless others. Bob Black draws on extensive interviews with White and his peers and friends to provide the first in-depth biography of the pioneering bluegrass figure. Born into a musical family, White found early success with the Kentucky Colonels during the 1960s folk revival. The many stops and collaborations that marked White's subsequent musical journey trace the history of modern bluegrass. But Black also delves into the seldom-told tale of White's life as a working musician, one who endured professional and music industry ups-and-downs to become a legendary artist and beloved teacher. An entertaining merger of memories and music history, Mandolin Man tells the overdue story of a bluegrass icon and his times.

On January 13, 1968, Johnny Cash (1932-2003) took the stage at Folsom Prison in California. The concert and the live album, At Folsom Prison, propelled him to worldwide superstardom. He reached new Audiences, ignited tremendous growth in the country music industry, and connected with fans in a way no other artist has before or since. Johnny Cash at Folsom Prison: The Making of a Masterpiece, Revised and Updated is a riveting account of that day, what led to it, and what followed. Michael Streissguth skillfully places the album and the concert in the larger context of Cash's artistic development, the era's popular music, and California's prison system, uncovering new angles and exploding a few myths along the way. Scrupulously researched, rich with the author's unprecedented archival access to Folsom Prison's and Columbia Records' archives, Johnny Cash at Folsom Prison shows how Cash forever became a champion of the downtrodden, as well as one of the more enduring forces in American music. This revised edition includes new images and updates throughout the volume, including previously unpublished material.

From cradle to great, the comprehensive real story of Bill Monroe The Father of Bluegrass Music, Bill Monroe was a major star of the Grand Ole Opry for over fifty years; a member of the Country Music, Songwriters, and Rock and Roll Halls of Fame; and a legendary figure in American music. This authoritative biography sets out to examine his life in careful detail--to move beyond hearsay and sensationalism to explain how and why he accomplished so much. Former Blue Grass Boy and longtime music journalist Tom Ewing draws on hundreds of interviews, his personal relationship with Monroe, and an immense personal archive of materials to separate the truth from longstanding myth. Ewing tells the story of the Monroe family's musical household and Bill's early career in the Monroe Brothers duo. He brings to life Monroe's 1940s heyday with the Classic Bluegrass Band, the renewed fervor for his music sparked by the folk revival of the 1960s, and his declining fortunes in the years that followed. Throughout, Ewing deftly captures Monroe's relationships and the personalities of an ever-shifting roster of band members while shedding light on his business dealings and his pioneering work with Bean Blossom and other music festivals. Filled with a wealth of previously unknown details, Bill Monroe offers even the most devoted fan a deeper understanding of Monroe's towering achievements and timeless music.

From Queen Latifah to Count Basie, Madonna to Monk, "Hole in our soul: the loss of beauty and meaning in American popular music" traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock'n'roll and the emergence of heavy metal, punk, and rap. Yet despite the vigour and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defended the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls"perverse". She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility", Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant moods".

Country music in the Carolinas and the southern Appalachian Mountains owes a tremendous debt to freedom-loving Scotch-Irish pioneers who settled the southern backcountry during the eighteenth and nineteenth centuries. These hardy Protestant settlers brought with them from Lowland Scotland, Northern England and the Ulster Province of Ireland music that created the essential framework for "old-time string band music." From the cabins of the Blue Ridge and Great Smoky Mountains to the textile mills and urban centers of the Carolina foothills, this colorful, passionate, heartfelt music transformed the culture of America and the world and laid the foundation for western swing, bluegrass, rockabilly and modern country music. Author Michael Scoggins takes a trip to the roots of country music in the Carolinas.