With his trademark mandolin style and unequaled tenor harmonies, Curly Seckler has carved out a seventy-seven-year career in bluegrass and country music. His foundational work in Flatt and Scruggs's Foggy Mountain Boys secured him a place in bluegrass history, while his role in The Nashville Grass made him an essential part of the music's triumphant 1970s revival. Written in close collaboration with Mr. Seckler and those who know him, Foggy Mountain Troubadour is the first full-length biography of an American original. Penny Parsons follows a journey from North Carolina schoolhouses to the Grand Ole Opry stage and the Bluegrass Hall of Fame, from boarding houses to radio studios and traveling five to a car on two-lane roads to make the next show. Throughout, she captures the warm humor, hard choices, and vivid details of a brilliant artist's life as he criss-crosses a nation and a century making music.

The most atypical of bluegrass artists, Bill Clifton has enjoyed a long career as a recording artist, performer, and champion of old-time music. Bill C. Malone pens the story of Clifton's eclectic life and influential career. Born into a prominent Maryland family, Clifton connected with old-time music as a boy. Clifton made records around earning a Master's degree, fifteen years in the British folk scene, and stints in the Peace Corps and Marines. Yet that was just the beginning. Closely allied with the Carter Family, Woody Guthrie, Mike Seeger, and others, Clifton altered our very perceptions of the music--organizing one of the first outdoor bluegrass festivals, publishing a book of folk and gospel standards that became a cornerstone of the folk revival, and introducing both traditional and progressive bluegrass around the world. As Malone shows, Clifton clothed the music of working-class people in the vestments of romance, celebrating the log cabin as a refuge from modernism that rang with the timeless music of Appalachia. An entertaining account by an eminent music historian, Bill Clifton clarifies the myths and illuminates the paradoxes of an amazing musical life.

With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate. As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, "Americana" covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional. Mining the firsthand insights of those whose stories help shape the sound-people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more-Americana Music provides a history of how Americana originated, how it reached a broader audience in the '60s and '70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.

Other people locked themselves away and hid from their demons. Townes flung open his door and said 'Come on in.' So writes Harold Eggers Townes Van Zandt's longtime road manager and producer in EMy Years with Townes Van Zandt: Music Genius and RageE a a gripping memoir revealing the inner core of an enigmatic troubadour whose deeply poetic music was a source of inspiration and healing for millions but was for himself a torment struggling for dominance among myriad personal demons.THTownes Van Zandt often stated that his main musical mission was to write the perfect song that would save someone's life. However his life was a work in progress he was constantly struggling to shape and comprehend. Eggers says of his close friend and business partner that like the master song craftsman he was he was never truly satisfied with the final product but always kept giving it one more shot one extra tweak one last effort. THA vivid firsthand account exploring the source of the singer's prodigious talent widespread influence and relentless path toward self-destruction EMy Years with Townes Van ZandtE presents the truth of that all-consuming artistic journey told by a close friend watching it unfold.

Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957-1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band's fusion of rock, country, soul, and blues music-all tinged with a southern flavor and musical adventurousness-created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era. In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band's music and influence. Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs-and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.

Billy Joe Shaver wrote ten of the eleven songs included on Waylon Jennings's landmark album Honky Tonk Heroes and played a dominant role in the origins and development of the Outlaw Country movement of the 1970s. He has been named by Ray Wylie Hubbard, alongside Townes Van Zandt and Guy Clark, as a member of the 'holy trinity' of Texas songwriters. He has exerted a Texas-sized influence on Texas music and especially Texas singer-songwriters, and is cited as a chief inspiration by at least two generations of artists. But although his influence has been profound, Shaver has the dubious honor of becoming, according to author Courtney S. Lennon, 'country music's unsung hero.'In Live Forever: The Songwriting Legacy of Billy Joe Shaver, Lennon seeks to give Shaver the recognition his prolific output deserves. She unfolds for readers the complexity and the simplicity of the artist who wrote the songs that Brian T. Atkinson, in his foreword, calls 'peaceful and pure, complex and convoluted, mad and merciful' - the musician who wrote 'You Just Can't Beat Jesus Christ' and 'That's What She Said Last Night,' 'Honky Tonk Heroes,' and 'Get Thee Behind Me Satan.' Based on in-depth interviews with Shaver and a host of notable singer-songwriters, this book reveals and celebrates the saint and the sinner, the earthy intellectual and the hard-drinking commoner, the poet and the cowboy.

Jacques-Timothe Boucher Sieur de Montbrun (anglicized to Demonbreun soon thereafter), born 1747 in Quebec, set the bar for country music's stories of cheating, gambling, drinking, and being the boss more than two centuries before anybody thought of supporting the storyline with a 1-4-5-4 chord progression and a fiddle. Lightly called a "fur trader," he came to the city to make his fortune and fame, much like songwriters today. Looking back, it would be easy to call Demonbreun, the son of French Canadian near-royalty and brother to two nuns, a spoiled child who did what he wanted, a classic-case misogynist and polygamist, a conceited adventurer. He was a man who conned the Spanish governor out of a war, carried on graceful correspondence with Thomas Jefferson and Alexander Hamilton, owned several slaves, may have served as a spy, and was a decorated veteran. He fought in the Revolutionary War, extraordinarily so it seems, given the number of land grants he received across Kentucky and Tennessee. He's also known around Nashville as the guy who lived in a cave. Author Elizabeth Elkins sorts through the legends and nails down the facts in order to present the true story of "Nashville's First Citizen.

Encyclopaedic in its scope, this is the ultimate tribute to the life and music of Taylor Swift. No need for glossy images here, the narrative says it all - a chronological account of her mercurial rise to fame; the stories that inspire the songs; an in-depth look at those much-publicised battles with the media, music industry and fellow artists, and all recounted with well-chosen words from the artist herself and dozens of others who have played a part in her incredible story. Put together, we have the definitive record. If not already a fan, reading this may very well change your opinion. "I really do try to be a nice person...but if you break my heart, hurt my feelings, or are really mean to me, I'm going to write a song about you" This is how Taylor Swift once explained the meaning behind one of her earliest songs. Never one to mince her words when it comes to sharing her thoughts, she has achieved legendary status in the music world with a career built largely on her personal feelings, ever since the day one particular teenage boy made her cry. Now barely into her third decade, her songs have taken her fans on an emotional journey that encompasses both the elation of young love and the heartbreak of fallen relationships. As always, fame courts controversy, and Taylor has had her fair share - long-standing feuds with fellow artists; harrowing claims of sexual harassment; deeply personal accusations over her own authenticity, and those headline-making, all-too public breakups with a catalog of celebrity lovers - all subjects covered in detail within these pages. This book strips away the sometimes-mythical veneer of superstardom and lays bare the real Taylor as the songwriting genius she was born to be; a young woman who, after all, is as human as the rest of us, doing amazing things as well as making incredible gaffes. But with dogged determination and staying true to herself, she has been able to drive her own destiny. Love her or hate her (maybe, better to love her), she has inspired a generation of young fans across the globe, not only with her music, but with heartfelt words of wisdom. Taylor's girl-next-door public image remains intact, at least for now, and she stands firm by one of her own mantras: "No matter what happens in life, be good to people. Being good to people is a wonderful legacy to leave behind". For a simple good lesson in life, that ain't bad.