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Books > Social sciences > Sociology, social studies > Social institutions > Death & dying
Who Lives, Who Dies, Who Decides? looks at several of the most
contentious issues in many societies. The book asks, whose rights
are protected? How do these rights and protections change over
time, and who makes those decisions? This book explores the
fundamentally sociological processes which underlie the quest for
morality and justice in human societies. The author sheds light on
the social movements and social processes at the root of these
seemingly personal moral questions. The third edition contains a
new chapter on torture entitled, "Taking Life and Inflicting
Suffering."
The unmarked mass graves left by war and acts of terror are lasting
traces of violence in communities traumatized by fear, conflict,
and unfinished mourning. Like silent testimonies to the wounds of
history, these graves continue to inflict harm on communities and
families that wish to bury or memorialize their lost kin. Changing
political circumstances can reveal the location of mass graves or
facilitate their exhumation, but the challenge of identifying and
recovering the dead is only the beginning of a complex process that
brings the rights and wishes of a bereaved society onto a
transnational stage. Necropolitics: Mass Graves and Exhumations in
the Age of Human Rights examines the political and social
implications of this sensitive undertaking in specific local and
national contexts. International forensic methods, local-level
claims, national political developments, and transnational human
rights discourse converge in detailed case studies from the United
States, Argentina, Chile, Peru, Spain, Bosnia-Herzegovina, Greece,
Rwanda, Cambodia, and Korea. Contributors analyze the role of
exhumations in transitional justice from the steps of interviewing
eyewitnesses and survivors to the painstaking forensic recovery and
comparison of DNA profiles. This innovative volume demonstrates
that contemporary exhumations are as much a source of personal,
historical, and criminal evidence as instruments of redress for
victims through legal accountability and memory politics.
Contributors: Zoe Crossland, Francisco Ferrandiz, Luis Fondebrider,
Iosif Kovras, Heonik Kwon, Isaias Rojas-Perez, Antonius C. G. M.
Robben, Elena Lesley, Katerina Stefatos, Francesc Torres, Sarah
Wagner, Richard Ashby Wilson.
This unique book recounts the experience of facing one's death
solely from the dying person's point of view rather than from the
perspective of caregivers, survivors, or rescuers. Such unmediated
access challenges assumptions about the emotional and spiritual
dimensions of dying, showing readers that -- along with suffering,
loss, anger, sadness, and fear -- we can also feel courage, love,
hope, reminiscence, transcendence, transformation, and even
happiness as we die. A work that is at once psychological,
sociological, and philosophical, this book brings together
testimonies of those dying from terminal illness, old age, sudden
injury or trauma, acts of war, and the consequences of natural
disasters and terrorism. It also includes statements from
individuals who are on death row, in death camps, or planning
suicide. Each form of dying addressed highlights an important set
of emotions and narratives that often eclipses stereotypical
renderings of dying and reflects the numerous contexts in which
this journey can occur outside of hospitals, nursing homes, and
hospices.Chapters focus on common emotional themes linked to dying,
expanding and challenging them through first-person accounts and
analyses of relevant academic and clinical literature in
psycho-oncology, palliative care, gerontology, military history,
anthropology, sociology, cultural and religious studies, poetry,
and fiction. The result is an all-encompassing investigation into
an experience that will eventually include us all and is more
surprising and profound than anyone can imagine.
Book & CD-ROM. International comparisons of mortality aimed at
revealing age-specific and time-specific differences in survival
between Denmark and nine developed countries have been carried out
by estimating surfaces of ratios of death rates in the last
decades. To gain deeper insights into this phenomenon comparative
analyses of death rates by causes of death for Denmark, Sweden, the
Netherlands, and Japan have been performed. The book is accompanied
by a CD-ROM including colour Lexis maps, graphs of trends in death
rates by causes of death, animated graphs of common survival
indicators and a Lexis program for producing Lexis maps.
We live in a society where people struggle to look death in the
eye. Death has become the territory of professionals and we rarely
see a dead body, unless it is someone very close to us. Death has
become hidden, and so more traumatic. This book shows that, if we
start talking openly about death, it can change the way we live. It
is a collection of stories and images about death, dying and
bereavement. People from all walks of life share their experiences
and what they have learned from accompanying others. Heartbreaking,
angry, questioning and contradictory - laugh-aloud funny, even -
the stories illuminate, inspire, reassure and inform. They are
accompanied by commentaries from professionals working in
end-of-life planning, health, bereavement and funeral care.
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Mortality
(Paperback)
Christopher Hitchens
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R402
R367
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On June 8, 2010, while on a book tour for his bestselling memoir,
"Hitch-22," Christopher Hitchens was stricken in his New York hotel
room with excruciating pain in his chest and thorax. As he would
later write in the first of a series of award-winning columns for
Vanity Fair, he suddenly found himself being deported "from the
country of the well across the stark frontier that marks off the
land of malady." Over the next eighteen months, until his death in
Houston on December 15, 2011, he wrote constantly and brilliantly
on politics and culture, astonishing readers with his capacity for
superior work even in extremis.
Throughout the course of his ordeal battling esophageal cancer,
Hitchens adamantly and bravely refused the solace of religion,
preferring to confront death with both eyes open. In this riveting
account of his affliction, Hitchens poignantly describes the
torments of illness, discusses its taboos, and explores how disease
transforms experience and changes our relationship to the world
around us. By turns personal and philosophical, Hitchens embraces
the full panoply of human emotions as cancer invades his body and
compels him to grapple with the enigma of death.
MORTALITY is the exemplary story of one man's refusal to cower in
the face of the unknown, as well as a searching look at the human
predicament. Crisp and vivid, veined throughout with penetrating
intelligence, Hitchens's testament is a courageous and lucid work
of literature, an affirmation of the dignity and worth of
man.
As a result of its almost total displacement from the everyday life
environment death threatens to become a target for the projection
of various fears. This volume takes an interdisciplinary look at
this complex phenomenon, and attempts to examine its various
dimensions. The presentation of the possibilities of current
palliative medicine and ethical reflection upon it are shown to be
of particular importance.
This unique book recounts the experience of facing one's death
solely from the dying person's point of view rather than from the
perspective of caregivers, survivors, or rescuers. Such unmediated
access challenges assumptions about the emotional and spiritual
dimensions of dying, showing readers that -- along with suffering,
loss, anger, sadness, and fear -- we can also feel courage, love,
hope, reminiscence, transcendence, transformation, and even
happiness as we die. A work that is at once psychological,
sociological, and philosophical, this book brings together
testimonies of those dying from terminal illness, old age, sudden
injury or trauma, acts of war, and the consequences of natural
disasters and terrorism. It also includes statements from
individuals who are on death row, in death camps, or planning
suicide. Each form of dying addressed highlights an important set
of emotions and narratives that often eclipses stereotypical
renderings of dying and reflects the numerous contexts in which
this journey can occur outside of hospitals, nursing homes, and
hospices.Chapters focus on common emotional themes linked to dying,
expanding and challenging them through first-person accounts and
analyses of relevant academic and clinical literature in
psycho-oncology, palliative care, gerontology, military history,
anthropology, sociology, cultural and religious studies, poetry,
and fiction. The result is an all-encompassing investigation into
an experience that will eventually include us all and is more
surprising and profound than anyone can imagine.
If ever there was an area requiring that the research-practice
gap be bridged, surely it occurs where thanatologists engage with
people dealing with human mortality and loss. The field of
thanatology the study of death and dying is a complex,
multidisciplinary area that encompases the range of human
experiences, emotions, expectations, and realities. The Handbook of
Thanatology is the most authoritative volume in the field,
providing a single source of up-to-date scholarship, research, and
practice implications. The handbook is the recommended resource for
preparation for the prestigious certificate in thanatology (CT) and
fellow in thanatology (FT) credentials, which are administered and
granted by ADEC."
Dying at the Margins: Reflections on Justice and Healing for
Inner-City Poor gives voice to the most vulnerable and disempowered
population-the urban dying poor- and connects them to the voices of
leaders in end-of-life-care. Chapters written by these experts in
the field discuss the issues that challenge patients and their
loved ones, as well as offering insights into how to improve the
quality of their lives. In an illuminating and timely follow up to
Dancing with Broken Bones, all discussions revolve around the
actual experiences of the patients previously documented,
encouraging a greater understanding about the needs of the dying
poor, advocating for them, and developing best practices in caring.
Demystifying stereotypes that surround poverty, Moller illuminates
how faith, remarkable optimism, and an unassailable spirit provide
strength and courage to the dying poor.Dying at the Margins serves
as a rallying call for not only end-of-life professionals, but
compassionate individuals everywhere, to understand and respond to
the needs of the especially vulnerable, yet inspiring, people who
comprise the world of the inner city dying poor.
The Spirit Ambulance is a journey into decision-making at the end
of life in Thailand, where families attempt to craft good deaths
for their elders in the face of clashing ethical frameworks, from a
rapidly developing universal medical system, to national and global
human-rights politics, to contemporary movements in Buddhist
metaphysics. Scott Stonington's gripping ethnography documents how
Thai families attempt to pay back a "debt of life" to their elders
through intensive medical care, followed by a medically assisted
rush from the hospital to home to ensure a spiritually advantageous
last breath. The result is a powerful exploration of the nature of
death and the complexities arising from the globalization of
biomedical expertise and ethics around the world.
Political, economic, social, cultural and technological changes
have led to profound transformations in the ways that death and
loss are perceived and managed in contemporary society. Over the
last few decades, the long term shift to chronic illness as a major
causal factor has significantly increased the time scale of dying.
Most people die in institutions and 'care' is typically medical.
Many communities and ordinary citizens now relinquish control and
involvement to experts in the last stages of life.
At global and local levels, however, new arrangements are emerging
to govern the changing face of death, and a reorientation model is
being developed to counter claims of the 'creeping medicalisation'
of death and dying. With an international authorship and scope,
this book illustrates the interlinking nature of society, death and
loss, and it gives examples of governance that promotes the
empowerment, participation and the increasing need for the
involvement of ordinary people and communities in differing social
and cultural contexts.
Chapters come from collaborations of academics and practitioners in
end of life care - from sociologists, anthropologists or the arts
but also from nursing, social work, or medicine. The result is a
reflective, academic and practical discussion of the outline of the
problem we face in the contemporary governance of death, and an
exploration of the critical, theoretical and practice-based ways
forward for us all.
Recently retired, Dr Sparrow reveals with refreshing candour and
dark humour the most memorable experiences of his career as a rural
GP. From sewing back on a patient's chiselled finger on a call-out,
and the emergency countryside delivery inspired by James Herriot,
to suddenly remembering the body left in the back of a Volvo, and a
small oversight that blew up the local crematorium, Dr Sparrow
spares no blushes.
Study of late Anglo-Saxon texts and grave monuments illuminates
contemporary attitudes towards dying and the dead. Pre-Conquest
attitudes towards the dying and the dead have major implications
for every aspect of culture, society and religion of the
Anglo-Saxon period; but death-bed and funerary practices have been
comparatively and unjustly neglected by historical scholarship. In
her wide-ranging analysis, Dr Thompson examines such practices in
the context of confessional and penitential literature, wills,
poetry, chronicles and homilies, to show that complex and ambiguous
ideas about death were current at all levels of Anglo-Saxon
society. Her study also takes in grave monuments, showing in
particular how the Anglo-Scandinavian sculpture of the ninth to the
eleventh centuries may indicate notonly the status, but also the
religious and cultural alignment of those who commissioned and made
them. Victoria Thompson is Lecturer in the Centre for Nordic
Studies at the University of the Highlands and Islands.
How do the living maintain relations to the dead? Why do we bury
people when they die? And what is at stake when we do? In "The
Dominion of the Dead," Robert Pogue Harrison considers the supreme
importance of these questions to Western civilization, exploring
the many places where the dead cohabit the world of the living--the
graves, images, literature, architecture, and monuments that house
the dead in their afterlife among us.
This elegantly conceived work devotes particular attention to the
practice of burial. Harrison contends that we bury our dead to
humanize the lands where we build our present and imagine our
future. As long as the dead are interred in graves and tombs, they
never truly depart from this world, but remain, if only
symbolically, among the living. Spanning a broad range of examples,
from the graves of our first human ancestors to the empty tomb of
the Gospels to the Vietnam Veterans Memorial, Harrison also
considers the authority of predecessors in both modern and
premodern societies. Through inspired readings of major writers and
thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger,
and Rilke, he argues that the buried dead form an essential
foundation where future generations can retrieve their past, while
burial grounds provide an important bedrock where past generations
can preserve their legacy for the unborn.
"The Dominion of the Dead" is a profound meditation on how the
thought of death shapes the communion of the living. A work of
enormous scope, intellect, and imagination, this book will speak to
all who have suffered grief and loss.
Practitioners who work with clients at the end of their lives face
difficult decisions concerning the client's self-determination, the
kind of death he or she will have, and the prolongation of life.
They must also remain sensitive to the beliefs and needs of family
members and the legal, ethical, and spiritual ramifications of the
client's death. Featuring twenty-three decision cases based on
interviews with professional social workers, this unique volume
allows students to wrestle with the often incomplete and
conflicting information, ethical issues, and time constraints of
actual cases. Instead of offering easy solutions, this book
provides detailed accounts that provoke stimulating debates among
students, enabling them to confront their own responses, beliefs,
and uncertainties to hone their critical thinking and decision
making skills for professional practice. *Please note: Teaching
Notes for this volume will be available from Electronic Hallway in
Spring 2010. To access the Teaching Notes, you must first become a
member of the Electronic Hallway. The main Electronic Hallway web
page is at https://hallway.org/index.php. To join, click Become a
Hallway Member in the Get Involved category or point your browser
directly to https://hallway.org/involved/join.php and provide the
required information. After your instructor status has been
confirmed, you will receive an e-mail granting access to the
Electronic Hallway. Once logged on to Electronic Hallway as a
member, click Case Search in the Cases and Resources category on
themain web page. Enter "death, dying, bereavement" (without the
quotation marks) in the search box, select "all of the words" in
the drop down menu, and click Submit. The search process will
generate a list of Teaching Notes for cases from Dying, Death, and
Bereavement in Social Work Practice: Decision Cases for Advanced
Practice.
The main questions raised in this book are: How does the analyst
help the patient to be in touch with pain and mourning? Is the
relinquishment of defenses always desirable? And what is the
analyst's role in the mourning process-should the analyst struggle
to help patients relinquish defenses against pain and mourning,
which they may experience as vital to their precarious psychic
survival? Or should he or she accompany patients on their way to
self-discovery, which may or may not result in the patients letting
go of their defenses when faced with the pain and mourning inherent
in trauma? the utilization of various defenses and the resulting
unresolved mourning reflect the magnitude of the anxiety and pain
that is found on the road to mourning. The ability to mourn and the
capacity to bear some helplessness while still finding life
meaningful are the objectives of the analytic work in this book.
The meaning of our concern for mortal remains-from antiquity
through the twentieth century The Greek philosopher Diogenes said
that when he died his body should be tossed over the city walls for
beasts to scavenge. Why should he or anyone else care what became
of his corpse? In The Work of the Dead, acclaimed cultural
historian Thomas Laqueur examines why humanity has universally
rejected Diogenes's argument. No culture has been indifferent to
mortal remains. Even in our supposedly disenchanted scientific age,
the dead body still matters-for individuals, communities, and
nations. A remarkably ambitious history, The Work of the Dead
offers a compelling and richly detailed account of how and why the
living have cared for the dead, from antiquity to the twentieth
century. The book draws on a vast range of sources-from mortuary
archaeology, medical tracts, letters, songs, poems, and novels to
painting and landscapes in order to recover the work that the dead
do for the living: making human communities that connect the past
and the future. Laqueur shows how the churchyard became the
dominant resting place of the dead during the Middle Ages and why
the cemetery largely supplanted it during the modern period. He
traces how and why since the nineteenth century we have come to
gather the names of the dead on great lists and memorials and why
being buried without a name has become so disturbing. And finally,
he tells how modern cremation, begun as a fantasy of stripping
death of its history, ultimately failed-and how even the ashes of
the victims of the Holocaust have been preserved in culture. A
fascinating chronicle of how we shape the dead and are in turn
shaped by them, this is a landmark work of cultural history.
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