How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In "The Dominion of the Dead," Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living--the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us.
This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.
"The Dominion of the Dead" is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.

Practitioners who work with clients at the end of their lives face difficult decisions concerning the client's self-determination, the kind of death he or she will have, and the prolongation of life. They must also remain sensitive to the beliefs and needs of family members and the legal, ethical, and spiritual ramifications of the client's death. Featuring twenty-three decision cases based on interviews with professional social workers, this unique volume allows students to wrestle with the often incomplete and conflicting information, ethical issues, and time constraints of actual cases. Instead of offering easy solutions, this book provides detailed accounts that provoke stimulating debates among students, enabling them to confront their own responses, beliefs, and uncertainties to hone their critical thinking and decision making skills for professional practice. *Please note: Teaching Notes for this volume will be available from Electronic Hallway in Spring 2010. To access the Teaching Notes, you must first become a member of the Electronic Hallway. The main Electronic Hallway web page is at https://hallway.org/index.php. To join, click Become a Hallway Member in the Get Involved category or point your browser directly to https://hallway.org/involved/join.php and provide the required information. After your instructor status has been confirmed, you will receive an e-mail granting access to the Electronic Hallway. Once logged on to Electronic Hallway as a member, click Case Search in the Cases and Resources category on themain web page. Enter "death, dying, bereavement" (without the quotation marks) in the search box, select "all of the words" in the drop down menu, and click Submit. The search process will generate a list of Teaching Notes for cases from Dying, Death, and Bereavement in Social Work Practice: Decision Cases for Advanced Practice.

What role do man-eating monsters - vampires, zombies, werewolves and cannibals - play in contemporary culture? This book explores the question of whether recent representations of humans as food in popular culture characterizes a unique moment in Western cultural history and suggests a new set of attitudes toward people, monsters, animals, and death. This volume analyzes how previous epochs represented man-eating monsters and cannibalism. Cultural taboos across the world are explored and brought into perspective whilst we contemplate how the representations of humans as commodities can create a global atmosphere that creeps towards cannibalism as a norm. This book also explores the links between the role played by the animal rights movement in problematizing the difference between humans and nonhuman animals. Instead of looking at the relations between food, body, and culture, or the ways in which media images of food reach out to various constituencies and audiences, as some existing studies do, this collection is focused on the crucial question, of how and why popular culture representations diffuse the borders between monsters, people, and animals, and how this affects our ideas about what may and may not be eaten.

The family are intimately involved in the care of the dying and themselves require support through their experience of both palliative care and bereavement. This volume describes a comprehensive model of family care and how to go about it - an approach which is new, preventive, cost effective and with proven benefits to the bereaved.;The book has been designed rather like a therapy manual, providing a step-by-step approach to assessment and intervention. Its rich illustration through many clinical examples brings the process of therapy alive for the reader, anticipating the common challenges that arise and describing how the therapist might respond. Families are recognised throughout as a central social unit, pivotal to the success of palliative care. This title should be of use to doctors, nurses, psychologists, social workers, pastoral care workers, psychiatrists and other allied health professionals who work in caring for the dying and for their bereaved relatives. Based soundly on a decade of internationally regarded research, this book will alter the direction of future medical practice and is destined to become a classic in its field.

Wars in the industrial age kill large numbers of people. What do societies involved in these conflicts do with all the corpses? How do they show them respect? How do they dispose of them? What is their attitude to the bodies of the enemies? In the 19th century, those who died on the battlefield were pushed into mass graves, their identities unknown. Today, their remains are held in such high esteem that they are tracked down in order that last respects might be paid. As a historical account of the way in which war and death intersect, this book describes the complex attitude societies have towards death. Lured by the concept of eternal youth, tempted to deny death as well as physical decay, faced with longer life expectancy, we retain the hope of going off to war without loss of life. But does not our own expectation of zero death" imply "more deaths" for the other side?"

Gravestones, cemeteries, and memorial markers offer fixed points in time to examine Americans' changing attitudes toward death and dying. In tracing the evolution of commemorative practices from the seventeenth century to the present, Sherene Baugher and Richard Veit offer insights into our transformation from a preindustrial and agricultural to an industrial, capitalist country. Paying particular attention to populations often overlooked in the historical record - African Americans, Native Americans, and immigrant groups - the authors also address the legal, logistical, and ethical issues that confront field researchers who conduct cemetery excavations. Baugher and Veit reveal how gender, race, ethnicity, and class have shaped the cultural landscapes of burial grounds and summarize knowledge gleaned from the archaeological study of human remains and the material goods interred with the deceased. From the practices of historic period Native American groups to elite mausoleums, and from almshouse mass graves to the rise in popularity of green burials today, The Archaeology of Cemeteries and Gravemarkers provides an overview of the many facets of this fascinating topic.

In this book, death, a topic often neglected by historians, is given the attention it deserves as one of the most important aspects of personal and societal experience. Facing the 'King of Terrors' examines changes in the roles and perceptions of death in one American community, Schenectady, New York, from 1750 to 1990. A remarkably thorough study, this work incorporates a wide variety of topics, including causes of death, epidemics and the reactions they engender, rituals surrounding dying and burial, cemeteries and grave markers, public celebrations of the deaths of important figures, reactions to war, and businesses that profit from death. Combining an in-depth look at patterns of death in society as a whole with an investigation of personal responses to such cultural customs, the book makes use of personal letters and diaries to explore how broader social changes were manifested in the lives of individuals.

This book investigates the language created and used on social media to express and respond to personal experiences of illness, dying and mourning. The authors begin by setting out the established and recent research on social and existential media, affect and language, before focusing on Facebook groups dealing with the illness and death of two Danish children. Through these in-depth case studies, they produce insights into different ways of engaging in affective processes related to illness and death on social media, and into both the ritualized and innovative vernacular vocabulary created through these encounters. Developing an analytical framework for understanding the social role and logics of "affective language" (such as emojis, interjections and other forms of expressive interactive writing), The Language of Illness and Death on Social Media will be of great interest to all those striving to understand the affective importance and roles of language for sharing experiences of illness, death and commemoration in these spheres.

Within this book are rituals, stories, traditions and experiences of magicians' scholars and artists who work with death. Some of the contributors such as Nema, Mogg Morgan, Louis Martine and Nevill Drury (to name but a few) have helped define contemporary transformative spirituality. Others are less well known but just as learned. As there should be in such a collection there is comedy, anger, confrontation and practicality. This anthology is about who we are, and where we come from. It is also about how we change. A Contemporary Western Book of the Dead contains voices and visions that acknowledge our past, feed our present and guide the direction of our future. "I was musing on Singapore in all its affluent glory still having shrines for the dead on every street corner during 'The Festival of the Hungry Ghosts'. Then I was musing on how the socially mobile of modern western society eschew death rites and grieving in the name of 'holding it together' and being progressive. I thought of which civilisations are falling and which are rising again, and wondered whether acknowledging death and the ancestors is a vital part of maintaining personal identity and our place in society. I remember how my grieving father mourned for all the information he had relied on his deceased wife remembering; information which was now lost. I recalled Michael Crichton's words 'If you don't know (your family's) history, then you don't know anything. You are a leaf that doesn't know it is part of a tree.' Then I thought maybe someone should write about the cults of the ancestors and death, perhaps an anthology, perhaps cross relate experiences of loss to personal spirituality and magick and history. I know that years of working with the dead in the name of art and spirituality, didn't prepare me for the death of my mother. What helped me was the advice of someone from a long tradition of working with the ancestors. I think that collecting the experiences of spiritual practitioners in their working with grief and death is part of a living and necessary tradition that will give respect to the dead and strength, identity and support to our own personal spirituality.' "

"Things You Can do When You're Dead!" by Tricia Robertson is the long awaited book from one of Scotland's foremost psychical researchers. In this book the author shares some of her thirty-year research into mediumship, reincarnation, psychic healing, apparitions, poltergeists, and after death communications. Tricia's refreshing no-nonsense approach to the subject makes for compelling reading and should interest skeptics, believers, and anyone who wants to know what you can do when you're dead!

Though considered by devotees to be perhaps the most potent expression of religious faith, dying for one's God is also one of the most difficult concepts for modern observers of religion to understand. This is especially true in the West, where martyrdom has all but disapeared and martyrs in other cultures are often viewed skeptically and dismissed as fanatics. This book seeks to foster a greater understanding of these acts of religious devotion by explaining how martyrdom has historically been viewed in the world's major religions. It provides the first sustained, cross-cultural examination of this fascinating aspect of religious life. Spanning 4000 years of history and ranging from Saul in the Hebrew Bible to Sati immolations in present-day India, this book provides a wealth of insight into an often noted but rarely understood cultural phenomenon.

The first book length anthropological study of voluntary assisted dying in Switzerland, Leaving is a narrative account of five people who ended their lives with assistance. Stavrianakis places his observations of the judgment to end life in this way within a larger inquiry about how to approach and understand the practice of assisted suicide, which he characterizes as operating in a political, legal, and medical "parazone," adjacent to medical care and expertise. Frequently, observers too rapidly integrate assisted suicide into moral positions that reflect sociological and psychological commonplaces about individual choice and its social determinants. Leaving engages with core early twentieth-century psychoanalytic and sociological texts arguing for a contemporary approach to the phenomenon of voluntary death, seeking to learn from such conceptual repertoires, as well as to acknowledge their limits. Leaving concludes on the anthropological question of how to account for the ethics of assistance with suicide: to grasp the actuality and composition of the ethical work that goes on in the configuration of a subject, one who is making a judgment about dying, with other participants and observers, the anthropologist included.

In past centuries, human responses to death were largely shaped by religious beliefs. Ralph Houlbrooke shows how the religious upheavals of the early modern period brought dramatic changes to this response, affecting the last rites, funerals, and ways of remembering the dead. He examines the interaction between religious innovation and the continuing need for reassurance and consolation on the part of the dying and the bereaved.

Death, a topic often neglected by historians, is in this book given the attention it deserves as one of the most important aspects of personal and societal experience. Facing the "King of Terrors" examines changes in the roles and perceptions of death in one American community, Schenectady, New York, from 1750 to 1990. It combines an in-depth look at patterns of death in society as a whole with an investigation of personal responses to such cultural customs.

"Not only a fascinating travelogue but also a personal meditation on loss and fate...There is a wealth to discover within these pages."--The EconomistJournalist Sarah Murray never gave much thought to what might ultimately happen to her remains--until her father died. Puzzled by the choices he made about the disposal of his "organic matter," she embarks on a series of journeys to discover how death is commemorated in different cultures. Her travels lead her to discover everything from a Czech chandelier of human bones and a weeping ceremony in Iran to a Philippine village where the casketed dead hang in caves.Fascinating, poignant, and often funny, "Making an Exit" is Murray's exploration of the ways in which we seek to dignify the dead--and a deeply personal quest for a final send-off of her own.

"A compulsively readable, totally unforgettable memoir that recounts a sensitive college student's experience working on an emergency ambulance in hell, aka New York City." -- James Patterson In 1967, Mike Scardino was an eighteen year-old pre-med student with a problem - his parents couldn't afford to pay his college tuition. Luckily, Mike's dad hooked him up with a lucrative, albeit unusual, summer job, one he's never forgotten. Bad Call is Mike's visceral, fast-moving, and mordantly funny account of the summers he spent working as an "ambulance attendant" on the mean streets of late 1960s New York, at a time when emergency medicine looked nothing like it does today. Fueled by adrenaline and Sabrett's hot dogs, he crossed third rails to pick up injured trainmen, encountered a woman attacked by rats, attended to victims of a plane crash at JFK airport, was nearly murdered, and got an early and indelible education in the impermanence of life. But his work also afforded moments of rare beauty, hope, and everyday heroism, and it changed the course of Mike's life as well as the way he saw the world. Action-packed, poignant, and rich with details that bring Mike's world to life, Bad Call is a gritty portrait of a bygone era as well as a thrilling tale of one man's coming of age.

The Labour of Loss explores how mothers, fathers, widows, relatives and friends dealt with their experiences of grief and loss during and after the First and Second World Wars. Based on an examination of private loss through letters and diaries, this study makes a significant contribution to understanding how people came to terms with the deaths of friends and family. Unlike other studies in this area, The Labour of Loss considers how mourning affected men and women in different ways, and analyzes the gendered dimensions of grief.

How has the Jewish family changed over the course of the twentieth century? How has it remained the same? How do Jewish families see themselves--historically, socially, politically, and economically--and how would they like to be seen by others?
This book, the fourteenth volume of Oxford's internationally acclaimed Studies in Contemporary Jewry series, presents a variety of perspectives on Jewish families coping with life and death in the twentieth century. The book is comprised of symposium papers, essays, and review articles of works published on such fundamental subjects as the Holocaust, antisemitism, genocide, history, literature, the arts, religion, education, Zionism, Israel, and the Middle East.
Published annually by the Avraham Harman Institute of Contemporary Jewry at The Hebrew University of Jerusalem, the Studies in Contemporary Jewry series features current scholarship in the form of symposia, articles, and book reviews by distinguished experts of Jewish studies from colleges and universities across the globe. Each volume also includes a list of recent dissertations. Volume XIV: Coping with Life and Death: Jewish Families in the Twentieth Century will appeal to all students and scholars of the sociocultural history of the Jewish people, especially those interested in the nature of Jewish intermarriage and/or family life, the changing fate of the Orthodox Jewish family, the varied but widespread Americanization of the Jewish family, and similar concerns.

Suicide is the third major killer of young people in the Western world, and in the closing decades of the twentieth century it reached epidemic proportions: around the world there has been a frightening surge in suicides committed by children, adolescents and young adults. Kay Redfield Jamison is herself a survivor of a nearly lethal suicide attempt which came after years of battling manic depression. Her survival marked the beginning of a life's work to investigate mental illness and self-inflicted death, and she is now an internationally recognized authority on the depressive illnesses. In Night Falls Fast Dr. Jamison dispels the silence and shame that surround the subject of suicide and provides a better understanding of the suicidal mind and a chance to recognize the person at risk. She brings to the book not only wide scientific knowledge and clinical experience but also great compassion. In tracing the network of reasons underlying the phenomenon, she gives us astonishing examples and a startling look at the journals, drawings and farewell notes of people who have chosen to kill themselves. She also provides vivid insight into the most recent findings from hospitals and laboratories across the world; the critical biological and psychological factors that interact to cause suicide; and the new strategies being evolved to combat them. Night Falls Fast is a sensitive and penetrating analysis that helps us to comprehend the profound and disturbing sense of loss created in those left behind. It is the first major book on the subject in a quarter of a century and stands to become a classic account of one of the most devastating and destructive causes of death of our time.

The early accounts of one of the most famous scenes in Christian history, the death of Peter, do not present a single narrative of the events, for they do not agree on why Peter requested to die in the precise way that he allegedly did. Over time, historians and theologians have tended to smooth over these rough edges, creating the impression that the ancient sources all line up in a certain direction. This impression, however, misrepresents the evidence. The reason for Peter's inverted crucifixion is not the only detail on which the sources diverge. In fact, such disagreement can be seen concerning nearly every major narrative point in the martyrdom accounts of Peter and Paul. The Many Deaths of Peter and Paul shows that the process of smoothing over differences in order to create a master narrative about the deaths of Peter and Paul has distorted the evidence. This process of distortion not only blinds us to differences in perspective among the various authors, but also discourages us from digging deeper into the contexts of those authors to explore why they told the stories of the apostolic deaths differently in their contexts. David L. Eastman demonstrates that there was never a single, unopposed narrative about the deaths of Peter and Paul. Instead, stories were products of social memory, told and re-told in order to serve the purposes of their authors and their communities. The history of the writing of the many deaths of Peter and Paul is one of contextualized variety.

Margaret King shows what the death of a little boy named Valerio Marcello over five hundred years ago can tell us about his time.
This child, scion of a family of power and privilege at Venice's time of greatness, left his father in a state of despair so profound and so public that it occasioned an outpouring of consoling letters, orations, treatises, and poems. In these documents, we find a firsthand account, richly colored by humanist conventions and expectations, of the life of the fifteenth-century boy, the passionate devotion of his father, the feelings of his brothers and sisters, the striking absence of his mother. The father's story is here as well: the career of a Venetian nobleman and scholar, patron and soldier, a participant in Venice's struggle for dominion in the north of Italy.
Through these sources also King traces the cultural trends that made Marcello's century famous. Her work enlarges our view of the literature of consolation, which had a distinctive tradition in Venice, and shifting attitudes toward death from the late Middle Ages onward.
For the depth and acuity of its insights into political, cultural, and private life in fifteenth-century Venice, this book will be essential reading for students of the Renaissance. For the grace and drama of its storytelling, it will be savored by anyone who wishes to look into life and death in a palace, and a city, long ago.

Being able to offer support to the bereaved is an important part of many frontline professions, such as nurses, teachers, funeral directors and anything in between. Yet very little theoretical information about grief has filtered down into mainstream knowledge, and what has is often misinterpreted. Giving an accessible introduction to modern day grief theory, this book is the perfect guide to grief for counsellors, anyone wishing to support the bereaved, or the griever curious to how their grief works. Debunking commonly believed myths with information on how grief can vary from person to person, advice on communicating with the bereaved and details on the different kinds of grief, this book is an essential read for anyone working with the bereaved.

Called the "mother of beauty" by Wallace Stevens, death has been perhaps the favorite muse of modern poets. From Langston Hughes's lynch poems to Sylvia Plath's father elegies, modern poetry has tried to find a language of mourning in an age of mass death, religious doubt, and forgotten ritual. For this reason, Jahan Ramazani argues, the elegy, one of the most ancient of poetic genres, has remained one of the most vital to modern poets.
Through subtle readings of elegies, self-elegies, war poems, and the blues, Ramazani greatly enriches our critical understanding of a wide range of poets, including Thomas Hardy, Wilfred Owen, Wallace Stevens, Langston Hughes, W. H. Auden, Sylvia Plath, and Seamus Heaney. He also interprets the signal contributions to the American family elegy of Robert Lowell, Allen Ginsberg, Anne Sexton, John Berryman, Adrienne Rich, Michael Harper, and Amy Clampitt. Finally, he suggests analogies between the elegy and other kinds of contemporary mourning art--in particular, the AIDS Memorial Quilt and the Vietnam Veterans Memorial.
Grounded in genre theory and in the psychoanalysis of mourning, Ramazani's readings also draw on various historical, formal, and feminist critical approaches. This book will be of interest to anyone concerned with the psychology of mourning or the history of modern poetry.
"Consists of full, intelligent and lucid exposition and close reading. . . . "Poetry of Mourning" is itself a welcome contribution to modern poetry's search for a 'resonant yet credible vocabulary of grief in our time."--"Times Literary Supplement"