Award-winning writer and nurse Sallie Tisdale offers a lyrical, thought-provoking yet practical perspective on death and dying in this frank, direct and compassionate meditation on the inevitable. _______________________________________ From the sublime to the ridiculous, Tisdale leads the reader through the peaks and troughs of death with a calm, wise and humorous hand. More than a how-to manual or a spiritual bible, this is a graceful compilation of honest and intimate anecdotes based on the deaths Tisdale has witnessed in her work and life, as well as stories from cultures, traditions and literature around the world. As Tisdale explores all the heartbreaking, beautiful, terrifying, confusing, absurd and even joyful experiences that accompany the work of dying, she also addresses the meaning of 'a good death', how to communicate with the dying, loved ones, doctors and more, and what to expect, physically and emotionally, from the last months, days and hours of life. Beautifully written and compulsively readable, Advice for the Dying offers the resources and reassurance that we all need for planning the ends of our lives. It is essential reading for all of us.

What is death, and how do people in the medical profession determine it? In this fascinating examination of the increasingly blurred line between life and death, consciousness and unconsciousness, science journalist Dick Teresi introduces us to the coma specialists, organ transplant surgeons, ICU doctors, and many others who are faced with this issue daily. "The Undead "describes how death has been determined through the ages, beginning with the ancient Egyptians and leading to the 1968 Harvard Medical School paper that indirectly stated that death was not cardiopulmonary failure, but a "loss of personhood"--i.e., brain death. Teresi explores the consequences of new technologies that extend people's lives but which conflict with society's desire to see them declared dead before their time.

Death in War and Peace is the first detailed historical study of the experience of death, grief, and mourning in England in the fifty years after 1914. In it Professor Jalland explores the complex shift from a culture where death was accepted and grief was openly expressed before 1914, to one of avoidance and silence by the 1940s and thereafter.
The two world wars had a profound and cumulative impact on the prolonged process of change in attitudes to death in England. The inter-war generation grew up in a bleak atmosphere of mass mourning for the dead soldiers of the Great War, and the Second World War created an even deeper break with the past as a pervasive model of silence about death and suppressed grieving became entrenched in the nation's psyche.
Stories drawn from letters and diaries show us how death and loss were experienced by individuals and families in England from 1914; and how the attitudes, responses, and rituals of death and grieving varied with gender, religion, class, and region. The growing medicalization and hospitalization of death from the 1950s further reinforced the growing culture of silence about death, as it moved from the care of the family to that of hospitals, doctors, and undertakers.
These silences about death still linger today, despite a further cultural shift since the 1970s towards greater emotional expressiveness. This fascinating study of death and bereavement helps us to understand the present as well as the past.

Suicide is an ageless concern that has been with us as long as man has existed. Forbidden by all religions, suicide has nonetheless become such a practical problem that it is now an everyday concern, resulting in more annual deaths than homicide. Suicide must be seen as a societal and personal problem-it is a complex act with no simple explanation. The motivation is multifaceted, often not understood by the family or by other survivors. Suicide: Theory, Practice and Investigation is the only text available in paperback form that offers an accessible overview of suicide in the United States. Written by Ronald M. Holmes and Stephen T. Holmes, two of the foremost authors of murder and violent crime books in the world, this book examines the social problem and criminal justice concerns of suicide from unique perspectives. The authors discuss the various forms of suicide and analyze the latest data on regional differences and how gender, marital status, occupation, health, drug use, and religion all influence the practice of suicide. Key Features: Analyzes suicide letters to provide students with unique perspectives not found in other books Covers investigative techniques that will be of interest to professionals and students alike Includes carefully selected photos to explicate the material covered Categorizes suicide into different types including anomic, egoistic, altruistic, and fatalistic to distinguish the various reasons for which people have taken their own lives Integrates notes within the chapters to show the state of mind for those who commit suicide Explores learnings from suicidal behavior to help readers recognize how better to prevent the practice Suicide is designed for undergraduate and graduate courses in departments of Criminology, Criminal Justice, Psychology, and Forensic Science. In addition, it can also be used for a variety of other courses, including Psychopathology, Sociology of Deviance, Abnormal Psychology, and Violent Crimes. This book will also be of interest to anyone looking for a clear understanding of the extent of suicide in the United States.

The living and the dead cohabited Paris until the late eighteenth century, when, in the name of public health, measures were taken to drive the latter from the city. Cemeteries were removed from urban space, and corpses started to be viewed as terrifyingly noxious substances.The dead had fallen victim to a sustained new reflection on the notions of life and death that emerged from the two new medical fields of biology and hygiene. In large part, the Paris of the nineteenth century-the Paris of modernity-arose, both theoretically and physically, out of this concern over the relations between the animate and the inanimate.As the dead became a source of pervasive and intense anxiousness, they also became an object of fascination that at once exceeded and guided the medical imagination attempting to control them. Human Remains examines that exuberant anxiety to discover the irrational, indeed erotic, forces motivating the medicalization of death.Working across a broad range of disciplines, including history, literature, the visual arts, philosophy, and psychoanalysis, the book seeks to understand the meaning of the dead and their role in creating one of the most important cities of the contemporary world.

The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters--for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources--from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed--and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

In our contemporary Western society, death has become taboo. Despite its inevitability, we focus on maintaining youthfulness and well-being, while fearing death's intrusion in our daily activities. In contrast, observes Maria Serena Mirto, the ancient Greeks embraced death more openly and effectively, developing a variety of rituals to help them grieve the dead and, in the process, alleviate anxiety and suffering. In this fascinating book, Mirto examines conceptions of death and the afterlife in the ancient Greek world, revealing few similarities--and many differences--between ancient and modern ways of approaching death.

Exploring the cultural and religious foundations underlying Greek burial rites and customs, Mirto traces the evolution of these practices during the archaic and classical periods. She explains the relationship between the living and the dead as reflected in grave markers, epitaphs, and burial offerings and discusses the social and political dimensions of burial and lamentation. She also describes shifting beliefs about life after death, showing how concepts of immortality, depicted so memorably in Homer's epics, began to change during the classical period.
"Death in the Greek World "straddles the boundary between literary and religious imagination and synthesizes observations from archaeology, visual art, philosophy, politics, and law. The author places particular emphasis on Homer's epics, the first
literary testimony of an understanding of death in ancient Greece. And because these stories are still so central to Western culture, her discussion casts new light on elements we thought we had already understood.
Originally written and published in Italian, this English-language translation of "Death in the Greek World" includes the most recent scholarship on newly discovered texts and objects, and engages the latest theoretical perspectives on the gendered roles of men and women as agents of mourning. The volume also features a new section dealing with hero cults and a new appendix outlining fundamental developments in modern studies of death in the ancient Greek world.

Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach. In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliche and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schossgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschlafer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schoen wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universitat Berlin.

An in-depth look at how mortuary cultures and issues of death and the dead in Africa have developed over four centuries In My Time of Dying is the first detailed history of death and the dead in Africa south of the Sahara. Focusing on a region that is now present-day Ghana, John Parker explores mortuary cultures and the relationship between the living and the dead over a four-hundred-year period spanning the seventeenth to twentieth centuries. Parker considers many questions from the African historical perspective, including why people die and where they go after death, how the dead are buried and mourned to ensure they continue to work for the benefit of the living, and how perceptions and experiences of death and the ends of life have changed over time. From exuberant funeral celebrations encountered by seventeenth-century observers to the brilliantly conceived designer coffins of the late twentieth century, Parker shows that the peoples of Ghana have developed one of the world's most vibrant cultures of death. He explores the unfolding background of that culture through a diverse range of issues, such as the symbolic power of mortal remains and the dominion of hallowed ancestors, as well as the problem of bad deaths, vile bodies, and vengeful ghosts. Parker reconstructs a vast timeline of death and the dead, from the era of the slave trade to the coming of Christianity and colonial rule to the rise of the modern postcolonial nation. With an array of written and oral sources, In My Time of Dying richly adds to an understanding of how the dead continue to weigh on the shoulders of the living.

In this introductory text on thanatology, Alan Kemp continues to take on the central question of mortality: the centrality of death coupled with the denial of death in the human experience. Drawing from the work of Ernest Becker, Death, Dying, and Bereavement in a Changing World provides a multidisciplinary and multidimensional approach to the study of death, putting extra emphasis on the how death takes place in a rapidly changing world. This new, second edition includes the most up-to-date research, data, and figures related to death and dying. New research on the alternative death movement, natural disaster-related deaths, and cannabis as a form of treatment for life-threatening illnesses, and updated research on physician-assisted suicide, as well as on grief as it relates to the DSM-5 have been added.

A GOOD GOODBYE: Funeral Planning for Those Who Don't Plan to Die provides the information, inspiration and tools to plan and implement creative, meaningful and memorable end-of-life rituals for people and pets. Just as talking about sex won't make you pregnant, talking about funerals won't make you dead - and your family will benefit from the conversation. Learn how to save money, reduce family conflict, and avoid stress at a time of grief.

A group of men dig a tunnel under the threshold of a house. Then they go and fetch a heavy, sagging object from inside the house, pull it out through the tunnel, and put it on a cow-hide to be dragged off and thrown into the offal-pit. Why should the corpse of a suicide - for that is what it is - have earned this unusual treatment?
In The Curse on Self-Murder, Alexander Murray explores the origin of the condemnation of suicide, in a quest which leads along the most unexpected byways of medieval theology, law, mythology, and folklore -and, indeed, in some instances beyond them. At an epoch when there might be plenty of ostensible reasons for not wanting to live, the ways used to block the suicidal escape route give a unique perspective on medieval religion.

Winner of the 2020 Stand-Out Graduate Research Award Winner of the August 2020 Fonds de recherche du Quebec - Societe et culture (FRQSC) Prix Releve etoile Paul-Gerin-Lajoie Photographic portraits of those who have passed have the potential to become valuable sites of remembrance. Across North America and Western Europe, parents are increasingly unfamiliar with death; lacking the rituals and tools that have historically eased the bereavement process. This book shines a light on how semi-private social media groups enable the bereaved parents of today to navigate their grief in the modern world. The author explores how creative, and sometimes contested, incorporations of photography within these online spaces demonstrate a revival and renegotiation of historic practices. By shining a light on recurrent tendencies and their evolution within new media this book offers an opportunity to observe the complex relationships grief can prompt some individuals to form with the portraits of absent loved ones. As social networking sites continue to enable the reinsertion of death within the social realm, the author looks ahead: might we begin to see a revival and increased openness towards end-of-life, post-mortem and funerary photography? As bereavement increasingly becomes something communicated in an online context, what new types of embellishments to the photographic portrait might we encounter?

One of the "New York Times"'s Best Ten Books of the Year
Winner of the National Book Critics Circle Award for Nonfiction
Winner of the 2014 J. Anthony Lukas Book Prize, the "Los Angeles Times" Book Prize, and the Ridenhour Book Prize
An ALA Notable Book, finalist for the NYPL 2014 Helen Bernstein Award, finalist for the SIBA Book Award, and shortlisted for ALA Andrew Carnegie Medal
An NPR "Great Reads" Book, a "Chicago Tribune" Best Book, a "Seattle Times "Best Book, a "Time "Magazine Best Book, "Entertainment Weekly"'s #1 Nonfiction Book, a "Christian Science Monitor "Best Book, and a "Kansas City Star" Best Book
Pulitzer Prize winner Sheri Fink's landmark investigation of patient deaths at a New Orleans hospital ravaged by Hurricane Katrina - and her suspenseful portrayal of the quest for truth and justice.
In the tradition of the best investigative journalism, physician and reporter Sheri Fink reconstructs 5 days at Memorial Medical Center and draws the reader into the lives of those who struggled mightily to survive and to maintain life amid chaos.
"
"After Katrina struck and the floodwaters rose, the power failed, and the heat climbed, exhausted caregivers chose to designate certain patients last for rescue. Months later, several health professionals faced criminal allegations that they deliberately injected numerous patients with drugs to hasten their deaths.
"Five Days at Memorial," the culmination of six years of reporting, unspools the mystery of what happened in those days, bringing the reader into a hospital fighting for its life and into a conversation about the most terrifying form of health care rationing.
In a voice at once involving and fair, masterful and intimate, Fink exposes the hidden dilemmas of end-of-life care and reveals just how ill-prepared we are in America for the impact of large-scale disasters--and how we can do better. A remarkable book, engrossing from start to finish, "Five Days at Memorial" radically transforms your understanding of human nature in crisis.

"From the Hardcover edition."

'Poignant and often hilarious' Publishers Weekly What if we responded to death... by throwing a party? By the time Erica Buist's father-in-law Chris was discovered, upstairs in his bed, his book resting on his chest, he had been dead for over a week. She searched for answers (the artery-clogging cheeses in his fridge?) and tried to reason with herself (does daughter-in-law even feature in the grief hierarchy?) and eventually landed on an inevitable, uncomfortable truth: everybody dies. With Mexico's Day of the Dead festivities as a starting point, Erica decided to confront death head-on by visiting seven death festivals around the world - one for every day they didn't find Chris. From Mexico to Nepal, Sicily, Thailand, Madagascar, Japan and finally Indonesia - with a stopover in New Orleans, where the dead outnumber the living ten to one - Erica searched for the answers to both fundamental and unexpected questions around death anxiety. This Party's Dead is the account of her journey to understand how other cultures deal with mortal terror, how they move past the knowledge that they're going to die in order to live happily day-to-day, how they celebrate rather than shy away from the topic of death - and how when this openness and acceptance are passed down through the generations, death suddenly doesn't seem so scary after all.

The meaning of our concern for mortal remains-from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters-for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources-from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed-and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

Social Palliation is a pioneering study on living and dying as articulated by first-generation Iranian and Ismaili Muslim communities in Canada. Using ethnographic narratives, Parin Dossa makes a case for a paradigm shift from palliative care to social palliation. Experiences of displacement and resettlement reveal that life and death must be understood as an integrated unit if we are to appreciate what it is like to be awakened to our human existence. In the wake of structural exclusion and systemic suffering, social palliation brings to light displaced persons' endeavours to restore the integrity of life and death. Dossa highlights the point that death conjoined with life is embedded within the socio-cultural and spiritual experience. Here, a caring society is not perceived in fragments, as is the case with traditional institutional care or care offered during end-of-life. Rather, Dossa draws attention to an organic form of caring, illustrated through the trajectories of storied lives. In exemplifying more humane aspects of social palliation, this book foregrounds sacred traditions to illustrate their potential to evoke deep-level conversations across socio-political boundaries on what it is like to live and die in the contemporary world.

This unique book recounts the experience of facing one's death solely from the dying person's point of view rather than from the perspective of caregivers, survivors, or rescuers. Such unmediated access challenges assumptions about the emotional and spiritual dimensions of dying, showing readers that -- along with suffering, loss, anger, sadness, and fear -- we can also feel courage, love, hope, reminiscence, transcendence, transformation, and even happiness as we die. A work that is at once psychological, sociological, and philosophical, this book brings together testimonies of those dying from terminal illness, old age, sudden injury or trauma, acts of war, and the consequences of natural disasters and terrorism. It also includes statements from individuals who are on death row, in death camps, or planning suicide. Each form of dying addressed highlights an important set of emotions and narratives that often eclipses stereotypical renderings of dying and reflects the numerous contexts in which this journey can occur outside of hospitals, nursing homes, and hospices.Chapters focus on common emotional themes linked to dying, expanding and challenging them through first-person accounts and analyses of relevant academic and clinical literature in psycho-oncology, palliative care, gerontology, military history, anthropology, sociology, cultural and religious studies, poetry, and fiction. The result is an all-encompassing investigation into an experience that will eventually include us all and is more surprising and profound than anyone can imagine.

Dr Sparrow is back, coping with more bizarre, macabre and hilarious situations. Following his successful debut with Country Doctor, he once more guides us through the daily rounds of the weird and wonderful in his practice on the Devon/Cornwall border. What would you do if faced with the unsuccessful resuscitation of the wrong patient, being held at gunpoint as a suspected terrorist or confronting a blind man who refuses to stop driving? And what about the little old lady who presents you with a supermarket bag stuffed with GBP20 notes? Add to this, jets crashing on the runway, fleeting glimpses of the Royal Genitalia and the haunting tale of the suicidal stranger and an abducted child - and you will start to have some idea of the unpredictable life of Dr Sparrow.

"Suicide" and "the Middle Ages" sounds like a contradiction. Was life not too short anyway, and the Church too disapproving, to admit suicide? And how is the historian supposed to find out?
In this first volume of his trilogy, Alexander Murray takes the methodological question first, as a key to the testing of all other assumptions. After answering it, he shows that there were indeed suicides, of types and configurations astonishingly modern, if not in numbers per capita. "The violent against themselves" included rich and poor, townsmen and peasants, men and women, married and unmarried, their motives all too familiar: physical and mental illness, chronic or sudden poverty, arrest, disgrace, heartbreak in love, even what modern doctors might call depression. Following the sources as close to the events as they will lead, the author calls on these fugitives to give an account of themselves. In doing so, they also shed new light on features of their world we thought we all understood.

The academic study of death rose to prominence during the 1960s. Courses on some aspect of death and dying can now be found at most institutions of higher learning. These courses tend to stress the psycho-social aspects of grief and bereavement, however, ignoring the religious elements inherent to the subject. This collection is the first to address the teaching of courses on death and dying from a religious-studies perspective.
The book is divided into seven sections. The hope is that this volume will not only assist teachers in religious studies departments to prepare to teach unfamiliar and emotionally charged material, but also help to unify a field that is now widely scattered across several disciplines.

At the heart of Death and the Author is a dramatic account of D. H. Lawrence's desperate struggle against tuberculosis during his last days, and of certain, often bizarre events which followed his death. Around this narrative David Ellis offers a series of reflections about what it is like to have a disease for which there is no cure, the appeal of alternative medicine, the temptation of suicide for the terminally ill, the diminishing role of religion in modern life, the institution of famous last words, the consequences of dying intestate, and so on. These are clearly not the most immediately appealing of topics but they have an obvious significance for everyone and the treatment of them here is by no means lugubrious (even if, in the nature of the case, most of the jokes fall into the category of gallows humour). Lawrence is the main focus throughout but there are extended references to a number of other famous literary consumptives such as Keats, Katherine Mansfield, Kafka, Chekhov, and George Orwell. Not a long book, Death and the author is divided into three parts called `Dying', `Death' and `Remembrance' and is made up of twenty-two short sections. Although it incorporates a good deal of original material, the annotation has been kept deliberately light. The aim has been to combine the drama of events - a good story - with a consideration of matters which must eventually concern us all, and to present the material in a lively and accessible form.

From antebellum slavery to the twenty-first century, African American funeral directors have orchestrated funerals or homegoing ceremonies with dignity and pageantry. As entrepreneurs in a largely segregated trade, they were among the few black individuals in any community who were economically independent and not beholden to the local white power structure. Most important, their financial freedom gave them the ability to support the struggle for civil rights and, indeed, to serve the living as well as bury the dead.

During the Jim Crow era, black funeral directors relied on racial segregation to secure their foothold in America s capitalist marketplace. With the dawning of the civil rights age, these entrepreneurs were drawn into the movement to integrate American society, but were also uncertain how racial integration would affect their business success. From the beginning, this tension between personal gain and community service shaped the history of African American funeral directing.

For African Americans, death was never simply the end of life, and funerals were not just places to mourn. In the hush harbors of the slave quarters, African Americans first used funerals to bury their dead and to plan a path to freedom. Similarly, throughout the long and often violent struggle for racial equality in the twentieth century, funeral directors aided the cause by honoring the dead while supporting the living. "To Serve the Living" offers a fascinating history of how African American funeral directors have been integral to the fight for freedom.