Karl Marx is buried in London, John Keats in Rome and Leon Trotsky in Mexico. Pere Lachaise Cemetery in Paris is today known for the graves of Jim Morrison, Victor Hugo and Oscar Wilde, but when it opened in the early 19th century the owners felt that they needed some star names to make it a desired burial site - and so they had Moliere's body transferred there. Arranged thematically into 75 entries, Graves of the Great and Famous tours the world exploring the resting places of leading artists, thinkers, scientists, sportspeople, revolutionaries, politicians and pioneers. Some, such as communist leaders Ho Chi Minh and Vladimir Lenin, are interred in great mausoleums, where they are visited by millions each year; others are buried in little-known country graveyards. From lives cut short through assassinations - Martin Luther King and Abraham Lincoln - to those who suffered terrible accidents (Princess Diana), from mobsters such as Benjamin 'Bugsy' Siegel and John Gotti to Napoleon and his mistress Marie Walewska, from Nelson Mandela to Eva Peron, Graceland to Highgate Cemetery, the book provides a guide to some of the most famous and unusual graves of the great and the good. Featuring 150 photographs of graves, cemeteries, graveyards and mausoleums, Graves of the Great and Famous is a compact guide to the final resting place of the famous - and infamous.

The unexpected death of Diana, Princess of Wales, in Paris on August 31st 1997 led to a period of mourning over the next week that took the world by surprise. Major institutions - the media, the royal family, the church, the police - for once had no pre-planned script. For the public, this was a story with an ending they had not anticipated. How did these institutions and the public create a cultural order in the face of such disorder? Both those involved in the mourning and those who objected to it struggled to understand the depth and breadth of emotion shaking Britain and the world.
Mourning was focused on London, where Diana's body lay, and on Diana's home, Kensington Palace. Throughout the city and especially in Kensington Gardens, millions left shrines to the dead princess made of flowers, messages, teddy bears and other objects. In towns and villages around the UK, this was repeated. The mourning was also global, with media dominated by Diana's death in scores of countries. The funeral itself had a record-breaking world television audience, and messages of condolence floated around the globe in cyber-space.
How unique was all this? Does it mark a shift in the culture of mourning, of the position of the monarchy, of the role of emotion in British culture? How does it compare with the mourning for other super-icons - JFK, Evita, Elvis, and Monroe? Was it media-induced hysteria? Or was it simply a magnification of normal mourning behaviour? Focusing on the extraordinary actions of millions of ordinary people, this book documents what happened and shows how a modern rational society coped with the unexpected in a proto-revolutionary week that left participants and objectors alike asking 'why did we behave like this?

Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks--and, for that matter, people throughout the South--buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions.

These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs.

"Gone to the Grave," a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.

A mesmerizing trip across America to investigate the changing face of death in contemporary life Death in the United States is undergoing a quiet revolution. You can have your body frozen, dissected, composted, dissolved, or tanned. Your family can incorporate your remains into jewelry, shotgun shells, paperweights, and artwork. Cremations have more than doubled, and DIY home funerals and green burials are on the rise. American Afterlives is Shannon Lee Dawdy's lyrical and compassionate account of changing death practices in America as people face their own mortality and search for a different kind of afterlife. As an anthropologist and archaeologist, Dawdy knows that how a society treats its dead yields powerful clues about its beliefs and values. As someone who has experienced loss herself, she knows there is no way to tell this story without also reexamining her own views about death and dying. In this meditative and gently humorous book, Dawdy embarks on a transformative journey across the United States, talking to funeral directors, death-care entrepreneurs, designers, cemetery owners, death doulas, and ordinary people from all walks of life. What she discovers is that, by reinventing death, Americans are reworking their ideas about personhood, ritual, and connection across generations. She also confronts the seeming contradiction that American death is becoming at the same time more materialistic and more spiritual. Written in conjunction with a documentary film project, American Afterlives features images by cinematographer Daniel Zox that provide their own testament to our rapidly changing attitudes toward death and the afterlife.

This is a book filled with activities to allow individuals, families, and groups in bereavement support groups, at retreats, memorial services, and conferences to acknowledge the death of a loved one or community member in a gentle but effective way. The rituals include information about the appropriate age for specific rituals, materials needed for them, a description of how to go about creating them, and suggested meditations, poems, and thoughts that can be read during rituals.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Breaking Free from Death examines how Russian writers respond to the burden of living with anxieties about their creative outputs, and, ultimately, about their own inevitable finitude. What contributes to creative death are not just crippling diseases that make man defenseless in the face of death, and not just the arguably universal fear of death but, equally important, the innumerable impositions on the part of various outsiders. Many conflicts in the lives of Rylkova's subjects arose not from their opposition to the existing political regimes but from their interactions with like-minded and supporting intellectuals, friends, and relatives. The book describes the lives and choices that concrete individuals and-by extrapolation-their literary characters must face in order to preserve their singularity and integrity while attempting to achieve fame, greatness, and success.

Mourning and memorialization are at the very centre of literary culture. They take on forms deeply resonant of the sundry traditions of poetic elegy even when those elegiac conventions are displaced, concealed, or plainly unintentional. For all of its pervasiveness, however, the "elegy" remains remarkably ill-defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead. This Handbook is the single most comprehensive study of its subject. It provides both a historical survey and a thematic engagement with the relevant issues in elegy. It is responsive to a pressing need for clarification of the relevant issues, and to the exciting developments currently under way in elegy studies.
Such a volume is especially timely, since in recent years there has been a veritable explosion in interest in elegies about AIDS, cancer, and war; various reconsiderations of the role of women in the history of elegiac writing; and readings of elegy in relation to ethics, philosophy and theory, and political structure.
With 38 chapters by leading specialists, ranging from Gregory Nagy's reconsideration of Ancient Greek elegy through Stuart Curran's novel engagement with Romantic elegiac hybridity, and on to Elizabeth Helsinger's consideration of elegy and painting, this Handbook offers groundbreaking scholarship and remarkable historical breadth.

'This book may on first glance appear to be about death and regrets, but is in reality about life and choices. It is warmly life-affirming ... A magnificent read that will inspire. I loved it' Sue Black 'So beautiful ... Perfectly written and judged ... A wonderful book that made me grasp life a little more firmly' Dr Chris van Tulleken A powerful, moving and hopeful book exploring what people regret most when they are dying and how this can help us lead a better life. If you were told you were going to die tomorrow, what would you regret? Ten years ago, without time to think or prepare, Georgina Scull ruptured internally. The doctors told her she could have died and, as Georgina recovered, she began to consider the life she had led and what she would have left behind. Paralysed by a fear of wasting what seemed like precious time but also fully ready to learn how to spend her second chance, Georgina set out to meet others who had faced their own mortality or had the end in sight.

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them-even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.

The purpose of this volume is to ask and propose a positive answer to the question: "Can we attend to the personhood of individuals within systems and cultures which are mass oriented?" One of the most interesting changes in contemporary thinking has been the emphasis on the unique person. While the distinction between a person (a unique rational being) and individual (one of several similar things) has long existed, it is in the twentieth century that we seem to have become fully conscious of this distinction. There is good reason for such as emphasis today. Repeatedly in this century the case of the person was deemed less important than some policy. Innocent persons slaughtered in the name of some "ism," political bombings and kidnappings, and mass unemployment to name but a few. The cause of our dehumanization seems to be the reduction of the individual person to a part of the political, economic or religious system.

This book is open access under a CC BY 4.0 license. This volume provides a series of illuminating perspectives on the timings of death, through in-depth studies of Shakespearean tragedy, criminal execution, embalming practices, fears of premature burial, rumours of Adolf Hitler's survival, and the legal concept of brain death. In doing so, it explores a number of questions, including: how do we know if someone is dead or not? What do people experience at the moment when they die? Is death simply a biological event that comes about in temporal stages of decomposition, or is it a social event defined through cultures, practices, and commemorations? In other words, when exactly is death? Taken together, these contributions explore how death emerges in a series of stages that are uncertain, paradoxical, and socially contested.

This book provides detailed analysis of the manifold ways in which COVID-19 has influenced death, dying and bereavement. Through three parts: Reconsidering Death and Grief in Covid-19; Institutional Care and Covid-19; and the Impact of COVID-19 in Context, the book explores COVID-19 as a reminder of our own and our communities' fragile existence, but also the driving force for discovering new ways of meaning-making, performing rites and rituals, and conceptualising death, grief and life. Contributors include scholars, researchers, policymakers and practitioners, accumulating in a multi-disciplinary, diverse and international set of ideas and perspectives that will help the reader examine closely how Covid-19 has invaded social life and (re)shaped trauma and loss. It will be of interest to all scholars and students of death studies, biomedicine, and end of life care as well as those working in sociology, social work, medicine, social policy, cultural studies, anthropology, psychology, counselling and nursing more broadly.

This book, written in the genre of "Imaginal Psychology", presents the imaginal dimension of the mourning process. The "angels" it greets are the interior figures who greet the bereaved during the course of their mourning process. In memory, reverie, and dream, images of the dead return to heal and be healed. As the bereaved enter into relationship with these images, the grief in which they are sequestered is particularized and individualized into the precise nuances of significance which make mourning possible.

Simultaneously real and unreal, the dead are people, yet they are not. The society of medieval Europe developed a rich set of imaginative traditions about death and the afterlife, using the dead as a point of entry for thinking about the self, regeneration, and loss. These macabre preoccupations are evident in the widespread popularity of stories about the returned dead, who interacted with the living both as disembodied spirits and as living corpses or revenants. In Afterlives, Nancy Mandeville Caciola explores this extraordinary phenomenon of the living's relationship with the dead in Europe during the five hundred years after the year 1000.Caciola considers both Christian and pagan beliefs, showing how certain traditions survived and evolved over time, and how attitudes both diverged and overlapped through different contexts and social strata. As she shows, the intersection of Christian eschatology with various pagan afterlife imaginings-from the classical paganisms of the Mediterranean to the Germanic, Celtic, Slavic, and Scandinavian paganisms indigenous to northern Europe-brought new cultural values about the dead into the Christian fold as Christianity spread across Europe. Indeed, the Church proved surprisingly open to these influences, absorbing new images of death and afterlife in unpredictable fashion. Over time, however, the persistence of regional cultures and beliefs would be counterbalanced by the effects of an increasingly centralized Church hierarchy. Through it all, one thing remained constant: the deep desire in medieval people to bring together the living and the dead into a single community enduring across the generations.

Sleepless Souls is a social and cultural history of suicide in early modern England. Self-murder was regarded as a heinous crime in Tudor and Stuart England, and was subject to savage punishments. Those who committed suicide had their property forfeited to the crown, and their bodies were denied Christian burial and desecrated. In Georgian England suicide was in practice de-criminalized, tolerated and even sentimentalized. Michael MacDonald and Terence R. Murphy, using a wide variety of contemporary sources, especially local records, trace the causes of this dramatic change in attitude. They analyse suicide within its contemporary context, relating shifts in opinion and practice to the complex framework of life in early modern England. Political events, religious changes, philosophical fashions, conflicts between centre and localities, and differing class interests all played their part. The authors' focus on the trauma of death by suicide uncovers the forces that were reshaping the mental outlook of different English classes and social groups. Their detailed and scholarly exploration of the `crime' of self-murder thus provides a history of social and cultural change in English society over three centuries.

Dying and Death in Canada provides a comprehensive, up-to-date examination of dying, death, and bereavement from a Canadian perspective. The fourth edition covers current issues and recent developments in the field, such as the implementation of Medical Assistance in Dying (MAID) and the implications of the COVID-19 pandemic. New topics include death doulas, death tourism, psychogenic death, bonds between the living and the dead, mass death events, and cultural diversity, sensitivity, and competence. This edition combines current research and language used to destigmatize conversations surrounding suicide, while new case studies offer personal accounts from doctors, nurses, and family members of the deceased. Exploring the significance of end-of-life experiences, Dying and Death in Canada shows that how we live influences how we die, and the society and culture in which we live has a profound effect on how we behave when confronted with dying and death.

This book is open access under a CC BY 4.0 license. This volume provides a series of illuminating perspectives on the timings of death, through in-depth studies of Shakespearean tragedy, criminal execution, embalming practices, fears of premature burial, rumours of Adolf Hitler's survival, and the legal concept of brain death. In doing so, it explores a number of questions, including: how do we know if someone is dead or not? What do people experience at the moment when they die? Is death simply a biological event that comes about in temporal stages of decomposition, or is it a social event defined through cultures, practices, and commemorations? In other words, when exactly is death? Taken together, these contributions explore how death emerges in a series of stages that are uncertain, paradoxical, and socially contested.

Denial, anger, bargaining, depression and acceptance. The five stages of grief, first formulated in this hugely influential work forty years ago, are now part of our common understanding of bereavement. The five stages were first identified by Elisabeth K bler-Ross in her work with dying patients at the University of Chicago and were considered phases that all or most people went through, when faced with the prospect of their own death. They are now often accepted as a response to any major life change.

However, in spite of these terms being in general use, the subject of death is still surrounded by conventional attitudes and reticence that offer only fragile comfort because they evade the real issues. This groundbreaking book is still relevant giving a voice to dying people and exploring what impending death means to them, often in their own words. People speak about their experience of dying, their relief in expressing their fear and anger and being able to move forward to a state of acceptance and peace.

Ideal for all those with an interest in bereavement or the five stages of grief, this book contains a new extended introduction from Professor Allan Kellehear. This additional chapter re-examines On Death and Dying looking at how it has influenced contemporary thought and practice.

The issue of death has loomed large in Chinese cities in the modern era. Throughout the Republican period, Shanghai swallowed up lives by the thousands. Exposed bodies strewn around in public spaces were a threat to social order as well as to public health. In a place where every group had its own beliefs and set of death and funeral practices, how did they adapt to a modern, urbanized environment? How did the interactions of social organizations and state authorities manage these new ways of thinking and acting? Recent historiography has almost completely ignored the ways in which death created such immense social change in China. Now, Scythe and the City corrects this problem. Christian Henriot's pioneering and original study of Shanghai between 1865 and 1965 offers new insights into this crucial aspect of modern society in a global commercial hub and guides readers through this tumultuous era that radically redefined the Chinese relationship with death.

The study of death has the capacity to bring together a range of policy areas. Yet death is often overlooked within policy debates in the UK and beyond, and within gerontology. Bringing together a range of scholars engaged in policy associated with death, this collection provides a holistic account of how death factors in social policy. Within this, issues covered include inheritance, palliative care, euthanasia, funeral costs, bereavement support, marginalised deaths and disposal practices. At the heart of the book, the volume recognises that the issues identified are likely to intensify and expand over the next twenty years, as death rates continue to rise.

Living Through Loss provides a foundational identification of the many ways in which people experience loss over the life course, from childhood to old age. It examines the interventions most effective at each phase of life, combining theory, sound clinical practice, and empirical research with insights emerging from powerful accounts of personal experience. The authors emphasize that loss and grief are universal yet highly individualized. Loss comes in many forms and can include not only a loved one's death but also divorce, adoption, living with chronic illness, caregiving, retirement and relocation, or being abused, assaulted, or otherwise traumatized. They approach the topic from the perspective of the resilience model, which acknowledges people's capacity to find meaning in their losses and integrate grief into their lives. The book explores the varying roles of age, race, culture, sexual orientation, gender, and spirituality in responses to loss. Presenting a variety of models, approaches, and resources, Living Through Loss offers invaluable lessons that can be applied in any practice setting by a wide range of human service and health care professionals. This second edition features new and expanded content on diversity and trauma, including discussions of gun violence, police brutality, suicide, and an added focus on systemic racism.

Our understandings of both ageing and spirituality are changing rapidly in the twenty-first century, and grasping the significance of later life spirituality is now crucial in the context of extended longevity. Spiritual Dimensions of Ageing will inform and engage those who study or practise in all fields that relate to the lives of older people, especially in social, psychological and health-related domains, but also wherever the maintenance and development of spiritual meaning and purpose are recognised as important for human flourishing. Bringing together an international group of leading scholars across the fields of psychology, theology, history, philosophy, sociology and gerontology, the volume distils the latest advances in research on spirituality and ageing, and engages in vigorous discussion about how we can interpret this learning for the benefit of older people and those who seek to serve and support them.

In this book, Sarah Tarlow provides an innovative archaeology of bereavement, mortality and memory in the early modern and modern period. She draws on literary and historical sources as well as on material evidence to examine the evolution of attitudes towards death and commemoration over four centuries.

The book argues that changes in commemorative practices over time relate to a changing relationship between the living and the dead and are inextricably linked to the conceptions of identity and personal relationships which characterize later Western history. The author's approach is different from most previous work in this area not only because of its focus on material culture but also because of its incorporation of experiential and emotional factors into discussions of human relations and understandings in the past.

As well as introducing readers to the study of death and rememberance in the past, this book contributes to wider archaeological debates about the interpretation of meaning and the place of emotion and experience in archaeological study. It will be of interest to all scholars and students interested in critical and theoretically informed approaches to the study of people in the past.

We live in a society where people struggle to look death in the eye. Death has become the territory of professionals and we rarely see a dead body, unless it is someone very close to us. Death has become hidden, and so more traumatic. This book shows that, if we start talking openly about death, it can change the way we live. It is a collection of stories and images about death, dying and bereavement. People from all walks of life share their experiences and what they have learned from accompanying others. Heartbreaking, angry, questioning and contradictory - laugh-aloud funny, even - the stories illuminate, inspire, reassure and inform. They are accompanied by commentaries from professionals working in end-of-life planning, health, bereavement and funeral care.