Focusing on the "long" nineteenth century, from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in this era of turbulent social change. Through investigation of science, literature, history and the visual arts, the authors explore theories of memory and the cultural and literary resonances of memorializing.
Drawing on the work of many of the most influential literary figures of the period, such as Tennyson, Scott, and Hardy, "Memory and Memorials" explores key topics such as: gender and memory; Victorian psychological theories of memory; and cultural constructions in literature, science, history and architecture.
"Memory and Memorials: From the French Revolution to World War One" employs a range of new and influential interdisciplinary methodologies. It offers both a fresh theoretical understanding of the period, and a wealth of empirical material of use to the historian, literary critic or social psychologist.
Matthew Campbell lectures in English literature at the University of Sheffield. He is the author of "Rhythm and Will in Victorian Poetry."
Jacqueline M. Labbe is senior lecturer in English at Warwick University. She is the author of "The Romantic Paradox: Love, Violence and the Uses of Romance, 1760-1830."
Sally Shuttleworth is professor of modern literature at the University of Sheffield. She is the author of "Charlotte Bront and Victorian Psychology."

This book explores the Care Trust concept promoted by central government for improving partnership working between health and social care. Using case studies and examples to raise current issues related to partnership working it explains how Care Trusts are bridging the gap between health and social care and considers how they are delivering more co-ordinated services and improved outcomes. All healthcare and social care professionals with responsibility for involved in or affected by the new partnership working arrangements will find this book useful reading.

'This book is a tribute to expert nursing. It should be seen as a celebration of all that is good in nursing. It also sets out the path for nursing that is centred on relationships - the essence of person-centred nursing is based on the quality of relationships both between nurse the client and others and also between nurses their colleagues and peers. Increasingly it is a challenge for nurses to hold on to humanistic care when we practice in a world of healthcare which is performance and fiscally driven. The concept of partnership and reciprocity runs through the book like a golden thread gleaming in a rich tapestry of person-centred practice expressed via the perspectives of the contributors. Expert practitioners working with people who have dementia have led the way in the development of person centred practice.' Pauline Ford Advisor in Gerontological Nursing Royal College of Nursing 'This book is a compendium of contemporary dementia care practice. It provides knowledge that is the foundation for a clear path to successful care outcomes. It clearly leaves no room for the ignorance that produced the uncertainty and inconsistency of past practices. If dementia can be likened to a journey of highs and lows this book shows us how to eliminate the negatives and accentuate the positives.' Bob Price Director Alzheimer Education Australia

It is not easy to understand why people kill themselves. The twentieth century witnessed tremendous growth in the number of books and articles written on suicide, but even with the progress made in research and suicidological
theory, the thoughts of suicidal individuals remain elusive.

In Katie's Diary, the journal left behind by a young woman who has committed suicide is analyzed, offering researchers and professionals unprecedented access to the thoughts and feelings of a victim of suicide
from an extremely rare source of data.

David Lester brings together a group of leaders in such diverse fields as suicidology, linguistics, and women's studies to consider Katie's writings from a variety of angles. The chapters address the content of her diary,
the presence of clues leading up to her suicide, and the way in which psychotherapy might have progressed had Katie sought treatment. A final chapter, written by Lester, evaluates the therapeutic value of keeping a journal or diary.

This unique work will generate new discussion and consideration in the field, advancing our understanding of suicide and its prevention.

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The questions that surround death-Is death a harm to the person who dies? Should we be afraid of death? Can the dead be harmed? Can they be wronged?-have been of widespread interest since Classical times. This interest is currently enjoying a renaissance across a broad spectrum of philosophical fields, ranging from metaphysics to bioethics. This volume is the first to bring together original essays that both address the fundamental questions of the metaphysics of death and explore the relationship between those questions and some of the areas of applied ethics in which they play a central role. The essays in Part I of this volume examine some of the Classical approaches to fundamental metaphysical questions surrounding death, addressing in particular the question of whether a person's death can be a harm to her. The theme of the value of death is continued in Part II, with essays addressing this issue through a more contemporary lens. The essays in Part III address the related but separate issue of whether persons can be harmed by events that occur after they die. Finally, the essays in Part IV apply the metaphysical issues addressed in Parts I through III to various issues in bioethics, including the question of posthumous organ procurement, suicide, and survival after brain injury. Written by some of the most prominent philosophers working on these issues today, the essays in this volume showcase the state of the art of both the metaphysics of death and its importance to many areas of applied ethics.

A radical revaluation of how contemporary society perceives death-and an argument for how it can make us happy. "He who would teach men to die would teach them to live," writes Montaigne in Essais, and in How to Die: A Book about Being Alive, Ray Robertson takes up the challenge. Though contemporary society avoids the subject and often values the mere continuation of existence over its quality, Robertson argues that the active and intentional consideration of death is neither morbid nor frivolous, but instead essential to our ability to fully value life. How to Die is both an absorbing excursion through some of Western literature's most compelling works on the subject of death as well as an anecdote-driven argument for cultivating a better understanding of death in the belief that, if we do, we'll know more about what it means to live a meaningful life.

From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is revealed as one giant grave, filled with the remains of previous eras -- pagan, Roman, medieval, Victorian. This fascinating blend of archaeology, architecture and anecdote includes such phenomena as the rise of the undertaking trade and the pageantry of state funerals; public executions and bodysnatching. Ghoulishly entertaining and full of fascinating nuggets of information, Necropolis leaves no headstone unturned in its exploration of our changing attitudes to the deceased among us. Both anecdotal history and cultural commentary, Necropolis will take its place alongside classics of the city such as Peter Ackroyd's LONDON.

Through firsthand accounts and research, Grief Education for Caregivers of the Elderly focuses on the education, training, and support of individuals who care for the elderly. This book provides caregivers with methods to cope with grief and loss and will help educators design programs that meet the needs of their consumers: the elderly and their families, friends, and service providers. From Grief Education for Caregivers of the Elderly, you'll learn how to cope with the stress and emotions of caregiving and improve the quality of services to your patients. With an emphasis on caregivers of the institutionalized elderly and the special services provided by clergy, chaplains, and pastoral counselors, Grief Education for Caregivers of the Elderly offers the caregiver or educator several model workshops focusing on grief, loss, and bereavement care. Grief Education for Caregivers of the Elderly contains proven methods and strategies that will sharpen and enhance your caregiving skills, including: focusing on the emotional responses and phases of dying, including denial, anger, and acceptance, to help patients deal with death considering physical and administrative atmosphere and your elderly population when setting goals and designing workshops to provide optimal patient/resident care discussing the themes of grief and loss, stress management, handling change, and promoting self-care for caregivers in workshops and through self-evaluations developing workshops that open with grief history surveys and attitude checklists, discuss normative development and issues of old age, and have themes based on the biological, psychosocial, and spiritual needs of the elderly person providing caregivers with an opportunity to practice what they have learned through case studies, simulated role play, open discussions, and care plan designing thinking about your own mortality and learning about your feelings and ideas of growing old Utilized at a psychiatric nursing home facility of New Hampshire Hospital, the workshop exercises in Grief Education for Caregivers of the Elderly have allowed caregivers to express personal feelings; talk about beliefs and experiences; learn about biological, psychosocial, and spiritual processes of grief and phases of bereavement; and apply these understandings and insights into typical caregiving situations. Grief Education for the Caregivers of the Elderly gives you the framework for such a program, using vignettes, composite case material, poetry, and a holistic approach to health care to emphasize the importance of your emotional health and enhanced care of the elderly.

Death and aging are two topics not often discussed together in the present literature. This innovative and informative new text bridges the fields of gerontology and thanatology. Death attitudes--defined as attitudes towards the dying process, end-of-life decision making, and death itself--are explored.
Those contributing to this volume hail from several specialized backgrounds including gerontology, death, education, and general psychology. This mix of impressive contributors adds to the interdisciplinary perspective of the text. Readers, both professionals and students, will gain insight into these previously uncharted, but closely related, territories.

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'[A] real-life Midsomer Murder ... it's chilling, but [David Wilson's] explanation of how a psychopath thinks is masterly' The Times Two deaths. Three doors apart. An unsuspecting community about to realise there's a killer in their midst. In October 2015, Peter Farquhar was found dead in his house in Maids Moreton, lying on the sofa next to a bottle of whisky. An inquest was made, and Peter's death was quickly ruled an accident. But after the death of another elderly neighbour, the dreadful truth began to emerge: both victims had been groomed, seduced and mentally tortured by a young man, Benjamin Field, who had used his position of power in the community to target and exploit the elderly. He almost got away with it. Very little shocks criminologist David Wilson, but this extraordinary case in his sleepy hometown astounded him. Wilson felt duty-bound to follow its trail, discovering how his tightknit community failed to intervene, how a psychopath went undetected for years, and how Peter unwittingly supplied the blueprint for his own murder. A Plot to Kill is a chilling, gripping account of a callous murder in the heart of middle England, a fight for justice, and a revealing insight into the mind of a killer.

'This book may on first glance appear to be about death and regrets, but is in reality about life and choices. It is warmly life-affirming ... A magnificent read that will inspire. I loved it' Sue Black 'So beautiful ... Perfectly written and judged ... A wonderful book that made me grasp life a little more firmly' Dr Chris van Tulleken A powerful, moving and hopeful book exploring what people regret most when they are dying and how this can help us lead a better life. If you were told you were going to die tomorrow, what would you regret? Ten years ago, without time to think or prepare, Georgina Scull ruptured internally. The doctors told her she could have died and, as Georgina recovered, she began to consider the life she had led and what she would have left behind. Paralysed by a fear of wasting what seemed like precious time but also fully ready to learn how to spend her second chance, Georgina set out to meet others who had faced their own mortality or had the end in sight.

Contents:
Introduction to the Study of Loss. Definitions and an Accurate-Making Perspective. Loss of Close Others to Death. Loss of Close Others by Divorce or Dissolution. Loss due to Senseless Violence. Loss due to War adn Genocide. Loss due to Disease Processes and Accidents. Improverishment, Homelessness, and Loss of Employment. An International Perspective on Loss and Trauma: The Case of Romania. Disenfranchised Grief and Stigmatization. Adaptation. Epilogue: Practical Strategies for Coping with Major Loss. References.

The unexpected death of Diana, Princess of Wales, in Paris on August 31st 1997 led to a period of mourning over the next week that took the world by surprise. Major institutions - the media, the royal family, the church, the police - for once had no pre-planned script. For the public, this was a story with an ending they had not anticipated. How did these institutions and the public create a cultural order in the face of such disorder? Both those involved in the mourning and those who objected to it struggled to understand the depth and breadth of emotion shaking Britain and the world.
Mourning was focused on London, where Diana's body lay, and on Diana's home, Kensington Palace. Throughout the city and especially in Kensington Gardens, millions left shrines to the dead princess made of flowers, messages, teddy bears and other objects. In towns and villages around the UK, this was repeated. The mourning was also global, with media dominated by Diana's death in scores of countries. The funeral itself had a record-breaking world television audience, and messages of condolence floated around the globe in cyber-space.
How unique was all this? Does it mark a shift in the culture of mourning, of the position of the monarchy, of the role of emotion in British culture? How does it compare with the mourning for other super-icons - JFK, Evita, Elvis, and Monroe? Was it media-induced hysteria? Or was it simply a magnification of normal mourning behaviour? Focusing on the extraordinary actions of millions of ordinary people, this book documents what happened and shows how a modern rational society coped with the unexpected in a proto-revolutionary week that left participants and objectors alike asking 'why did we behave like this?

Suicide is one of the leading causes of death worldwide, with more than one million fatalities each year. During the post-war period, the rate of completed suicides has risen dramatically, especially among young men and Aboriginal peoples living in the Western world. While this has naturally led to growing concern amongst health care practitioners and policy experts, relatively little is known about the history of attempted and completed suicide. Histories of Suicide is the first book to examine the history of suicide in diverse national contexts, including Japan, Scotland, Australia, Soviet Russia, Peru, United States, France, South Africa, and Canada, to reveal the different social, political, economic, and cultural factors that inform our understanding of suicide.

This interdisciplinary collection of essays assembles historians, health economists, anthropologists, and sociologists, who examine the history of suicide from a variety of approaches to provide crucial insight into how suicide differs across nations, cultures, and time periods. Focusing on developments from the eighteenth century to the present, the contributors examine vitally important topics such as the medicalization of suicide, representations of mental illness, psychiatric disputes, and the frequency of suicide amongst soldiers.

An illuminating volume of studies, Histories of Suicide is a fascinating examination of the phenomenon of self-destruction throughout different historical periods and nations.

In response to increased academic interest in the fields of death studies, memorial studies, and human and animal studies, Skin, Meaning and Symbolism in Pet Memorials examines the mourning rituals which exist between people and their domestic pets. Paying close attention to the changing role and increased prominence of the companion animal in the domestic setting, each chapter considers a different form of companion animal memorialization, linking modern practices such as tattooing to historical examples of animal focused memento mori, particularly taxidermy. The final chapter adopts a forward focus in its provision of a framework for future studies related to how death and memorialization rituals are increasingly coming to occupy the digital space. While skin and touch are the focal points of many encounters explored in the text, what becomes evident is how the virtual realm is increasingly intruding into the touch experience. As a result, the posthumous, online afterlives of pets are set to become a social issue of increasing significance to the death and mourning experience. This work meets the needs of academics, post-graduate students and general readers alike, appealing to anyone with an interest in death studies, popular culture, tattooing and human and animal studies.

This is a book filled with activities to allow individuals, families, and groups in bereavement support groups, at retreats, memorial services, and conferences to acknowledge the death of a loved one or community member in a gentle but effective way. The rituals include information about the appropriate age for specific rituals, materials needed for them, a description of how to go about creating them, and suggested meditations, poems, and thoughts that can be read during rituals.

The neurological criteria for the determination of death remain controversial within secular and Catholic circles, even though they are widely accepted within the medical community. In Determining Death by Neurological Criteria, Matthew Hanley offers both a practical and a philosophical defense. Hanley shows that the criteria are often misapplied in clinical settings, leading to cases where persons declared dead apparently spontaneously revive. These instances are often connected to a rushed decision to retrieve donated organs, thus undermining the trust of the public in organ donation. Hanley calls on health care institutions to take seriously their obligation to establish strict protocols for the determination of death, including who may conduct the examinations. From a broader perspective, Hanley considers how the criteria rely on a philosophical conception of the person as a living organism whose unity disintegrates at death. This view, he notes, corresponds to the Catholic conviction that the soul is the life-principle of the body, which departs at death, bringing about the destruction of the body-soul composite. The Vatican, recognizing that death is a medical judgment, has generally given its approval to the criteria. Hanley also reviews the many and various objections offered by detractors, including against the use of the apnea test, which is faulted as a practice that sometimes hastens death. The problem of the continued presence of certain vital functions within the deceased body of the brain dead is explored in detail, with reference to particular cases and to solutions proposed by leading physicians and bioethicists. Hanley likewise addresses the dilemma of having two separate standards for death, one neurological and the other cardiopulmonary. Given the possibility of resuscitation following loss of the cardio-circulatory system, he concludes that the neurological criteria must be the true standard. Stoppage of the heart leads swiftly to the final necrosis of the brain.

This is the story of how and why a talented writer came to take his own life. When Diana Athill met the man she calls Didi, an Egyptian in exile, she fell in love instantly and out of love just as fast. Didi moved into her flat, they shared housework and holidays, and a life of easy intimacy seemed to beckon. But Didi's sweetness and intelligence soon revealed a darker side - he was a gambler, a drinker and a womanizer, impossible to live with but impossible to ignore. With painful honesty, Athill explores the three years they spent together, a period that culminated in Didi's suicide - in her home - an event he described in the journals he left for her to read as 'the one authentic act of my life'.

Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks--and, for that matter, people throughout the South--buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions.

These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs.

"Gone to the Grave," a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

The Evolution of the British Funeral Industry in the 20th Century examines the shifts that have taken place in the funeral industry since 1900, focusing on the figure of the undertaker and exploring how organisational change and attempts to gain recognition as a professional service provider saw the role morph into that of 'funeral director'. As the disposal of the dead increased in complexity during the twentieth century, the role of the undertaker/funeral director has mirrored this change. Whilst the undertaker of 1900 primarily encoffined and transported the body, today's funeral director provides other services, such as taking responsibility for the body of the deceased and embalming, and has overseen changes such as the increasing preference for cremation, the impact of technology on the production of coffins and the shift to motorised transport. These factors, together with the problem of succession for some family-run funeral businesses, have led large organisations to make acquisitions and manage funerals on a centralised basis, achieving economies of scale. This book examines how the occupation has sought to reposition itself and how the 'funeral director' has become an essential functionary in funerary practices. However, despite striving for new-found status the role is hindered by two key issues: the stigma of handling the dead, and the perception of making a profit from loss.

Hundreds of thousands of individuals perished in the epic conflict of the U.S. Civil War. As battles raged and the specter of death and dying hung over the divided nation, the living worked not only to bury their dead but also to commemorate them. President Abraham Lincoln's Gettysburg Address perhaps best voiced the public yearning to memorialize the war dead. His address marked the beginning of a new tradition of commemorating American soldiers and also signaled a transformation in the relationship between the government and the citizenry through an embedded promise and obligation for the living to remember the dead. In Death at the Edges of Empire Shannon Bontrager examines the culture of death, burial, and commemoration of American war dead. By focusing on the Civil War, the Spanish-Cuban-American War, the Philippine-American War, and World War I, Bontrager produces a history of collective memories of war expressed through American cultural traditions that emerged within broader transatlantic and transpacific networks. Examining the pragmatic collaborations between middle-class Americans and government officials to negotiate the contradictory terrain of empire and nation, Death at the Edges of Empire shows how Americans imposed modern order on the inevitability of death and used the war dead to reimagine political identities and opportunities into imperial ambitions.

This book, written in the genre of "Imaginal Psychology", presents the imaginal dimension of the mourning process. The "angels" it greets are the interior figures who greet the bereaved during the course of their mourning process. In memory, reverie, and dream, images of the dead return to heal and be healed. As the bereaved enter into relationship with these images, the grief in which they are sequestered is particularized and individualized into the precise nuances of significance which make mourning possible.