Coming at a time of renewed interest in the developmental changes of the life cycle, Psychotherapy and the Widowed Patient is a rich resource that examines the impact of a spouse's death on an individual's mental health. Psychiatrists and psychoanalysts address a wide range of issues concerning loss, grief, and bereavement, and provide practical and creative approaches for both widowed persons and the helping professionals charged with treating their grief. Chapters in this compassionate volume discuss the characteristics of individuals who are more likely to seek professional help in coping with grief, widowhood as a time of growth and development, the value of openness instead of denial in dealing with death, the grieving process in young widowed spouses, the similarities of widowhood to separation and divorce, the role of dependency in how well widowed patients develop emotionally, and the role of loyalty in the process of grief. The more clinical chapters examine strategies for carrying out experiential psychotherapy with widowed patients, rational-emotive therapy, grief therapy, the effects of new perspectives on spousal bereavement on clinical practice, and aspects of bereavement response to loss, with a timeframe for viewing psychotherapeutic intervention. A review of the psychological literature regarding widowhood completes this comprehensive new book.

Food is at the center of national debates about how Americans live and the future of the planet. Not everyone agrees about how to reform our relationship to food, but one suggestion rises above the din: We need to get back in the kitchen. Amid concerns about rising rates of obesity and diabetes, unpronounceable ingredients, and the environmental footprint of industrial agriculture, food reformers implore parents to slow down, cook from scratch, and gather around the dinner table. Making food a priority, they argue, will lead to happier and healthier families. But is it really that simple? In this riveting and beautifully-written book, Sarah Bowen, Joslyn Brenton, and Sinikka Elliott take us into the kitchens of nine women to tell the complicated story of what it takes to feed a family today. All of these mothers love their children and want them to eat well. But their kitchens are not equal. From cockroach infestations and stretched budgets to picky eaters and conflicting nutrition advice, Pressure Cooker exposes how modern families struggle to confront high expectations and deep-seated inequalities around getting food on the table. Based on extensive interviews and field research in the homes and kitchens of a diverse group of American families, Pressure Cooker challenges the logic of the most popular foodie mantras of our time, showing how they miss the mark and up the ante for parents and children. Romantic images of family meals are inviting, but they create a fiction that does little to fix the problems in the food system. The unforgettable stories in this book evocatively illustrate how class inequality, racism, sexism, and xenophobia converge at the dinner table. If we want a food system that is fair, equitable, and nourishing, we must look outside the kitchen for answers.

The entertainment world lost many notable talents in 2019, including television icon Doris Day, iconic novelist Toni Morrison, groundbreaking director John Singleton, Broadway starlet Carol Channing and lovable Star Wars actor Peter Mayhew. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2019 are included in this edition. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.

This book, originally entitled Why Men Fight, is generally seen as the fullest expression of Russell's political philosophy. Russell argues that after the experience of the Great War the individualistic approach of traditional liberalism has reached its limits. Political theory must be based on the motivated forces of creativity and impulse rather than on competition. Both are best fostered in the family, in education, and in religion - each of which Russell proceeds to discuss. The ideas expressed in Principles of Social Reconstruction have greatly contributed to Russell's fame as a social critic and anti-war activist. The new introduction by Richard Rempel locates them in the context of Russell's other writings and show that neither his ideas nor his language have lost their force and topicality over the years.

Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach. In the German-speaking world there has been a new wave - intensifying since 2007 - of autobiographically inspired writing on illness and disability, death and dying. Nina Schmidt's book takes this writing seriously as literature,examining how the authors of such personal narratives come to write of their experiences between the poles of cliche and exceptionality. Identifying shortcomings in the approaches taken thus far to such texts, she makes suggestions as to how to better read their narratives from the stance of literary scholarship, then demonstrates the value of a literary disability studies approach to such writing with close readings of Charlotte Roche's Schossgebete(2011), Kathrin Schmidt's Du stirbst nicht (2009), Verena Stefan's Fremdschlafer (2007), and - in the final, comparative chapter - Christoph Schlingensief's So schoen wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung (2009) and Wolfgang Herrndorf's blog-cum-book Arbeit und Struktur (2010-13). Schmidt shows that authors dealing with illness and disability do so with an awareness of their precarious subject position in the public eye, a position they negotiate creatively. Writing the liminal experience of serious illness along the borders of genre, moving between fictional and autobiographical modes, they carve out spaces from which they speak up and share their personal stories in the realm of literature, to political ends. Nina Schmidt is a postdoctoral researcher in the Friedrich Schlegel Graduate School of Literary Studies at the Freie Universitat Berlin.

In most of the world, the transition from life to death is a time of intense presence of states and other forms of authority. Focusing on the relationship between bodies and sovereignty, Governing the dead explores how, by whom and with what effects dead bodies are governed in conflict and non-conflict contexts across the world, including an analysis of the struggles over 'proper burials'; the repatriation of dead migrants; abandoned cemeteries; exhumations; 'feminicide'; the protection of dead drug-lords; and the disappeared dead. Mapping theoretical and empirical terrains, this volume suggests that the management of dead bodies is related to the constitution and membership of states and non-state entities that claim autonomy and impunity. This volume is a significant contribution to studies of death, power and politics. It will be useful at both undergraduate and postgraduate levels in anthropology, sociology, law, criminology, political science, international relations, genocide studies, history, cultural studies and philosophy. The research program leading to this publication has received funding from the European Research Council under the European Union's Seventh Framework Programme (FP/2007-2013) / ERC Grant Agreement n Degrees 283-617. -- .

The workbook fosters participant interaction, with worksheets for each activity that require written comments and drawings. Also contains updated bibliography for each session. It encourages sharing among group members, and communication with parents or guardians.

In a society that has seen epochal change over a few generations, what remains to hold people together and offer them a sense of continuity and meaning? In Songs for Dead Parents, Erik Mueggler shows how in contemporary China death and the practices surrounding it have become central to maintaining a connection with the world of ancestors, ghosts, and spirits that socialism explicitly disavowed. Drawing on more than twenty years of fieldwork in a mountain community in Yunnan Province, Songs for Dead Parents shows how people view the dead as both material and immaterial, as effigies replace corpses, tombstones replace effigies, and texts eventually replace tombstones in a long process of disentangling the dead from the shared world of matter and memory. It is through these processes that people envision the cosmological underpinnings of the world and assess the social relations that make up their community. Thus, state interventions aimed at reforming death practices have been deeply consequential, and Mueggler traces the transformations they have wrought and their lasting effects.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Clergy are in a natural position to help people who experience a variety of losses, including death, divorce, moves, and develop-mental transitions. Historically, clergy have been involved as supporters of the bereaved, yet many clergy say that their educa-tion lacked substantive teachings in this area of caring. This book is a response to this apparent need. While directed at clergy, anyone involved in this area of caregiving will find the contents of value.

In Undoing Suicidism, Alexandre Baril argues that suicidal people are oppressed by what he calls structural suicidism, a hidden oppression that, until now, has been unnamed and under-theorized. Each year, suicidism and its preventionist script and strategies reproduce violence and cause additional harm and death among suicidal people through forms of criminalization, incarceration, discrimination, stigmatization, and pathologization. This is particularly true for marginalized groups experiencing multiple oppressions, including queer, trans, disabled, or Mad people. Undoing Suicidism questions the belief that the best way to help suicidal people is through the logic of prevention. Alexandre Baril presents the thought-provoking argument that supporting assisted suicide for suicidal people could better prevent unnecessary deaths. Offering a new queercrip model of (assisted) suicide, he invites us to imagine what could happen if we started thinking about (assisted) suicide from an anti-suicidist and intersectional framework. Baril provides a radical reconceptualization of (assisted) suicide and invaluable reflections for academics, activists, practitioners, and policymakers.

All too frequently, clinical practice consists of repeating year after year the methods learned in graduate training, occasionally seasoned by a technique learned in a continuing-education workshop. Bereavement Groups and the Role of Social Support gives clinicians what they've been missing in other volumes: practical techniques that have a solid contemporary empirical basis. Deftly weaving together theory, research, and practice, this volume is a compendium of the latest practical thinking about bereavement support groups. Readers will learn when well-loved practices make sense and are supported by sound evidence, as well as which practices should possibly be discontinued. The book also contains the results of a qualitative study bringing together the best practices of experienced bereavement group leaders from around the world.

Home is where the heart is. But home is also the most common site for murder. The grimly fascinating new book from the UK's leading criminologist David Wilson uncovers the dangers that exist where we least expect them - perfect for fans of The Dark Side of the Mind and The Mind of a Murderer. The home is the place where murder most commonly occurs. In England and Wales, each year on average 75 per cent of female murder victims and 39 per cent of murdered men are killed at home. This gripping new title from the author of My Life with Murderers and A Plot to Kill explores the tragic prevalence of domestic murder and how, for so many victims, their own home is the place they are most in danger. David Wilson is the UK's leading criminologist and his knowledge of murder is unparalleled. By walking through each part of the house, he explains how each room's purpose has changed over time, the weapons they contain, and ultimately, how these things combine in murder. Delving into infamous as well as lesser-known true crime cases, this examination of the tragic, ordinary nature of murder is both a chilling read and a startling insight into the everyday impact of violence and how it can touch us all.

Each suicide is as unique as the individuals involved, especially if one examines the nature of the act and to what extent these acts can be viewed as a theatrical performance. Focusing on the dramatic aspects of suicide may seem tangential to the physical and mental pain experienced by those who try to kill themselves, but dramatic aspects often provide important clues for understanding the mental state of suicidal individuals. David Lester and Steven Stack investigate what happens in the weeks, days and hours before a suicide when the suicidal individual must make decisions and formulate the script for his or her suicidal act. The editors argue that these choices may help us understand and prevent other suicides and stimulate new and innovative research in this important area. Through twenty-five substantive chapters, including both quantitative and qualitative analyses, this book offers insights into suicide as a dramatic act, with chapters on the intended audience, the suicide note, the location and method chosen, and cultural scripts, including suicide-by-cop, sati, seppuku, and duels. The contributors to this volume argue that psychological, social, and cultural factors influence these choices and that the decisions made by the individual are important for understanding the mental state of the person choosing to die by suicide.

Bereavement is a painful and inevitable experience. This book shares the experience of many bereavements, how they are dealt with, understood, and eventually adapted to in the ongoing framework of human life.

Guidelines are presented in the book of how one can create a "helping healing relationship." Through reading and participating in the activities presented, the reader will become capable of establishing a very special kind of goal-directed experience with the grieving child. Unites interpretation of human research and grief processes to accentuate the quality of caregiving to children during their grief periods. Explained are the stages through which the grieving person must travel with help, characteristics of a caregiver are expounded, and techniques presented to create the best atmosphere for a grieving child to thrive with love and care.

'Utterly gripping' - The Guardian 'Fascinating' - The Sunday Times 'Moving' - Scotsman 'Engrossing' - Financial Times Sue Black confronts death every day. As a Professor of Anatomy and Forensic Anthropology, she focuses on mortal remains in her lab, at burial sites, at scenes of violence, murder and criminal dismemberment, and when investigating mass fatalities due to war, accident or natural disaster. In All That Remains she reveals the many faces of death she has come to know, using key cases to explore how forensic science has developed, and examining what her life and work has taught her. Do we expect a book about death to be sad? Macabre? Sue's book is neither. There is tragedy, but there is also humour in stories as gripping as the best crime novel. Part memoir, part science, part meditation on death, her book is compassionate, surprisingly funny, and it will make you think about death in a new light. ________ SUE BLACK'S NEW BOOK, WRITTEN IN BONE, IS OUT NOW _________ 'One might expect [this book] to be a grim read but it absolutely isn't. I found it invigorating!' (Andrew Marr, BBC Radio 4 'Start the Week') 'Black's utterly gripping account of her life and career as a professor of anatomy and forensic anthropology manages to be surprisingly life-affirming. As she herself says, it is "as much about life as about death"' (PD Smith Guardian) 'An engrossing memoir . . . an affecting mix of personal and professional' (Erica Wagner, Financial Times) 'A model of how to write about the effect of human evil without losing either objectivity or sensitivity . . . Heartening and anything but morbid . . . Leaves you thinking about what kind of human qualities you value, what kinds of people you actually want to be with' (Rowan Williams, New Statesman) 'For someone whose job is identifying corpses, Sue Black is a cheerful soul . . . All That Remains feels like every episode of 'Silent Witness', pre-fictionalised. Except, you know, really good' (Helen Rumbelow, The Times)

Throughout history, from the Ancient Egyptians to medieval saints and the remains of figures like Eva Peron and Lenin, mummies have held a powerful place in our collective imagination. THE MUMMY CONGRESS is a riveting survey of the history, science and popular culture of mummies and of man's ancient quest for immortality. When acclaimed science journalist Heather Pringle was dispatched to a remote part of northern Chile to cover a little-known scientific conference, she found herself in the midst of the most passionate gathering of her working life - dozens of mummy experts crammed into a rambling seaside hotel, battling over the implications of their latest discoveries. Infected with their mania, Pringle spent the next year circling the globe, stopping in to visit the leading scientists so she could see first-hand the breathtaking delicacy and unexpected importance of their work. In The Mummy Congress, she recounts the intriguing findings from her travels, bringing to life the hitherto unknown worlds of the long-dead, and revealing what mummies have to tell us about ourselves. Pringle's journeys lead her to the lifelike remains of medieval saints entombed in Italy's grand cathedrals, eerily preserved bog bodies in the Netherlands bearing signs of violent and untimely slaughter, and frozen Inca princesses glimpsed for the first time atop icy mountains. She learns of the extraordinary skills of ancient Egyptian embalmers capable of preserving bodies, in the words of one mummy expert, "until the end of time"; of the horrifying sacrifices made by ancient South Americans to pacify their gods; and of the weird mummified parasites preserved in the guts of millennia-old bodies and that still wreak havoc across the world today.

Does a dying child understand death? How can we help children who are dying? Originally published in 1993, this book concerns a young girl, Rachel, terminally ill with leukaemia. The book describes a series of drawings she made and shows how they reveal her inner experience, how she became fully aware that she was dying and even came to accept death. The result is a moving and informative story that will be invaluable to caregivers and families with a dying child. It provides new understanding of the experience of a dying child and suggests practical strategies for coping.

This book unravels the many different experiences, meanings and realities of natural burial. Twenty years after the first natural burial ground opened there is an opportunity to reflect on how a concept for a very different approach to caring for our dead has become a reality: new providers, new landscapes and a hybrid of new and traditional rituals. In this short time the natural burial movement has flourished. In the UK there are more than 200 sites, and the concept has travelled to North America, Holland, Australia, New Zealand and Japan. This survey of natural burials draws on interviews with those involved in the natural burial process - including burial ground managers, celebrants, priests, bereaved family, funeral directors - providing a variety of viewpoints on the concept as a philosophy and landscape practice. Site surveys, design plans and case studies illustrate the challenges involved in creating a natural burial site, and a key longitudinal case study of a single site investigates the evolving nature of the practice. Natural Burial is the first book on this subject to bring together all the groups and individuals involved in the practice, explaining the facts behind this type of burial and exploring a topic which is attracting significant media interest and an upsurge of sites internationally.

This book unravels the many different experiences, meanings and realities of natural burial. Twenty years after the first natural burial ground opened there is an opportunity to reflect on how a concept for a very different approach to caring for our dead has become a reality: new providers, new landscapes and a hybrid of new and traditional rituals. In this short time the natural burial movement has flourished. In the UK there are more than 200 sites, and the concept has travelled to North America, Holland, Australia, New Zealand and Japan. This survey of natural burials draws on interviews with those involved in the natural burial process - including burial ground managers, celebrants, priests, bereaved family, funeral directors - providing a variety of viewpoints on the concept as a philosophy and landscape practice. Site surveys, design plans and case studies illustrate the challenges involved in creating a natural burial site, and a key longitudinal case study of a single site investigates the evolving nature of the practice. Natural Burial is the first book on this subject to bring together all the groups and individuals involved in the practice, explaining the facts behind this type of burial and exploring a topic which is attracting significant media interest and an upsurge of sites internationally.

Everyone has questions about death. In Will My Cat Eat My Eyeballs?, best-selling author and mortician Caitlin Doughty answers the most intriguing questions she's ever received about what happens to our bodies when we die. In a brisk, informative, and morbidly funny style, Doughty explores everything from ancient Egyptian death rituals and the science of skeletons to flesh-eating insects and the proper depth at which to bury your pet if you want Fluffy to become a mummy. Now featuring an interview with a clinical expert on discussing these issues with young people-the source of some of our most revealing questions about death-Will My Cat Eat My Eyeballs? confronts our common fear of dying with candid, honest, and hilarious facts about what awaits the body we leave behind.

This book describes what homelessness is like for women and the extent to which female homelessness is gender-based. It tells what their lives are like and what their point of view is, both towards themselves and mainstream society. Because female homelessness is a serious social problem and is still poorly understood, the author describes the world of these women not only as an exercise in cultural analysis, but also with the intention of providing understanding which may help to improve their situation or alleviate their problems.

"A child's suicide pitches you into a hellish place of fragmentary images, the deepest depression imaginable, efforts to destroy yourself, and an almost complete break with what's happening in the world around you. That was my experience. I wish it upon no one." The essays of The Loneliest Places began as a chronicle of Rachel Dickinson's life after her son's suicide. The pieces became much more. Dickinson writes the unimaginable and terrifying facts of heartbreaking loss. In The Loneliest Places she tells stories from her months on the run, fleeing her grief and herself, as she escapes to Iceland and the Falkland Islands-as far as possible from the memories of her dead son, Jack. She frankly relates the paralyzing emotion that sometimes left her trapped in her home, confined to a single chair, helplessly isolated. The tales from these years are bleak and Dickinson's journey home, back to her changed self and fractured family, is lonely. Conjuring Emily Dickinson, however, she describes how hope was sighted, allowed to perch, and then, remarkably, made actual.

Shneidman presents basic ideas of the common characteristics of suicide. He offers a fresh definition of the phenomenon, which includes direct implications for preventive action.