The theme of death is an essential component of film narrative, particularly in how it affects the hero. Filmmakers from different cultures and backgrounds have developed distinct yet archetypical perspectives on death and the protagonist's response. Focusing on Western and Japanese period genre films, the author examines the work of John Ford (1894-1973), Akira Kurosawa (1910-1998) and Sergio Leone (1929-1989) and finds similarities regarding death's impact on the hero's sense of morality.

Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries - of taste, of bodies, of reason - are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of 'gynaehorror': films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and 'mad science'; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and 'abject barren' bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.

The letters Gillian Griffith wrote to her elderly, demented mother were never intended to be read - they were simply Gillian's way of dealing with her own anger and guilt towards her high-handed, infuriating and impossibly challenging mother. To Gillian's own surprise, "as the words bounced back at me off the page, magic happened". The letters began to morph into a book, and the writing of it gradually released Gillian from her mother's influence. The result is a powerful, touching, uplifting and often very funny account of one woman's emotional and practical battle with the chaos caused by dementia. This book (the title comes from a small piece of nonsense spoken by Gillian's mother) brings a new insight into the effects of dementia on those caught up in it. It will make a valuable and original contribution to the debate on dementia care.

A comprehensive assessment of the field of Disability Studies that presents beyond the medical to dig into the meaning From public transportation and education to adequate access to buildings, the social impact of disability has been felt everywhere since the passage of the Americans with Disabilities Act in 1990. And a remarkable groundswell of activism and critical literature has followed in this wake. Claiming Disability is the first comprehensive examination of Disability Studies as a field of inquiry. Disability Studies is not simply about the variations that exist in human behavior, appearance, functioning, sensory acuity, and cognitive processing but the meaning we make of those variations. With vivid imagery and numerous examples, Simi Linton explores the divisions society creates-the normal versus the pathological, the competent citizen versus the ward of the state. Map and manifesto, Claiming Disability overturns medicalized versions of disability and establishes disabled people and their allies as the rightful claimants to this territory.

This core introductory text, with a focus on clinical application, combines the knowledge and skills of counseling psychology with current theory and research in grief and bereavement. The third edition is updated to address issues related to the developmental aspects of grief, including grief in children and young people, grief as a lifespan concept, and grief in an increasingly aging demographic. It describes new therapeutic approaches and examines the neurological basis of grief as well as with trauma from disruption and loss. Also emphasized is the role of diversity, along with cultural considerations in grief counseling. Instructor's resources now include a test bank, an Instructors Manual, and updated Power Point slides. User-friendly, while grounded in the latest research and theoretical constructs, the text offers such pedagogical aids as learning objectives, practice examples, glossary terms, and questions for reflection in each chapter. Above all, the book addresses grief counseling and support in a way that is informed, practical. The content explores concepts relevant to complicated grief, while differentiating the normal human experience of grief from mental disorders. Print version of the book includes free, searchable, digital access to entire contents! New to the Third Edition: Twenty-five percent of text contains completely new information Updated research and content on attachment and grieving styles Expansion of social issues impacting grief including political changes, environmental concerns, cultural differences, and exposure to terrorism New theory, research, and practice for grief in non-death losses New information on diversity and grief, the role of grounding and contemplative practices, and grief and developmental perspectives across the lifespan Use of technology in both professional and informal grief support New case studies with additional case scenarios for real-world application "Practice examples" containing snippets of clinical application information in each chapter Key Features: Focuses on clinical application Combines the knowledge and skills of counseling psychology with current theory and research in grief and bereavement Written in easy-to-understand language, with emphasis on practical application Includes learning objectives, practice examples, glossary terms, and questions for reflection

In Undoing Suicidism, Alexandre Baril argues that suicidal people are oppressed by what he calls structural suicidism, a hidden oppression that, until now, has been unnamed and under-theorized. Each year, suicidism and its preventionist script and strategies reproduce violence and cause additional harm and death among suicidal people through forms of criminalization, incarceration, discrimination, stigmatization, and pathologization. This is particularly true for marginalized groups experiencing multiple oppressions, including queer, trans, disabled, or Mad people. Undoing Suicidism questions the belief that the best way to help suicidal people is through the logic of prevention. Alexandre Baril presents the thought-provoking argument that supporting assisted suicide for suicidal people could better prevent unnecessary deaths. Offering a new queercrip model of (assisted) suicide, he invites us to imagine what could happen if we started thinking about (assisted) suicide from an anti-suicidist and intersectional framework. Baril provides a radical reconceptualization of (assisted) suicide and invaluable reflections for academics, activists, practitioners, and policymakers.

At the turn of the twentieth century, medicine's imperative to cure disease increasingly took priority over the demand to relieve pain and suffering at the end of life. Filled with heartbreaking stories, "The Inevitable Hour" demonstrates that professional attention and resources gradually were diverted from dying patients.

Emily K. Abel challenges three myths about health care and dying in America. First, that medicine has always sought authority over death and dying; second, that medicine superseded the role of families and spirituality at the end of life; and finally, that only with the advent of the high-tech hospital did an institutional death become dehumanized. Abel shows that hospitals resisted accepting dying patients and often worked hard to move them elsewhere. Poor, terminally ill patients, for example, were shipped from Bellevue Hospital in open boats across the East River to Blackwell's Island, where they died in hovels, mostly without medical care. Some terminal patients were not forced to leave, yet long before the advent of feeding tubes and respirators, dying in a hospital was a profoundly dehumanizing experience.

With technological advances, passage of the Social Security Act, and enactment of Medicare and Medicaid, almshouses slowly disappeared and conditions for dying patients improved--though, as Abel argues, the prejudices and approaches of the past are still with us. The problems that plagued nineteenth-century almshouses can be found in many nursing homes today, where residents often receive substandard treatment. A frank portrayal of the medical care of dying people past and present, "The Inevitable Hour" helps to explain why a movement to restore dignity to the dying arose in the early 1970s and why its goals have been so difficult to achieve.

Near-death experiences offer a glimpse not only into the nature of death but also into the meaning of life. They are not only useful tools to aid in the human quest to understand death but are also deeply meaningful, transformative experiences for the people who have them. In a unique contribution to the growing and popular literature on the subject, philosophers John Martin Fischer and Benjamin Mitchell-Yellin examine prominent near-death experiences, such as those of Pam Reynolds, Eben Alexander and Colton Burpo. They combine their investigations with critiques of the narratives' analysis by those who take them to show that our minds are immaterial and heaven is for real. In contrast, the authors provide a blueprint for a science-based explanation. Focusing on the question of whether near-death experiences provide evidence that consciousness is separable from our brains and bodies, Fischer and Mitchell-Yellin give a naturalistic account of the profound meaning and transformative effects that these experiences engender in many. This book takes the reality of near-death experiences seriously. But it also shows that understanding them through the tools of science is completely compatible with acknowledging their profound meaning.

This collection of essays presents a contextual view of genocide. The authors, who are academic authorities and practitioners in the field, explore the legal treatment, but also the social and political concepts and historical dimensions of the crime. They also suggest alternative justice solutions to the phenomenon of genocide. Divided into five parts, the first section offers an historical perspective of genocide. The second consists of case studies examining recent atrocities. The third section examines differences between legal and social concepts of genocide. Part four discusses the treatment of genocide in courts and tribunals throughout the world. The final section covers alternatives to trial justice and questions of prevention and sentencing.

Communication is at the heart of any complete understanding of the end of life. While it is true that individuals physically die as a single entity, the process of ending an individual life is located within a complex system of relationships and roles connected and constructed through communicative processes. In this volume, top scholars from numerous disciplines showcase the latest empirical investigations and theoretical advances that focus on communication at the end of life. This multi-contextual approach serves to integrate current findings, expand our theoretical understanding of the end of life, prioritize the significance of competent communication for scholars and practitioners, and provide a solid foundation upon which to build pragmatic interventions to assist individuals at the end of life as well as those who care for and grieve for those who are dying. This book is suitable for undergraduate and graduate courses in Death and Dying, Communication and Aging, Health Communication, Life Span Development, Life Span Communication, Long term care, Palliative care and Social Work.

What made some 700 men and women in the Yorkshire town of Kingston-upon-Hull, in the years 1837 to 1900, decide to suffer no longer "the slings and arrows of outrageous fortune" and take their own lives? In this study, the author seeks to uncover the experiences that drove people to suicide; to analyze how suicide was understood by victims, by their families and friends, and by legal and medical authorities; to study how the presumed causes of suicide and the meanings of suicide changed over time and in response to changed social circumstances; and to see what "suicide narratives" elicited by coroners' inquests can tell us about Victorian life, beliefs, and values in general.
The book is based on an unprecedentedly complete and comprehensive collection of inquest files covering the entire Victorian era in Hull (most coroners' files have not survived or exist only in fragmentary form). Hitherto, suicide in the Victorian period has been examined only on a national basis; where local evidence has been used, it has come chiefly from London. Through the testimony of relatives, neighbors, friends, and even the deceased (by means of suicide notes), the author has been able to get closer to the experience of suicide and its social construction than has been possible in any previous study.
The framework within which the author evaluates the paths to suicide is the life cycle. By placing each suicide in its local socioeconomic context, and by examining each stage in the life course for each sex and for different social levels, the author has been able to assess causation factors with great confidence. He establishes arguments (such as the importance of declining wages and job security for older men and the loss of a marital partner for either sex) more securely than have earlier studies, and puts some new arguments on the agenda (such as the importance of the presence or absence of interpersonal ties and the influence of Poor Law policy).

Although today in France church attendance is minimal, when death occurs many families still cling to religious rites. In exploring this common reaction to one of the most painful aspects of existence, Thomas Kselman turns to nineteenth-century French beliefs about death and the afterlife not only to show how deeply rooted the cult of the dead is in one Western society, but how death and the behavior of mourners have been politicized in the modern world. Drawing on sermons preached in rural and urban parishes, folktales, and accounts of seances, the author vividly re-creates the social and cultural context in which most French people responded to death and dealt with anxieties about the self and its survival. Inspired mainly by Catholicism, beliefs about death provided a social basis for moral order throughout the nineteenth century and were vulnerable to manipulation by public officials and clergy. Kselman shows, however, that by mid-century the increase in urbanization, capitalism, family privacy, and expressed religious differences generated diverse attitudes toward death, causing funerals to evolve from Catholic neighborhood rituals into personalized symbolic events for Catholics and dissenters alike--the civil burial of Victor Hugo being perhaps the greatest symbol of rebellion. Kselman's discussion of the growth of commercial funerals and innovations in cemetery administration illuminates a new struggle for control over funeral arrangements, this time involving businessmen, politicians, families, and clergy. This struggle in turn demonstrates the importance of these events for defining social identity.

Originally published in 1992.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

." . . the memory of my mother came to me like a drifting scent in the breeze, swirling through the branches of a nearby cedar tree. I was drawn back 35 years] to the day I learned she had passed on. But that autumn day of 1973 did not grip me with deep sadness, the burden of never seeing her again. I was looking at that day from a new angle, a distant view that seemed to suggest a new, untold story. I was suddenly more than curious about who my mother truly was in this life and beyond."

Uprooted from family and community in Milwaukee by her husband, a French and Irish construction worker with a drinking problem, Corrine Rolo struggles to raise their seven children on a remote farm near Big Falls, Minnesota. She longs to move back to Milwaukee, or to visit her relatives on the Bad River Ojibwe reservation, at one point threatening to leave the older kids behind and return to her home in the city.

Mark Anthony Rolo sifts through potent dreams and childhood memories to recreate a picture of his often conflicted mother during the last three years of her life. She told him a few warm stories of her life on the reservation, but she participated in the family's casually derogatory banter about their Ojibwe heritage. She spent little time helping Rolo with his schoolwork, even as she wrote voluminous, detailed letters to her family in Milwaukee. She could treat her children harshly and yet also display the fiercest love.

With an innocent and sometimes brutal child's view, Rolo recounts stories of a woman who battles poverty, depression, her abusive husband, and isolation through the long northern Minnesota winters, and of himself, her son, who struggles at school, wrestles with his Ojibwe identity, and copes with violence. But he also shows, with eloquence and compassion, his adult understanding of his mother's fight to live with dignity, not despair.

Mark Anthony Rolo is an enrolled member of the Bad River Band of Lake Superior Chippewa. He is the former editor of The Circle newspaper.

Bardwell L. Smith offers a fresh perspective on mizuko kuyo, the Japanese ceremony performed to bring solace to those who have experienced miscarriage, stillbirth, or abortion. Showing how old and new forms of myth, symbol, doctrine, praxis, and organization combine and overlap in contemporary mizuko kuyo, Smith provides critical insight from many angles: the sociology of the family, the power of the medical profession, the economics of temples, the import of ancestral connections, the need for healing in both private and communal ways and, perhaps above all, the place of women in modern Japanese religion. At the heart of Smith's research is the issue of how human beings experience the death of a life that has been and remains precious to them. While universal, these losses are also personal and unique. The role of society in helping people to heal from these experiences varies widely and has changed enormously in recent decades. In examples of grieving for these kinds of losses one finds narratives not only of deep sorrow but of remarkable dignity.

"A profound exploration of what it means for all of us to live-and to die-with dignity and purpose." -People "Visceral and lyrical." -The Atlantic As the American born daughter of immigrants, Dr. Sunita Puri knew from a young age that the gulf between her parents' experiences and her own was impossible to bridge, save for two elements: medicine and spirituality. Between days spent waiting for her mother, an anesthesiologist, to exit the OR, and evenings spent in conversation with her parents about their faith, Puri witnessed the tension between medicine's impulse to preserve life at all costs and a spiritual embrace of life's temporality. And it was that tension that eventually drew Puri, a passionate but unsatisfied medical student, to palliative medicine--a new specialty attempting to translate the border between medical intervention and quality-of-life care. Interweaving evocative stories of Puri's family and the patients she cares for, That Good Night is a stunning meditation on impermanence and the role of medicine in helping us to live and die well, arming readers with information that will transform how we communicate with our doctors about what matters most to us.

Renowned Harvard scholar and "New Yorker" staff writer Jill Lepore has written a strikingly original, ingeniously conceived, and beautifully crafted history of American ideas about life and death from before the cradle to beyond the grave.
How does life begin? What does it mean? What happens when we die? "All anyone can do is ask," Lepore writes. "That's why any history of ideas about life and death has to be, like this book, a history of curiosity." Lepore starts that history with the story of a seventeenth-century Englishman who had the idea that all life begins with an egg, and ends it with an American who, in the 1970s, began freezing the dead. In between, life got longer, the stages of life multiplied, and matters of life and death moved from the library to the laboratory, from the humanities to the sciences. Lately, debates about life and death have determined the course of American politics. Each of these debates has a history. Investigating the surprising origins of the stuff of everyday life--from board games to breast pumps--Lepore argues that the age of discovery, Darwin, and the Space Age turned ideas about life on earth topsy-turvy. "New worlds were found," she writes, and "old paradises were lost." As much a meditation on the present as an excavation of the past, "The Mansion of Happiness" is delightful, learned, and altogether beguiling.

Winner of the 2020 Stand-Out Graduate Research Award Winner of the August 2020 Fonds de recherche du Quebec - Societe et culture (FRQSC) Prix Releve etoile Paul-Gerin-Lajoie Photographic portraits of those who have passed have the potential to become valuable sites of remembrance. Across North America and Western Europe, parents are increasingly unfamiliar with death; lacking the rituals and tools that have historically eased the bereavement process. This book shines a light on how semi-private social media groups enable the bereaved parents of today to navigate their grief in the modern world. The author explores how creative, and sometimes contested, incorporations of photography within these online spaces demonstrate a revival and renegotiation of historic practices. By shining a light on recurrent tendencies and their evolution within new media this book offers an opportunity to observe the complex relationships grief can prompt some individuals to form with the portraits of absent loved ones. As social networking sites continue to enable the reinsertion of death within the social realm, the author looks ahead: might we begin to see a revival and increased openness towards end-of-life, post-mortem and funerary photography? As bereavement increasingly becomes something communicated in an online context, what new types of embellishments to the photographic portrait might we encounter?

The centrality of death rituals has rarely been documented in anthropologically informed studies of Buddhism. Bringing together a range of perspectives including ethnographic, textual, historical and theoretically informed accounts, this edited volume presents the diversity of the Buddhist funeral cultures of mainland Southeast Asia and China. While the contributions show that the ideas and ritual practices related to death are continuously transformed in local contexts through political and social changes, they also highlight the continuities of funeral cultures. The studies are based on long-term fieldwork and covering material from Theravada Buddhism in Burma, Laos, Thailand, Cambodia and various regions of Chinese Buddhism, both on the mainland and in the Southeast Asian diasporas. Topics such as bad death, the feeding of ghosts, pollution through death, and the ritual regeneration of life show how Buddhist cultures deal with death as a universal phenomenon of human culture.

This birefs examines mortality among young children in the period from the seventeenth to the nineteenth century. It does so using several types and sources of information from the census unit England and Wales, and from Ireland. The sources of information used in this study include memoirs, diaries, poems, church records and numerical accounts. They offer descriptions of the quality of life and child mortality over the three centuries under study. Additional sources for the nineteenth century are two census-derived numerical indexes of the quality of life. They are the VICQUAL index for England and Wales, and the QUALEIRE index for Ireland. Statistical procedures have been applied to the numbers provided by the sources with the aim to identify effects of and associations between such variables as gender, age, and social background. The briefs examines the results to consider the impact of children's deaths upon parents and families, and concludes that there are differences and continuities across the centuries.

A close look at stories of maternal death in Malawi that considers their implications in the broader arena of medical knowledge. By the early twenty-first century, about one woman in twelve could expect to die of a pregnancy or childbirth complication in Malawi. Specific deaths became object lessons. Explanatory stories circulated through hospitals and villages, proliferating among a range of practitioners: nurse-midwives, traditional birth attendants, doctors, epidemiologists, herbalists. Was biology to blame? Economic underdevelopment? Immoral behavior? Tradition? Were the dead themselves at fault? In Partial Stories, Claire L. Wendland considers these explanations for maternal death, showing how they reflect competing visions of the past and shared concerns about social change. Drawing on extended fieldwork, Wendland reveals how efforts to legitimate a single story as the authoritative version can render care more dangerous than it might otherwise be. Historical, biological, technological, ethical, statistical, and political perspectives on death usually circulate in different expert communities and different bodies of literature. Here, Wendland considers them together, illuminating dilemmas of maternity care in contexts of acute change, chronic scarcity, and endemic inequity within Malawi and beyond.

'Catch the Sparrow is true crime at its most personal and purposeful - heartfelt and intimate, noble and determined, meticulous and brave' Robert Kolker, New York Times bestselling author of HIDDEN VALLEY ROAD and LOST GIRLS Growing up, Rachel Rear knew the story of Stephanie Kupchynsky's disappearance. The beautiful violinist and teacher had fled an abusive relationship on Martha's Vineyard and made a new start for herself near Rochester, NY. She was at the height of her life - in a relationship with a man she hoped to marry and close to her students and her family. And then, one morning, she was gone. Near Rochester - a region which has spawned such serial killers as Arthur Shawcross and the 'Double Initial' killer - Stephanie's disappearance was just another news item. But Rachel had more reason than most to be haunted by this particular story of a missing white woman: Rachel's mother had married Stephanie's father after the crime, and Rachel grew up in the shadow of her stepsister's legacy. In Catch the Sparrow, Rachel Rear writes a compulsively readable and unerringly poignant reconstruction of the dark and serpentine path, across more than two decades, to try to solve the case. Obsessively cataloging the crime and its costs, drawing intimately closer to the details than any journalist could, she reveals how a dysfunctional justice system laid the groundwork for Stephanie's murder and stymied the investigation for more than twenty years, and what those hard years meant for the lives of Stephanie's family and loved ones. Startling, unputdownable, and deeply moving, Catch the Sparrow is a retelling of a crime like no other.

This volume develops the theory of cultural trauma, a key research program in the Strong Program of Cultural Sociology. In regard to the shattering potential effects of political assassinations, Eyerman examines such effects on political and social life in three different national contexts: Martin Luther King, Bobby Kennedy, and Harvey Milk in the U.S.; Theo van Gogh in the Netherlands; and Olof Palme and Anna Lindh in Sweden.

Though death is universal, how we respond to it depends on when and where we live. Dying and grieving continually evolve: new preparations for dying, new kinds of funerals, new ways of handling grief and new ways to memorialise are developing all the time. Bringing 25 years of research and teaching in the sociology of death and dying to this important book, Tony Walter engages critically with key questions such as: should we talk about death more and plan in advance? How effective is this as more people suffer frailty and dementia? How do physical migration and digital connection affect place-bound deathbeds, funerals and graves? Is the traditional funeral still relevant? Can burial and cremation be ecological? And how should we grieve: quietly, openly, or online?

Examining the evolution of kingship in the Ancient Near East from the time of the Sumerians to the rise of the Seleucids in Babylon, this book argues that the Sumerian emphasis on the divine favour that the fertility goddess and the Sun god bestowed upon the king should be understood metaphorically from the start and that these metaphors survived in later historical periods, through popular literature including the Epic of Gilgames and the Enuma Elis. The author's research shows that from the earliest times Near Eastern kings and their scribes adapted these metaphors to promote royal legitimacy in accordance with legendary exempla that highlighted the role of the king as the establisher of order and civilization. As another Gilgames and, later, as a pious servant of Marduk, the king renewed divine favour for his subjects, enabling them to share the 'Garden of the Gods'. Seleucus and Antiochus found these cultural ideas, as they had evolved in the first millennium BCE, extremely useful in their efforts to establish their dynasty at Babylon. Far from playing down cultural differences, the book considers the ideological agendas of ancient Near Eastern empires as having been shaped mainly by class - rather than race-minded elites.