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Books > Social sciences > Sociology, social studies > Social institutions > Death & dying
Loving and grieving are two sides of the same coin: we cannot have
one without risking the other. Only by understanding the nature and
pattern of loving can we begin to understand the problems of
grieving. Conversely, the loss of a loved person can teach us much
about the nature of love.
Death, grief and funerary practices are central to any analysis of social, anthropological, artistic and religious worlds. However, cemeteries - the key conceptual and physical site for death - have rarely been the focus of archaeological research. 'Prioritizing Death and Society' examines the structure, organisation and significance of cemeteries in the Southern Levant, one of the key areas for both migration and settlement in both prehistory and antiquity. Spanning 6,000 years, from the Chalcolithic to the present day, 'Prioritizing Death and Society' presents new research to analyse the formation and regional variation in cemeteries. By examining both ancient and present-day - nationally Jewish - cemeteries, the study reveals the commonalities and differences in the ways in which death has been and continues to be ritualised, memorialised and understood.
Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
An encounter with the death of another is often an occasion when the bereaved need to be sustained in their loss, relieved of the anxiety that the meeting with death engenders, and comforted in their grief. It is a time when those left behind often seek to redress wrongs in themselves or in the relationships that death has shaken and upset. In both collective and individual responses to the trauma of encountering death, we witness efforts to counter the misfortune and to explain the meaning of the loss, to turn memory into blessing, to reconcile life with death, to regenerate life, and redeem both the bereaved and the dead. Sometimes loss may transform the bereaved in ways that lead to growth and maturity; other times a loss leads to unremitting anger or melancholia. There may be a variety of spiritual expressions that the bereaved experience in their time of loss, but there appears to be some common elements in all of them. Overtime, survivors' feelings are transformed into growing exploration of the spiritual, a profound sense of rebirth, newfound feelings of self-mastery or confidence, and a deeply held conviction that "life goes on." The contributions to this volume are based on a conference held in New York on the first anniversary of September 11, 2001. Contributors include Peter Metcalf, Robert Jay Lifton, Ilana Harlow, Robert A. Neimeyer, Samuel Heilman, and Neil Gillman. This sensitive and heartfelt volume relates specifically to issues of death, bereavement, and mourning in the aftermath of the attack on the World Trade Center, but the applications to other individual and catastrophic events is obvious. The contributions do not simply explore how people deal with bereavement or are psychologically affected by extreme grief: they address how people can try to find meaning in tragedy and loss, and strive to help restore order in the wake of chaos. The multidisciplinary perspectives include those of anthropology, psychology, theology, social work, and art.
Although the distinctive - and sometimes bizarre - means by which Roman aristocrats often chose to end their lives has attracted some scholarly attention in the past, most writers on the subject have been content to view this a s an irrational and inexplicable aspect of Roman culture. In this book, T.D. Hill traces the cultural logic which animated these suicides, describing the meaning and significance of such deaths in their original cultural context. Covering the writing of most major Latin authors between Lucretius and Lucan, this book argues that the significance of the 'noble death' in Roman culture cannot be understood if the phenomenon is viewed in the context of modern ideas of the nature of the self.
Death penalty has produced endless discourses not only in the context of prisons, prisoners and punishment but also in various legal aspects concerning the validity of death penalty, the right to life, and torture. Death penalty is embedded in Indian law, however very little is known about the people who are on death row barring a few media reports on them. The main objective of this book is to enquire whether the dignity of prisoners is upheld while they confront the criminal justice system and whilst surviving on death row. Additionally, it explores the lived-experiences and perceptions of prisoners on death row as they create meaning out of their world. With this rationale, 111 prisoners on death row in India and some of their family members were interviewed. The theoretical underpinnings of phenomenology and symbolic interactionism coupled with data analysis lead to an understanding of the prisoners on death row with special reference to their demographic profile and the impact of death sentence on their families. George's research highlights three salient features, namely: poverty, social exclusion and marginalisation are antecedent to death penalty; death penalty is a constructed account by the state machinery; and prisoners on death row situate dignity higher in the juxtaposition of death and dignity.
In medieval society and culture, memory occupied a unique position. It was central to intellectual life and the medieval understanding of the human mind. Commemoration of the dead was also a fundamental Christian activity. Above all, the past - and the memory of it - occupied a central position in medieval thinking, from ideas concerning the family unit to those shaping political institutions. Focusing on France but incorporating studies from further afield, this collection of essays marks an important new contribution to the study of medieval memory and commemoration. Arranged thematically, each part highlights how memory cannot be studied in isolation, but instead intersects with many other areas of medieval scholarship, including art history, historiography, intellectual history, and the study of religious culture. Key themes in the study of memory are explored, such as collective memory, the links between memory and identity, the fallibility of memory, and the linking of memory to the future, as an anticipation of what is to come.
As most jurisdictions move away from the death penalty, some remain strongly committed to it, while others hold on to it but use it sparingly. This volume seeks to understand why, by examining the death penalty's relationship to state governance in the past and present. It also examines how international, transnational and national forces intersect in order to understand the possibilities of future death penalty abolition. The chapters cover the USA - the only western democracy that still uses the death penalty - and Asia - the site of some 90 per cent of all executions. Also included are discussions of the death penalty in Islam and its practice in selected Muslim majority countries. There is also a comparative chapter departing from the response to the mass killings in Norway in 2011. Leading experts in law, criminology and human rights combine theory and empirical research to further our understanding of the relationships between ways of governance, the role of leadership and the death penalty practices. This book questions whether the death penalty in and of itself is a hazard to a sustainable development of criminal justice. It is an invaluable resource for all those researching and campaigning for the global abolition of capital punishment.
This interdisciplinary collection presents valuable discourse and reflection on the nature of a good death. Bringing together a leading judge and other legal scholars, philosophers, social scientists, practitioners and parents who present varying accounts of a good death, the chapters draw from personal experience as well as policy, practice and academic analysis. Covering themes such as patients' rights to determine their own good death, considering their best interests when communication becomes difficult and the role and responsibilities of health professionals, the book outlines how ethical healthcare might be achieved when dealing with assisted suicide by organizations and how end of life services in general might be improved. It will be of interest to students and academics working the area of medical law and ethics as well as health professionals and policy-makers.
St Paul's Cathedral stood at the centre of religious life in medieval London. It was the mother church of the diocese, a principal landowner in the capital and surrounding countryside, and a theatre for the enactment of events of national importance. The cathedral was also a powerhouse of commemoration and intercession, where prayers and requiem masses were offered on a massive scale for the salvation of the living and the dead. This spiritual role of St Paul's Cathedral was carried out essentially by the numerous chantry priests working and living in its precinct. Chantries were pious foundations, through which donors, clerks or lay, male or female, endowed priests to celebrate intercessory masses for the benefit of their souls. At St Paul's Cathedral, they were first established in the late twelfth century and, until they were dissolved in 1548, they contributed greatly to the daily life of the cathedral. They enhanced the liturgical services offered by the cathedral, increased the number of the clerical members associated with it, and intensified relations between the cathedral and the city of London. Using the large body of material from the cathedral archives, this book investigates the chantries and their impacts on the life, services and clerical community of the cathedral, from their foundation in the early thirteenth century to the dissolution. It demonstrates the flexibility and adaptability of these pious foundations and the various contributions they made to medieval society; and sheds light on the men who played a role which, until the abolition of the chantries in 1548, was seen to be crucial to the spiritual well-being of medieval London.
The pursuit and love of death has characterized Western culture since Homeric times. Foundations of Violence enters the ancient world of Homer, Plato and Aristotle to explore the genealogy of violence in Western thought. It uncovers the origins of ideas of death from the 'beautiful death' of Homeric heroes through to the gendered misery of war. Jantzen examines the tensions between those who tried to eliminate fear of death by denying its significance, and those like Plotinus who looked to another world for life and beauty.
Through a cultural analysis of the symbols of death - flesh, blood, bones, souls, time numbers, food and money - Chinese Death Rituals in Singapore throws light upon the Chinese perception of death and how they cope with its eventuality. In the seeming mass of religious rituals and beliefs, it suggests that there is an underlying logic to the rituals. This in turn leads Kiong to examine the interrelationship between death and the socioeconomic value system of China as a whole.
Deliberately considering relevant theories put forward by earlier writers and examining them in the light of the research for this particular book, the author spent over 100 days attending funeral ceremonies and he attended 25 burial services. Chapters include: The Analysis of Ceremony and Rite The Day of Death Adjustment to Loss Income and Outlay The Causes of Death Property Inheritance Ancestors. First published in 1962.
George P. Smith's "Palliative Care and End-of-Life Decisions"
completes a Bioethics-Health Care epistemology begun in 1989, which
addresses the specific issue of managing palliative care at the
end-stage of life. Smith argues forcefully that in order to
palliate the whole person (encompassing physical and psychological
states), an ethic of adjusted care requires recognition of a
fundamental right to avoid cruel and unusual suffering from
terminal illness. Specifically, this book urges wider consideration
and use of terminal sedation as efficacious medical care and as a
reasonable procedure in order to safeguard a 'right' to a dignified
death. The principle of medical futility is seen as a proper
construct for implementing this process.
This study explores the female experience of death in early modern England. By tracing attitudes towards gender through the occasion of death, it advances our understanding of the construction of femininity in the period. Becker illustrates how dying could be a positive event for a woman, and for her mourners, in terms of how it allowed her to be defined, enabled and elevated. The first part of the book gives a cultural and historical overview of death in early modern England, examining the means by which human mortality was confronted, and how the fear of death and dying could be used to uphold the mores of society. Becker explores particularly the female experience of death, and how women used the deathbed as a place of power from which to bestow dying maternal blessings, or leave instructions and advice for their survivors. The second part of the study looks at 'good' and 'bad' female deaths. The author discusses the motivation behind the reporting of the deaths and the veracity of such accounts, and highlights the ways in which they could be used for religious, political and patriarchal purposes. The third section of the book considers how death could, paradoxically, liberate a woman. In this section Becker evaluates the opportunity for female involvement in dying and posthumous rituals, including funeral rites and sermons, commemorative and autobiographical writing and literary legacies. While accounts of dying women largely underpinned the existing patriarchy, the experience of dying allowed some women to express themselves by allowing them to utilise an established male discourse. This opportunity for expression, along with the power of the deathbed, are the focus for this study.
This book is a guide to making and carrying out the psychological decision to kill oneself or, if one so decide, to continue living. It focuses on the decision to commit suicide than on the decision to continue living.
The social and religious constraints of their time may have prevented John Milton, Thomas Gray, and Alfred Tennyson from conscious expression or even unconscious recognition of the true extent of their love and devotion to their young male friends, but it lies at the heart of their emotional lives and poetry. Connected by the extraordinary coincidence that each of their loved ones died young, Milton, Gray, and Tennyson are also connected by the male-love elegies that sprang from their grief. This work examines the relationships between John Milton and Charles Diodati, Thomas Gray and Richard West, and Alfred Tennyson and Arthur Hallam through a critical study of Miltons "Epitaphium Damonis, " Grays "Elegy, " and Tennysons "In Memoriam." It shows how their concepts of otherness and difference from the people around them provided comfort after the loss of their loved ones. It discusses Miltons use of Latin to mourn his friend and screen the most resounding expressions of his love while keeping at bay those not ready to understand his concept of otherness, how Gray used both Latin and the vernacular to express his grief while conforming to social and religious constraints by also addressing larger concerns; and Tennysons ability to use the vernacular with complete security to speak out and yet hold back private thoughts about the person he loved more than almost any other in his life.
The make-up of the contemporary nation-state is increasingly multiethnic and statistics show that in many cases no one group is numerically the largest. Interethnic relations are given global visibility by the media while much that happens among different groups depends on context. Editors John D. Morgan (King's College, London) and Pittu Laungani (South Bank and Manchester Universities, England) have gathered leading international authorities to produce Death and Bereavement Around the World the first of a five-volume presentation and analysis of the ways different peoples experience dying and grief. Effective bereavement care requires a knowledge of an individual's physical, social, educational, and spiritual existence since the expressions of grief and the needs that emerge vary widely from one to another and are subject to past experiences, cultural expectations, personal beliefs, and relationships. An individual's identity comes from a sense of personal uniqueness; solidarity with group ideals; continuity with the past, present and future; and from the culture by which an individual is raised or adopted. This first volume discusses the major religious traditions of the world and how they help followers deal with the fundamentals of life.
Rabbi Ronald H. Isaacs' highly acclaimed series of Every Person's Guides provides modern readers with the essential information necessary to grasp the topics he explores. A gifted educator, Rabbi Isaacs understands the needs of his readers as he provides them with a wonderful balance between background material and the details of religious practice. While Rabbi Isaacs is not offering halachic (legal) guides, he does give modern readers both the fundamentals as well as rich supportive materials. Whether Rabbi Isaacs is walking his readers through a Jewish holy day or a topic like death and dying, he does so in a user-friendly, warm and upbeat style. This new series by one of America's most prolific Jewish writers is destined to become a classic.
With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.
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