Presenting a wide range of relevant, translated texts on death, burial and commemoration in the Roman world, this book is organized thematically and supported by discussion of recent scholarship. The breadth of material included ensures that this sourcebook will shed light on the way death was thought about and dealt with in Roman society.

The act of death itself and the rituals surrounding it vary enormously and shed a fascinating light on the cultures of which they are a part. In this brief and lively history, Douglas Davies - internationally acknowledged as one of the leading experts in this field - tackles some of the most significant aspects of death and weaves them into a compelling story about our changing attitudes to dying.
Offers a fascinating examination of this subject which is of enduring interest in every culture in the world
Considers the profound influence death has had on subjects ranging from philosophy to anthropology, through to art, literature, and music - inspiring some of our most enduring artistic highpoints
Broaches some of the most significant aspects of death, such as the act of dying, grieving, burial, artistic interpretations of death, places of memory, the fear of death, and disasters/tragedies
Weaves these numerous approaches to death into a compelling story about our changing attitudes to dying
Contains several illustrations, and is written in an accessible and lively style.

St Paul's Cathedral stood at the centre of religious life in medieval London. It was the mother church of the diocese, a principal landowner in the capital and surrounding countryside, and a theatre for the enactment of events of national importance. The cathedral was also a powerhouse of commemoration and intercession, where prayers and requiem masses were offered on a massive scale for the salvation of the living and the dead. This spiritual role of St Paul's Cathedral was carried out essentially by the numerous chantry priests working and living in its precinct. Chantries were pious foundations, through which donors, clerks or lay, male or female, endowed priests to celebrate intercessory masses for the benefit of their souls. At St Paul's Cathedral, they were first established in the late twelfth century and, until they were dissolved in 1548, they contributed greatly to the daily life of the cathedral. They enhanced the liturgical services offered by the cathedral, increased the number of the clerical members associated with it, and intensified relations between the cathedral and the city of London. Using the large body of material from the cathedral archives, this book investigates the chantries and their impacts on the life, services and clerical community of the cathedral, from their foundation in the early thirteenth century to the dissolution. It demonstrates the flexibility and adaptability of these pious foundations and the various contributions they made to medieval society; and sheds light on the men who played a role which, until the abolition of the chantries in 1548, was seen to be crucial to the spiritual well-being of medieval London.

Suicide is increasingly understood and predicted as an intersection of biological, psychological, cognitive, and sociocultural factors. We have some basic knowledge of these factors and how they interact, but presently we know very little about how culture can play a role as a variable that influences suicide. Suicide Among Racial and Ethnic Minority Groups will go a long way towards filling that gap by pulling together cutting edge empirical research from general cultural diversity literature and applying it to suicide assessment, treatment, and prevention theory and practice. By looking outside of the limited cross-cultural studies done within suicidal populations, the contributors - all established experts in both multicultural counseling and suicidology - expand the available empirical literature base in order to provide a deeper look into how culture can act as an important catalyst in suicidal intentions.Following theoretical overviews, the text focuses on six broad ethic groups classified in the literature (African American, American Indian, Asian American, European American, Hawaiian & Pacific Islander, and Hispanic), with a main chapter devoted to each, relating each culture to suicide research, highlighting specific variables within the culture that can influence suicide, and presenting appropriate treatment considerations. A final section of the book consists of practical applications within specific settings (therapy, outreach, schools, and psychiatric services) and prevention and training issues.

In medieval society and culture, memory occupied a unique position. It was central to intellectual life and the medieval understanding of the human mind. Commemoration of the dead was also a fundamental Christian activity. Above all, the past - and the memory of it - occupied a central position in medieval thinking, from ideas concerning the family unit to those shaping political institutions. Focusing on France but incorporating studies from further afield, this collection of essays marks an important new contribution to the study of medieval memory and commemoration. Arranged thematically, each part highlights how memory cannot be studied in isolation, but instead intersects with many other areas of medieval scholarship, including art history, historiography, intellectual history, and the study of religious culture. Key themes in the study of memory are explored, such as collective memory, the links between memory and identity, the fallibility of memory, and the linking of memory to the future, as an anticipation of what is to come.

This book considers the cultural meanings of death in American journalism and the role of journalism in interpretations and enactments of public grief, which has returned to an almost Victorian level. A number of researchers have begun to address this growing collective preoccupation with death in modern life; few scholars, however, have studied the central forum for the conveyance and construction of public grief today: news media. News reports about death have a powerful impact and cultural authority because they bring emotional immediacy to matters of fact, telling stories of real people who die in real circumstances and real people who mourn them. Moreover, through news media, a broader audience mourns along with the central characters in those stories, and, in turn, news media cover the extended rituals. Journalism in a Culture of Grief examines this process through a range of types of death and types of news media. It discusses the reporting of horrific events such as September 11 and Hurricane Katrina; it considers the cultural role of obituaries and the instructive work of coverage of teens killed due to their own risky behaviors; and it assesses the role of news media in conducting national, patriotic memorial rituals.

This book describes a blend of insight-oriented, behavioral, and strategic family therapy, which the author has developed over thirty-four years of dealing with suicidal adolescents. It aims not to replace other forms of therapy but to augment the therapista (TM)s own therapeutic style.

The book offers an informative and personally told story bringing together scholarship and meaningful glimpses into the thought processes of suicidal youth. Written in an understandable, friendly, and practical style, it will appeal to those in clinical practice, as well as graduate-level students pursuing clinical work.

This book considers the cultural meanings of death in American journalism and the role of journalism in interpretations and enactments of public grief, which has returned to an almost Victorian level. A number of researchers have begun to address this growing collective preoccupation with death in modern life; few scholars, however, have studied the central forum for the conveyance and construction of public grief today: news media. News reports about death have a powerful impact and cultural authority because they bring emotional immediacy to matters of fact, telling stories of real people who die in real circumstances and real people who mourn them. Moreover, through news media, a broader audience mourns along with the central characters in those stories, and, in turn, news media cover the extended rituals. Journalism in a Culture of Grief examines this process through a range of types of death and types of news media. It discusses the reporting of horrific events such as September 11 and Hurricane Katrina; it considers the cultural role of obituaries and the instructive work of coverage of teens killed due to their own risky behaviors; and it assesses the role of news media in conducting national, patriotic memorial rituals.

As most jurisdictions move away from the death penalty, some remain strongly committed to it, while others hold on to it but use it sparingly. This volume seeks to understand why, by examining the death penalty's relationship to state governance in the past and present. It also examines how international, transnational and national forces intersect in order to understand the possibilities of future death penalty abolition. The chapters cover the USA - the only western democracy that still uses the death penalty - and Asia - the site of some 90 per cent of all executions. Also included are discussions of the death penalty in Islam and its practice in selected Muslim majority countries. There is also a comparative chapter departing from the response to the mass killings in Norway in 2011. Leading experts in law, criminology and human rights combine theory and empirical research to further our understanding of the relationships between ways of governance, the role of leadership and the death penalty practices. This book questions whether the death penalty in and of itself is a hazard to a sustainable development of criminal justice. It is an invaluable resource for all those researching and campaigning for the global abolition of capital punishment.

Death penalty has produced endless discourses not only in the context of prisons, prisoners and punishment but also in various legal aspects concerning the validity of death penalty, the right to life, and torture. Death penalty is embedded in Indian law, however very little is known about the people who are on death row barring a few media reports on them. The main objective of this book is to enquire whether the dignity of prisoners is upheld while they confront the criminal justice system and whilst surviving on death row. Additionally, it explores the lived-experiences and perceptions of prisoners on death row as they create meaning out of their world. With this rationale, 111 prisoners on death row in India and some of their family members were interviewed. The theoretical underpinnings of phenomenology and symbolic interactionism coupled with data analysis lead to an understanding of the prisoners on death row with special reference to their demographic profile and the impact of death sentence on their families. George's research highlights three salient features, namely: poverty, social exclusion and marginalisation are antecedent to death penalty; death penalty is a constructed account by the state machinery; and prisoners on death row situate dignity higher in the juxtaposition of death and dignity.

The entertainment world lost many notable talents in 2019, including television icon Doris Day, iconic novelist Toni Morrison, groundbreaking director John Singleton, Broadway starlet Carol Channing and lovable Star Wars actor Peter Mayhew. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2019 are included in this edition. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.

What is death and why does it matter to us? How should the knowledge of our finitude affect the living of our lives and what are the virtues suitable to mortal beings? Does death destroy the meaningfulness of lives, or would lives that never ended be eternally and absurdly tedious? Should we reconcile ourselves to the fact of our forthcoming death, or refuse to "go gently into that good night"? Can death really be an evil if, after death, we no longer exist as subjects of goods or evils? How should we respond to the deaths of others and do we have any duties towards the dead? These, and many other, questions are addressed in Geoffrey Scarre's book, which draws upon a wide variety of philosophical and literary sources to offer an up-to-date and highly readable study of some major ethical and metaphysical riddles concerning death and dying.

Why are young persons so over represented among those who choose to end their own lives? And why are these already elevated rates of suicide still higher among Aboriginal youth? The developmental and cross-cultural studies reported in this "Monograph" demonstrate that the beginnings of answers to these questions lie in disruptions to young people's developing conceptions of personal or cultural persistence. Grounded in a series of normative studies indicating that Aboriginal Canadian and non-Aboriginal Canadian youth ordinarily follow distinctive pathways of identity development. The findings reported demonstrate that those who fail to own their personal past, and their as yet unrealized future, are at especially heightened risk of suicide. At the level of whole communities, the efforts of Aboriginal groups to reclaim their cultural past and to direct the future course of their civic lives are similarly associated with dramatically lower youth suicide rates.

What is death and why does it matter to us? How should the knowledge of our finitude affect the living of our lives and what are the virtues suitable to mortal beings? Does death destroy the meaningfulness of lives, or would lives that never ended be eternally and absurdly tedious? Should we reconcile ourselves to the fact of our forthcoming death, or refuse to "go gently into that good night"? Can death really be an evil if, after death, we no longer exist as subjects of goods or evils? How should we respond to the deaths of others and do we have any duties towards the dead? These, and many other, questions are addressed in Geoffrey Scarre's book, which draws upon a wide variety of philosophical and literary sources to offer an up-to-date and highly readable study of some major ethical and metaphysical riddles concerning death and dying.

Everyone has questions about death. In Will My Cat Eat My Eyeballs?, best-selling author and mortician Caitlin Doughty answers the most intriguing questions she's ever received about what happens to our bodies when we die. In a brisk, informative, and morbidly funny style, Doughty explores everything from ancient Egyptian death rituals and the science of skeletons to flesh-eating insects and the proper depth at which to bury your pet if you want Fluffy to become a mummy. Now featuring an interview with a clinical expert on discussing these issues with young people-the source of some of our most revealing questions about death-Will My Cat Eat My Eyeballs? confronts our common fear of dying with candid, honest, and hilarious facts about what awaits the body we leave behind.

Loving and grieving are two sides of the same coin: we cannot have one without risking the other. Only by understanding the nature and pattern of loving can we begin to understand the problems of grieving. Conversely, the loss of a loved person can teach us much about the nature of love.
"Love and Loss," the result of a lifetime's work, has important implications for the study of attachment and bereavement. In this volume, Colin Murray Parkes reports his innovative research that enables us to bring together knowledge of childhood attachments and problems of bereavement, resulting in a new way of thinking about love, bereavement and other losses. Areas covered include:
- Patterns of attachment and patterns of grief
- Loss of a parent, child or spouse in adult life
- Social isolation and support
The book concludes by looking at disorders of attachment and considering bereavement in terms of its implications on love, loss, and change in a wider context.
Illuminating the structure and focus of thinking about love and loss, this book sheds light on a wide range of psychological issues. It will be essential reading for professionals working with bereavement, as well as graduate students of psychology, psychiatry, and sociology.

Death, grief and funerary practices are central to any analysis of social, anthropological, artistic and religious worlds. However, cemeteries - the key conceptual and physical site for death - have rarely been the focus of archaeological research. 'Prioritizing Death and Society' examines the structure, organisation and significance of cemeteries in the Southern Levant, one of the key areas for both migration and settlement in both prehistory and antiquity. Spanning 6,000 years, from the Chalcolithic to the present day, 'Prioritizing Death and Society' presents new research to analyse the formation and regional variation in cemeteries. By examining both ancient and present-day - nationally Jewish - cemeteries, the study reveals the commonalities and differences in the ways in which death has been and continues to be ritualised, memorialised and understood.

An encounter with the death of another is often an occasion when the bereaved need to be sustained in their loss, relieved of the anxiety that the meeting with death engenders, and comforted in their grief. It is a time when those left behind often seek to redress wrongs in themselves or in the relationships that death has shaken and upset. In both collective and individual responses to the trauma of encountering death, we witness efforts to counter the misfortune and to explain the meaning of the loss, to turn memory into blessing, to reconcile life with death, to regenerate life, and redeem both the bereaved and the dead.

Sometimes loss may transform the bereaved in ways that lead to growth and maturity; other times a loss leads to unremitting anger or melancholia. There may be a variety of spiritual expressions that the bereaved experience in their time of loss, but there appears to be some common elements in all of them. Overtime, survivors' feelings are transformed into growing exploration of the spiritual, a profound sense of rebirth, newfound feelings of self-mastery or confidence, and a deeply held conviction that "life goes on."

The contributions to this volume are based on a conference held in New York on the first anniversary of September 11, 2001. Contributors include Peter Metcalf, Robert Jay Lifton, Ilana Harlow, Robert A. Neimeyer, Samuel Heilman, and Neil Gillman. This sensitive and heartfelt volume relates specifically to issues of death, bereavement, and mourning in the aftermath of the attack on the World Trade Center, but the applications to other individual and catastrophic events is obvious. The contributions do not simply explore how people deal with bereavement or are psychologically affected by extreme grief: they address how people can try to find meaning in tragedy and loss, and strive to help restore order in the wake of chaos. The multidisciplinary perspectives include those of anthropology, psychology, theology, social work, and art.

This book explores the cultural meanings of the criminal body in the west through historical and multidisciplinary frameworks, examining both how the criminal corpse was viewed as a repository of power and how it held significant cultural meaning as material relic. Authors situate the criminal body at different historical junctures to examine ways in which the criminal corpse was displayed and managed for social, political, magical and medicinal powers and purposes. They explain how this legacy persists in significant ways in the contemporary west, primarily through the commodification of criminal bodies in popular and public displays. The role of notorious criminal bodies in contemporary culture also reverberates in political and scientific realms in which criminal bodies often carry symbolic meanings related to ambivalence over interpretations of death. Drawing on examples from history as well as more contemporary criminal bodies, the book will be of interest to those studying death and criminology, and show how the criminal body can retain an iconic status in the collective memory of the living. This book was originally published as a special issue of Mortality.

The COVID-19 pandemic had a profound and persistent impact. A tragic loss of life, change to established patterns of life and social inequalities laid bare. It brought out the good in many and the worst in others and raised questions around what is truly important in our lives. In this book, academics, activists and artists come together to remember and to reflect on the pandemic. What lessons should we learn? And how can things be different when this is over? Sensitive to inequalities of gender, race and class, it highlights the experience of marginalised and minority groups and the unjust and uneven spread of violence, deprivation and death. It combines academic analysis with personal testimonies, poetry and images from contributors including Sue Black, Led By Donkeys, Lucy Easthope, Lara- Rose Iredale, Michael Rosen and Gary Younge. Taken together, this truly inclusive commemorative overview honours the experience of a global disaster lived up close and suggests the steps needed to ensure we do better next time.

All will welcome this authoritative and up-to-date Handbook of current knowledge on the incidence of suicide and attempted suicide, the biological, genetic, psychological and sociological processes related to suicidal behaviour, and the practical assessment and treatment of suicidal individuals. Interventions for prevention at the local and national levels are also reviewed. The contributors include most of the internationally respected experts in the field, and this important Handbook will be seend to define this field for many years to come.

Suicides in institutions are a major problem. Relatives and friends, staff and fellow patients/prisoners are all affected. In any type of institution, closed or open, common themes emerge in suicide prevention. This book explores the prison setting and describes the development of suicide prevention strategies. These issues are relevant across the wider forensic setting.

Suicide in Prisons provides an up-to-date review of recent research into suicide and self-injury in prisons, and makes links between the research, the prison context and related practice-based issues. Key issues covered included suicide prevention, self-injury, risk assessment, peer group support and staff training. It provides the reader with a good background to aid informed practice.

Although the distinctive - and sometimes bizarre - means by which Roman aristocrats often chose to end their lives has attracted some scholarly attention in the past, most writers on the subject have been content to view this a s an irrational and inexplicable aspect of Roman culture. In this book, T.D. Hill traces the cultural logic which animated these suicides, describing the meaning and significance of such deaths in their original cultural context. Covering the writing of most major Latin authors between Lucretius and Lucan, this book argues that the significance of the 'noble death' in Roman culture cannot be understood if the phenomenon is viewed in the context of modern ideas of the nature of the self.

With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.

The pursuit and love of death has characterized Western culture since Homeric times. Foundations of Violence enters the ancient world of Homer, Plato and Aristotle to explore the genealogy of violence in Western thought. It uncovers the origins of ideas of death from the 'beautiful death' of Homeric heroes through to the gendered misery of war. Jantzen examines the tensions between those who tried to eliminate fear of death by denying its significance, and those like Plotinus who looked to another world for life and beauty.