Cemetery and landscape studies have been hallmarks of North African archaeology for more than one hundred years. Mortuary Landscapes of North Africa is the first book to combine these two fields by considering North African cemeteries within the context of their wider landscapes. This unique perspective allows for new interpretations of notions of identity, community, imperial influence, and sacred space.

Based on a wealth of material research from current fieldwork, this collection of essays investigates how North African funerary monuments acted as regional boundaries, markers of identity and status, and barometers of cultural change. The essays cover a broad range in terms of space and time - from southern Libya to eastern Algeria, and from the seventh century BCE to the seventh century CE. A comprehensive introduction explains the importance of the 'landscape perspective' that these studies bring to North African funerary monuments, while individual case-studies address such topics as the African way of death among the Garamantes, the ritual reasons for the location of certain Early Christian tombs, Punic burials, Roman cupula tombs, and the effects of rapid state formation and imperial incorporation on tomb builders. Unique in both scope and perspective, this volume will prove invaluable to a cross-section of archaeological scholars.

The two volumes of Death, Dying, and the Ending of Life present the core of recent philosophical work on end-of-life issues. Volume I examines issues in death and consent: the nature of death, brain death and the uses of the dead and decision-making at the end of life, including the use of advance directives and decision-making about the continuation, discontinuation, or futility of treatment for competent and incompetent patients and children. Volume II, on justice and hastening death, examines whether there is a difference between killing and letting die, issues about physician-assisted suicide and euthanasia and questions about distributive justice and decisions about life and death.

"The death of a child," writes Myra Bluebond-Langner, "poignantly underlines the impact of social and cultural factors on the way that we die and the way that we permit others to die." In a moving drama constructed from her observations of leukemic children, aged three to nine, in a hospital ward, she shows how the children come to know they are dying, how and why they attempt to conceal this knowledge from their parents and the medical staff, and how these adults in turn try to conceal from the children their awareness of the child's impending death.

Writer Pam Houston once summed it up: "Nice mother-daughter stories are a dime a dozen; pain-in-the-ass mother-daughter stories are the ones that grab us." As Long as I Know You is a compelling read for any adult grappling with a living elder who might also be a pain in the ass, particularly, any reader who wants a tender take on the lethal combination of dementia and defiance. As Long as I Know You narrates Anne-Marie Oomen's journey to finally knowing her mother as well as the heartbreaking loss of her mother's immense capacities. It explores how humor and compassion grow belatedly between a mother and daughter who don't much like each other. It's a personal map to find a mother who may have been there all along, then losing her again in the time of Covid. As the millions of women like Oomen's mother reach their elder years and become the "oldest of the old," their millions of daughters (and sometimes sons) must come on board, involved in care they may welcome the way they'd welcome hitting a pothole the size of a semi. How a family makes decisions about that pothole, how care continues or does not, how possessions are addressed-really, no one wants the crockpot-and how the relationship shifts and evolves (or not), that story is universal.

An Anthology of Death, Dying, and the Living offers students a multifaceted, cross-disciplinary, and intellectual exploration of death, what it means to be human, and what it means to truly live. Through a historic and anthropological lens, students read articles that address diverse domestic and international events and convene a variety of perspectives in terms of culture and identity as they relate to death, dying, and living. The anthology is divided into five distinct sections: Should We Fear Death? To Die is to Have Lived!; Existential Death-Suicide?; Death and the Family; Death and the Self (Grief, Mourning, and Elegies); and Biomedical Death-What Does it Mean to Die with Dignity?. Each section features articles from a variety of sources that draw from the disciplines of anthropology, philosophy, psychology, sociology, biology, politics, government and law, and religious studies. Students experience a holistic and complete examination of various understandings, interpretations, and viewpoints about life, death, and the interplay between the two. The revised first edition includes two new readings. The first is an article by the editor, Atiba Rougier, that considers the national-and personal-impacts of 9/11 and COVID-19, and the second is a piece by a gastroenterologist and chronicles how their role at a hospital changed during the pandemic. An accessible, emotional, and thought-provoking collection, An Anthology of Death, Dying, and the Living is well suited for courses that explore death and dying from a sociological, psychological, philosophical, or anthropological perspective.