Roman Egypt is a critical area of interdisciplinary research, which has steadily expanded since the 1970s and continues to grow. Egypt played a pivotal role in the Roman empire, not only in terms of political, economic, and military strategies, but also as part of an intricate cultural discourse involving themes that resonate today - east and west, old world and new, acculturation and shifting identities, patterns of language use and religious belief, and the management of agriculture and trade. Roman Egypt was a literal and figurative crossroads shaped by the movement of people, goods, and ideas, and framed by permeable boundaries of self and space. This handbook is unique in drawing together many different strands of research on Roman Egypt, in order to suggest both the state of knowledge in the field and the possibilities for collaborative, synthetic, and interpretive research. Arranged in seven thematic sections, each of which includes essays from a variety of disciplinary vantage points and multiple sources of information, it offers new perspectives from both established and younger scholars, featuring individual essay topics, themes, and intellectual juxtapositions.

The naos AM 107 of the Museum of Antiquities of Leiden was built by king Amasis in the VIth century BC, a period that saw an intense production of monolithic shrines. Despite its not impressive dimensions, however, the naos of Leiden stands out for its originality. What is particularly interesting about this monument is that its distinctiveness is strictly connected to the nature of its recipient. Amasis dedicated the naos to Osiris Hemag, one of the most important and enigmatic Osirian forms of the first millennium BC. Osiris Hemag represents Osiris in a crucial moment of his existence, his reawakening. It was precisely this aspect of the god that strongly influenced both the shape and the decoration of the naos, creating a unique effect: indeed, this is the only Egyptian naos showing on his surfaces groups of guardian-deities who had the task to protect the body of Osiris and to assist him in his rebirth and rejuvenation. This naos is not only a shrine housing a statue of Osiris Hemag, but it is also a monument conveying a new definition of the god and ideas concerning his rebirth.

This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.

This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.

This catalogue presents the ancient Egyptian footwear in the collection of the Coptic Museum in Cairo. The catalogue contains detailed descriptions and measurements, photographs and drawings. Each description of a footwear category is followed by short discussions, addressing topics such as typology and dating. In addition a fairly large corpus of comparative material is presented as well, none of which has been published before. The present work will form an important resource for future study. This catalogue is one of the results of the Nuffic Tailor Made Training for the curators of the Coptic Museum in Cairo, jointly organized by the Netherlands-Flemish Institute in Cairo and the American University in Cairo in close collaboration with the Bibliotheca Alexandrina, the Coptic Museum Authorities and the Ministry of State for Antiquities Affairs.

Papyrus Leiden I 343 + 345 is one of the most extraordinary manuscripts providing a deeper insight into magic and medicine in Ancient Egypt. The main part of the papyrus deals with the ancient Near Eastern disease demon Samanu, who is well known from Sumerian and Akkadian incantations and medical texts. In addition, a broad range of other conjurations and spells against any pain and feet swelling are included. The papyrus also contains two curious spells dealing with 'falling water from the sky'. Eight out of fourteen incantations against the demon Samanu were incorporated twice in this papyrus. The texts are not only presented as parallel text edition but also with photographs of the papyrus. This re-edition of papyrus Leiden I 343 + 345 is a revised transliteration, transcription, translation and up-to-date commentary.

This book provides an overview of the sites of Mycenaean pottery finds in Egypt and Nubia. Data from thirty-six sites in Egypt and twelve sites in Nubia are presented. The context of the vessels and sherds dates from the reign of Akhenaten (18th Dynasty) to that of Ramesses VI (20th Dynasty). The imported vessels were found in the capital cities as well as in fortresses, other cities and tombs. Stirrup jars and flasks came to light frequently. Copies of Mycenaean stirrup jars made from clay, faience and stone were also found. The oldest sherd of an imitation vessel was found in Amarna; hence, the Mycenaean vessel shape (stirrup jar prevailing) was copied outside of Mycenaean Greece in the 18th Dynasty and filled with local liquids-possibly oil-and traded with Egypt. Egyptians not only imported vessels from the Levant but also produced imitation vessels themselves. Apparently, these vessels circulated only within Egypt. Chemical analyses of sherds from different sites reveal that the vessels found in 18th Dynasty contexts were made on the Mycenaean mainland. During the Ramesside period (19th-20th Dynasty) trading contacts with Mycenaean Greece shifted to Cyprus, where high quality Mycenaean pottery was produced.

The eleventh International Congress of Egyptologists took place at the Florence Egyptian Museum (Museo Egizio Firenze), Italy from 23- 30 August 2015. The conference was organised by the International Association of Egyptologists (IAE), the Soprintendenza Archeologia della Toscana (Ministero dei Beni e delle Attivita Culturali e del Turismo), CAMNES (Center for Ancient Mediterranean and Near Eastern Studies), the University of Florence (SAGAS department), and with the support of the Istituto Lorenzo de' Medici. From animal mummies to Ancient Egyptian vocabulary to Imperial Cult Temples: of intriguing topics there was no shortage. The proceedings volume will present approximately 130 peer-reviewed papers alongside a selection of posters.

'Leatherwork from Elephantine' describes, illustrates and analyses the finds from the excavations at Elephantine island (Aswan, Egypt) that are conducted by the German Archaeological Institute (DAI), in collaboration with the Swiss Institute for Architectural and Archaeological Research on Ancient Egypt (SI). The majority of the finds are dated to periods well after the pharaonic era (4th century AD onwards), save for a few finds from the New Kingdom and the Middle Kingdom. The majority of finds are sandals and shoes. Most important for leatherwork/footwear studies, however, is the footwear from the Persian layers (6th-5th c. BC), which is distinctly different from ancient Egyptian leatherwork. Ample attention will be given to this important group.

The technological capabilities of the ancient world have long fascinated scholars and the general public alike, though scholarly debate has often seen material culture not as the development of technology, but as a tool for defining chronology and delineating the level of interactions of neighbouring societies. These fourteen papers, arising from a conference held in Oxford in September 2000, take the approach that technology plays a vital role in past socio-economic systems. They cover the Near East and associated areas, including Greece, Crete, Cyprus, Anatolia, the Levant, Mesopotamia and Egypt from the end of the Middle Bronze Age to the Late Bronze Age (1650-1150 BC), a period when many technological innovations appear for the first time.

The Seventh annual Current Research in Egyptology Symposium (CRE 2006) was held on 6-8 April 2006, at the University of Oxford, and brought together graduate and postgraduate students of Egyptology from institutions world-wide. A total of 44 students presented their new and on-going research on a variety of topics including archaeology, art and architecture, history and society, literature and language, religion, museum studies, scientific analysis, history of Egyptology and 'egyptomania, ' spanning the entire period of Egyptian history from Predynastic to Coptic times. The papers published here cover the same wide range of research areas and multi-disciplinary approaches.

The Eighth Annual Current Research in Egyptology Symposium (CRE 2007) was held at Swansea University on the 19th-21st April. The conference brought together graduate and postgraduate students of Egyptology from ten different countries, contributing to a total of 40 presentations. The range of topics included art and architecture, archaeology, literature and language, history and society as well as scientific analysis spanning the entire epoch of Egyptian history from the Predynastic to the Coptic era. The papers presented in the following volume represent a diverse range of topics and multidisciplinary approaches.

This book seeks to explore the issues of production, use and importance of flint tools in the Archaic Period, known also as the Early Dynastic Period, and the Old Kingdom of Egypt, the epoch immediately following the unification of pre-state organisms of Upper and Lower Egypt into one political body. This volume provides an in-depth study of tools made of flint, which unceasingly fulfilled a major role in the period being considered. Flint, occurring in a number of varieties, substantially outnumbers other raw materials used for manufacturing tools, to wit: chalcedony, obsidian, quartzite, carnelian or rock crystal, all found in small or even minute amounts, which attests to their minor role in the first periods of Egyptian history. Notwithstanding a growing number of implements made of copper, then bronze, flint tools constituted an essential element of a broad-based culture, and not only material culture, in the Archaic Period, the Old Kingdom and beyond.

The relationships between ancient Egypt and other cultures transcend time, so in this volume of the Journal of Ancient Egyptian Interconnections the reader will find a sampling of the diverse ways in which these have manifested: a 19th century "multi-media" exhibition; the challenges of museum exhibits that place Egypt in a wider African context; interplay between Egyptology and opera; Eastern European travelers to Egypt; mummies as souvenirs; what is lost by the emphasis on the pharaonic period in archaeological excavation; excavation of Cecil B. DeMille's The Ten Commandments (1923) film set; the origin of the term "Egyptomania"; and two book reviews related to Egyptological history.

The invention of the wheel is often highlighted as one of humankinds' most significant inventions. Wheels do not exist in nature, and so can be viewed entirely as a human-inspired invention. Machinery too, was relatively rare in the ancient world. The potter's wheel is arguably the most significant machine introduced into Egypt, second only perhaps to the drill, the loom and the bellows for smelting metal. In Predynastic Egypt (c3500 B.C.), the traditional methods of hand-building pottery vessels were already successful in producing pottery vessels of high quality on a large scale for the domestic market, so it would seem that the potter's wheel was a rather superfluous invention. However, the impact of this innovation would not just have affected the Egyptian potters themselves learning a new skill, but also signalled the beginnings of a more complex and technologically advanced society. Despite many years work on the technology of pottery production it is perhaps surprising that the origins of the potter's wheel in Egypt have yet to be determined. This present project seeks to rectify this situation by determining when the potter's wheel was introduced into Egypt, establishing in what contexts wheel thrown pottery occurs, and considering the reasons why the Egyptians introduced the wheel when a well-established hand making pottery industry already existed.

The decorated tombs of the Egyptian Old Kingdom offer detailed knowledge of a society that in all probability was the first nation state in history. Yet scholars continue to find it difficult to access the full potential of this great body of data because so few of the tombs can be dated with sufficient precision to provide a relative chronology for the evidence they offer. The system of dating these monuments presented here builds on the work of previous scholars. In this volume the author explains how the dating method was devised. This required establishing 'life-spans' for 104 criteria, features drawn from tomb iconography. The system is then applied to Memphite and provincial monuments spanning the Fourth to the Sixth Dynasties. The findings are that the more criteria a monument contains, the closer the system can narrow its date, certainly to a particular reign and within a generation in some cases. The final chapter analyses and discusses the strengths and weaknesses of the system.

A scholarly work that explores the self-presentation of some elite members of late Saite Egypt. This study examines the biographies and statues of two individuals who were principal members of the non-royal aristocracy. The approach integrates images, monuments, and texts with the places, participants and broader historical environment that gives them meaning. Ultimately, the goal is to bridge the gap between image and text.

This authoritative publication remains the definitive source for the findings of the various archaeological excavations undertaken in Egypt. Published under the auspices of Egypt's Supreme Council of Antiquities, its contributors include some of the most well-known Egyptologists in the world, covering a broad range of archaeological disciplines and spectrums. Volume 84 includes reports from Egyptian, Spanish, Polish, British, German, Swiss, French, American, Belgian, and Japanese archaeological missions working in Egypt. Included in this volume are reports on a video exploration of the Queen's Chamber in the Great Pyramid at Giza; an examination of an ostracon with notations about bread in Demotic script; excavations at North Saqqara, Siwa Oasis, Abydos, the Temple of Thutmosis III at Luxor, Elephantine, Syene and Queen Tausert's temple in Western Thebes; the recording of rock inscriptions in Wadi Nag el-Birka on an important ancient road leading from Thebes; and documentation and fieldwork at a late Roman fort at Nag al-Hagar, near Kom Ombo.

In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British imagination across the centuries, and how it has impacted on popular culture. Tutankhamen was not the first curse story to emerge in British popular culture. This book uncovers the 'true' stories of two extraordinary Victorian gentlemen widely believed at the time to have been cursed by the artefacts they brought home from Egypt in the nineteenth century. These are weird and wonderful stories that weave together a cast of famous writers, painters, feted soldiers, lowly smugglers, respected men of science, disreputable society dames, and spooky spiritualists. Focusing on tales of the curse myth, Roger Luckhurst leads us through Victorian museums, international exhibitions, private collections, the battlefields of Egypt and Sudan, and the writings of figures like Arthur Conan Doyle, Rider Haggard and Algernon Blackwood. Written in an open and accessible style, this volume is the product of over ten years research in London's most curious archives. It explores how we became fascinated with Egypt and how this fascination was fuelled by myth, mystery, and rumour. Moreover, it provides a new and startling path through the cultural history of Victorian England and its colonial possessions.

This study of individual Egyptian queens is based on an earlier study, The Wives of the Egyptian Kings, Dynasties I-XVII, which was a doctoral dissertation ny this author presented at Macquaire University in 1992. This book differs from the first in many ways because we now understand much more abou these royal women.

This book is intended as a commented summary of some of the major trends and most important features that can be encountered when analysing ancient Egyptian society of the Old Kingdom. We have to bear in mind that around 3000 BCE one of the first centralised states in our recorded history rose, and the Old Kingdom represents certainly one of its apogees. Moreover, there is hardly any comparable society that left behind such a wealth of archaeological and literary evidence, a welcome companion for our journey back in time. The goal for writing this book was to outline general trends in the history of the non-royal tomb development of the period. The reason is rather simple and straightforward: ancient Egyptians considered the tomb to be their afterlife residence for eternity. In the afterlife they replicated the life they experienced during the lifetime. Thus the tomb architecture, decoration, inscriptions and equipment paradoxically represent a major tool for our understanding of the everyday life of the ancient Egyptians and enable a better comprehension of the development and dynamics of the Old Kingdom. The book is divided into nine chapters covering, step by step, the development of the Egyptian tomb and society from the Predynastic Period to the end of the first six Egyptian dynasties, a lengthy period of time which covers the Early Dynastic and the Old Kingdom periods. These six chapters are accompanied by three additional chapters on religious aspects of the Old Kingdom society, its economy and environment.

The present volume presents the proceedings from the international workshop entitled Egypt and the Near East - the Crossroads, dedicated to the study of the relations between the two regions. The symposium took place from September 1-3, 2010 at the Faculty of Arts, Charles University in Prague. The main objective of the workshop was to enhance our understanding of the historical processes and the development of the abundant and complex relations between Egypt and the Near East during the period defined by the end of the Chalcolithic Period and the dawn of the Iron Age. In light of this, special attention was given to the region of Syria-Palestine. In order to obtain a well-balanced insight, the subject was discussed both from an archaeological and a philological point of view. The volume contains 14 papers, all of them closely related with the topic of the workshop with seven papers based on the study of material culture and archaeological data and seven papers devoted to the study of written sources. The first group (archaeology and material culture) contains studies devoted to the Egyptian statuary from Qatna (A. Ahrens), to material from a grown settlement of the late Middle Kingdom at Tell el-Dabca (B. Bader), an overview of results of recent excavations at Tell Tweini (J. Bretschneider /A.-S. Van Vyve /G. Jans) and Tell el-Farkha (M. Czarnowicz), a study of the predynastic Egyptian influence in the Jordanian site of Tall Hujayrat al-Ghuzlan (F. Klimscha); an essay on religious symbolism in the Southern Levant in the Bronze Age according to iconography (F. Lippke) and finally, an analysis of the Levantine combed ware from Heit el-Ghurab (A. Wodzinska / M. Ownby). As for the second group of texts (written evidence) the volume contains the following papers: a reappraisal of the tale of Wenamun in the context of Ancient Near Eastern law (Ch. Brinker), a revision of the chronology of the Amarna letters sent by Aziru, the ruler of Amurru (Cordani); a detailed revision of relations between Egypt and atti set into the context of Ancient Near Eastern chronology (E. Devecchi / J. Miller), a linguistic analysis of the terminology used to refer to the king in Egyptian and Hittite texts from Ramesside period (J. Mynarova); a study of the historical topography concerning the location of the toponym Qode (Z. Simon); a reconstruction of the translation processes in the production and reception of the Amarna letters (H. Tarawneh) and finally, an analysis of the relations between Egypt, Kush and Assyria before the battle of Eltekeh (S. Zamazalova).

This catalog presents the entire corpus of 272 baked clay figurines and votive beds excavated at Medinet Habu by the Oriental Institute of the University of Chicago during their 1926-1933 campaign. The figurines represent women, women with children, men, deities, and animals. They date from the sixteenth century B.C. to the ninth century A.D., illustrating permanence and change in themes of clay figurines as well as stylistic development within each type. The group of votive beds and the stela made from votive bed molds is among the largest and most diverse collections of such material. Each object is fully described and illustrated and is accompanied by commentary on construction, symbolism, and function.

This is the second volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to modern pottery made in Egypt today, organized by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment, and shape. Colour plates of representative ceramic types are included to give the clearest sense of the colour, composition and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis. The first comprehensive guide to Egyptian pottery, this set will prove valuable to students as well as experienced field archaeologists. The volumes come in paperback and spiral bound versions. The spiral bound manuals, with hard laminated covers and tabs, are designed especially for the field and lab. This second edition includes a new expanded introduction.