During the colonial period, thousands of North American Native peoples travelled to Cuba independently as traders, diplomats, missionary candidates, immigrants, or refugees; others were forcibly transported as captives, slaves, indentured labourers, or prisoners of war. Over the half millennium after Spanish contact, Cuba served as the principal destination and residence of peoples as diverse as the Yucatec Mayas of Mexico; the Calusa, Timucua, Creek, and Seminole peoples of Florida; and the Apache and Puebloan cultures of the northern provinces of New Spain. In this first history of the significant and diverse Amerindian presence in Cuba during and well beyond the early colonial period, Yaremko demonstrates the diverse, multifaceted, and dynamic nature of the indigenous diaspora in colonial Cuba. Acknowledging these groups' role in geopolitical, diplomatic, economic, and diasporic processes, Yaremko argues that these migrants played an essential role in the historical development of Cuba. With case studies and documentation from various sites, Yaremko's narrative presents a fuller history of Amerindian migration and diaspora in Cuba and the rest of Latin America.

Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors' words - from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers' blurbs - have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.

John Kasper was a militant far-right activist who first came to prominence with his violent campaigns against desegregation in the Civil Rights era. Ezra Pound was the seminal figure in Anglo-American modernist literature and one of the most important poets of the 20th century. This is the first book to comprehensively explore the extensive correspondence - lasting over a decade and numbering hundreds of letters - between the two men. John Kasper and Ezra Pound examines the mutual influence the two men exerted on each other in Pound's later life: how John Kasper developed from a devotee of Pound's poetry to an active right-wing agitator; how Pound's own ideas about race and American politics developed in his discussions with Kasper and how this informed his later poetry. Shedding a disturbing new light on Ezra Pound's committed engagement with extreme right-wing politics in Civil Rights-era America, this is an essential read for students of 20th-century literature.

Dzailoszyce in Polish is also known as Zaloshitz in Yiddish, Dzyaloshitse in Russian, and Dzialoshitz, Zalazhtsy, Zaleshits, Zaloshits and Salshits. Dzia oszyce is a small town in southeastern Poland, 27 miles northeast of Krakow, that sits on a fertile plain surrounded by mountains. The first Jews arrived there in the 16th century, attracted perhaps by the fact that Dzia oszyce was on the trade route from Krakow to the north. By 1820, 75 percent of the town's 1700 residents were Jews; in the late 1930s, more than 80 percent of its 8,000 residents were Jewish. Most Jews in Dzia oszyce made their living through trade or crafts. The town was surrounded by small villages inhabited by peasants. Jewish peddlers went from village to village selling merchandise and purchasing agricultural products. While most Jews in Dzia oszyce were not very prosperous, some owned large estates in the surrounding areas, and the proprietors of most flour and barley mills, the oil refinery, and the town power plant were Jews. Religious life centered around the beautiful town synagogue and the small Hasidic houses of prayer. Communal life was organized through the kahal community council] and khevres societies] with various functions. In the interwar period, theater productions and sports events were popular. Zionist organizations sprang up and trained young people to be pioneers; a sizeable number emigrated to Palestine. During the war, mass killings and deportations virtually destroyed the Jewish community. Some were sent to their deaths at the Be ec camp, others to the Krakow ghetto and then to P aszow. Today, the formerly Jewish town has no Jews and only 1200 inhabitants. This Yizkor book, written originally in Yiddish and Hebrew by former residents as a memorial to their beloved town, provides a vivid portrayal of what Jewish life was like in Dzia oszyce before and during the war.

Examining a wide range of comics and graphic novels - including works by creators such as Will Eisner, Leela Corman, Neil Gaiman, Art Spiegelman, Sarah Glidden and Joe Sacco - this book explores how comics writers and artists have tackled major issues of Jewish identity and culture. With chapters written by leading and emerging scholars in contemporary comic book studies, Visualizing Jewish Narrative highlights the ways in which Jewish comics have handled such topics as: *Biography, autobiography, and Jewish identity *Gender and sexuality *Genre - from superheroes to comedy *The Holocaust *The Israel-Palestine conflict *Sources in the Hebrew Bible and Jewish myth Visualizing Jewish Narrative also includes a foreword by Danny Fingeroth, former editor of the Spider-Man line and author of Superman on the Couch and Disguised as Clark Kent..

In 1981, decades before mainstream America elected Barack Obama, James Chase became the first African American mayor of Spokane, Washington, with the overwhelming support of a majority-white electorate. Chase's win failed to capture the attention of historians--as had the century-long evolution of the black community in Spokane. In "Black Spokane: The Civil Rights Struggle in the Inland Northwest," Dwayne A. Mack corrects this oversight--and recovers a crucial chapter in the history of race relations and civil rights in America.
As early as the 1880s, Spokane was a destination for black settlers escaping the racial oppression in the South--settlers who over the following decades built an infrastructure of churches, businesses, and social organizations to serve the black community. Drawing on oral histories, interviews, newspapers, and a rich array of other primary sources, Mack sets the stage for the years following World War II in the Inland Northwest, when an influx of black veterans would bring about a new era of racial issues. His book traces the earliest challenges faced by the NAACP and a small but sympathetic white population as Spokane became a significant part of the national civil rights struggle. International superstars such as Louis "Satchmo" Armstrong and Hazel Scott figure in this story, along with charismatic local preachers, entrepreneurs, and lawyers who stepped forward as civic leaders.
These individuals' contributions, and the black community's encounters with racism, offer a view of the complexity of race relations in a city and a region not recognized historically as centers of racial strife. But in matters of race--from the first migration of black settlers to Spokane, through the politics of the Cold War and the civil rights movement, to the successes of the 1970s and '80s--Mack shows that Spokane has a story to tell, one that this book at long last incorporates into the larger history of twentieth-century America.

In Stop Trying to Fix Policing: Lessons Learned from the Front Lines of Black Liberation, Tony Gaskew guides readers through the phenomena of police abolition, using the cultural lens of the Black radical tradition. The author weaves an electrifying combination of critical race theory, spiritual inheritance, decolonization, self-determination, and armed resistance, into a critical autoethnographic journey that illuminates the rituals of revolution required for dismantling the institution of American policing. Stop Trying to Fix Policing is an essential work for anyone who wants to go beyond the rhetoric of police reform, to the next step: contributing to the formation of a world without policing.

Twenty years ago Ukraine gained its independence and started on a path towards a free market economy and democratic governance. After four successive presidents and the Orange Revolution, the question of exactly which national model Ukraine should embrace remains an open question. Constructing the Narratives of Identity and Power provides a comprehensive outlook on Ukraine as it is presented through the views of intellectual and political elites. Based on extensive field work in Ukraine, Karina V. Korostelina describes the complex process of nation building. Despite the prevailing belief in a divide between two parts of Ukraine and an overwhelming variety of incompatible visions, Korostelina reveals seven prevailing conceptual models of Ukraine and five dominant narratives of national identity. Constructing the Narratives of Identity and Power analyzes the practice of national self-imagination. Karina V. Korostelina puts forward a structural-functional model of national narratives that describes three major components, dualistic order, mythic narratives, and normative order, and two main functions of national narratives, the development of the meaning of national identity and the legitimization of power. Korostelina describes the differences and conflicting elements of the national narratives that constitute the contested arena of nation-building in Ukraine.

Sanctuaries of Segregation provides the first comprehensive analysis of the Jackson, Mississippi, church visit campaign of 1963-1964 andthe efforts by segregationists to protect one of their last refuges. For ten months, integrated groups of ministers and laypeople attempted to attend Sunday worship servicesat all-white Protestant and Catholic churches in the state's capital city. While the church visit was a common tactic of activists in the early 1960s, Jackson remained the only city where groups mounted a sustained campaign targeting a wide variety of white churches. Carter Dalton Lyon situates the visits within the context of the Jackson Movement, compares the actions to church visits and kneel-ins in other cities, and places these encounters within controversies already underway over race inside churches and denominations. He then traces the campaign from its inception in early June 1963 through Easter Sunday 1964. He highlights the motivations of the various people and organizations, the interracial dialogue that took place on the church steps, the divisions and turmoil the campaign generated within churches and denominations, the decisions by individual congregations to exclude black visitors, and the efforts by the state and the Citizens' Council to thwart the integration attempts. Sanctuaries of Segregation offers a unique perspective on those tumultuous years. Though most churches blocked African American visitors and police stepped in to make forty arrests during the course of the campaign, Lyon reveals many examples of white ministers and laypeople stepping forward to opposesegregation. Their leadership and the constant pressure from activists seeking entrance into worship services made the churches of Jackson one of the front lines in the national struggle over civil rights.

Witches, Tea Plantations, and Lives of Migrant Laborers in India: Tempest in Teapot is a unique book that brings together a holistic theoretical approach on the subject of witchcraft accusations, specifically those taking place inside a tea workers' community in India. Using a combination of in-depth and extensive qualitative methods, and drawing on sociological, anthropological, and historical perspectives, Chaudhuri explores how adivasi (tribal) migrant workers use witchcraft accusations to deal with worker-management conflict. Chaudhuri argues that witchcraft accusations can be interpreted as a periodic reaction of the adivasi worker community against their oppression by the plantation management. The typical avenues of social protest are often unavailable to marginalized workers due to lack of organizational and political representation and resources. As a result, the dain (witch) becomes a scapegoat for the malice of the plantation economy. Within this discourse, witch hunts can be seen not as exotic and primitive rituals of a backward community, but rather as a powerful protest by a community against its oppressors. The book attempts to understand the complex network of relationships--ties of friendship, family, politics, and gender--that provide the necessary legitimacy for the witch hunt to take place. In most cases examined here, seemingly petty conflicts within the villagers often escalate to a hunt. At the height of the conflict, the exploitative relationship between the plantation management and the adivasi migrant workers often gets hidden. The book demonstrates how witchcraft accusations should be interpreted within this backdrop of labor-planters relationship, characterized by rigidity of power, patronage, and social distance. Witches, Tea Plantations, and Lives of Migrant Laborers in India should appeal to criminologists, sociologists, anthropologists, labor historians, gender scholars, labor migration scholars, witch hunt and witchcraft accusation global scholars, adivasi scholars, South Asian scholars, and anyone interested in India s tribes, witchcraft accusations, gender in a global world, labor conflict, and Indian tea plantations."

The marvelous recovery of neglected black artists and their awesome body of comics creativity. Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the men and women who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and ""Who's Who"" directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden yet vivid history is irretrievably lost.