"Gene, you are going to go places you never dreamt of seeing and you will minister to people you never could imagine you would reach. Don't be afraid. I will be your seal of approval and, as long as you yield to My will, I will be with you. " This was the word given to an unlikely recipient, a self conscious young boy who was awaiting such a word to bring direction to his future. That prophetic message would begin a journey which has spanned over forty years and taken him from storefront churches and concert halls in the sixties, as part of one of America's first integrated Gospel groups, to ministry opportunities (to this day) both in the United States and abroad. Within the pages of this book, Gene, chronicles that journey in a frank, intimate and inspiring manner. He shares as an encouragement to his readers, the way God took a willing ordinary vessel and used it in unimaginable ways.

Born into poverty in Russian Poland in 1911, Zosa Szajkowski (Shy-KOV-ski) was a self-made man who managed to make a life for himself as an intellectual, first as a journalist in 1930s Paris, and then, after a harrowing escape to New York in 1941, as a scholar. Although he never taught at a university or even earned a PhD, Szajkowski became one of the world's foremost experts on the history of the Jews in modern France, publishing in Yiddish, English, and Hebrew. His work opened up new ways of thinking about Jewish emancipation, economic and social modernization, and the rise of modern anti-Semitism. But beneath Szajkowski's scholarly success lay a shameful secret. In the aftermath of the Holocaust, the scholar stole tens of thousands of archival documents related to French Jewish history from public archives and private synagogue collections in France and moved them, illicitly, to New York. There, he used them as the basis for his pathbreaking articles. Eventually, he sold them, piecemeal, to American and Israeli research libraries, where they still remain today. Why did this respectable historian become an archive thief? And why did librarians in the United States and Israel buy these materials from him, turning a blind eye to the signs of ownership they bore? These are the questions that motivate this gripping tale. Throughout, it is clear that all involved-perpetrator, victims, and buyers-saw what Szajkowski was doing through the prism of the Holocaust. The buyers shared a desire to save these precious remnants of the European Jewish past, left behind on a continent where six million Jews had just been killed by the Nazis and their collaborators. The scholars who read Szajkowski's studies, based largely on the documents he had stolen, saw the treasures as offering an unparalleled window into the history that led to that catastrophe. And the Jewish caretakers of many of the institutions Szajkowski robbed in France saw the losses as a sign of their difficulties reconstructing their community after the Holocaust, when the balance of power in the Jewish world was shifting away from Europe to new centers in America and Israel. Based on painstaking research, Lisa Leff reconstructs Szajkowski's story in all its ambiguity by taking us backstage at the archives, revealing the powerful ideological, economic and scientific forces that made Holocaust-era Jewish scholars care more deeply than ever before about preserving the remnants of their past.

This volume explores the changing place of Islam in contemporary Central Asia, understanding religion as a "societal shaper" - a roadmap for navigating quickly evolving social and cultural values. Islam can take on multiple colors and identities, from a purely transcendental faith in God to a cauldron of ideological ferment for political ideology, via diverse culture-, community-, and history-based phenomena. The volumes discusses what it means to be a Muslim in today's Central Asia by looking at both historical and sociological features, investigates the relationship between Islam, politics and the state, the changing role of Islam in terms of societal values, and the issue of female attire as a public debate. Contributors include: Aurelie Biard, Tim Epkenhans, Nurgul Esenamanova, Azamat Junisbai, Barbara Junisbai, Marlene Laruelle, Marintha Miles, Emil Nasritdinov, Shahnoza Nozimova, Yaacov Ro'i, Wendell Schwab, Manja Stephan-Emmrich, Rano Turaeva, Alon Wainer, Alexander Wolters, Galina M. Yemelianova, Baurzhan Zhussupov

From the abolition era to the Civil Rights movement to the age of Obama, the promise of perfectibility and improvement resonates in the story of American democracy. But what exactly does racial "progress" mean, and how do we recognize and achieve it? Untimely Democracy: The Politics of Progress After Slavery uncovers a surprising answer to this question in the writings of American authors and activists, both black and white. Conventional narratives of democracy stretching from Thomas Jefferson's America to our own posit a purposeful break between past and present as the key to the viability of this political form-the only way to ensure its continual development. But for Pauline E. Hopkins, Frederick Douglass, Stephen Crane, W. E. B. Du Bois, Charles W. Chesnutt, Sutton E. Griggs, Callie House, and the other figures examined in this book, the campaign to secure liberty and equality for all citizens proceeds most potently when it refuses the precepts of progressive time. Placing these authors' post-Civil War writings into dialogue with debates about racial optimism and pessimism, tracts on progress, and accounts of ex-slave pension activism, and extending their insights into our contemporary period, Laski recovers late-nineteenth-century literature as a vibrant site for doing political theory. Untimely Democracy ultimately shows how one of the bleakest periods in American racial history provided fertile terrain for a radical reconstruction of our most fundamental assumptions about this political system. Offering resources for moments when the march of progress seems to stutter and even stop, this book invites us to reconsider just what democracy can make possible.

This pioneering book is the first to argue that cinema and television in Spain only make sense when considered together as twin vehicles for screen fiction. The Spanish audiovisual sector is now one of the most successful in the world, with feature films achieving wider distribution in foreign markets than nations with better known cinematic traditions and newly innovative TV formats, already dominant at home, now widely exported. Beyond the industrial context, which has seen close convergence of the two media, this book also examines the textual evidence for crossover between cinema and television at the level of narrative and form. The book, which is of interest to both Hispanic and media studies, gives new readings of some well-known texts and discovers new or forgotten ones. For example it compares Almodovar's classic feature Mujeres al borde de un ataque de nervios ('Women on the Verge of a Nervous Breakdown') with his production company El Deseo's first venture into TV production, the 2006 series also known as Mujeres ('Women'). It also reclaims the lost history of female flat share comedy on Spanish TV from the 1960s to the present day. It examines a wide range of prize winning workplace drama on TV, from police shows, to hospital and legal series. Amenabar's Mar adentro ('The Sea Inside') an Oscar-winning film on the theme of euthanasia, is contrasted with its antecedent, an episode of national network Tele5's top-rated drama Periodistas. The book also traces the attempt to establish a Latin American genre, the telenovela, in the very different context of Spanish scheduling. Finally it proposes two new terms: 'Auteur TV' charts the careers of creators who have established distinctive profiles in television over decades; 'sitcom cinema' charts, conversely, the incursion of television aesthetics and economics into the film comedies that have proved amongst the most popular features at the Spanish box office in the last decade.

The availability of practical applications, techniques, and case studies by international therapists is limited despite expansions to the fields of clinical psychology and counseling. As dialogues surrounding mental health grow in the East, it is important to maintain therapeutic modalities that ensure the highest level of patient-centered rehabilitation and care are met across global networks. Multicultural Counseling Applications for Improved Mental Healthcare Services is an essential reference source that discusses techniques in addressing different religions and cultures in counseling and therapy. The research in this publication provides a platform and a voice for Eastern therapists to contribute to the body of knowledge and build a more robust therapeutic framework for practitioners worldwide. Featuring topics such as psychotherapy, refugee counseling, and women empowerment, this book is ideally designed for mental health professionals, counselors, therapists, clinical psychologists, sociologists, social workers, researchers, students, and social science academicians seeking coverage on significant advances in therapy, as well as the skills, challenges, and abilities that practitioners facing diverse populations must manage on a daily basis.

Muslims beyond the Arab World explores the tradition of writing African languages using the Arabic script 'Ajami and the rise of the Muridiyya order of Islamic Sufi in Senegal, founded by Shaykh Ahmadu Bamba Mbakke (1853-1927). The book demonstrates how the development of the 'Ajami literary tradition and the flourishing of the Muridiyya into one of sub-Saharan Africa's most powerful and dynamic Sufi organizations are entwined. It offers a close reading of the rich hagiographic and didactic written, recited, and chanted 'Ajami texts of the Muridiyya, works largely unknown to scholars. The texts describe the life and Sufi odyssey of the order's founder, his conflicts with local rulers and Muslim clerics and the French colonial administration, and the traditions and teachings he championed that shaped the identity and practices of his followers. In analyzing these Murid 'Ajami texts, Fallou Ngom evaluates prevailing representations of the movement and offers alternative perspectives. He demonstrates how, without the knowledge of the French colonial administration, the Murids were able to use their written, recited, and chanted 'Ajami materials as an effective means of mass communication to convey the personal journey of Shaykh Ahamadu Bamba, his doctrine, the virtues he stood for and cultivated among his followers: self-reliance, strong faith, the pursuit of excellence, nonviolence, and optimism in the face of adversity. This, according to Muslims beyond the Arab World, is the source of the surprising resilience, appeal, and expansion of Muridiyya.

The Lebanese civil war, which spanned the years of 1975 to 1990,caused the migration of hundreds of thousands of Lebanese citizens, many of whom are still writing of their experiences. Jumana Bayeh presents an important and major study of the literature of the Lebanese diaspora. Focusing on novels and writings produced in the aftermath of Lebanon's protracted civil war, Bayeh explores the complex relationships between place, displacement and belonging, and illuminates the ways in which these writings have shaped a global Lebanese identity. Combining history with sociology, Bayeh examines how the literature borne out of this expatriate community reflects a Lebanese diasporic imaginary that is sensitive to the entangled associations of place and identity. Paving the way for new approaches to understanding diasporic literature and identity, this book will be vital for researchers of migration studies and Middle Eastern literature, as well as those interested in the cultures, history and politics of the Middle East.

"The first biography of this important American Indian artist"

Artist, teacher, and Red Progressive, Angel De Cora (1869-1919) painted "Fire Light" to capture warm memories of her Nebraska Winnebago childhood. In this biography, Linda M. Waggoner draws on that glowing image to illuminate De Cora's life and artistry, which until now have been largely overlooked by scholars.

One of the first American Indian artists to be accepted within the mainstream art world, De Cora left her childhood home on the Winnebago reservation to find success in the urban Northeast at the turn of the twentieth century. Despite scant documentary sources that elucidate De Cora's private life, Waggoner has rendered a complete picture of the woman known in her time as the first "real Indian artist." She depicts De Cora as a multifaceted individual who as a young girl took pride in her traditions, forged a bond with the land that would sustain her over great distances, and learned the role of cultural broker from her mother's Metis family.

After studying with famed illustrator Howard Pyle at his first Brandywine summer school, De Cora eventually succeeded in establishing the first "Native Indian" art department at Carlisle Indian School. A founding member of the Society of American Indians, she made a significant impact on the American Arts and Crafts movement by promoting indigenous arts throughout her career.

Waggoner brings her broad knowledge of Winnebago culture and history to this gracefully written book, which features more than forty illustrations. "Fire Light" shows us both a consummate artist and a fully realized woman, who learned how to traverse the borders of Red identity in a white man's world.

From the end of the 15th century until the 18th, Spanish Jews carried on Jewish practices in the shadow of the Inquisition. Those caught were forced to recant or be burnt at the stake. Drawing on their confessions and trial documents, this book tells their story.

A Jewish weapons manufacturer during the American Civil War, a Jewish-Canadian chair of the Metropolitan Toronto Police Board, and Jewish-Argentine guerrilla fighters-these are some of the individuals discussed in this first-of-its-kind volume. It brings together some of the best new works on armed Jews in the Americas. Links between Jews and their ties to weapons are addressed through multiple cultural, political, social, and ideological contexts, thus breaking down longstanding, stilted myths in many societies about Jews and weaponry. Anti-Semitism and Jewish self-defense, Jewish volunteers in the Spanish Civil War and in the 1948 Arab-Israeli war, and Jewish-American gangsters as ethnic heroes form part of the little-researched topic of Jews and arms in the Americas.