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Books > Social sciences > Sociology, social studies > Ethnic studies
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The Will To Tell
(Hardcover)
Yitzhak Weizman; Cover design or artwork by Jan Fine; Edited by Leon Zamosc
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R972
R792
Discovery Miles 7 920
Save R180 (19%)
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Literature serves many purposes, and one of them certainly proves
to be to convey messages, wisdom, and instruction, and this across
languages, religions, and cultures. Beyond that, as the
contributors to this volume underscore, people have always
endeavored to reach out to their community members, that is, to
build community, to learn from each other, and to teach. Hence,
this volume explores the meaning of communication, translation, and
community building based on the medium of language. While all these
aspects have already been discussed in many different venues, the
contributors endeavor to explore a host of heretofore less
considered historical, religious, literary, political, and
linguistic sources. While the dominant focus tends to rest on
conflicts, hostility, and animosity in the pre-modern age, here the
emphasis rests on communication with its myriad of challenges and
potentials for establishing a community. As the various studies
illustrate, a close reading of communicative issues opens profound
perspectives regarding human relationships and hence the social
context. This understanding invites intensive collaboration between
medical historians, literary scholars, translation experts, and
specialists on religious conflicts and discourses. We also learn
how much language carries tremendous cultural and social meaning
and determines in a most sensitive manner the interactions among
people in a communicative and community-based fashion.
From the 1870s to the 1930s, American cartoonists devoted much of
their ink to outlandish caricatures of immigrants and minority
groups, making explicit the derogatory stereotypes that circulated
at the time. Members of ethnic groups were depicted as fools,
connivers, thieves, and individuals hardly fit for American
citizenship, but Jews were especially singled out with visual and
verbal abuse. In The Implacable Urge to Defame, Baigell examines
more than sixty published cartoons from humor magazines such as
Judge, Puck and Life and considers the climate of opinion that
allowed such cartoons to be published. In doing so, he traces their
impact on the emergence of anti-Semitism in the American Scene
movement in the 1920s and 1930s.
Since the term "workforce diversity" was first coined in the 1990s,
the topic has received consistent and increasing attention by
researchers. Over the last 30 years, a body of theory and research
has amassed which recognizes diversity as an important work unit
characteristic and explored its influence on organizational
functioning and performance. Despite these advancements, the field
is at a critical juncture where new ideas, emphases, theories,
predictions and approaches are needed to propel our understanding
of the meaning, import and functioning of diversity in
organizations. Accordingly, this volume looks to the future of
diversity work, both with regard to the content of the chapters and
to the contributors. We endeavored to give a voice to emerging
scholars who are the future of our field and can help to set a
future research agenda to push our understanding of diversity in
organizations. The scholars raise new and provocative questions
about race in organizations that deliberate on the state of our
science, our understanding of complex experiences of race, and a
more nuanced view of race in terms of intersectionalities. Overall,
each of these chapters provokes the status quo and, in so doing,
offers a fresh perspective on the study of diversity in general and
race and racism more specifically. We believe the end result is a
more comprehensive exploration of the phenomenon and the
development of an exciting future research agenda.
This book explores the Afro-diasporic experiences of African
skilled migrants in Australia. It explores research participants'
experiences of migration and how these experiences inform their
lives and the lives of their family. It provides theory-based
arguments examining how mainstream immigration attitudes in
Australia impact upon Black African migrants through the mediums of
mediatised moral panics about Black criminality and acts of
everyday racism that construct and enforce their 'strangerhood'.
The book presents theoretical writing on alternate African
diasporic experiences and identities and the changing nature of
such identities. The qualitative study employed semi-structured
interviews to investigate multiple aspects of the migrant
experience including employment, parenting, family dynamics and
overall sense of belonging. This book advances our understanding of
the resilience exercised by skilled Black African migrants as they
adjust to a new life in Australia, with particular implications for
social work, public health and community development practices.
Rejection. Loss. Confusion. Pain. Our past and our future are
intertwined. Each distinct memory becomes one life. What once hurt,
eventually heals, and the lesson (or lessons) to be learned becomes
one with our soul and our spirit. Our experiences provide strength
instead of destruction. Our great-grandmothers, grandmothers,
mothers -- all women of power who came before us -- were great
descendants of the coastal lands of West Africa. They arrived in
strange lands with their Gumbo - -their memories, rhythms,
ingenuity, creativity, strength, and compassion. Their lived
stories and conversation were recipes mixed with unique
combinations of ingredients, dropped into the cast iron pot --
stirred, dropped in, seasoned, dropped in, stirred again, and
again, and again, until done. This Gumbo is savory like the soul,
carefully prepared, recipes rich with what our foremothers brought
with them from their homeland. They brought the best of what they
had to offer. Gumbo or Gombo is a Bantu word meaning `okra'. Okra
is a rich vegetable that serves as the base (or gravy) for a
delicately prepared stew. (Today's Gumbo cooks use a `roux' as the
base- see the recipe on page 3). Gumbo's West African origins have
been modified over the past two centuries by people of varied
ancestry: Native American, German, Spanish, and French (Moss,
2014). It is essential to understand the manner in which Gumbo is
prepared: each ingredient must be placed into the stew at its
specified time so that it can cook in and savor its own flavor.
When completed, Gumbo is usually served over grits or rice. Gumbo
has become a cornerstone of life in African-descended communities
across the south and southwest spanning from South Carolina to
Louisiana and Texas. Gumbo is a treasure... a reminder of the
greatness that lived in the village in a time of strength and
abundance...a reminder of the resilience and richness of our people
over generations. This book -- a collection of memoirs written by
Women of Color is shared to inspire and motivate readers. The
authors of these precious, soulful stories are from across the
globe and represent various backgrounds and professions. What these
women have in common, though, is their drive to tell their story.
Stories of pain, discovery, strength, and stories of beginnings.
Many of the experiences, as difficult as they may have been, made
the women who they are today. Telling these stories to a new
generation will empower and encourage them in their experiences no
matter how troubling or challenging (Harris, 2015). These stories,
like our foremothers offering their Gumbo, present the best these
women have to offer. These authors want the world to know that deep
inside of each of us is a rich, vibrant, purposeful beginning. As
our lives develop and we are "stirred and stirred again", like
Gumbo, our experiences begin to shape who we are and who we become.
When the stirring is complete, a comforting meal -- one that says
no matter what has gone into the dish, it's going to be amazingly
magnificent!! The authors hope these stories will inspire and
motivate girls and Women of Color to trust their experiences --
whether good or bad -- to help them become. Our becoming means that
after all that life has thrown our way, we are strong, purposeful,
and powerful people who are a great treasure to a world that
sometimes rejects and ignores our existence. Embedded in this book
are stories of abuse and triumph, sadness and victory,
disappointment and resilience, discovery and victory. We are very
proud to be the keepers of these rich recipes. They represent the
first in what we hope will become a collection or series of
inspirational memoirs that will be shared to help others live out
their destiny and become the women they were born to be.
Historical accounts of racial discrimination in transportation have
focused until now on trains, buses, and streetcars and their
respective depots, terminals, stops, and other public
accommodations. It is essential to add airplanes and airports to
this narrative, says Anke Ortlepp. Air travel stands at the center
of the twentieth century's transportation revolution, and airports
embodied the rapidly mobilizing, increasingly prosperous, and
cosmopolitan character of the postwar United States. When
segregationists inscribed local definitions of whiteness and
blackness onto sites of interstate and even international transit,
they not only brought the incongruities of racial separation into
sharp relief but also obligated the federal government to
intervene. Ortlepp looks at African American passengers; civil
rights organizations; the federal government and judiciary; and
airport planners, architects, and managers as actors in shaping
aviation's legal, cultural, and built environments. She relates the
struggles of black travelers-to enjoy the same freedoms on the
airport grounds that they enjoyed in the aircraft cabin-in the
context of larger shifts in the postwar social, economic, and
political order. Jim Crow terminals, Ortlepp shows us, were both
spatial expressions of sweeping change and sites of confrontation
over the re-negotiation of racial identities. Hence, this new study
situates itself in the scholarly debate over the multifaceted
entanglements of "race" and "space."
Head Above Water takes us into a space of intimate conversations on
illness and society's stigmatization of disabled bodies. We are
invited in to ask the big questions about life, loss, and the place
of the other. The narrative builds a bridge that reminds us of our
common humanity and weaves the threads that tie us all together.
Through conversations about women's identities, bodies, and our
journeys through life, we arrive at a politics of love, survival,
and hope.
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