SHE SHOULD HAVE LOOKED BEFORE SHE LEAPT.

The man Jess has fallen in lust with is not only married, he's her boss. He's also famous -- a high-ranking government official who is all business by day, and all-out kinky by night. And when his photo -- his naked photo -- is splashed on the front page of the supermarket tabloids, Jess has Rude Awakening #1: home-wrecking leads to nothing but heartache. How could it all have backfired so? Are her instincts in this Crazy Thing called Love really that deplorable?

SHE'LL LAND ON HER FEET.

Maybe her instincts aren't the problem. Relying on her colorful circle of girlfriends for unconditional love and break-up recovery via margarita infusion, Jess makes another play for domestic bliss -- only to experience Rude Awakening #2: some men are wired to behave badly. But rather than settle, Jess is finally ready to put her happiness first. And happiness, for the time being, means calling on her friends to concoct a marvelous plan to get payback from her exes that's daring, hilarious, and certain to hit the jerks where they live....

Illus. in color. A baby bird is hatched while his mother is away. Fallen from his nest, he sets out to look for her and asks everyone he meets -- including a dog, a cow, and a plane -- "Are you my mother?"  

Short Plays with Great Roles for Women is an antidote to the traditional underrepresentation of women on stage, by offering twenty-two short plays that put women right at the centre of the action. The push for more women's roles has gathered force over the last few years, and this collection is part of that movement, with rich, intelligent roles for women of all ages and backgrounds. This anthology offers a vital slice of life, addressing relevant and diverse topics such as: a young, Islamic woman coming out to her religious mother; black women's navigation of the natural hair movement; bullying in a small-town American school; social media addiction; and the trials and tribulations of family life. Plays from award-winning playwrights are supported by original production details and playwrights' afterwords, forming a broad and comprehensive collection of complete texts that offer full character journeys. Appealing to aspiring performers, playwrights, directors and students, Short Plays with Great Roles for Women is an essential resource for actor training, assessments, showcases, show-reels, short films and theatre performances.

One of a series of top-quality fiction for schools. These retellings of Shakespeare stories focus on "The Taming of the Shrew", "A Midsummer Night's Dream", "The Merchant of Venice", "Henry IV Part 1", "Henry V", "Twelfth Night", "Julius Caesar", "Hamlet", "King Lear", "Macbeth" and "The Tempest".

This award-winning contemporary classic is the survival story with which all others are compared--and a page-turning, heart-stopping adventure, recipient of the Newbery Honor. Hatchet has also been nominated as one of America's best-loved novels by PBS's The Great American Read. Thirteen-year-old Brian Robeson, haunted by his secret knowledge of his mother's infidelity, is traveling by single-engine plane to visit his father for the first time since the divorce. When the plane crashes, killing the pilot, the sole survivor is Brian. He is alone in the Canadian wilderness with nothing but his clothing, a tattered windbreaker, and the hatchet his mother had given him as a present. At first consumed by despair and self-pity, Brian slowly learns survival skills--how to make a shelter for himself, how to hunt and fish and forage for food, how to make a fire--and even finds the courage to start over from scratch when a tornado ravages his campsite. When Brian is finally rescued after fifty-four days in the wild, he emerges from his ordeal with new patience and maturity, and a greater understanding of himself and his parents.

When Gilbert writes two not-so-nice valentines to his classmates, his prank quickly turns into pandemonium. But there's always time for a change of heart on Valentine's Day.

Grouped by genre, this collection of short stories introduces students to a range of fiction genres. Each group includes an introduction to the genre, an example of pre-20th century fiction and reading and writing assignments - helping students explore the characteristics of each genre.

After fourteen years of construction, the Brooklyn Bridge was completed, much to the delight of the sister cities it connected: Brooklyn and New York City.
Fireworks and top hats filled the air in celebration when the magnificent bridge opened in 1883. But some wondered just how much weight the new bridge could hold. Was it truly safe?
One man seized the opportunity to show people in Brooklyn, New York and the world that the Brooklyn Bridge was in fact strong enough to hold even the heaviest of passengers. P. T. Barnum, creator of "The Greatest Show on Earth," would present a show too big for the Big Top and too wondrous to forget.

Application of the Michael Chekhov Technique to Shakespeare's Sonnets, Soliloquies, and Monologues illustrates how to apply the Michael Chekhov Technique, through exercises and rehearsal techniques, to a wide range of Shakespeare's works. The book begins with a comprehensive chapter on the definitions of the various aspects of the Technique, followed by five chapters covering Shakespeare's sonnets, comedies, tragedies, histories, and romances. This volume offers a very specific path, via Michael Chekhov, on how to put theory into practice and bring one's own artistic life into the work of Shakespeare. Offering a wide range of pieces that can be used as audition material, Application of the Michael Chekhov Technique to Shakespeare's Sonnets, Soliloquies, and Monologues is an excellent resource for acting teachers, directors, and actors specializing in the work of William Shakespeare. The book also includes access to a video on Psychological Gesture to facilitate the application of this acting tool to Shakespeare's scenes.

In Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented. Based on the EU Collective Plays Project, this collection of plays showcases each voice in dialogic tension and in relation to the other voices of the text, offering an entirely novel approach to new play development that challenges the single (and privileged) authorial voice. Castagno's case-study approach provides detailed commentary on each of the various experimental methods, exploring the plays' processes in detail. The book offers an evolutionary path forward in how to develop new work, thus encouraging and promoting the writing of collective, hybrid plays as having profound benefits for all playwrights. The ground breaking approaches to playmaking in Collaborative Playwriting will appeal to playwriting programs, instructors, academics, professional playwrights, theaters and new play development programs; as well as courses in gender LGBTQ studies, script analysis, dramaturgy and dramatic literature across the theater studies curricula.

One of a series of top-quality fiction for schools, this Newbery Award-winning story tells of an Indian girl abandoned in 1835 on a lonely, rocky island off the Californian coast.

This series contains poetry and prose anthologies composed of writers from across the English-speaking world. Stories of Ourselves Volume 2 is a set text for Cambridge IGCSE (R), O Level and International AS & A Level Literature in English courses. The anthology contains short stories written in English by authors from many different countries and cultures, including Charles Dickens, Virginia Woolf, Christina Rossetti, Janet Frame, Jhumpa Lahiri, Romesh Gunesekera, Segun Afolabi, Margaret Atwood and many others. Classic writers appear alongside new voices from around the world in a stimulating collection with broad appeal.

Students in Mrs. Mack's class describe their families--big or small, living together or apart, with two moms or none--and learn why every family is special and important.

During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres with the same sentimental moments and comic interludes of domestic melodrama mixed with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain's promulgation of imperial ideology - and its role in constructing and maintaining class, gender, and racial identities - have given discussions of melodrama force and momentum. The plays in included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from the original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays' nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices - acting, audiences, staging, lighting, special effects - are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further. The appendices include maps of Britain, Europe, and the East and West Indies.

The bay owls came out of their house,
and they sat on the tree and waited.
A big branch for Sarah, a small branch for Percy,
and an old piece of ivy for Bill.
When three baby owls awake one night to find their mother gone, they can't help but wonder where she is. Stunning illustrations from unique and striking perspectives capture the owls as they worry about their mother: What is she doing? When will she be back? What scary things move all around them? Not surprisingly, a joyous flapping and dancing and bouncing greets her return, lending a celebratory tone to the ending of this comforting tale. Never has the plight of young ones who miss their mother been so simply told or so beautifully rendered.

One of a series of top-quality fiction for schools, this is the story of a couple - one Protestant and one Catholic - in search of love and freedom in Belfast.

This edition of the celebrated Sherlock Holmes novel is one of a series consisting of unabridged versions of 19th-century classics, with introductions, glossaries, and activities for individuals, pairs and groups.

In this, the first of Conan Doyle's classic Sherlock Holmes mysteries, Dr Watson and Holmes embark on their first case together. A man is found murdered, with no apparent physical wounds and a terrible grimace fixed on his face. The police are mystified, but using his astonishing skills of deduction and logic, the famous detective uncovers a story of deceit, love, revenge and murder that spans years and stretches across continents. From the body found in an abandoned house, Watson and Holmes chase the clues across London and beyond to reach a gripping conclusion, meanwhile cementing their partnership as the most famous detective duo in literature.

IN

Application of the Michael Chekhov Technique to Shakespeare's Sonnets, Soliloquies, and Monologues illustrates how to apply the Michael Chekhov Technique, through exercises and rehearsal techniques, to a wide range of Shakespeare's works. The book begins with a comprehensive chapter on the definitions of the various aspects of the Technique, followed by five chapters covering Shakespeare's sonnets, comedies, tragedies, histories, and romances. This volume offers a very specific path, via Michael Chekhov, on how to put theory into practice and bring one's own artistic life into the work of Shakespeare. Offering a wide range of pieces that can be used as audition material, Application of the Michael Chekhov Technique to Shakespeare's Sonnets, Soliloquies, and Monologues is an excellent resource for acting teachers, directors, and actors specializing in the work of William Shakespeare. The book also includes access to a video on Psychological Gesture to facilitate the application of this acting tool to Shakespeare's scenes.

First published in 1799, George Walker's The Vagabond was an immediate popular success. Offering a vitriolic critique of post-Bastille Jacobinism and sansculotte-style mob rule, its true-to-life satirical portraits of many of the radical men and women who fought in the forefront of the "British Revolution" are nonetheless full of playful banter and farce. With swipes at Hume, Rousseau, Godwin, Wollstonecraft, and Paine; the French Revolution; and the ideas of the noble savage, natural virtue, liberty, equality, and romantic primitivism, The Vagabond offers a unique cross-section of 1790s radicalism. This Broadview edition contains a critical introduction and a wide selection of primary source materials that situate the novel in the context of the revolutionary debate of the 1790s. Appendices include contemporary reviews of the novel and excerpts from the writings of a variety of radicals and reactionaries engaged in the debate, such as Hume, Rousseau, Paine, Thelwall, Wollstonecraft, Godwin, Burke, Playfair, Malthus, and Cobbett, among many others.