At the end of the nineteenth century, Theodore Roosevelt, T. S. Van Dyke, and other elite men began describing their big-game hunting as "manly sport with the rifle." They also began writing about their experiences, publishing hundreds of narratives of hunting and adventure in the popular press (and creating a new literary genre in the process). But why did so many of these big-game hunters publish? What was writing actually doing for them, and what did it do for readers? In exploring these questions, The Hunter Elite reveals new connections among hunting narratives, publishing, and the American conservation movement. Beginning in the 1880s these prolific hunter-writers told readers that big-game hunting was a test of self-restraint and "manly virtues," and that it was not about violence. They also opposed their sportsmanlike hunting to the slaughtering of game by British imperialists, even as they hunted across North America and throughout the British Empire. Their references to Americanism and manliness appealed to traditional values, but they used very modern publishing technologies to sell their stories, and by 1900 they were reaching hundreds of thousands of readers every month. When hunter-writers took up conservation as a cause, they used that reach to rally popular support for the national parks and for legislation that restricted hunting in the US, Canada, and Newfoundland. The Hunter Elite is the first book to explore both the international nature of American hunting during this period and the essential contributions of hunting narratives and the publishing industry to the North American conservation movement.

Ant developed a fascination for the natural world at an early age, becoming especially passionate about fishing and diving. It has been a constant theme throughout his life and so, when he was diagnosed with Parkinson's at the early age of 48 years, it was devastating. However, he was fortunate enough to be offered ground-breaking brain surgery which enabled him to continue to enjoy life. From the thrill of catching bass and the excitement of diving for lobster and bull huss to the humour of marauding gerbils in the biology lab and his childhood love for a pet crow - this book will appeal to any reader who shares a passion for life.

At the end of the nineteenth century, Theodore Roosevelt, T. S. Van Dyke, and other elite men began describing their big-game hunting as "manly sport with the rifle." They also began writing about their experiences, publishing hundreds of narratives of hunting and adventure in the popular press (and creating a new literary genre in the process). But why did so many of these big-game hunters publish? What was writing actually doing for them, and what did it do for readers? In exploring these questions, The Hunter Elite reveals new connections among hunting narratives, publishing, and the American conservation movement. Beginning in the 1880s these prolific hunter-writers told readers that big-game hunting was a test of self-restraint and "manly virtues," and that it was not about violence. They also opposed their sportsmanlike hunting to the slaughtering of game by British imperialists, even as they hunted across North America and throughout the British Empire. Their references to Americanism and manliness appealed to traditional values, but they used very modern publishing technologies to sell their stories, and by 1900 they were reaching hundreds of thousands of readers every month. When hunter-writers took up conservation as a cause, they used that reach to rally popular support for the national parks and for legislation that restricted hunting in the US, Canada, and Newfoundland. The Hunter Elite is the first book to explore both the international nature of American hunting during this period and the essential contributions of hunting narratives and the publishing industry to the North American conservation movement.

Bird decoys were used for hunting in North America until the advent of hunting regulations in the early twentieth century, when decoys started to be prized and collected as masterpieces of American folk art. This handsome book is the first examination of the historic and unparalleled decoy collection at Shelburne Museum. Featuring new photography of 250 of the museum s most important and artistically carved decoys, it includes examples made by the most respected American carvers: Charles Osgood, Lem and Steve Ward, John Blair, Bill Bowman, Nathan Cobb, Jr., Lee Dudley, James Holly, Jr., Nathan Horner, Albert Laing, Joseph Lincoln, A. Elmer Crowell, and Charles Shang Wheeler. The story of the collection begins with Joel Barber, the pioneer decoy enthusiast and New York architect, artist, and carver, whose gift of 400 superior examples established the collection in 1952. Several essays provide groundbreaking scholarship on the origins, construction, and attribution of bird decoys, imparting critical advancements to our modern understanding of this revered tradition.