A Los Angeles Times Book Prize Finalist in History Winner of the 2018 Marine Corps Heritage Foundation Greene Award for a distinguished work of nonfiction. The first battle book from Mark Bowden since his #1 New York Times bestseller Black Hawk Down, Hue 1968, "an instantly recognizable classic of military history" (Christian Science Monitor), was published to massive critical acclaim and became a New York Times bestseller. In the early hours of January 31, 1968, the North Vietnamese launched over one hundred attacks across South Vietnam in what would become known as the Tet Offensive. The lynchpin of Tet was the capture of Hue, Vietnam's intellectual and cultural capital, by 10,000 National Liberation Front troops who descended from hidden camps and surged across the city of 140,000. Within hours the entire city was in their hands save for two small military outposts. American commanders refused to believe the size and scope of the Front's presence, ordering small companies of marines against thousands of entrenched enemy troops. After several futile and deadly days, Lieutenant Colonel Ernie Cheatham would finally come up with a strategy to retake the city in some of the most intense urban combat since World War II. With unprecedented access to war archives in the U.S. and Vietnam and inter-views with participants from both sides, Bowden narrates each stage of this crucial battle through multiple viewpoints. Played out over twenty-four days and ultimately costing 10,000 lives, the Battle of Hue was the bloodiest of the entire war. When it ended, the American debate was never again about winning, only about how to leave. Hue 1968 is a gripping and moving account of this pivotal moment.

In the fall of 1965, the North Vietnamese Army launched its first major campaign against American forces, targeting, with 4,000 men, the U.S. Special Forces camp at Plei Me in the Central Highlands, where about a dozen green berets were training a few hundred South Vietnamese troops. In response, the U.S. choppered in a relief force of elite soldiers from Project Delta under legendary Chargin' Charlie Beckwith and dropped an unprecedented million pounds of munitions just yards from the camp's perimeter. The camp held out, but operations in the area continued. Within weeks, the Battle of Ia Drang broke out, the first major battle between the U.S. Army and North Vietnamese regulars. Based on archival research and interviews with veterans, Saliba covers the battle for Plei Me camp in close, vivid, and very human detail. He also gives careful attention to the strategic picture and shows how this clash laid the groundwork for the Battle of Ia Drang.

Eleven high school friends in idyllic North Adams, Massachusetts, enlisted to serve in Vietnam-one stayed behind to protest the war. All were from patriotic, working-class families, all members of the class of 1965 at Saint Joseph's School. Dennis Pregent was one of them. He and his classmates joined up-most right out of school, some before graduating-and endured the war's most vicious years. Seven served in the Army, three in the Marine Corps, and one in the Navy. After fighting in a faraway place, they saw the trajectories of their lives dramatically altered. One died in combat, another paralyzed, and several still suffer from debilitating conditions five decades later. Inspired by his 50th high school reunion, Pregent located his classmates, rekindled friendships, and-together, over hours of interviews-they remembered the war years.

A new collection of Bill Ehrhart's essays, 25 of them written between 2002 and 2011 on subjects ranging from the failures of American policymakers during the Vietnam War to life in 21st century Vietnam, from the trenches of the Western Front to the crossing of the Rhine to the mountains of Korea to the sands of Iraq, from the value of one's name to the cowardice of Congress, from mountain gorillas in Rwanda to the National Book Award-winning journalist Gloria Emerson, from teaching poetry to teenagers to luxuriating in a Japanese hot spring spa, on the famous (Wilfred Owen) and the obscure (Robert James Elliott), these essays explore the fallacies of history, the madness of war, the craft of poetry, the profession of teaching, and the art of living.

Hoping to stay out of Vietnam, David Lyman joined the U.S. Naval Reserve to avoid the draft. By the summer of 1967 he found himself with a SeaBee unit on a beach in Chu Lai. A reporter in civilian life, he was assigned to Military Construction Battalion 71 as a photojournalist, documenting the lives of the hard-working and harder-drinking U.S. Navy SeaBees as they engineered the infrastucture of war-roads, runways, heliports and base camps for troops on the edges of the conflict. He was also shot at, almost blown up by a road mine, spent nights in a mortar pit as rockets bombarded a nearby Marine runway, and rode along on convoys through Viet Cong territory to photograph villages outside "The Wire." The stories and photographs Lyman published as editor of the battalion's newspaper, The Transit, form the basis of his memoir.

With specially commissioned artworks and dynamic combat ribbon diagrams, this volume reveals how the 'last of the gunfighters', as the F-8 was dubbed by its pilots, prevailed against the growing MiG threat of the Vietnamese People's Air Force. When the Vietnam War began, the F-8 was already firmly established as a fighter and reconnaissance aircraft. It entered combat as an escort for Alpha strike packages, braving the anti-aircraft artillery and surface-to-air missiles alongside the A-4 Skyhawk bombers and meeting MiGs for the first time on 3 April 1965. Although the Crusader was nicknamed 'last of the gunfighters', its pilots employed 'secondary' AIM-9D Sidewinder missiles in all but one of their MiG kills, with guns also used as back-up in three. Its 20 mm guns were unreliable as they often jammed during strenuous manoeuvres, although they were responsible for damaging a number of MiGs. However, in combat the F-8 had the highest 'exchange ratio' (kills divided by losses) at six-to-one of any US combat aircraft involved in the Vietnam War. Through the copious use of first-hand accounts, highly detailed battlescene artwork, combat ribbon diagrams and armament views, Osprey's Vietnam air war specialist Peter E. Davies charts the successful career of the F-8 Crusader over Vietnam.

In January 1966, navy nurse Lieutenant Kay Bauer stepped off a pan am airliner into the stifling heat of Saigon and was issued a camouflage uniform, boots, and a rifle. "What am I supposed to do with this?" she said of the weapon. "I'm a nurse."

Bauer was one of approximately six thousand military nurses who served in Vietnam. Historian Kim Heikkila here delves into the experiences of fifteen nurse veterans from Minnesota, exploring what drove them to enlist, what happened to them in-country, and how the war changed their lives.

Like Bauer, these women saw themselves as nurses first and foremost: their job was to heal rather than to kill. after the war, however, the very professional selflessness that had made them such committed military nurses also made it more difficult for them to address their own needs as veterans. Reaching out to each other, they began healing from the wounds of war, and they turned their energies to a new purpose: this group of Minnesotans launched the campaign to build the Vietnam Women's Memorial. In the process, a collection of individuals became a tight-knit group of veterans who share the bonds of a sisterhood forged in war.

Kim Heikkila is an adjunct instructor in the history department at St. Catherine University, where she teaches courses on U.S. history, U.S. women's history, the Vietnam War, and the 1960s.

Elbridge Durbrow served as the third United States ambassador to the Republic of Vietnam from 1957 to 1961. His relationships with Vietnamese president Ngo Dinh Diem and members of the Military Assistance Advisory Group in Saigon helped to shape his tenure in office, which ultimately concluded with his decision to end his support for the Vietnamese leader as well as turn away from the American military representatives who had earned Ngo Dinh Diem's trust. This triangular relationship between three competing entities was mired in clashes of ego and personality that often interfered with the American decision making process. Durbrow and his embassy staff, rather than work with the Vietnamese leadership, chose to focus on the negative and reported to Washington only those items that reinforced this perspective. They created an atmosphere of distrust and anxiety that neither the Americans nor Vietnamese could overcome in the 1960s and helped to create the conditions for greater United States involvement in Southeast Asia.

Diary of A Young Artist is a beautiful reproduction of the diary notes and sketches of Vietnamese war artist Pham Thanh Tam, created in the Vietminh trenches while on the front line of the decisive battle of Dien Bien Phu.

Ron Kovic went to Vietnam dreaming of being an American hero. What he found there changed him profoundly, even before the severe battlefield injury that left him paralysed from the waist down. He returned to an America indifferent to the realities of war and the fate of those who fought for their country. From his wheelchair he became one of the most visible and outspoken opponents of the Vietnam War. Born on the Fourth of July is a journey of self-discovery, a reckoning with the horrors of an unjust war, a testament to courage and a call to protest. A modern classic of anti-war writing, it inspired an Oscar-winning film, sold over one million copies and remains as powerful and relevant today as when it was first published.

The Trails War formed a major part of the so-called 'secret war' in South East Asia, yet for complex political reasons, including the involvement of the CIA, it received far less coverage than campaigns like Rolling Thunder and Linebacker. Nevertheless, the campaign had a profound effect on the outcome of the war and on its perception in the USA. In the north, the Barrel Roll campaign was often operated by daring pilots flying obsolete aircraft, as in the early years, US forces were still flying antiquated piston-engined T-28 and A-26A aircraft. The campaign gave rise to countless heroic deeds by pilots like the Raven forward air controllers, operating from primitive airstrips in close contact with fierce enemy forces. USAF rescue services carried out extremely hazardous missions to recover aircrew who would otherwise have been swiftly executed by Pathet Lao forces, and reconnaissance pilots routinely risked their lives in solo, low-level mission over hostile territory. Further south, the Steel Tiger campaign was less covert. Arc Light B-52 strikes were flown frequently, and the fearsome AC-130 was introduced to cut the trails. At the same time, many thousands of North Vietnamese troops and civilians repeatedly made the long, arduous journey along the trail in trucks or, more often, pushing French bicycles laden with ammunition and rice. Under constant threat of air attack and enduring heavy losses, they devised extremely ingenious means of survival. The campaign to cut the trails endured for the entire Vietnam War but nothing more than partial success could ever be achieved by the USA. This illustrated title explores the fascinating history of this campaign, analysing the forces involved and explaining why the USA could never truly conquer the Ho Chi Minh trail.

The tactics and technologies of modern air assault - vertical deployment of troops by helicopter or similar means - emerged properly during the 1950s in Korea and Algeria. Yet it was during the Vietnam War that helicopter air assault truly came of age and by 1965 the United States had established fully airmobile battalions, brigades, and divisions, including the 1st Cavalry Division (Airmobile).This division brought to Vietnam a revolutionary new speed and dexterity in battlefield tactics, using massed helicopters to liberate its soldiers from traditional overland methods of combat manoeuvre. However, the communist troops adjusted their own thinking to handle airmobile assaults. Specializing in ambush, harassment, infiltration attacks, and small-scale attrition, the North Vietnamese operated with light logistics and a deep familiarity with the terrain. They optimized their defensive tactics to make landing zones as hostile as possible for assaulting US troops, and from 1966 worked to draw them into 'Hill Traps', extensive kill zones specially prepared for defence -in -depth. By the time the 1st Cavalry Division (Airmobile) withdrew from Vietnam in 1972, it had suffered more casualties than any other US Army division. Featuring specially commissioned artwork, archive photographs, and full-colour battle maps, this study charts the evolution of US airmobile tactics pitted against North Vietnamese countermeasures. The two sides are analysed in detail, including training, logistics, weaponry, and organization.

The Vietnam War left wounds that have taken three decades to heal-indeed some scars remain even today. In A Time for Peace, prominent American historian Robert D. Schulzinger sheds light on how deeply etched memories of this devastating conflict have altered America's political, social, and cultural landscape. Schulzinger examines the impact of the war from many angles. He traces the long, twisted, and painful path of reconciliation with Vietnam, the heated controversy over soldiers who were missing in action and how it resulted in years of false hope for military families, and the outcry over Maya Lin's design for the Vietnam Memorial in Washington. In addition, the book examines the influx of over a million Vietnam refugees and Amerasian children into the US and describes the plight of Vietnam veterans, many of whom returned home alienated, unhappy, and unappreciated, though some led productive post-war lives. Schulzinger looks at how the controversies of the war have continued to be fought in books and films, ranging from novels such as Going After Cacciato and Paco's Story to such movies as The Green Berets (directed by and starring John Wayne), The Deer Hunter, Apocalypse Now, and Rambo. Perhaps most important, the author explores the power of the Vietnam metaphor on foreign policy, particularly in Central America, Somalia, the Gulf War, and the war in Iraq. We see how the "lessons" of the war have been reinterpreted by different ends of the political spectrum.

The Vietnam War actually began in December 1946 with a struggle between the communists and the French for possession of the country. Vietnam's strategic position in Southeast Asia along with veiled economic concerns and a political agenda led to the involvement of other countries, including the United States. Written by an officer in the Republic of Vietnam Armed Forces, this poignant memoir seeks to clarify the nuances of South Vietnam's defeat. From the age of 12, Van Nguyen Duong watched as the conflict affected his home, family, village and friends. He discusses not only the day-to-day hardships he endured from forced relocation and eventual imprisonment but also the anguish caused by the illusive reality of Vietnamese independence.The various political forces at work in Vietnam, the hardships suffered by RVNAF soldiers after the 1975 U.S. withdrawal from Saigon, and the effect of reunification on the Vietnamese people are also discussed. An appendix contains a summary of the Eleven Point Program Accords of January 1962.

The author was born in 1940 and spent his childhood in two small villages, the paternal and the maternal, in southern Vietnam: Binh Chuan and Tuy An (An Phu). The villages were deeply affected by the powerful political events of the next fifty years. In this memoir (first sentence: ""I was born as the Japanese Troops were invading northern Vietnam""), the author writes of what he saw, heard and knew, providing an invaluable social history of the country.Readers will learn about people who have endured separation, dictatorship, carnage, persistent suffering and poverty, all the while yearning for independence and prosperity. Included are many stories - some funny, some heartbreaking - that reveal how the Vietnamese people lived, as well as their thoughts on war, on the French, Japanese and Americans, on the Nationalist and Communist governments, and on escape. The result is a heartfelt ""social painting"" of the nation.

Drafted in October 1968, John A. Nesser left behind his wife and young son to fight in the controversial Vietnam War. Like many in his generation, he was deeply at odds with himself over the U.S. involvement in Vietnam, instilled with a strong sense of duty to his country but uncertain about its mission and his role in it. Nesser was deployed to the Ashau Valley, site of some of the war's heaviest fighting, and served eight months as an infantry rifleman before transferring to become a door gunner for a Chinook helicopter. In this stirring memoir, he recalls in detail the exhausting missions in the mountainous jungle, the terror of walking into an ambush, the dull-edged anxiety that filled quiet days, and the steady fear of being shot out of the sky. The accounts are richly illustrated with Nesser's own photographs of the military firebases and aircraft, the landscapes, and the people he encountered.

Of all of the wars in which the U.S. has been engaged, none has been as divisive as the conflict in Vietnam. The repercussions of this unsettling episode in American history still resonate in our society. Although it ended more than 30 years ago, the Vietnam War continues to fascinate and trouble Americans. The third edition of Light at the End of the Tunnel gives a full overview of the conflict. Starting with Ho Chi Minh's revolt against the French, editor Andrew J. Rotter takes the reader through the succeeding years as scholars, government officials, journalists, and others recount the important events in the conflict and examine issues that developed during this tumultuous time. This book is essential reading for anyone who has an interest in understanding the Vietnam War. The readings in it will enlighten students about this turning point in the history of the United States and the world. The third edition includes greater coverage of the Vietnamese experience of the war and reflects the growing interest in understanding the war as an international event, not just a bilateral or trilateral conflict.

All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize-winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War-a conflict that lives on in the collective memory of both nations. From a kaleidoscope of cultural forms-novels, memoirs, cemeteries, monuments, films, photography, museum exhibits, video games, souvenirs, and more-Nothing Ever Dies brings a comprehensive vision of the war into sharp focus. At stake are ethical questions about how the war should be remembered by participants that include not only Americans and Vietnamese but also Laotians, Cambodians, South Koreans, and Southeast Asian Americans. Too often, memorials valorize the experience of one's own people above all else, honoring their sacrifices while demonizing the "enemy"-or, most often, ignoring combatants and civilians on the other side altogether. Visiting sites across the United States, Southeast Asia, and Korea, Viet Thanh Nguyen provides penetrating interpretations of the way memories of the war help to enable future wars or struggle to prevent them. Drawing from this war, Nguyen offers a lesson for all wars by calling on us to recognize not only our shared humanity but our ever-present inhumanity. This is the only path to reconciliation with our foes, and with ourselves. Without reconciliation, war's truth will be impossible to remember, and war's trauma impossible to forget.

"Fulbright was erudite and eloquent in all the books he wrote, but this one is his masterpiece. Within its pages lie his now historic remonstrations against a great nation's overreach, his powerful argument for dissent, and his thoughtful propositions for a new way forward . . . lessons and cautions that resonate just as strongly today." - From the foreword by Bill Clinton J. William Fulbright (1905-1995), a Rhodes scholar and lawyer, began his long career in public service when he was elected to serve Arkansas's Third District in Congress in 1942. He quickly became a prominent member of the House Foreign Affairs Committee, where he introduced the Fulbright Resolution calling for participation in an organization that became the United Nations. Elected to the Senate in 1944, he promoted the passage of legislation establishing the Fulbright exchange program, and he served as chairman of the Senate Foreign Relations Committee from 1959 to 1974, longer than any senator in American history. Fulbright drew on his extensive experience in international relations to write The Arrogance of Power, a sweeping critique of American foreign policy, in particular the justification for the Vietnam War, Congress's failure to set limits on it, and the impulses that gave rise to it. The book-with its solid underpinning the idea that "the most valuable public servant, like the true patriot, is one who gives a higher loyalty to his country's ideals than to its current policy"-was published in 1966 and sold 400,000 copies. The New York Times called it "an invaluable antidote to the official rhetoric of government." Enhanced by a new forward by President Bill Clinton, this eloquent treatise will resonate with today's readers pondering, as Francis O. Wilcox wrote in the original preface, the peril of nations whose leaders lack ""the wisdom and the good judgment to use their power wisely and well.

"Body Counts: The Vietnam War and Militarized Refuge(es)" examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence--and the history and memories that are forged in the aftermath of war. At the same time, the book moves decisively away from the "damage-centered" approach that pathologizes loss and trauma by detailing how first- and second-generation Vietnamese have created alternative memories and epistemologies that challenge the established public narratives of the Vietnam War and Vietnamese people. Explicitly interdisciplinary, "Body Counts" moves between the humanities and social sciences, drawing on historical, ethnographic, cultural, and virtual evidence in order to illuminate the places where Vietnamese refugees have managed to conjure up social, public, and collective remembering.

When John F. Kennedy was shot, millions were left to wonder how America, and the world, would have been different had he lived to fulfill the enormous promise of his presidency. For many historians and political observers, what Kennedy would and would not have done in Vietnam has been a source of enduring controversy.
Now, based on convincing new evidence--including a startling revelation about the Kennedy administration's involvement in the assassination of Premier Diem--Howard Jones argues that Kennedy intended to withdraw the great bulk of American soldiers and pursue a diplomatic solution to the crisis in Vietnam.
Drawing upon recently declassified hearings by the Church Committee on the U.S. role in assassinations, newly released tapes of Kennedy White House discussions, and interviews with John Kenneth Galbraith, Robert McNamara, Dean Rusk, and others from the president's inner circle, Jones shows that Kennedy firmly believed that the outcome of the war depended on the South Vietnamese. In the spring of 1962, he instructed Secretary of Defense McNamara to draft a withdrawal plan aimed at having all special military forces home by the end of 1965. The "Comprehensive Plan for South Vietnam" was ready for approval in early May 1963, but then the Buddhist revolt erupted and postponed the program. Convinced that the war was not winnable under Diem's leadership, President Kennedy made his most critical mistake--promoting a coup as a means for facilitating a U.S. withdrawal. In the cruelest of ironies, the coup resulted in Diem's death followed by a state of turmoil in Vietnam that further obstructed disengagement. Still, these events only confirmed Kennedy's view about South Vietnam's inability to win the war and therefore did not lessen his resolve to reduce the U.S. commitment. By the end of November, however, the president was dead and Lyndon Johnson began his campaign of escalation. Jones argues forcefully that if Kennedy had not been assassinated, his withdrawal plan would have spared the lives of 58,000 Americans and countless Vietnamese.
Written with vivid immediacy, supported with authoritative research, Death of a Generation answers one of the most profoundly important questions left hanging in the aftermath of John F. Kennedy's death.
Death of a Generation was a CHOICE Outstanding Academic Title for 2003.

On the evening of July 11, 1967, a Navy surveillance aircraft spotted a suspicious trawler in international waters heading toward the Quang Ngai coast of South Vietnam. While the ship tried to appear innocuous on its deck, Saigon quickly identified it as an enemy gunrunner, codenamed Skunk Alpha. A four-seaborne intercept task force was established and formed a barrier inside South Vietnam’s twelve-mile territorial boundary. As the enemy ship ignored all orders to surrender and neared the Sa Ky River at the tip of the Batangan Peninsula, Swift Boat PCF-79 was ordered to take the trawler under fire. What followed was ship-to-ship combat action not seen since World War II. Capturing Skunk Alpha relates that breathtaking military encounter to readers for the first time. But Capturing Skunk Alpha is also the tale of one sailor’s journey to the deck of PCF-79. Two years earlier, Raúl Herrera was growing up on the west side of San Antonio, Texas, when he answered the call to duty and joined the US Navy. Raúl was assigned to PCF Crew Training and joined a ragtag six-man Swift Boat crew with a mission to prevent the infiltration of resupply ships from North Vietnam. The brave sailors who steered into harm’s way in war-torn Vietnam would keep more than ninety tons of ammunition and supplies from the Viet Cong and NVA forces. The Viet Cong would post a bounty on PCF-79; Premier Nguyễn Cao Kỳ and Chief of State Nguyễn Văn Thiệu would congratulate and decorate them for their heroism. Capturing Skunk Alpha provides an eyewitness account of a pivotal moment in Navy operations while also chronicling one sailor’s unlikely journey from barrio adolescence to perilous combat action on the high seas. 

Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.