This book offers the first detailed English-language examination of the Great Vietnamese Famine of 1945, which left at least a million dead, and links it persuasively to the largely unexpected Viet Minh seizure of power only months later. Drawing on extensive research in French archives, Geoffrey C. Gunn offers an important new interpretation of Japanese-Vichy French wartime economic exploitation of Vietnam's agricultural potential. He analyzes successes and failures of French colonial rice programs and policies from the early 1900s to 1945, drawing clear connections between colonialism and agrarian unrest in the 1930s and the rise of the Viet Minh in the 1940s. Gunn asks whether the famine signaled a loss of the French administration's "mandate of heaven," or whether the overall dire human condition was the determining factor in facilitating communist victory in August 1945. In the broader sweep of Vietnamese history, including the rise of the communist party, the picture that emerges is not only one of local victimhood at the hands of outsiders-French and, in turn, Japanese- but the enormous agency on the part of the Vietnamese themselves to achieve moral victory over injustice against all odds, no matter how controversial, tragic, and contested the outcome. As the author clearly demonstrates, colonial-era development strategies and contests also had their postwar sequels in the "American war," just as land, land reform, and subsistence-sustainable development issues persist into the present.

"Air Cav: History of the 1st Cavalry Division in Vietnam 1965-1969 is the story of the small, close world of fighting men in action. This volume can be many things to many people a book of memories, a souvenir, a pictorial essay on airmobility, or simply a story of gallant men at war. It can be many things, but one thing it is not, nor does it pretend to be a complete history of the 1st Air Cavalry Division in Vietnam.

The task and burden of history must lie with the objectivity of future generations, far removed from current pressures and restraints. It is true, of course, that much research for this book has been done from available official records, the ultimate source of written history. But even more has been drawn from the vivid recollections of the Cavalrymen who fought, tasted the brassy bile of fear, shared the fierce exultation of victory, or were drenched in the dark despair of death.

This volume contains the memoirs of a fighting team the FIRST TEAM. It is a memory

In the fall of 1965, the North Vietnamese Army launched its first major campaign against American forces, targeting, with 4,000 men, the U.S. Special Forces camp at Plei Me in the Central Highlands, where about a dozen green berets were training a few hundred South Vietnamese troops. In response, the U.S. choppered in a relief force of elite soldiers from Project Delta under legendary Chargin' Charlie Beckwith and dropped an unprecedented million pounds of munitions just yards from the camp's perimeter. The camp held out, but operations in the area continued. Within weeks, the Battle of Ia Drang broke out, the first major battle between the U.S. Army and North Vietnamese regulars. Based on archival research and interviews with veterans, Saliba covers the battle for Plei Me camp in close, vivid, and very human detail. He also gives careful attention to the strategic picture and shows how this clash laid the groundwork for the Battle of Ia Drang.

When John F. Kennedy was shot, millions were left to wonder how America, and the world, would have been different had he lived to fulfill the enormous promise of his presidency. For many historians and political observers, what Kennedy would and would not have done in Vietnam has been a source of enduring controversy.
Now, based on convincing new evidence--including a startling revelation about the Kennedy administration's involvement in the assassination of Premier Diem--Howard Jones argues that Kennedy intended to withdraw the great bulk of American soldiers and pursue a diplomatic solution to the crisis in Vietnam.
Drawing upon recently declassified hearings by the Church Committee on the U.S. role in assassinations, newly released tapes of Kennedy White House discussions, and interviews with John Kenneth Galbraith, Robert McNamara, Dean Rusk, and others from the president's inner circle, Jones shows that Kennedy firmly believed that the outcome of the war depended on the South Vietnamese. In the spring of 1962, he instructed Secretary of Defense McNamara to draft a withdrawal plan aimed at having all special military forces home by the end of 1965. The "Comprehensive Plan for South Vietnam" was ready for approval in early May 1963, but then the Buddhist revolt erupted and postponed the program. Convinced that the war was not winnable under Diem's leadership, President Kennedy made his most critical mistake--promoting a coup as a means for facilitating a U.S. withdrawal. In the cruelest of ironies, the coup resulted in Diem's death followed by a state of turmoil in Vietnam that further obstructed disengagement. Still, these events only confirmed Kennedy's view about South Vietnam's inability to win the war and therefore did not lessen his resolve to reduce the U.S. commitment. By the end of November, however, the president was dead and Lyndon Johnson began his campaign of escalation. Jones argues forcefully that if Kennedy had not been assassinated, his withdrawal plan would have spared the lives of 58,000 Americans and countless Vietnamese.
Written with vivid immediacy, supported with authoritative research, Death of a Generation answers one of the most profoundly important questions left hanging in the aftermath of John F. Kennedy's death.
Death of a Generation was a CHOICE Outstanding Academic Title for 2003.

"Body Counts: The Vietnam War and Militarized Refuge(es)" examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence--and the history and memories that are forged in the aftermath of war. At the same time, the book moves decisively away from the "damage-centered" approach that pathologizes loss and trauma by detailing how first- and second-generation Vietnamese have created alternative memories and epistemologies that challenge the established public narratives of the Vietnam War and Vietnamese people. Explicitly interdisciplinary, "Body Counts" moves between the humanities and social sciences, drawing on historical, ethnographic, cultural, and virtual evidence in order to illuminate the places where Vietnamese refugees have managed to conjure up social, public, and collective remembering.

In this new collection of essays on the Vietnam War, eminent scholars of the Second Indochina conflict consider several key factors that led to the defeat of the United States and its allies. The book adopts a candid and critical look at the U.S.’s stance and policies in Vietnam, and refuses to condemn, excuse, or apologize for America’s actions in the conflict. Rather, the contributors think widely and creatively about the varied reasons that may have accounted for the U.S.’s failure to defeat the North Vietnamese Army, such as role played by economics in America’s defeat. Other fresh perspectives on the topic include American intelligence failure in Vietnam, the international dimensions of America’s defeat in Vietnam, and the foreign policy of the Democratic Republic of Vietnam.

A major revision of our understanding of JFK's commitment to Vietnam, revealing that his administration's plan to withdraw was a political device, the effect of which was to manage public opinion while preserving US military assistance. In October 1963, the White House publicly proposed the removal of US troops from Vietnam, earning President Kennedy an enduring reputation as a skeptic on the war. In fact, Kennedy was ambivalent about withdrawal and was largely detached from its planning. Drawing on secret presidential tapes, Marc J. Selverstone reveals that the withdrawal statement gave Kennedy political cover, allowing him to sustain support for US military assistance. Its details were the handiwork of Defense Secretary Robert McNamara, whose ownership of the plan distanced it from the president. Selverstone's use of the presidential tapes, alongside declassified documents, memoirs, and oral histories, lifts the veil on this legend of Camelot. Withdrawal planning was never just about Vietnam as it evolved over the course of fifteen months. For McNamara, it injected greater discipline into the US assistance program. For others, it was a form of leverage over South Vietnam. For the military, it was largely an unwelcome exercise. And for JFK, it allowed him to preserve the US commitment while ostensibly limiting it. The Kennedy Withdrawal offers an inside look at presidential decisionmaking in this liminal period of the Vietnam War and makes clear that portrayals of Kennedy as a dove are overdrawn. His proposed withdrawal was in fact a cagey strategy for keeping the United States involved in the fight-a strategy the country adopted decades later in Afghanistan.

Acclaimed historian Adam Fairclough chronicles the struggle of black Americans to achieve civil rights and equality in a society that, after the collapse of Reconstruction, sanctioned racial segregation, racial discrimination and political supremacy. Through his extensive research Fairclough reexamines many issues and balances the achievements of the Civil Rights movement against the persistance of racial and economic inequalities in an account that is articulate, accomplished and superbly written.

A study of poetry written primarily by Vietnam veterans during and after the war. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in a post-Vietnam America that has largely rewritten the Vietnam war to suit dominant national ideologies. The analysis dwells on poems of solidarity wherein American veterans reach out to their former enemy. The concluding chapter on Vietnamese poems in translation extends the circle of memory and trauma In its inclusion of Vietnamese perspectives Chattarji's study marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than as a country. This is a significant addition to Vietnam studies and should be of interest to specialists in literature and culture studies, as well as those with a more general interest in the subject.

Friendly Fire, in this instance, refers not merely to a tragic error of war, witnessed at least as much in Vietnam as in American wars before and since - it also refers, metaphorically, to America's war with itself during the Vietnam years. Starting from this point, Kinney's book considers the concept of 'friendly fire' from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself shattered - pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (e.g Kovic's Born on the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Stones and Streamers), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site for art, media, politics, and ideology.

In 1963, a frustrated President Kennedy turned to the Pentagon for help in carrying out subversive operations against North Vietnam- a job the CIA had not managed to handle effectively. Thus was born the Pentagon's Special Operations Group(SOG). Under the cover name"Studies and Observation Group," SOG would, over the next eight years, dispatch numerous spies to North Vietnam, create a triple-cross deception program, wage psychological warfare by manipulating North Vietnamese POW's and kidnapped citizens, and stage deadly assaults on enemy soldiers traveling the Ho Chi Minh Trail. Written by the country's leading expert on SOG, here is the story of that covert war-one that would have both spectacular and disastrous results.

Combat helicopter pilots in the Vietnam War flew each mission in the face of imminent death. Begun as a series of letters to Department of Veterans Affairs, this compelling memoir of an aircraft commander in the 116th Assault Helicopter Company-""The Hornets""-relates his experience of the war in frank detail. From supporting the 25th Infantry Division's invasion of Cambodia, to flying the lead aircraft in the 101st Airmobile Division's pivotal invasion of Laos, the author recounts the traumatic events of his service from March 1970 to March 1971.

From 1967-1971, Stuart Steinberg served in the U.S. Army as an explosive ordnance disposal specialist. In January 1968, he was sent to Dugway Proving Grounds in Utah, where chemical and biological weaponry was stockpiled, staying there until July 1968. Steinberg was involved in helping to clean up the worst nerve gas disaster in American history on March 13, 1968. As a result, he volunteered to serve in Vietnam from September 4, 1968 to March 24, 1970. This is What Hell Looks Like explores the difficult and traumatic situations faced by Steinberg and his teammates across their time in Vietnam. This volume also examines the causes and consequences of post-traumatic stress disorder though Steinberg's honest account of his experiences, including his subsequent addiction to prescription painkillers. Documenting Steinberg's personal journey through "Hell," his account casts further light on life during the Vietnam War.

And Bring the Darkness Home is a haunting exploration of how the mental scars of war destroyed an international cricket career, tore a family apart and left destitute a man who seemed to have it all. Tony Dell was the only Test cricketer to fight in the Vietnam War. His journey to the summit of the game, playing for Australia against England in the Ashes, was as unlikely and meteoric as any in cricket history. His descent was painful and harrowing. It was in his mid-60s, living in his mother's garage, that he learned the truth about what had led him on a path of self-destruction. A diagnosis of post-traumatic stress disorder allowed him to piece together the ruins of his life and also to search for answers, for himself and the thousands of other sufferers. The restlessness and urgency that once drove him to the top of the game was turned on authorities who refused to learn the lessons from history. PTSD robbed Tony Dell of memories of his playing career and left a palpable sense of loss. It also gave him a life-changing mission.

Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For seven long years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire and enemy MiG planes. Many American airmen were shot down, killed, or captured and taken to the infamous "Hanoi Hilton" POW camp. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, courage, audacity, and sometimes luck, sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe.

During the Vietnam War, the United States embarked on an unusual crusade on behalf of the government of South Vietnam. Known as the pacification program, it sought to help South Vietnam's government take root and survive as an independent, legitimate entity by defeating communist insurgents and promoting economic development and political reforms. In this book, Richard Hunt provides the first comprehensive history of America's "battle for hearts and minds," the distinctive blending of military and political approaches that took aim at the essence of the struggle between North and South Vietnam. Hunt concentrates on the American role, setting pacification in the larger political context of nation building. He describes the search for the best combination of military and political action, incorporating analysis of the controversial Phoenix program, and illuminates the difficulties the Americans encountered with their sometimes reluctant ally. The author explains how hard it was to get the U.S. Army involved in pacification and shows the struggle to yoke divergent organizations (military, civilian, and intelligence agencies) to serve one common goal. The greatest challenge of all was to persuade a surrogate-the Saigon government-to carry out programs and to make reforms conceived of by American officials. The book concludes with a careful assessment of pacification's successes and failures. Would the Saigon government have flourished if there had been more time to consolidate the gains of pacification? Or was the regime so fundamentally flawed that its demise was preordained by its internal contradictions? This pathbreaking book offers startling and provocative answers to these and other important questions about our Vietnam experience.

"Forever Forward" is the first in-depth account of K-9 Operations during the Vietnam War, and provides a behind the scenes look at how Allied forces employed dog teams in a variety of roles, the evolution of the United States military working dog program, and the aftermath of Vietnam. The 4,000 dogs that served with our men in Vietnam in every service branch are America's unsung heroes. American dog teams averted over 10,000 casualties and worked as scouts, sentries, trackers, mine, and tunnel detectors. They were so effective the Viet Cong even placed a bounty on them. Heroes yes, but our own government left most of them behind to an unknown fate.

By 1969, following the French defeat at Dien Bien Phu, over 500,000 US troops were 'in country' in Vietnam. Before America's longest war had ended with the fall of Saigon in 1975, 450,000 Vietnamese had died, along with 36,000 Americans. The Vietnam War was the first rock 'n' roll war, the first helicopter war with its doctrine of 'airmobility', and the first television war; it made napalm and the defoliant Agent Orange infamous, and gave us the New Journalism of Michael Herr and others. It also saw the establishment of the Navy SEALs and Delta Force. At home, America fractured, with the peace movement protesting against the war; at Kent State University, Ohio National Guardsmen fired on unarmed students, killing four and injuring nine. Lewis's compelling selection of the best writing to come out of a war covered by some truly outstanding writers, both journalists and combatants, includes an eyewitness account of the first major battle between the US Army and the People's Army of Vietnam at Ia Drang; a selection of letters home; Nicholas Tomalin's famous 'The General Goes Zapping Charlie Cong'; Robert Mason's 'R&R', Studs Terkel's account of the police breaking up an anti-war protest; John Kifner on the shootings at Kent State; Ron Kovic's 'Born on the Fourth of July'; John T. Wheeler's 'Khe Sanh: Live in the V Ring'; Pulitzer Prize-winner Seymour Hersh on the massacre at My Lai; Michael Herr's 'It Made You Feel Omni'; Viet Cong Truong Nhu Tang's memoir; naval nurse Maureen Walsh's memoir, 'Burning Flesh'; John Pilger on the fall of Saigon; and Tim O'Brien's 'If I Die in a Combat Zone'.

Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.

Vietnam, January, 1968. As the citizens of Hue are preparing to celebrate Tet, the start of the Lunar New Year, Nha Ca arrives in the city to attend her father's funeral. Without warning, war erupts all around them, drastically changing or cutting short their lives. After a month of fighting, their beautiful city lies in ruins and thousands of people are dead. Mourning Headband for Hue tells the story of what happened during the fierce North Vietnamese offensive and is an unvarnished and riveting account of war as experienced by ordinary people caught up in the violence.

Recounts the role of the United States in World War II at sea, from encounters in the Atlantic before the country entered the war to the surrender of Japan.