Hailed as a "pithy and compelling account of an intensely relevant topic" (Kirkus Reviews), this wide-ranging volume offers a superb account of a key moment in modern U.S. and world history. Drawing upon the latest research in archives in China, Russia, and Vietnam, Mark Lawrence creates an extraordinary, panoramic view of all sides of the war. His narrative begins well before American forces set foot in Vietnam, delving into French colonialism's contribution to the 1945 Vietnamese revolution, and revealing how the Cold War concerns of the 1950s led the United States to back the French. The heart of the book covers the "American war," ranging from the overthrow of Ngo Dinh Diem and the impact of the Tet Offensive to Nixon's expansion of the war into Cambodia and Laos, and the final peace agreement of 1973. Finally, Lawrence examines the aftermath of the war, from the momentous liberalization-"Doi Moi"-in Vietnam to the enduring legacy of this infamous war in American books, films, and political debate.

Many jazz fans and critics -- and even some jazz musicians -- contend that white players have contributed little of substance to the music. Now, with Lost Chords, musician-historian Richard M. Sudhalter challenges this narrow view, with a book that pays definitive tribute to a generation of white jazz players, many unjustly forgotten -- while never scanting the role of the great black pioneers.

This book assesses the emergence and transformation of global protest movements during the Vietnam War era. It explores the relationship between protest focused on the war and other emancipatory and revolutionary struggles, moving beyond existing scholarship to examine the myriad interlinked protest issues and mobilisations around the globe during the Indochina Wars. Bringing together scholars working from a range of geographical, historiographical and methodological perspectives, the volume offers a new framework for understanding the history of wartime protest. The chapters are organised around the social movements from the three main geopolitical regions of the world during the 1960s and early 1970s: the core capitalist countries of the so-called first world, the socialist bloc and the Global South. The final section of the book then focuses on international organisations that explicitly sought to bridge and unite solidarity and protest around the world. In an era of persistent military conflict, the book provides timely contributions to the question of what war does to protest movements and what protest movements do to war.

Pham Xuan An was one of the twentieth century's greatest spies. While working as a correspondent for Time during the Vietnam War, he sent intelligence reports - written in invisible ink or hidden inside spring rolls in film canisters - to Ho Chi Minh and his generals in North Vietnam. Only after Saigon fell in 1975 did An's colleagues learn that the affable raconteur in their midst, acclaimed as ""dean of the Vietnamese press corps,"" was actually a general in the North Vietnamese Army. In recognition of his tradecraft and his ability to spin military losses - such as the Tet Offensive of 1968 - into psychological gains, An was awarded sixteen military medals. After the book's original publication, WikiLeaks revealed that Thomas A. Bass's account of An's career was distributed to CIA agents as a primer in espionage. Now available in paper with a new preface, An's story remains one of the most gripping to emerge from the era.

From Andrew Wiest, the bestselling author of The Boys of '67: Charlie Company's War in Vietnam and one of the leading scholars in the study of the Vietnam War, comes a frank exploration of the human experience during the conflict. Vietnam allows the reader a grunt's-eye-view of the conflict - from the steaming rice paddies and swamps of the Mekong Delta, to the triple-canopy rainforest of the Central Highlands and the forlorn Marine bases that dotted the DMZ. It is the definitive oral history of the Vietnam War told in the uncompromising, no-holds barred language of the soldiers themselves.

In the summer of 1936, James Agee and Walker Evans set out on assignment for Fortune magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 LET US NOW PRAISE FAMOUS MEN was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives was called intensely moving and unrelentingly honest, and is "renowned for its fusion of social conscience and artistic radicality" (New York Times). Today it stands as a poetic tract of its time, recognized by the New York Public Library as one of the most influential books of the twentieth century. With an elegant new design as well as a sixty-four-page photographic prologue of Evans's classic images, reproduced from archival negatives, this sixtieth anniversary edition reintroduces the legendary author and photographer to a new generation.

Each year, the Commandant of the U.S. Marine Corps selects one book that he believes is both relevant and timeless for reading by all Marines. The Commandant's choice for 1993 was We Were Soldiers Once . . . and Young.""
In November 1965, some 450 men of the 1st Battalion, 7th Cavalry, under the command of Lt. Col. Hal Moore, were dropped by helicopter into a small clearing in the Ia Drang Valley. They were immediately surrounded by 2,000 North Vietnamese soldiers. Three days later, only two and a half miles away, a sister battalion was chopped to pieces. Together, these actions at the landing zones X-Ray and Albany constituted one of the most savage and significant battles of the Vietnam War.
How these men persevered--sacrificed themselves for their comrades and never gave up--makes a vivid portrait of war at its most inspiring and devastating. General Moore and Joseph Galloway, the only journalist on the ground throughout the fighting, have interviewed hundreds of men who fought there, including the North Vietnamese commanders. This devastating account rises above the specific ordeal it chronicles to present a picture of men facing the ultimate challenge, dealing with it in ways they would have found unimaginable only a few hours earlier. It reveals to us, as rarely before, man's most heroic and horrendous endeavor.

"From the Hardcover edition."

"Matterhorn" author Karl Marlantes' nonfiction debut is a powerful book about the experience of combat and how inadequately we prepare our young men and women for the psychological and spiritual stresses of war. One of the most important and highly-praised books of 2011, Karl Marlantes' "What It Is Like to Go to War" is set to become just as much of a classic as his epic novel "Matterhorn". In 1968, at the age of twenty-two, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of a platoon of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat. He killed the enemy and he watched friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In "What It Is Like to Go to War", Marlantes takes a deeply personal and candid look at the experience and ordeal of combat, critically examining how we might better prepare our young soldiers for war. War is as old as humankind, but in the past, warriors were prepared for battle by ritual, religion, and literature - which also helped bring them home. In a compelling narrative, Marlantes weaves riveting accounts of his combat experiences with thoughtful analysis, self-examination, and his readings - from Homer to the Mahabharata to Jung. He tells frankly about how he is haunted by the face of the young North Vietnamese soldier he killed at close quarters and explains how he finally found a way to make peace with his past. He makes it clear just how poorly prepared our nineteen-year-old warriors - mainly men but increasingly women - are for the psychological and spiritual aspects of their journey.

"'I never got a chance to be a girl, ' Kate O'Hare Palmer lamented, thirty-four years after her tour as an army nurse in Vietnam. Although proud of having served, she felt that the war she never understood had robbed her of her innocence and forced her to grow up too quickly. As depicted in a photograph taken late in her tour, long hours in the operating room exhausted her both physically and mentally. Her tired eyes and gaunt face reflected th e weariness she felt after treating countless patients, some dying, some maimed, all, like her, forever changed. Still, she learned to work harder and faster than she thought she could, to trust her nursing skills, and to live independently. She developed a way to balance the dangers and benefits of being a woman in the army and in the war. Only fourteen months long, her tour in Vietnam profoundly affected her life and her beliefs."

Such vivid personal accounts abound in historian Kara Dixon Vuic's compelling look at the experiences of army nurses in the Vietnam War. Drawing on more than 100 interviews, Vuic allows the nurses to tell their own captivating stories, from their reasons for joining the military to the physical and emotional demands of a horrific war and postwar debates about how to commemorate their service.

Vuic also explores the gender issues that arose when a male-dominated army actively recruited and employed the services of 5,000 nurses in the midst of a growing feminist movement and a changing nursing profession. Women drawn to the army's patriotic promise faced disturbing realities in the virtually all-male hospitals of South Vietnam. Men who joined the nurse corps ran headlong into the army's belief that women should nurse and men should fight.

"Officer, Nurse, Woman" brings to light the nearly forgotten contributions of brave nurses who risked their lives to bring medical care to soldiers during a terrible--and divisive--war.

Often described as the US Army's aerial jeep the UH-1 Iroquois ('Huey') was the general-purpose vehicle that provided mobility in a hostile jungle environment which made rapid troop movement extremely challenging by any other means. Hueys airlifted troops, evacuated casualties, rescued downed pilots, transported cargo externally and enabled rapid transit of commanders in the field. Although 'vertical aviation' had only become a practical reality during the Korean War helicopters evolved rapidly in the decade before Vietnam and by 1965 the US Army and US Marines relied on them as primary combat tools. This was principally because North Vietnam's armed forces had long experience of jungle operations, camouflage and evasion. Generally avoiding set-piece pitched battles they relied on rapid, frequent strikes and withdrew using routes that were generally inaccessible to US vehicles. They commonly relied on darkness and bad weather to make their moves, often rendering them immune to conventional air attack. Gunship helicopters, sometimes equipped with Firefly searchlights and early night vision light intensifiers, were more able to track and attack the enemy. Innovative tactics were required for this unfamiliar combat scenario and for a US Army that was more prepared for conventional operations in a European-type setting. One of the most valuable new initiatives was the UH-1C 'Huey Hog' or 'Frog' gunship, conceived in 1960 and offering more power and agility than the UH-1B that pioneered gunship use in combat. Heavily armed with guns and rockets and easily transportable by air these helicopters became available in large numbers and they became a major problem for the insurgent forces throughout the war. Covering fascinating details of the innovations in tactics and combat introduced by gunship helicopters, this book offers an analysis of their adaptability and usefulness in a variety of operations, while exploring the insurgent forces' responses to the advent of 'vertical aviation'.

The renowned attorney and author of Chutzpah examines several of the most controversial and sensational court trials of the past thirty years, offering insight into how they have shaped present-day politics and society. Reprint.

A historical investigation into the political and ideological foundations of the "miseducation of the Negro" in America, this timely and provocative volume explores the men and ideas that helped shape educational and societal apartheid from the Civil War to the new millennium. It is a study of how big corporate power uses private wealth to legislate, shape unequal race relations, broker ideas, and define "acceptable" social change. Drawing on little-known biographies of White power brokers who shaped Black education, William Watkins explains the structuring of segregated education that has plagued the United States for much of the 20th century. With broad and interdisciplinary appeal, this book is written in a language accessible to lay people and scholars alike.

The book describes my first seven months in Viet Nam, as a platoon leader in Bravo Company of the Third Battalion, 187th Infantry. I wanted to make it about the men I led and served with, and in some measure my reaction to the events of those seven months. The first part of the book deals with the routine tactics, unending work, misery and occasional hilarity of infantry life. The bulk of the book, however, deals with two events, within three weeks of each other: The battle of Dong Ngai and the battle of Dong Ap Bia - Hamburger Hill. The Rakkasans - the 3/187th - are the most highly decorated unit in the history of the United States Army, and two of those decorations were awarded for those two battles. By happenstance, I was in the middle of both. These are truly historical events. I wanted to convey the real face of war, both its mindless carnage and its nobility of spirit. Above all, I want to convey what happened to both the casual reader and the military historian and make them aware of the extraordinary spirit of the men of First Platoon, Bravo Company. They were ordinary men doing extraordinary things.

Few historians of the Vietnam War have covered the post-1975 era or engaged comprehensively with refugee politics, humanitarianism, and human rights as defining issues of the period. After Saigon's Fall is the first major work to uncover this history. Amanda C. Demmer offers a new account of the post-War normalization of US-Vietnam relations by centering three major transformations of the late twentieth century: the reassertion of the US Congress in American foreign policy; the Indochinese diaspora and changing domestic and international refugee norms; and the intertwining of humanitarianism and the human rights movement. By tracing these domestic, regional, and global phenomena, After Saigon's Fall captures the contingencies and contradictions inherent in US-Vietnamese normalization. Using previously untapped archives to recover a riveting narrative with both policymakers and nonstate advocates at its center, Demmer's book also reveals much about US politics and society in the last quarter of the twentieth century.

By now the world knows well the exploits of World War II admirals Ernest King, Chester Nimitz, and "Bull" Halsey. These brilliant strategists and combat commanders--backed by a powerful Allied coalition, a nation united, gifted civilian leaders, and abundant war-making resources--led U.S. and allied naval forces to victory against the Axis powers. Leadership during the Vietnam War was another story. The Vietnam War and its aftermath sorely tested the professional skill of four-star admirals Harry D. Felt, Ulysses S. Grant Sharp, Thomas H. Moorer, Elmo R. Zumwalt Jr., and James L. Holloway III. Unlike their World War II predecessors, these equally battle-tested leaders had to cope with a flawed American understanding of U.S. and Vietnamese Communist strengths and weaknesses, distrustful and ill-focused Washington leaders, an increasingly discontented American populace, and an ultimately failing war effort. Like millions of other Americans, these five admirals had to come to terms with America's first lost war, and what that loss meant for the future of the nation and the U.S. armed forces. The challenges were both internal and external. A destabilized U.S. Navy was troubled by racial discord, drug abuse, anti-war and anti-establishment sentiment, and a host of personnel and material ills. At the same time, increasingly serious global threats to US interests, such as the rise of Soviet nuclear-missile and naval power, were shaping confrontations on the postwar stage. Critical to the story is how these naval leaders managed their relationships with Presidents Kennedy, Johnson, Nixon, Ford, and Carter, and Secretaries of Defense McNamara, Laird, and Schlesinger. Based on prodigious research into many formerly classified sources, Edward J. Marolda relates in dramatic detail how America's top naval leaders tackled their responsibilities, their successes, and their failures. This is a story of dedication to duty, professionalism, and service by America's top admirals during a time of great national and international adversity.

North and South Vietnamese youths had very different experiences of growing up during the Vietnamese War. The book gives a unique perspective on the conflict through the prism of adult-youth relations. By studying these relations, including educational systems, social organizations, and texts created by and for children during the war, Olga Dror analyzes how the two societies dealt with their wartime experience and strove to shape their futures. She examines the socialization and politicization of Vietnamese children and teenagers, contrasting the North's highly centralized agenda of indoctrination with the South, which had no such policy, and explores the results of these varied approaches. By considering the influence of Western culture on the youth of the South and of socialist culture on the youth of the North, we learn how the youth cultures of both Vietnams diverged from their prewar paths and from each other.

Speaking to an advisor in 1966 about America's escalation of forces in Vietnam, Secretary of Defense Robert S. McNamara confessed: 'We've made mistakes in Vietnam ... I've made mistakes. But the mistakes I made are not the ones they say I made'. In 'I Made Mistakes', Aurelie Basha i Novosejt provides a fresh and controversial examination of Secretary of Defense Robert S. McNamara's decisions during the Vietnam War. Although McNamara is remembered as the architect of the Vietnam War, Novosejt draws on new sources - including the diaries of his advisor and confidant John T. McNaughton - to reveal a man who resisted the war more than most. As Secretary of Defense, he did not want the costs of the war associated with a new international commitment in Vietnam, but he sacrificed these misgivings to instead become the public face of the war out of a sense of loyalty to the President.

Even if you don't know much about the war in Vietnam, you've probably heard of "The Hanoi Hilton," or Hoa Lo Prison, where captured U.S. soldiers were held. What they did there and whether they were treated well or badly by the Vietnamese became lasting controversies. As military personnel returned from captivity in 1973, Americans became riveted by POW coming home stories. What had gone on behind these prison walls? Along with legends of lionized heroes who endured torture rather than reveal sensitive military information, there were news leaks suggesting that others had denounced the war in return for favorable treatment. What wasn't acknowledged, however, is that U.S. troop opposition to the war was vast and reached well into Hoa Loa Prison. Half a century after the fact, Dissenting POWs emerges to recover this history, and to discover what drove the factionalism in Hoa Lo. Looking into the underlying factional divide between prowar "hardliners" and antiwar "dissidents" among the POWs, authors Wilber and Lembcke delve into the postwar American culture that created the myths of the HeroPOW and the dissidents blamed for the loss of the war. What they found was surprising: It wasn't simply that some POWs were for the war and others against it, nor was it an officers versus enlisted men standoff. Rather, it was the class backgrounds of the captives and their precaptive experience that drew the lines. After the war, the hardcore hero holdouts-like John McCain-moved on to careers in politics and business, while the dissidents faded from view as the antiwar movement, that might otherwise have championed them, disbanded. Today, Dissenting POWs is a necessary myth buster, disabusing us of the revisionism that has replaced actual GI resistance with images of suffering POWs - ennobled victims that serve to suppress the fundamental questions of America's drift to endless war.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

In the Cambodian proverb, "when broken glass floats" is the time when evil triumphs over good. That time began in 1975, when the Khmer Rouge took power in Cambodia and the Him family began their trek through the hell of the "killing fields." In a mesmerizing story, Him vividly recounts a Cambodia where rudimentary labor camps are the norm and technology, such as cars and electricity, no longer exists. Death becomes a companion at the camps, along with illness. Yet through the terror, Chanrithy's family remains loyal to one another despite the Khmer Rouge's demand of loyalty only to itself. Moments of inexpressible sacrifice and love lead them to bring what little food they have to the others, even at the risk of their own lives. In 1979, "broken glass" finally sinks. From a family of twelve, only five of the Him children survive. Sponsored by an uncle in Oregon, they begin their new lives in a land that promises welcome to those starved for freedom.

In what the "New York Times"'s A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.

This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate--as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.

With entertaining reinterpretations of key Hollywood movies (such as "Bonnie and Clyde," "The Wild Bunch," and "Shampoo"), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics.

Jerry Rose, a young journalist and photographer in Vietnam, exposed the secret beginnings of America's Vietnam War in the early 1960s. Putting his life in danger, he interviewed Vietnamese villagers in a countryside riddled by a war of terror and intimidation and embedded himself with soldiers on the ground, experiences that he distilled into the first major article to be written about American troops fighting in Vietnam. His writing was acclaimed as "war reporting that ranks with the best of Ernest Hemingway and Ernie Pyle," and in the years to follow, Time, The New York Times, The Reporter, New Republic, and The Saturday Evening Post regularly published his stories and photographs. In spring 1965, Jerry's friend and former doctor, Phan Huy Quat, became the new Prime Minister of Vietnam, and he invited Jerry to become an advisor to his government. Jerry agreed, hoping to use his deep knowledge of the country to help Vietnam. In September 1965, while on a trip to investigate corruption in the provinces of Vietnam, he died in a plane crash in Vietnam, leaving behind a treasure trove of journals, letters, stories, and a partially completed novel. The Journalist is the result of his sister, Lucy Rose Fischer, taking those writings and crafting a memoir in "collaboration" with her late brother-giving the term "ghostwritten" a whole new meaning.