Understanding the role of combat in the Iraq war is essential for both the American people and the U.S. military. Recognizing the objectives of both sides and the plans developed to attain those objectives provides the context for understanding the war. The Surge is an effort to provide such a framework to help understand not only where we have been, but also what happens as we move forward.

The Gulf War inflicted dramatic environmental damage upon the fragile desert and shore environments of Kuwait and north eastern Saudi Arabia. Marine environments experienced oil spills; inland, oil lakes and burning oil wells caused widespread pollution. This book, first published in 1994, presents an in-depth analysis of these environmental disasters, their long-term consequences, and potential ways to repair the damage.

After more than four decades, the Viet Nam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural productions-from memorials and poetry to cinematic and fictional narratives-that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia. Underpinning the book is the notion of "prosthetic memory," which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debates over America's self-conception, specifically her coinage of the "New Vietnam Syndrome," and the country's role in world affairs when it comes to contemporary military interventions. With the notable exception of the Veterans' Memorial in Washington, Eastman's focus is on works produced from the Persian Gulf War (1990-91) through the post-9/11 "War on Terror." She looks not only at American representations of the war-from movies like Randall Wallace's We Were Soldiers to poems by W. D. Ehrhart, Yusef Komunyakaa, and others-but also at novels by Vietnamese authors Bao Ninh and Huong Thu Duong. The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women's Memorial and another to Sandie Frazier's novel I Married Vietnam and Oliver Stone's film Heaven and Earth, based on memoirs by Le Ly Hayslip. And by examining Jessica Hagedorn's Dream Jungle, a novel inspired by the filming of Apocalypse Now, she considers how the war's repercussions were felt in other countries, in this case the Philippines. Her investigation of Vietnamese American authors Lan Cao, Andrew Lam, and GB Tran adds a transnational dimension to the study. With its up-to-date perspective on recent works that have heretofore received scant critical notice, this book offers new ways of thinking about one of the most polemic chapters in U.S. history. SUSAN LYN EASTMAN teaches in the Department of English at the University of Tennessee at Chattanooga.

'A gorgeous achievement' Min Jin Lee, author of Pachinko

'Graceful, poignant and moving' Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

In 1948 Najin and Calvin Cho, with their young daughter Miran, travel from South Korea to the United States in search of new opportunities. Wary of the challenges ahead, Najin and Calvin make the difficult decision to leave their other daughter, Inja, behind with their extended family; soon, they hope, they will return to her.

But then war breaks out in Korea, and there is no end in sight to the separation. Miran grows up in prosperous American suburbia, under the shadow of the daughter left behind, as Inja grapples in her war-torn land with ties to a family she doesn't remember. Najin and Calvin desperately seek a reunion with Inja, but are the bonds of love strong enough to reconnect their family over distance, time and war? And as deep family secrets are revealed, will everything they long for be upended?

Told through the alternating perspectives of the distanced sisters, and inspired by a true story, The Kinship of Secrets explores the cruelty of war, the power of hope, and what it means to be a sister.

This book examines the ethics and values that render a war discourse normative, and features the stories of American soldiers who fought in the Iraq War to show how this narrative can change. The invasion of Iraq, launched in March 2003, was led by the United States under the now discredited claim that Iraq was developing weapons of mass destruction (WMD). However, critical questions concerning what we may be able to learn from this experience remain largely unexplored. The focus of this book, therefore, is on soldiers as systems of war - and the internal battle many of them wage as they live a reality that slowly emerges as inconsistent with familiar beliefs and value commitments. This work offers a reflective study of identity struggle from the perspective of emotional psychology and delves into the 'narrative field' of socio-politics. Going beyond the political contestations over the U.S. military intervention in Iraq, the author analyses original research on the evolving beliefs and value-commitments of veterans of the war, exploring their faith in its 'just cause' and their personal sense of self and national identity. This book will be of much interest to students of the Iraq War, US foreign policy, military studies, discourse analysis, and IR in general.

"Body Counts: The Vietnam War and Militarized Refuge(es)" examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence--and the history and memories that are forged in the aftermath of war. At the same time, the book moves decisively away from the "damage-centered" approach that pathologizes loss and trauma by detailing how first- and second-generation Vietnamese have created alternative memories and epistemologies that challenge the established public narratives of the Vietnam War and Vietnamese people. Explicitly interdisciplinary, "Body Counts" moves between the humanities and social sciences, drawing on historical, ethnographic, cultural, and virtual evidence in order to illuminate the places where Vietnamese refugees have managed to conjure up social, public, and collective remembering.

Why has the US so dramatically failed in Afghanistan since 2001? Dominant explanations have ignored the bureaucratic divisions and personality conflicts inside the US state. This book rectifies this weakness in commentary on Afghanistan by exploring the significant role of these divisions in the US's difficulties in the country that meant the battle was virtually lost before it even began. The main objective of the book is to deepen readers understanding of the impact of bureaucratic politics on nation-building in Afghanistan, focusing primarily on the Bush Administration. It rejects the 'rational actor' model, according to which the US functions as a coherent, monolithic agent. Instead, internal divisions within the foreign policy bureaucracy are explored, to build up a picture of the internal tensions and contradictions that bedevilled US nation-building efforts. The book also contributes to the vexed issue of whether or not the US should engage in nation-building at all, and if so under what conditions.

The crisis in the Gulf of 1990-1 affected more than just the regional powers in the area. Rippling outward, its military, economic and political effects were felt throughout the international political system, testing US steadfastness in the face of Saddam Hussein's political survival, European ability to form a united front on foreign policy issues and the effectiveness of the UN in confronting international aggression. The rationale behind this book, first published in 1993, is to investigate and analyse the various aspects of the crisis, especially in regard to the interactions between internal and international prospects for a new order in the Middle East. It also examines the wider effects of the war, and includes analysis of Europe, America and the Soviet Union. Each one of the essays chosen for this volume has been written by an expert in their field. This collaboration between historians, regional specialists and political scientists, integrating a variety of research methods in the framework of one book, will be useful to a wide range of readers.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

This highly illustrated title traces the development of mercenary soldiering from individuals and small units in the African wars of the 1960s-90s to today's state-employed corporate military contractors. The phenomenon of mercenary soldiering has constantly recurred in the news since the 1960s and has always attracted lively interest. The concept of 'mercenaries' began in the former Belgian Congo during the 1960s when men such as Mike Hoare and Bob Denard assembled hundreds of military veterans to 'do the fighting' for a particular leader or faction. This idea soon evolved into small teams of individuals training and leading local forces with varying success; wars in Rhodesia and on South Africa's borders attracted foreign volunteers into national armed forces, and veterans of these conflicts later sought employment elsewhere as mercenaries. The wars in the former Yugoslavia also attracted foreign fighters inspired as much by political and religious motives as by pay. This picture then evolved again, as former officers with recent experience set up sophisticated commercial companies to identify and fill the needs of governments whose own militaries were inadequate. Most recently, the aftermath of wars in Iraq and Afghanistan has seen such contractors taking on some of the burden of long-term security off major national armies, while the subsequent rise of ISIS/Daesh has added a parallel strain of ideological volunteers. The author is well placed to describe how the face of mercenary soldiering has evolved and changed over 60 years. Using first-hand accounts, photos and detailed illustrations, this book presents a compelling snapshot of the life, campaigns and kit used by mercenary operatives engaged in fighting within both larger and more specific conflicts around the world.

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

The decade that followed James Stockdale's seven and a half years in a North Vietnamese prison saw his life take a number of different turns, from a stay in a navy hospital in San Diego to president of a civilian college to his appointment as a senior research fellow at the Hoover Institution. In this collection of essays he offers his thoughts on his imprisonment. Describing the horrors of his treatment as a prisoner of war, Stockdale tells how he discovered firsthand the capabilities and limitations of the human spirit in such a situation. As the senior officer in confinement he had what he humbly describes as 'the easiest leadership job in the world: to maintain the organization, resistance, and spirit of ten of the finest men I have ever known.' His reflections on his wartime prison experience and the reasons for his survival form the basis of the writings reprinted here. In subject matter ranging from methods of communication in prison to military ethics to the principles of leadership, the thirty-four selections contained in this volume are a unique record of what Stockdale calls a 'melting experience' - a pressure-packed existence that forces one to grow. Retired Vice Admiral James B. Stockdale, a Hoover Institution fellow from 1981 to 1996, was Ross Perot's 1992 presidential running mate and a recipient of the Medal of Honor after enduring seven and a half years as a prisoner of war in North Vietnam. He died in 2005 at the age of 81.

In 2012, Specialist Summerfield and the 2-508th Parachute Infantry Regiment were deployed to the Kandahar province of Afghanistan. A Special Forces dropout, Summerfield was given a second chance at leadership as the head of an infantry team in one of the most IED-ridden areas in Afghanistan. With zero training and little intel, his squad navigated IED belts, leadership conflict and enemy ambushes. This book provides a thought-provoking and often humorous account of life on the front in a frontless war, all from the perspective of a low-ranking enlisted soldier.

SHORTLISTED FOR THE DUKE OF WELLINGTON MEDAL FOR MILITARY HISTORY 2021, THE BRITISH ARMY BOOK OF THE YEAR 2021, AS A FINALIST FOR THE 2020 ARMY HISTORICAL FOUNDATION DISTINGUISHED WRITING AWARDS. FIRST RUNNER UP IN THE TEMPLER MEDAL BOOK PRIZE 2021. 'With a soldier's eye for telling operational details, Ben Barry offers an authoritative, compelling and inevitably bleak account of the American and British campaigns in Iraq and Afghanistan.' Sir Lawrence Freedman, Emeritus Professor of War Studies, King's College London Newly revised and updated with in-depth analysis of the current situation in Afghanistan after American withdrawal, Blood, Metal and Dust is an authoritative account of how the wars in Iraq and Afghanistan were played out, explaining their underlying politics and telling the story of what happened on the ground. From the high-ranking officer who wrote the still-classified British military analysis of the war in Iraq comes the authoritative history of two conflicts which have overshadowed the beginning of the 21st century. Inextricably linked to the ongoing 'War on Terror', the wars in Iraq and Afghanistan dominated more than a decade of international politics, and their influence is felt to this day. Blood, Metal and Dust is the first military history to offer a comprehensive overview of the wars in Afghanistan and Iraq, providing in-depth accounts of the operations undertaken by both US and UK forces. Brigadier Ben Barry explores the wars which shaped the modern Middle East, providing a detailed narrative of operations as they unfolded. With unparalleled access to official military accounts and extensive contacts in both the UK and the US militaries, Brigadier Barry is uniquely placed to tell the story of these controversial conflicts, and offers a rounded account of the international campaigns which irrevocably changed the global geopolitical landscape.

On June 7, 1998 CNN broadcast Valley of Death, the story of a 1970 raid into Laos by U.S. Special Forces. According to the report, Operation Tailwind had used sarin nerve gas to kill U.S. soldiers who had defected to the North Vietnamese. After a firestorm of controversy, CNN retracted the report, ruining the career of rising star April Oliver and compromising the network's credibility. Called "the TV news story of the year" by TV Guide, CNN's Operation Tailwind fiasco was the biggest news scandal of the 1990s. Hearing about the story after its broadcast, Jerry Lembcke was struck by its resemblance to war legends and myths. His search for the origins of the tale, and an explanation for why top-level journalists would believe it, led him into the shocking world of political paranoia, where conspiracy theory, popular culture, religious fundamentalism, and the fantasies of war veterans cross paths. Approaching the story as a case study in why people believe what they do, Lembcke reversed the normal inquiry into how journalists shape what the rest of us know, to ask questions about the social forces that shape what journalists know. With a likeness to Herbert Gans' 1980 classic, Deciding What's News, Jerry Lembcke's CNN's Tailwind Tale is at once a study of American journalism that opens a window on America itself. Special link to the author's interview on Radio Nation discussing this new book - CNN's Tailwind Tale

"The first book-length account of a story too long overlooked"

Claro Solis wanted to win a gold star for his mother. He succeeded--as did seven other sons of "Little Mexico."

Second Street in Silvis, Illinois, was a poor neighborhood during the Great Depression that had become home to Mexicans fleeing revolution in their homeland. In 1971 it was officially renamed "Hero Street" to commemorate its claim to the highest per-capita casualty rate from any neighborhood during World War II. Marc Wilson now tells the story of this community and the young men it sent to fight for their adopted country.

"Hero Street, U.S.A." is the first book to recount a saga too long overlooked in histories and television documentaries. Interweaving family memories, soldiers' letters, historical photographs, interviews with relatives, and firsthand combat accounts, Wilson tells the compelling stories of nearly eighty men from three dozen Second Street homes who volunteered to fight for their country in World War II and Korea--and of the eight, including Claro Solis, who never came back.

As debate swirls around the place of Mexican immigrants in contemporary American society, this book shows the price of citizenship willingly paid by the sons of earlier refugees. With "Hero Street, U.S.A.," Marc Wilson not only makes an important contribution to military and social history but also acknowledges the efforts of the heroes of Second Street to realize the American dream.

"He seems to have brought to this book the ear of a musician and the eye of a painter . . . the premier war correspondence of Vietnam."--Washington Post. "The best book I have ever read on men and war in our time."--John le Carre." . . . Dispatches puts the rest of us in the shade."--Hunter S. Thompson.

This is a study of media and cultural artifacts that constitute the remembrance of a tragic war as reflected in the stories of eight people who lived it. Using memoir, history, and criticism, "Crossing the Street in Hanoi" is based on scholarly research, teaching, and writing as well as extensive personal journals, interviews, and exclusive primary source material. Each chapter uses a human story to frame an exploration in media and cultural criticism. What weaves these different threads into a whole cloth are the stories of the Vietnam War and the long shadow it casts over American and Vietnamese cultures.

A Washington Post Best Book of 2021 The #1 New York Times bestselling investigative story of how three successive presidents and their military commanders deceived the public year after year about America's longest war, foreshadowing the Taliban's recapture of Afghanistan, by Washington Post reporter and three-time Pulitzer Prize finalist Craig Whitlock. Unlike the wars in Vietnam and Iraq, the US invasion of Afghanistan in 2001 had near-unanimous public support. At first, the goals were straightforward and clear: defeat al-Qaeda and prevent a repeat of 9/11. Yet soon after the United States and its allies removed the Taliban from power, the mission veered off course and US officials lost sight of their original objectives. Distracted by the war in Iraq, the US military become mired in an unwinnable guerrilla conflict in a country it did not understand. But no president wanted to admit failure, especially in a war that began as a just cause. Instead, the Bush, Obama, and Trump administrations sent more and more troops to Afghanistan and repeatedly said they were making progress, even though they knew there was no realistic prospect for an outright victory. Just as the Pentagon Papers changed the public's understanding of Vietnam, The Afghanistan Papers contains "fast-paced and vivid" (The New York Times Book Review) revelation after revelation from people who played a direct role in the war from leaders in the White House and the Pentagon to soldiers and aid workers on the front lines. In unvarnished language, they admit that the US government's strategies were a mess, that the nation-building project was a colossal failure, and that drugs and corruption gained a stranglehold over their allies in the Afghan government. All told, the account is based on interviews with more than 1,000 people who knew that the US government was presenting a distorted, and sometimes entirely fabricated, version of the facts on the ground. Documents unearthed by The Washington Post reveal that President Bush didn't know the name of his Afghanistan war commander-and didn't want to meet with him. Secretary of Defense Donald Rumsfeld admitted that he had "no visibility into who the bad guys are." His successor, Robert Gates, said: "We didn't know jack shit about al-Qaeda." The Afghanistan Papers is a "searing indictment of the deceit, blunders, and hubris of senior military and civilian officials" (Tom Bowman, NRP Pentagon Correspondent) that will supercharge a long-overdue reckoning over what went wrong and forever change the way the conflict is remembered.

This book critiques the conceptualization of security found in mainstream and critical theoretical debates, and applies this to the empirical case of the 2003 Iraq War. The Iraq War represents one of the most puzzling, complex, and controversial events in the post-Cold War era. The manner in which the Bush administration finally decided to hold Saddam Hussein accountable through military intervention provoked a worldwide outcry due to the narratives they constructed to justify the "pre-emptive use of force" and "enhanced interrogation techniques." Responding to constructivist and post-structuralist scholars' calls for a turn to discourse, and aligning its argument with critical security studies, particularly the Copenhagen School (CS), this book conceptualizes language as a pivotal mechanism of power. Adopting a Wittgensteinian approach, it moves away from thinking about the nexus between security and language from a single action, or speech act, to a series of actions or interactions. To illustrate this new approach, the author examines two cases in particular: the UN inspectors' finding that there was no credible evidence that Iraq possessed weapons of mass destruction (WMD) in early 2003 and the Abu Ghraib scandal in 2004. Both events show that the boundaries and relations between securitized rules and environments are not pre-given but produced in a particular language game. This book will be of much interest to students of critical security studies, US foreign policy, and IR in general.

First published in 1915, Towards International Government considers the consequences of war for global diplomacy and the alliance system. Hobson argues that, to reduce armaments and the possibility of another world war, an organisational structure of international government must be put into place. An extension of the League of Nations, Hobson proposes that this council would need to hold legislative powers enabling it to impose economic sanctions and, if necessary, the ability to deploy an international force. This is a fascinating and exceptionally forward-thinking work, of great importance to economic and political historians of the twentieth century.

This book examines the ethics and values that render a war discourse normative, and features the stories of American soldiers who fought in the Iraq War to show how this narrative can change. The invasion of Iraq, launched in March 2003, was led by the United States under the now discredited claim that Iraq was developing weapons of mass destruction (WMD). However, critical questions concerning what we may be able to learn from this experience remain largely unexplored. The focus of this book, therefore, is on soldiers as systems of war - and the internal battle many of them wage as they live a reality that slowly emerges as inconsistent with familiar beliefs and value commitments. This work offers a reflective study of identity struggle from the perspective of emotional psychology and delves into the 'narrative field' of socio-politics. Going beyond the political contestations over the U.S. military intervention in Iraq, the author analyses original research on the evolving beliefs and value-commitments of veterans of the war, exploring their faith in its 'just cause' and their personal sense of self and national identity. This book will be of much interest to students of the Iraq War, US foreign policy, military studies, discourse analysis, and IR in general.

This book examines relations between China and the Soviet Union during the 1950s, and provides an insight into Chinese thinking about the Korean War. This volume is based on a translation of Shen Zihua's best-selling Chinese-language book, which broke the mainland Chinese taboo on publishing non-heroic accounts of the Korean War.The author combined information detailed in Soviet-era diplomatic documents (released after the collapse of the Soviet Union) with Chinese memoirs, official document collections and scholarly monographs, in order to present a non-ideological, realpolitik account of the relations, motivations and actions among three Communist actors: Stalin, Mao Zedong and Kim Il-sung. This new translation represents a revisionist perspective on trilateral Communist alliance relations during the Korean War, shedding new light on the origins of the Sino-Soviet split and the rather distant relations between China and North Korea. It features a critical introduction to Shen's work and the text is based on original archival research not found in earlier books in English. This book will be of much interest to students of Communist China, Stalinist Russia, the Korean War, Cold War Studies and International History in general.