Japan's legal and political system is completely alien to its history and culture, imposed on the Japanese people without their involvement after the Second World War. A lifeless and little-understood document based on a foreign value system, it has been open to dangerous misinterpretation and abuse.;Peter Herzog examines the effects of this disastrous turn of events in his carefully-researched and fascinating book, detailing instances where this abuse has taken horrifying proportions in key areas of Japanese public life. Indefensible decisions made by the courts on issues such as the electroal system, education, freedom of workers, have resulted in Japan being a democracy in name only.;Scandals involving collusion between politicians and big business which have rocked the country, lavish overspending by local authorities on prestige projects rather than desparately-needed public housing, and key decision-making being in the hands of the non-accountable bureacracy rather than politicians are just some of the results of this state of affairs. The author's approach makes this book a useful record and source of reference.

'Gripping ... A terrific action narrative' Max Hastings 'Reads like a Tom Clancy thriller, yet every word is true ... This is modern warfare close-up and raw' Andrew Roberts Bestselling and Orwell Prize-winning author Toby Harnden tells the gripping and incredible story of the six-day battle that began the War in Afghanistan and how it set the scene for twenty years of conflict. The West is in shock. Al-Qaeda has struck the US on 9/11 and thousands are dead. Within weeks, UK Special Forces enter the fray in Afghanistan alongside the CIA's Team Alpha and US troops. Victory is swift, but fragile. Hundreds of jihadists surrender and two operatives from Team Alpha enter Qala-i Jangi - the 'Fort of War' - to interrogate them. The prisoners revolt, one CIA man falls, and the other is trapped inside the fort. Seven members of the SBS - elite British Special Forces - volunteer for the rescue force and race into danger and the unknown. The six-day battle that follows proves to be one of the bloodiest of the Afghanistan war as the SBS and their American comrades face an enemy determined to die in the mud citadel. Superbly researched, First Casualty is based on unprecedented access to the CIA, SBS, and US Special Forces. Orwell Prize-winning author Toby Harnden recounts the gripping story of that first battle in Afghanistan and how the haunting foretelling it contained - unreliable allies, ethnic rivalries, suicide attacks, and errant bombs - was ignored, fueling the twenty-year conflict to come.

Code-named the Studies and Observations Group, SOG was the most secret elite U.S. military unit to serve in the Vietnam War-its very existence denied by the government. Composed entirely of volunteers from such ace fighting units as the Army Green Berets, Air Force Air Commandos, and Navy SEALs, SOG took on the most dangerous covert assignments, in the deadliest and most forbidding theaters of operation.
John L. Plaster, a three-tour SOG veteran, shares the gripping account of SOG's stunning operations behind enemy lines-penetrating heavily- defended North Vietnamese military facilities, holding off mass enemy attacks, and launching daring missions to rescue downed U.S. pilots. From sabotage to espionage to hand-to-hand combat, these are some of the most extraordinary true stories of honor and heroism in the history of the U.S. military.

A DAILY TELEGRAPH BOOK OF THE YEAR.

'A compelling, authoritative insight into possibly the most controversial death in Britain this century' Observer.

'Masterful ... This book made me proud of my trade as a journalist' Daily Mail.

'This searing excavation of the mysterious death of Dr David Kelly is investigative journalism at its best. It is brave, relentless, dazzlingly revealing' Peter Oborne.

In March 2003 British forces invaded Iraq after Tony Blair said the country could deploy weapons of mass destruction at 45 minutes' notice. A few months later, government scientist Dr David Kelly was unmasked by Blair's officials as the assumed source of a BBC news report challenging this claim. Within days, Dr Kelly was found dead in a wood near his home. Blair immediately convened the controversial Hutton Inquiry, which concluded Dr Kelly committed suicide.

Yet key questions remain: could Dr Kelly really have taken his life in the manner declared? And why did Blair's government derail the coroner's inquest into Dr Kelly's death? In this meticulous account, award-winning journalist Miles Goslett shows why we should be sceptical of the official story of what happened in that desperate summer of 2003.

Understanding the role of combat in the Iraq war is essential for both the American people and the U.S. military. Recognizing the objectives of both sides and the plans developed to attain those objectives provides the context for understanding the war. The Surge is an effort to provide such a framework to help understand not only where we have been, but also what happens as we move forward.

OFFICIAL TIE-IN TO THE MAJOR MOTION PICTURE 12 STRONG, STARRING CHRIS HEMSWORTH On September 11th, 2001 the world watched in terror. On September 12th, 2001 they volunteered to fight. Twelve soldiers gave us a reason to hope. THE DECLASSIFIED TRUE STORY OF THE HORSE SOLDIERS. This is the dramatic account of a small band of Special Forces soldiers who entered Afghanistan immediately following September 11, 2001 and, riding to war on horses, defeated the Taliban. Outnumbered 40 to 1, they capture the strategic Afghan city of Mazar-e Sharif, and thereby effectively defeat the Taliban throughout the rest of the country. They are welcomed as liberators as they ride on horses into the city, the streets thronged with Afghans overjoyed that the Taliban have been kicked out. The soldiers rest easy, as they feel they have accomplished their mission. And then, the action takes a wholly unexpected turn. During a surrender of Taliban troops, the Horse Soldiers are ambushed by the would-be P.O.W.s and, still dangerously outnumbered, they must fight for their lives in the city's ancient fortress known as Qala-I Janghi, or the House of War . . . Praise for Doug Stanton:- 'A thrilling action ride of a book.' New York Times 'As gripping as the most intricately-plotted thriller.' Vince Flynn 'A riveting story of the brave and resourceful American warriors who rode into Afghanistan after 9/11 and waged war against Al Qaeda.' Tom Brokaw 'This reads like a cross between an old-fashioned Western and a modern spy thriller.' Parade Magazine 'Spellbinding...action-packed prose. The book reads more like a novel.' USA Today

In the decades after World War II, tens of thousands of soldiers and civilian contractors across Asia and the Pacific found work through the U.S. military. Recently liberated from colonial rule, these workers were drawn to the opportunities the military offered and became active participants of the U.S. empire, most centrally during the U.S. war in Vietnam. Simeon Man uncovers the little-known histories of Filipinos, South Koreans, and Asian Americans who fought in Vietnam, revealing how U.S. empire was sustained through overlapping projects of colonialism and race making. Through their military deployments, Man argues, these soldiers took part in the making of a new Pacific world-a decolonizing Pacific-in which the imperatives of U.S. empire collided with insurgent calls for decolonization, producing often surprising political alliances, imperial tactics of suppression, and new visions of radical democracy.

The Gulf War inflicted dramatic environmental damage upon the fragile desert and shore environments of Kuwait and north eastern Saudi Arabia. Marine environments experienced oil spills; inland, oil lakes and burning oil wells caused widespread pollution. This book, first published in 1994, presents an in-depth analysis of these environmental disasters, their long-term consequences, and potential ways to repair the damage.

After more than four decades, the Viet Nam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural productions-from memorials and poetry to cinematic and fictional narratives-that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia. Underpinning the book is the notion of "prosthetic memory," which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debates over America's self-conception, specifically her coinage of the "New Vietnam Syndrome," and the country's role in world affairs when it comes to contemporary military interventions. With the notable exception of the Veterans' Memorial in Washington, Eastman's focus is on works produced from the Persian Gulf War (1990-91) through the post-9/11 "War on Terror." She looks not only at American representations of the war-from movies like Randall Wallace's We Were Soldiers to poems by W. D. Ehrhart, Yusef Komunyakaa, and others-but also at novels by Vietnamese authors Bao Ninh and Huong Thu Duong. The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women's Memorial and another to Sandie Frazier's novel I Married Vietnam and Oliver Stone's film Heaven and Earth, based on memoirs by Le Ly Hayslip. And by examining Jessica Hagedorn's Dream Jungle, a novel inspired by the filming of Apocalypse Now, she considers how the war's repercussions were felt in other countries, in this case the Philippines. Her investigation of Vietnamese American authors Lan Cao, Andrew Lam, and GB Tran adds a transnational dimension to the study. With its up-to-date perspective on recent works that have heretofore received scant critical notice, this book offers new ways of thinking about one of the most polemic chapters in U.S. history. SUSAN LYN EASTMAN teaches in the Department of English at the University of Tennessee at Chattanooga.

'A gorgeous achievement' Min Jin Lee, author of Pachinko

'Graceful, poignant and moving' Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

In 1948 Najin and Calvin Cho, with their young daughter Miran, travel from South Korea to the United States in search of new opportunities. Wary of the challenges ahead, Najin and Calvin make the difficult decision to leave their other daughter, Inja, behind with their extended family; soon, they hope, they will return to her.

But then war breaks out in Korea, and there is no end in sight to the separation. Miran grows up in prosperous American suburbia, under the shadow of the daughter left behind, as Inja grapples in her war-torn land with ties to a family she doesn't remember. Najin and Calvin desperately seek a reunion with Inja, but are the bonds of love strong enough to reconnect their family over distance, time and war? And as deep family secrets are revealed, will everything they long for be upended?

Told through the alternating perspectives of the distanced sisters, and inspired by a true story, The Kinship of Secrets explores the cruelty of war, the power of hope, and what it means to be a sister.

This book examines the ethics and values that render a war discourse normative, and features the stories of American soldiers who fought in the Iraq War to show how this narrative can change. The invasion of Iraq, launched in March 2003, was led by the United States under the now discredited claim that Iraq was developing weapons of mass destruction (WMD). However, critical questions concerning what we may be able to learn from this experience remain largely unexplored. The focus of this book, therefore, is on soldiers as systems of war - and the internal battle many of them wage as they live a reality that slowly emerges as inconsistent with familiar beliefs and value commitments. This work offers a reflective study of identity struggle from the perspective of emotional psychology and delves into the 'narrative field' of socio-politics. Going beyond the political contestations over the U.S. military intervention in Iraq, the author analyses original research on the evolving beliefs and value-commitments of veterans of the war, exploring their faith in its 'just cause' and their personal sense of self and national identity. This book will be of much interest to students of the Iraq War, US foreign policy, military studies, discourse analysis, and IR in general.

"Body Counts: The Vietnam War and Militarized Refuge(es)" examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence--and the history and memories that are forged in the aftermath of war. At the same time, the book moves decisively away from the "damage-centered" approach that pathologizes loss and trauma by detailing how first- and second-generation Vietnamese have created alternative memories and epistemologies that challenge the established public narratives of the Vietnam War and Vietnamese people. Explicitly interdisciplinary, "Body Counts" moves between the humanities and social sciences, drawing on historical, ethnographic, cultural, and virtual evidence in order to illuminate the places where Vietnamese refugees have managed to conjure up social, public, and collective remembering.

Why has the US so dramatically failed in Afghanistan since 2001? Dominant explanations have ignored the bureaucratic divisions and personality conflicts inside the US state. This book rectifies this weakness in commentary on Afghanistan by exploring the significant role of these divisions in the US's difficulties in the country that meant the battle was virtually lost before it even began. The main objective of the book is to deepen readers understanding of the impact of bureaucratic politics on nation-building in Afghanistan, focusing primarily on the Bush Administration. It rejects the 'rational actor' model, according to which the US functions as a coherent, monolithic agent. Instead, internal divisions within the foreign policy bureaucracy are explored, to build up a picture of the internal tensions and contradictions that bedevilled US nation-building efforts. The book also contributes to the vexed issue of whether or not the US should engage in nation-building at all, and if so under what conditions.

The crisis in the Gulf of 1990-1 affected more than just the regional powers in the area. Rippling outward, its military, economic and political effects were felt throughout the international political system, testing US steadfastness in the face of Saddam Hussein's political survival, European ability to form a united front on foreign policy issues and the effectiveness of the UN in confronting international aggression. The rationale behind this book, first published in 1993, is to investigate and analyse the various aspects of the crisis, especially in regard to the interactions between internal and international prospects for a new order in the Middle East. It also examines the wider effects of the war, and includes analysis of Europe, America and the Soviet Union. Each one of the essays chosen for this volume has been written by an expert in their field. This collaboration between historians, regional specialists and political scientists, integrating a variety of research methods in the framework of one book, will be useful to a wide range of readers.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

The decade that followed James Stockdale's seven and a half years in a North Vietnamese prison saw his life take a number of different turns, from a stay in a navy hospital in San Diego to president of a civilian college to his appointment as a senior research fellow at the Hoover Institution. In this collection of essays he offers his thoughts on his imprisonment. Describing the horrors of his treatment as a prisoner of war, Stockdale tells how he discovered firsthand the capabilities and limitations of the human spirit in such a situation. As the senior officer in confinement he had what he humbly describes as 'the easiest leadership job in the world: to maintain the organization, resistance, and spirit of ten of the finest men I have ever known.' His reflections on his wartime prison experience and the reasons for his survival form the basis of the writings reprinted here. In subject matter ranging from methods of communication in prison to military ethics to the principles of leadership, the thirty-four selections contained in this volume are a unique record of what Stockdale calls a 'melting experience' - a pressure-packed existence that forces one to grow. Retired Vice Admiral James B. Stockdale, a Hoover Institution fellow from 1981 to 1996, was Ross Perot's 1992 presidential running mate and a recipient of the Medal of Honor after enduring seven and a half years as a prisoner of war in North Vietnam. He died in 2005 at the age of 81.

In 2012, Specialist Summerfield and the 2-508th Parachute Infantry Regiment were deployed to the Kandahar province of Afghanistan. A Special Forces dropout, Summerfield was given a second chance at leadership as the head of an infantry team in one of the most IED-ridden areas in Afghanistan. With zero training and little intel, his squad navigated IED belts, leadership conflict and enemy ambushes. This book provides a thought-provoking and often humorous account of life on the front in a frontless war, all from the perspective of a low-ranking enlisted soldier.

SHORTLISTED FOR THE DUKE OF WELLINGTON MEDAL FOR MILITARY HISTORY 2021, THE BRITISH ARMY BOOK OF THE YEAR 2021, AS A FINALIST FOR THE 2020 ARMY HISTORICAL FOUNDATION DISTINGUISHED WRITING AWARDS. FIRST RUNNER UP IN THE TEMPLER MEDAL BOOK PRIZE 2021. 'With a soldier's eye for telling operational details, Ben Barry offers an authoritative, compelling and inevitably bleak account of the American and British campaigns in Iraq and Afghanistan.' Sir Lawrence Freedman, Emeritus Professor of War Studies, King's College London Newly revised and updated with in-depth analysis of the current situation in Afghanistan after American withdrawal, Blood, Metal and Dust is an authoritative account of how the wars in Iraq and Afghanistan were played out, explaining their underlying politics and telling the story of what happened on the ground. From the high-ranking officer who wrote the still-classified British military analysis of the war in Iraq comes the authoritative history of two conflicts which have overshadowed the beginning of the 21st century. Inextricably linked to the ongoing 'War on Terror', the wars in Iraq and Afghanistan dominated more than a decade of international politics, and their influence is felt to this day. Blood, Metal and Dust is the first military history to offer a comprehensive overview of the wars in Afghanistan and Iraq, providing in-depth accounts of the operations undertaken by both US and UK forces. Brigadier Ben Barry explores the wars which shaped the modern Middle East, providing a detailed narrative of operations as they unfolded. With unparalleled access to official military accounts and extensive contacts in both the UK and the US militaries, Brigadier Barry is uniquely placed to tell the story of these controversial conflicts, and offers a rounded account of the international campaigns which irrevocably changed the global geopolitical landscape.

On June 7, 1998 CNN broadcast Valley of Death, the story of a 1970 raid into Laos by U.S. Special Forces. According to the report, Operation Tailwind had used sarin nerve gas to kill U.S. soldiers who had defected to the North Vietnamese. After a firestorm of controversy, CNN retracted the report, ruining the career of rising star April Oliver and compromising the network's credibility. Called "the TV news story of the year" by TV Guide, CNN's Operation Tailwind fiasco was the biggest news scandal of the 1990s. Hearing about the story after its broadcast, Jerry Lembcke was struck by its resemblance to war legends and myths. His search for the origins of the tale, and an explanation for why top-level journalists would believe it, led him into the shocking world of political paranoia, where conspiracy theory, popular culture, religious fundamentalism, and the fantasies of war veterans cross paths. Approaching the story as a case study in why people believe what they do, Lembcke reversed the normal inquiry into how journalists shape what the rest of us know, to ask questions about the social forces that shape what journalists know. With a likeness to Herbert Gans' 1980 classic, Deciding What's News, Jerry Lembcke's CNN's Tailwind Tale is at once a study of American journalism that opens a window on America itself. Special link to the author's interview on Radio Nation discussing this new book - CNN's Tailwind Tale

"He seems to have brought to this book the ear of a musician and the eye of a painter . . . the premier war correspondence of Vietnam."--Washington Post. "The best book I have ever read on men and war in our time."--John le Carre." . . . Dispatches puts the rest of us in the shade."--Hunter S. Thompson.

Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For many years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire, surface-to-air missiles and enemy fighters. Many American airmen were shot down, killed, or captured and taken to the infamous POW prisons in Hanoi. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as previously untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, audacity, sometimes luck and sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe.

This is a study of media and cultural artifacts that constitute the remembrance of a tragic war as reflected in the stories of eight people who lived it. Using memoir, history, and criticism, "Crossing the Street in Hanoi" is based on scholarly research, teaching, and writing as well as extensive personal journals, interviews, and exclusive primary source material. Each chapter uses a human story to frame an exploration in media and cultural criticism. What weaves these different threads into a whole cloth are the stories of the Vietnam War and the long shadow it casts over American and Vietnamese cultures.