An advisor to the South Vietnamese Navy Mobile Riverine Forces in 1970-1971, U.S. Navy Commander Richard Kirtley was tasked with helping implement Nixon's policy of "Vietnamization"-the rapid drawdown of U.S. troops to bring an abortive end to the Vietnam War. The program called for the turnover of arms and equipment to South Vietnamese forces, while U.S. personnel trained their counterparts to continue fighting the war alone. The U.S. Navy's supporting effort, Accelerated Turnover to the Vietnamese (ACTOV), emphasized "Accelerated." Kirtley's account gives an up-close look at the futility and frustration of the advisory effort during the withdrawal, the implementation of both programs-doomed to failure yet hyped to cover a lost-cause retreat-and their disastrous outcomes.

Afghan women were at the forefront of global agendas in late 2001, fueled by a mix of media coverage, humanitarian intervention and military operations. Calls for "liberating" Afghan women were widespread. Women's roles in Afghanistan have long been politically divisive, marked by struggles between modernization and tradition. Women, politics, and the state have always been intertwined in Afghanistan, and conflicts have been fueled by attempts to challenge or change women's status. It may appear that we have come full circle twenty years later, in late 2021, when Afghanistan fell to the Taliban once more. Women's rights in Afghanistan have been stripped away, and any gains-however tenuous-now appear lost. Today, the country navigates both a humanitarian and a human rights crisis. This book measures the rhetoric of liberation and the physical and ideological occupations of Afghanistan over the twenty-year period from 2001 through 2021 through the voices, perspectives, and experiences of those who are implicated in this reality-Afghan women.

In this book, Joseph G. Morgan examines the career of Wesley Fishel, a political scientist who vigorously supported American intervention in the Vietnam War, what he deemed a "a great, and tragic, American experiment.". Morgan demonstrates how Fishel continued to champion the prospect of an independent South Vietnam, even when Vietnamese resistance and infighting among Americans undermined this effort. Morgan also analyzes how opponents questioned Fishel's scholarly integrity and his academic collaboration with the US government in implementing Cold War policies.

The Vietnam War was not going well in 1968. The January Tet Offensive-a tactical defeat but strategic victory for North Vietnam-showed the U.S. military and the American public that the enemy remained determined, no nearer defeat. Americans grew war weary while politicians and military leaders could not agree on how to win or how to withdraw. Between combat tours, the author served as a U.S. Army company commander-a job he came to despise. Experiencing what he perceived as a degradation in the Army's senior command, he resigned his commission. Yet he needed money to complete graduate school and volunteered to return to Vietnam as a combat advisor. This memoir describes his participation in the fiercest fighting of the war, on the Cambodian border, where he almost died of hookworm and was shot in a night operation. In Saigon to recuperate, he was tasked with creating an advisory team to train South Vietnamese commandos to conduct raids in the swamps south of Saigon, the Rung Sat Special Zone. For seven months they were successful, with Worthington receiving seven combat decorations.

This book revisits the American canon of novels, memoirs, and films about the war in Vietnam, in order to reassess critically the centrality of the discourse of American victimization in the country's imagination of the conflict, and to trace the strategies of representation that establish American soldiers and veterans as the most significant victims of the war. By investigating in detail the imagery of the Vietnamese landscape recreated by American authors and directors, the volume explores the proposition that Vietnam has been turned into an American myth, demonstrating that the process resulted in a dehistoricization and mystification of the conflict that obscured its historical and political realities. Against this background, representations of the war's victims-Vietnamese civilians and American soldiers-are then considered in light of their ideological meanings and uses. Ultimately, the book seeks to demonstrate how, in a relation of power, the question of victimhood can become ideologized, transforming into both a discourse and a strategy of representation-and in doing so, to demythologize something of the "Vietnam" of American cultural narrative.

In their initial effort to end the Vietnam War, Richard Nixon and Henry Kissinger attempted to lever concessions from Hanoi at the negotiating table with military force and coercive diplomacy. They were not seeking military victory, which they did not believe was feasible. Instead, they backed up their diplomacy toward North Vietnam and the Soviet Union with the Madman Theory of threatening excessive force, which included the specter of nuclear force. They began with verbal threats then bombed North Vietnamese and Viet Cong base areas in Cambodia, signaling that there was more to come. As the bombing expanded, they launched a previously unknown mining ruse against Haiphong, stepped-up their warnings to Hanoi and Moscow, and initiated planning for a massive shock-and-awe military operation referred to within the White House inner circle as DUCK HOOK. Beyond the mining of North Vietnamese ports and selective bombing in and around Hanoi, the initial DUCK HOOK concept included proposals for "tactical" nuclear strikes against logistics targets and U.S. and South Vietnamese ground incursions into the North. In early October 1969, however, Nixon aborted planning for the long-contemplated operation. He had been influenced by Hanoi's defiance in the face of his dire threats and concerned about U.S. public reaction, antiwar protests, and internal administration dissent. In place of DUCK HOOK, Nixon and Kissinger launched a secret global nuclear alert in hopes that it would lend credibility to their prior warnings and perhaps even persuade Moscow to put pressure on Hanoi. It was to be a "special reminder" of how far President Nixon might go. The risky gambit failed to move the Soviets, but it marked a turning point in the administration's strategy for exiting Vietnam. Nixon and Kissinger became increasingly resigned to a "long-route" policy of providing Saigon with a "decent chance" of survival for a "decent interval" after a negotiated settlement and U.S. forces left Indochina. Burr and Kimball draw upon extensive research in participant interviews and declassified documents to offer a history that holds important lessons for the present and future about the risks and uncertainties of nuclear threat making.

In Unbound in War?, Sean Richmond examines the influence and interpretation of international law in the use of force by two important but understudied countries, Canada and Britain, during two of the most significant conflicts since 1945, namely the Korean War and the Afghanistan Conflict. Through innovative application of sociological theories in International Relations (IR) and International Law (IL), and rigorous qualitative analysis of declassified documents and original interviews, the book advances a two-pronged argument. First, contrary to what some dominant IR perspectives might predict, international law can play four underappreciated roles when states use force. It helps constitute identity, regulate behaviour, legitimate certain actions, and structure the development of new rules. However, contrary to what many IL approaches might predict, it is unclear whether these effects are ultimately attributable to an obligatory quality in law. This ground-breaking argument promises to advance interdisciplinary debates and policy discussions in both IR and IL.

Beginning with the withdrawal of French forces from South Vietnam in 1955, the U.S. took an ever-widening role in defending the country against invasion by North Vietnam. By 1965, the U.S. had "Americanized" the war, relegating the Army of the Republic of Vietnam (ARVN) to a supporting role. While the U.S. won many tactical victories, it had difficulty controlling the territory it fought for. As the war grew increasingly unpopular with the American public, the North Vietnamese launched two large-scale invasions in 1968 and 1972-both tactical defeats but strategic victories for the North that precipitated the U.S. policy of "Vietnamization," the drawdown of American forces that left the ARVN to fight alone. This book examines the maturation of the ARVN, and the major battles it fought from 1963 to its demise in 1975. Despite its flaws, the ARVN was a well-organized and disciplined force with an independent spirit and contributed enormously to the war effort. Had the U.S. "Vietnamized" the war earlier, it might have been won in 1967-1968.

Before unmanned combat drones, there was the Grumman OV-1C Mohawk, a twin-engine turboprop fixed-wing reconnaissance aircraft loaded with state-of-the-art target detection systems. Crewed by a pilot and observer, it flew at treetop level by day, taking panoramic photographs. By night it scanned the landscape from 800 feet with side-looking airborne radar (SLAR) and infrared. This lively, detailed memoir recounts the author's 1968-1969 tour with the 1st Cavalry Division in Vietnam, serving as a technical observer (T.O.) aboard an unarmed Mohawk, searching for elusive enemy forces near the DMZ and along the Laotian and Cambodian borders, dodging mountains in the dark and avoiding anti-aircraft fire.

In a 1965 letter to 'Newsweek', French writer and academic Bernard Fall (1926-67) staked a claim as the 'Number One Realist' on the Vietnam War. This is the first book to study the thought of this overlooked figure, one of the most important experts on counterinsurgency warfare in Indochina. Nathaniel L. Moir's intellectual history analyses Fall's formative experiences: his service in the French underground and army during the Second World War; his father's execution by the Germans and his mother's murder in Auschwitz; and his work as a research analyst at the Nuremberg Trials. Moir demonstrates how these critical events shaped Fall's trenchant analysis of Viet Minh-led revolutionary warfare during the French-Indochina War and the early Vietnam War. In the years before conventional American intervention in 1965, Fall argued that--far more than anything in the United States' military arsenal--resolving conflict in Vietnam would require political strength, willpower, integrity and skill. 'Number One Realist' illuminates Fall's study of political reconciliation in Indochina, while showing how his profound, humanitarian critique of war continues to echo in the endless conflicts of the present. It will challenge and change the way we think about the Vietnam War.

This book analyses the problematique of governance and administration of cultural diversity within the modern state of Afghanistan and traces patterns of national integration. It explores state construction in twentieth-century Afghanistan and Afghan nationalism, and explains the shifts in the state's policies and societal responses to different forms of governance of cultural diversity. The book problematizes liberalism, communitarianism, and multiculturalism as approaches to governance of diversity within the nation-state. It suggests that while the western models of multiculturalism have recognized the need to accommodate different cultures, they failed to engage with them through intercultural dialogue. It also elaborates the challenge of intra-group diversity and the problem of accommodating individual choice and freedom while recognising group rights and adoption of multiculturalism. The book develops an alternative approach through synthesising critical multiculturalism and interculturalism as a framework on a democratic and inclusive approach to governance of diversity. A major intervention in understanding a war-torn country through an insider account, this book will be of great interest to scholars and researchers of politics and international relations, especially those concerned with multiculturalism, state-building, nationalism, and liberalism, as well as those in cultural studies, history, Afghanistan studies, South Asian studies, Middle East studies, minority studies, and to policymakers.

In this heartfelt memoir, Dennis Blessing, Sr., shares his experiences as a grunt in the First Cavalry Division in 1966 and 1967. Blessing's story is drawn from his own remembrance and from the 212 letters that he wrote to his wife while deployed. Among his many combat experiences was the battle of Bong Son in May 1966, in which his platoon was nearly wiped out, going from 36 to only 6 troopers in just a few hours. Told with honesty and vulnerability, the book combines gripping combat with personal reflection, and the author hopes that his story will help other veterans escape the shadow of the war.

In 1968, twenty-one-year-old Fred McCarthy transitioned from the monastic life of a seminary student to that of a U.S. Army helicopter gunship commander in Vietnam. Despite preparation from a family tradition of decorated combat service, a strong sense of patriotism, a love for aviation, and a desire for adventure, he got far more than he bargained for. Written after 50 years of reflection, reading, and study, this memoir tells both a universal story about war, adventure, and perseverance and, also shares the intensely personal experience of the Vietnam War and its legacy for those who fought in it. McCarthy describes many of his missions, reflects on the nature of being a combat helicopter pilot, and processes the experience through his poetry, letters home, and reflective analysis.

With specially commissioned artworks and dynamic combat ribbon diagrams, this volume reveals how the 'last of the gunfighters', as the F-8 was dubbed by its pilots, prevailed against the growing MiG threat of the Vietnamese People's Air Force. When the Vietnam War began, the F-8 was already firmly established as a fighter and reconnaissance aircraft. It entered combat as an escort for Alpha strike packages, braving the anti-aircraft artillery and surface-to-air missiles alongside the A-4 Skyhawk bombers and meeting MiGs for the first time on 3 April 1965. Although the Crusader was nicknamed 'last of the gunfighters', its pilots employed 'secondary' AIM-9D Sidewinder missiles in all but one of their MiG kills, with guns also used as back-up in three. Its 20 mm guns were unreliable as they often jammed during strenuous manoeuvres, although they were responsible for damaging a number of MiGs. However, in combat the F-8 had the highest 'exchange ratio' (kills divided by losses) at six-to-one of any US combat aircraft involved in the Vietnam War. Through the copious use of first-hand accounts, highly detailed battlescene artwork, combat ribbon diagrams and armament views, Osprey's Vietnam air war specialist Peter E. Davies charts the successful career of the F-8 Crusader over Vietnam.

The Korean War in Britain explores the social and cultural impact of the Korean War (1950-53) on Britain. Coming just five years after the ravages of the Second World War, Korea was a deeply unsettling moment in post-war British history. From allegations about American use of 'germ' warfare to anxiety over Communist use of 'brainwashing' and treachery at home, the Korean War precipitated a series of short-lived panics in 1950s Britain. But by the time of its uneasy ceasefire in 1953, the war was becoming increasingly forgotten. Using Mass Observation surveys, letters, diaries and a wide range of under-explored contemporary material, this book charts the war's changing position in British popular imagination and asks how it became known as the 'Forgotten War'. It explores the war in a variety of viewpoints - conscript, POW, protester and veteran - and is essential reading for anyone interested in Britain's Cold War past. -- .

Facing the possibility of being drafted and sent to Vietnam, Roger Durham secured a deferment when he enrolled in college. Devoting more time to anti-war protests than to studies, he became immersed in the late 1960s counterculture, flunked out and was drafted anyway. Deployed to Vietnam with the U.S. Army's 18th Engineer Brigade Headquarters, he was assigned to a helicopter base "behind the wire," far from the action. Or so he thought-the action came to him as the base drew mortar, rocket and sapper attacks. Durham's clear-eyed memoir relates an often untold experience of the Vietnam War-that of the counterculture soldier whose opposition to war did not end when he was inducted. Adjusting to life in-country, he finds a thriving drug culture and a brotherhood of like-minded warriors, who resist both the enemy and the culture of zealous militarism that prosecutes what they see as an immoral war, against American national interests. Durham undergoes changes in perspective, extending his tour of duty when the thought of going home fills him with anxiety and anticipation.

The captivating individual stories of 17 U.S. Navy corpsmen who served in Vietnam, told in their own words. Their accounts relate why they joined the Navy in wartime, why they became corpsmen--the enlisted medical specialists of the Navy and Marine Corps--along with many day-to-day, sometimes minute-to-minute recollections of caring for both the wounded and the dead under fire. They also reflect on the long-term effects the war had on them and their families.

Martin Bowman's revealing narrative of the aerial conflict in South-East Asia, 1965-1972, which had its beginnings in 1 November 1955, engulfed Vi tnam, Laos, and Cambodia and only ended with the fall of S ig n on 30 April 1975 has resulted from decades of painstaking fact-finding as well as detailed correspondence with surviving aircrew incorporating a wealth of first-hand accounts, some never told before, supported by dozens of rare and unusual photographs. Together they describe in adrenalin-pumping accuracy the furious aerial battles of a long suffering and bitter war in South-East Asia and in particular the frontline action in the skies over Vietnam that will keep readers on the edge of their seats. They too will find a new and useful perspective on a conflict that cost the Americans 58,022 dead and brought the USA worldwide condemnation for its role in Southeast Asia. Nearly 2,500 Americans remained missing'. This work serves as a tribute to the courageous pilots who flew the F-104 Starfighter in the Widowmakers' war and B-52 bomber crews on Arc Light' Linebacker II' strikes and the eleven days of Christmas which ultimately ended the aerial campaign against North Vi tnam. And as well, strike aircraft such as the USAF F-4 Phantom and the F-105 Thud' and the US Navy carrier-borne jet and propeller-driven strike aircraft and the Americans' sworn enemy, the North Vi?tnamese MiG fighters, feature large, from Rolling Thunder' onwards. Equally, the Hueys and Chinooks and other notable work horses that participated on combat assaults or Ash & Trash missions and transports like the C-130 Herky-Bird', C-123 Provider, Caribou and Vi tnamese C-47 - the Haulers On Call' - that performed sterling service during the gruelling air campaign are not forgotten either. Here, at first hand, are their stories which also include some of the less publicised American forces like the pilots and crewmen who flew the Bird Dogs and all manner of helicopters as well as the largely forgotten Australian and New Zealand Air Force units and the Anzac Battalions whose valuable contributions are too often overlooked. So too is the cost in human misery, death and destruction.

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of "postmemory," this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women's documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

Drawing on reinterpretations of melancholia and collective remembrance, Memory, Reconciliation, and Reunions in South Korea: Crossing the Divide explores the multi-layered implications of divided Korea's liminality, or its perceived "in-betweenness" in space and time. Offering a timely reconsideration of the pivotal period following the inter-Korean Summit of June 2000, this book focuses on a series of emotionally charged meetings among family members who had lost all contact for over fifty years on opposite sides of the Korean divide. With the scope of its analysis ranging from regional geopolitics and watershed political rituals to everyday social dynamics and intimate family narratives, this study provides a lens for approaching the cultural process of moving from a disposition of enmity to one of recognition and engagement amid the complex legacies of civil war and the global Cold War on the Korean Peninsula.

#1 New Release in Military & Wars Follow the Coming of Age Adventures of a U.S. Military Brat During the Early Vietnam War Years in Saigon.The early Vietnam war years through the eyes of a U.S. military brat: In May of 1962, Naval Chief Petty Officer Bryant Arbuckle flew to Saigon to establish a new Armed Forces radio station. Next to follow were his wife and three boys, Leslie among them. Saigon Kids is the candid, recondite slice of fourteen-year-old military brat Les Arbuckle's experience at the American Community School (ACS) during the critical months of the Vietnam War when events would, quite literally, ignite in downtown Saigon. In 1963, Saigon was beautiful, violent, and dirty and the most exciting place a fourteen-year-old American boy could live. Saigon offered a rich array of activities, and much to the consternation of their parents and teachers, Les and his fellow military brats explored the dangers with reckless abandon running from machine gun fire, watching a Buddhist monk burn to death, visiting brothels late at night or, trading currency on the black market. Coming of age in the streets of Vietnam War torn Saigon: When Les first arrives in Vietnam, he is a stranger in a strange land, expecting boredom in a country he doesn't know. But the American social scene is more vibrant than he expected. The American Community School is a blend of kids from all over the globe who arrived in Saigon as the fuse on Saigon was about to ignite. As the ACS students continue their American lifestyle behind barbed wire, Saigon unravels in chaos and destruction. In spite of this ugliness an ever-present feature of everyday life Les tells his story of teenage angst with humor and precocity. Coming of age tale with a twist: The events leading up to the Vietnam War provide an unusual backdrop for this coming-of-age tale with a twist. Saigon Kids will also make a perfect companion to the documentary film (sponsored by the New York Foundation for the Arts) currently in production. The film chronicles the lives of "military brats" living in Saigon in the volatile years from 1958 to 1964.

Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.

This book picks up where Passing Time: A Vietnam Veteran Against the War left off, and completes the trilogy begun with Vietnam-Perkasie: A Combat Marine Memoir. It begins with the Coast Guard raid on Ehrhart's oil tanker and ends with the conclusion of his trial for possession of "controlled substances," a span of time that corresponds almost exactly with the opening of the House Judiciary Committee's hearings on the impeachment of Richard Nixon and Nixon's resignation and pardon by Gerald Ford. Along the way, Ehrhart encounters a wise and sympathetic lawyer, an MG Midget, a local New Jersey cop who thinks he's Wyatt Earp, New York City detectives who arrest him for armed robbery of a liquor store, a forklift that can turn on a dime, a Coast Guard prosecutor who wants to teach Ehrhart a lesson, the Carranza Memorial, and three ghosts who are as real as you and me.

In recent years questions of ethical responsibility and justice in war have become increasingly significant in international relations. This focus has been precipitated by United States (U.S.) led invasions in Afghanistan and Iraq. In turn, Western conceptions of ethical responsibility have been largely informed by human rights based understandings of morality. This book directly addresses the question of what it means to act ethically in times of war by drawing upon first-hand accounts of U.S. war fighting in Iraq during the 2003 invasion and occupation. The book focuses upon the prominent rights based justification of war of Michael Walzer. Through an in-depth critical reading of Walzer's work, this title demonstrates the broader problems implicit to human rights based justifications of war and elucidates an alternative account of ethical responsibility: ethics as response. Putting forward a compelling case for people to remain troubled and engaged with questions of ethical responsibility in war, this work will be of great interest to students and scholars in a range of areas including international relations theory, ethics and security studies.