Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war's most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all-collective, national, or private-is the major preoccupation of the texts and critiques in this diverse collection.

The Vietnam War was not going well in 1968. The January Tet Offensive-a tactical defeat but strategic victory for North Vietnam-showed the U.S. military and the American public that the enemy remained determined, no nearer defeat. Americans grew war weary while politicians and military leaders could not agree on how to win or how to withdraw. Between combat tours, the author served as a U.S. Army company commander-a job he came to despise. Experiencing what he perceived as a degradation in the Army's senior command, he resigned his commission. Yet he needed money to complete graduate school and volunteered to return to Vietnam as a combat advisor. This memoir describes his participation in the fiercest fighting of the war, on the Cambodian border, where he almost died of hookworm and was shot in a night operation. In Saigon to recuperate, he was tasked with creating an advisory team to train South Vietnamese commandos to conduct raids in the swamps south of Saigon, the Rung Sat Special Zone. For seven months they were successful, with Worthington receiving seven combat decorations.

This compelling and timely collaboration between photographer/writer Jim Lommasson and American veterans of the Iraq and Afghanistan wars presents Lommassons portraits and interviews as well as soldiers own photographs from the war zones. The stories expressed in words and in images are intimate, profound, and timeless. In their own words, 50 men and women speak their truth about these warswhat they saw and what they did. They talk about the wars impact on themselves and on their loved ones at home as well as on the Iraqis and Afghanis caught in the crossfire. They talk about why they went to war and how the war came home with them. Our soldiers need to tell their stories, and we need to listen.

Facing the possibility of being drafted and sent to Vietnam, Roger Durham secured a deferment when he enrolled in college. Devoting more time to anti-war protests than to studies, he became immersed in the late 1960s counterculture, flunked out and was drafted anyway. Deployed to Vietnam with the U.S. Army's 18th Engineer Brigade Headquarters, he was assigned to a helicopter base "behind the wire," far from the action. Or so he thought-the action came to him as the base drew mortar, rocket and sapper attacks. Durham's clear-eyed memoir relates an often untold experience of the Vietnam War-that of the counterculture soldier whose opposition to war did not end when he was inducted. Adjusting to life in-country, he finds a thriving drug culture and a brotherhood of like-minded warriors, who resist both the enemy and the culture of zealous militarism that prosecutes what they see as an immoral war, against American national interests. Durham undergoes changes in perspective, extending his tour of duty when the thought of going home fills him with anxiety and anticipation.

Beginning with the withdrawal of French forces from South Vietnam in 1955, the U.S. took an ever-widening role in defending the country against invasion by North Vietnam. By 1965, the U.S. had "Americanized" the war, relegating the Army of the Republic of Vietnam (ARVN) to a supporting role. While the U.S. won many tactical victories, it had difficulty controlling the territory it fought for. As the war grew increasingly unpopular with the American public, the North Vietnamese launched two large-scale invasions in 1968 and 1972-both tactical defeats but strategic victories for the North that precipitated the U.S. policy of "Vietnamization," the drawdown of American forces that left the ARVN to fight alone. This book examines the maturation of the ARVN, and the major battles it fought from 1963 to its demise in 1975. Despite its flaws, the ARVN was a well-organized and disciplined force with an independent spirit and contributed enormously to the war effort. Had the U.S. "Vietnamized" the war earlier, it might have been won in 1967-1968.

This book is a chronicle of the 1975 flight of Vietnamese from their country. It traces the departure from Vietnam and the resettlement of 130,000 of these refugees in the United States and focuses on the process by which Vietnamese went from refugees to immigrants.

Before unmanned combat drones, there was the Grumman OV-1C Mohawk, a twin-engine turboprop fixed-wing reconnaissance aircraft loaded with state-of-the-art target detection systems. Crewed by a pilot and observer, it flew at treetop level by day, taking panoramic photographs. By night it scanned the landscape from 800 feet with side-looking airborne radar (SLAR) and infrared. This lively, detailed memoir recounts the author's 1968-1969 tour with the 1st Cavalry Division in Vietnam, serving as a technical observer (T.O.) aboard an unarmed Mohawk, searching for elusive enemy forces near the DMZ and along the Laotian and Cambodian borders, dodging mountains in the dark and avoiding anti-aircraft fire.

The Korean War in Britain explores the social and cultural impact of the Korean War (1950-53) on Britain. Coming just five years after the ravages of the Second World War, Korea was a deeply unsettling moment in post-war British history. From allegations about American use of 'germ' warfare to anxiety over Communist use of 'brainwashing' and treachery at home, the Korean War precipitated a series of short-lived panics in 1950s Britain. But by the time of its uneasy ceasefire in 1953, the war was becoming increasingly forgotten. Using Mass Observation surveys, letters, diaries and a wide range of under-explored contemporary material, this book charts the war's changing position in British popular imagination and asks how it became known as the 'Forgotten War'. It explores the war in a variety of viewpoints - conscript, POW, protester and veteran - and is essential reading for anyone interested in Britain's Cold War past. -- .

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of "postmemory," this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women's documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

In this heartfelt memoir, Dennis Blessing, Sr., shares his experiences as a grunt in the First Cavalry Division in 1966 and 1967. Blessing's story is drawn from his own remembrance and from the 212 letters that he wrote to his wife while deployed. Among his many combat experiences was the battle of Bong Son in May 1966, in which his platoon was nearly wiped out, going from 36 to only 6 troopers in just a few hours. Told with honesty and vulnerability, the book combines gripping combat with personal reflection, and the author hopes that his story will help other veterans escape the shadow of the war.

The U.S.-led intervention in Afghanistan mobilized troops, funds, and people on an international level not seen since World War II. Hundreds of thousands of individuals and tens of billions of dollars flowed into the country. But what was gained for Afghanistan-or for the international community that footed the bill? Why did development money not lead to more development? Why did a military presence make things more dangerous? Through the stories of four individuals-an ambassador, a Navy SEAL, a young Afghan businessman, and a wind energy engineer-Noah Coburn weaves a vivid account of the challenges and contradictions of life during the intervention. Looking particularly at the communities around Bagram Airbase, this ethnography considers how Afghans viewed and attempted to use the intervention and how those at the base tried to understand the communities around them. These compelling stories step outside the tired paradigms of 'unruly' Afghan tribes, an effective Taliban resistance, and a corrupt Karzai government to show how the intervention became an entity unto itself, one doomed to collapse under the weight of its own bureaucracy and contradictory intentions.

In 1968, twenty-one-year-old Fred McCarthy transitioned from the monastic life of a seminary student to that of a U.S. Army helicopter gunship commander in Vietnam. Despite preparation from a family tradition of decorated combat service, a strong sense of patriotism, a love for aviation, and a desire for adventure, he got far more than he bargained for. Written after 50 years of reflection, reading, and study, this memoir tells both a universal story about war, adventure, and perseverance and, also shares the intensely personal experience of the Vietnam War and its legacy for those who fought in it. McCarthy describes many of his missions, reflects on the nature of being a combat helicopter pilot, and processes the experience through his poetry, letters home, and reflective analysis.

Drawing on reinterpretations of melancholia and collective remembrance, Memory, Reconciliation, and Reunions in South Korea: Crossing the Divide explores the multi-layered implications of divided Korea's liminality, or its perceived "in-betweenness" in space and time. Offering a timely reconsideration of the pivotal period following the inter-Korean Summit of June 2000, this book focuses on a series of emotionally charged meetings among family members who had lost all contact for over fifty years on opposite sides of the Korean divide. With the scope of its analysis ranging from regional geopolitics and watershed political rituals to everyday social dynamics and intimate family narratives, this study provides a lens for approaching the cultural process of moving from a disposition of enmity to one of recognition and engagement amid the complex legacies of civil war and the global Cold War on the Korean Peninsula.

Chemical Warfare during the Vietnam War documents the use of antipersonnel chemical weapons throughout the Vietnam War, and explores their effectiveness under the wide variety of circumstances in which they were employed. The short, readable account follows the US program as it progressed from a focus on the humanitarian aspects of non-lethal weapons to their use as a means of augmenting and enhancing the lethality of traditional munitions. It also presents the efforts of the North Vietnamese to both counter US chemical operations and to develop a chemical capability of their own. Chemical Warfare during the Vietnam War is a comprehensive and thoroughly fascinating examination of riot-control agents during the Vietnam War.

The captivating individual stories of 17 U.S. Navy corpsmen who served in Vietnam, told in their own words. Their accounts relate why they joined the Navy in wartime, why they became corpsmen--the enlisted medical specialists of the Navy and Marine Corps--along with many day-to-day, sometimes minute-to-minute recollections of caring for both the wounded and the dead under fire. They also reflect on the long-term effects the war had on them and their families.

You know about MI5. You know about MI6.

Now discover the untold stories behind Britain's most secretive intelligence agency, in the first ever authorised history of GCHQ.

For a hundred years, GCHQ - Government Communications Headquarters - has been at the forefront of innovation in national security and British secret statecraft. Famed for its codebreaking achievements during the Second World War, and essential to the Allied victory, GCHQ also held a critical role in both the Falklands War and Cold War. Today, amidst the growing threats of terrorism and online crime, GCHQ continues to be the UK's leading intelligence, security and cyber agency, and a powerful tool of the British state.

Based on unprecedented access to classified archives, Behind the Enigma is the first book to authoritatively tell the entire history of this most unique and enigmatic of organisations - and peer into its future at the heart of the nation's security.

#1 New Release in Military & Wars Follow the Coming of Age Adventures of a U.S. Military Brat During the Early Vietnam War Years in Saigon.The early Vietnam war years through the eyes of a U.S. military brat: In May of 1962, Naval Chief Petty Officer Bryant Arbuckle flew to Saigon to establish a new Armed Forces radio station. Next to follow were his wife and three boys, Leslie among them. Saigon Kids is the candid, recondite slice of fourteen-year-old military brat Les Arbuckle's experience at the American Community School (ACS) during the critical months of the Vietnam War when events would, quite literally, ignite in downtown Saigon. In 1963, Saigon was beautiful, violent, and dirty and the most exciting place a fourteen-year-old American boy could live. Saigon offered a rich array of activities, and much to the consternation of their parents and teachers, Les and his fellow military brats explored the dangers with reckless abandon running from machine gun fire, watching a Buddhist monk burn to death, visiting brothels late at night or, trading currency on the black market. Coming of age in the streets of Vietnam War torn Saigon: When Les first arrives in Vietnam, he is a stranger in a strange land, expecting boredom in a country he doesn't know. But the American social scene is more vibrant than he expected. The American Community School is a blend of kids from all over the globe who arrived in Saigon as the fuse on Saigon was about to ignite. As the ACS students continue their American lifestyle behind barbed wire, Saigon unravels in chaos and destruction. In spite of this ugliness an ever-present feature of everyday life Les tells his story of teenage angst with humor and precocity. Coming of age tale with a twist: The events leading up to the Vietnam War provide an unusual backdrop for this coming-of-age tale with a twist. Saigon Kids will also make a perfect companion to the documentary film (sponsored by the New York Foundation for the Arts) currently in production. The film chronicles the lives of "military brats" living in Saigon in the volatile years from 1958 to 1964.

Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.

This book picks up where Passing Time: A Vietnam Veteran Against the War left off, and completes the trilogy begun with Vietnam-Perkasie: A Combat Marine Memoir. It begins with the Coast Guard raid on Ehrhart's oil tanker and ends with the conclusion of his trial for possession of "controlled substances," a span of time that corresponds almost exactly with the opening of the House Judiciary Committee's hearings on the impeachment of Richard Nixon and Nixon's resignation and pardon by Gerald Ford. Along the way, Ehrhart encounters a wise and sympathetic lawyer, an MG Midget, a local New Jersey cop who thinks he's Wyatt Earp, New York City detectives who arrest him for armed robbery of a liquor store, a forklift that can turn on a dime, a Coast Guard prosecutor who wants to teach Ehrhart a lesson, the Carranza Memorial, and three ghosts who are as real as you and me.

Developed specifically for the Vietnam War (and made famous by the 2004 presidential campaign), Swift Boats were versatile craft "big enough to outrun anything they couldn't outfight" but too small to handle even a moderate ocean chop, too loud to sneak up on anyone, and too flimsy to withstand the mildest of rocket attacks. This made more difficult an already tough mission: navigating coastal waters for ships and sampans smuggling contraband to the Viet Cong, disrupting enemy supply lines on the rivers and canals of the Mekong Delta, and inserting SEALs behind enemy lines. The stories in this book cover the Swift Boats' early years, which saw search-and-inspect operations in Vietnam's coastal waters, and their later years, when the Swift Boats' mission shifted to the Mekong Delta's labyrinth of 3,000 miles of rivers, streams, and canals. This is an intimate, exciting oral history of Swift Boats at war in Vietnam.

Iraq: The Moral Reckoning applies classic just war theory to the U.S. decision to go to war in 2003. That theory, which evolved over several millennia, is a simple, profound tool for evaluating the rightness and wisdom of starting a war. The Bush administration and its supporters referred directly and indirectly to the theory in making a pro-war case to the world. The theory provides three core moral criteria for a just war: sovereign authority, just cause, and right intention (which includes an aim of peace). It adds three practical criteria: proportionality of ends, last resort, and reasonable chance of success. For a just war, each criterion should be substantially met. Since war is destructive and each country is presumed to have the right to live in peace, the evidence in favor of war must be clearly stronger than evidence against it. For each criterion, Iraq: The Moral Reckoning painstakingly weighs Bush administration statements, or those of its supporters, against evidence available at the time. A wide range of viewpoints and evidence is considered, and contrary arguments are refuted. One full chapter is given to neoconservative arguments on just war theory and its application from prominent war supporters. Each criterion, except sovereign authority, is shown not to have been met. The book concludes with a discussion of the implications of an unjust war for the United States and the world. The intensive weighing of each criterion against the facts and the balanced approach make the book unique. By demonstrating a comprehensive application of the theory to one war, it not only sets a new standard for evaluating the 2003 Iraq war, but also shows how present and future wars can be better evaluated in moral and practical terms, based on knowledge available at the time.