Before unmanned combat drones, there was the Grumman OV-1C Mohawk, a twin-engine turboprop fixed-wing reconnaissance aircraft loaded with state-of-the-art target detection systems. Crewed by a pilot and observer, it flew at treetop level by day, taking panoramic photographs. By night it scanned the landscape from 800 feet with side-looking airborne radar (SLAR) and infrared. This lively, detailed memoir recounts the author's 1968-1969 tour with the 1st Cavalry Division in Vietnam, serving as a technical observer (T.O.) aboard an unarmed Mohawk, searching for elusive enemy forces near the DMZ and along the Laotian and Cambodian borders, dodging mountains in the dark and avoiding anti-aircraft fire.

This book analyses the problematique of governance and administration of cultural diversity within the modern state of Afghanistan and traces patterns of national integration. It explores state construction in twentieth-century Afghanistan and Afghan nationalism, and explains the shifts in the state's policies and societal responses to different forms of governance of cultural diversity. The book problematizes liberalism, communitarianism, and multiculturalism as approaches to governance of diversity within the nation-state. It suggests that while the western models of multiculturalism have recognized the need to accommodate different cultures, they failed to engage with them through intercultural dialogue. It also elaborates the challenge of intra-group diversity and the problem of accommodating individual choice and freedom while recognising group rights and adoption of multiculturalism. The book develops an alternative approach through synthesising critical multiculturalism and interculturalism as a framework on a democratic and inclusive approach to governance of diversity. A major intervention in understanding a war-torn country through an insider account, this book will be of great interest to scholars and researchers of politics and international relations, especially those concerned with multiculturalism, state-building, nationalism, and liberalism, as well as those in cultural studies, history, Afghanistan studies, South Asian studies, Middle East studies, minority studies, and to policymakers.

In this heartfelt memoir, Dennis Blessing, Sr., shares his experiences as a grunt in the First Cavalry Division in 1966 and 1967. Blessing's story is drawn from his own remembrance and from the 212 letters that he wrote to his wife while deployed. Among his many combat experiences was the battle of Bong Son in May 1966, in which his platoon was nearly wiped out, going from 36 to only 6 troopers in just a few hours. Told with honesty and vulnerability, the book combines gripping combat with personal reflection, and the author hopes that his story will help other veterans escape the shadow of the war.

To grasp the complicated causes and consequences of the Vietnam War, one must understand the extraordinary life of Ho Chi Minh, the man generally recognized as the father of modern Vietnam. Duiker provides startling insights into Ho's true motivation, as well as into the Soviet and Chinese roles in the Vietnam War.

In 1968, twenty-one-year-old Fred McCarthy transitioned from the monastic life of a seminary student to that of a U.S. Army helicopter gunship commander in Vietnam. Despite preparation from a family tradition of decorated combat service, a strong sense of patriotism, a love for aviation, and a desire for adventure, he got far more than he bargained for. Written after 50 years of reflection, reading, and study, this memoir tells both a universal story about war, adventure, and perseverance and, also shares the intensely personal experience of the Vietnam War and its legacy for those who fought in it. McCarthy describes many of his missions, reflects on the nature of being a combat helicopter pilot, and processes the experience through his poetry, letters home, and reflective analysis.

With specially commissioned artworks and dynamic combat ribbon diagrams, this volume reveals how the 'last of the gunfighters', as the F-8 was dubbed by its pilots, prevailed against the growing MiG threat of the Vietnamese People's Air Force. When the Vietnam War began, the F-8 was already firmly established as a fighter and reconnaissance aircraft. It entered combat as an escort for Alpha strike packages, braving the anti-aircraft artillery and surface-to-air missiles alongside the A-4 Skyhawk bombers and meeting MiGs for the first time on 3 April 1965. Although the Crusader was nicknamed 'last of the gunfighters', its pilots employed 'secondary' AIM-9D Sidewinder missiles in all but one of their MiG kills, with guns also used as back-up in three. Its 20 mm guns were unreliable as they often jammed during strenuous manoeuvres, although they were responsible for damaging a number of MiGs. However, in combat the F-8 had the highest 'exchange ratio' (kills divided by losses) at six-to-one of any US combat aircraft involved in the Vietnam War. Through the copious use of first-hand accounts, highly detailed battlescene artwork, combat ribbon diagrams and armament views, Osprey's Vietnam air war specialist Peter E. Davies charts the successful career of the F-8 Crusader over Vietnam.

Facing the possibility of being drafted and sent to Vietnam, Roger Durham secured a deferment when he enrolled in college. Devoting more time to anti-war protests than to studies, he became immersed in the late 1960s counterculture, flunked out and was drafted anyway. Deployed to Vietnam with the U.S. Army's 18th Engineer Brigade Headquarters, he was assigned to a helicopter base "behind the wire," far from the action. Or so he thought-the action came to him as the base drew mortar, rocket and sapper attacks. Durham's clear-eyed memoir relates an often untold experience of the Vietnam War-that of the counterculture soldier whose opposition to war did not end when he was inducted. Adjusting to life in-country, he finds a thriving drug culture and a brotherhood of like-minded warriors, who resist both the enemy and the culture of zealous militarism that prosecutes what they see as an immoral war, against American national interests. Durham undergoes changes in perspective, extending his tour of duty when the thought of going home fills him with anxiety and anticipation.

The captivating individual stories of 17 U.S. Navy corpsmen who served in Vietnam, told in their own words. Their accounts relate why they joined the Navy in wartime, why they became corpsmen--the enlisted medical specialists of the Navy and Marine Corps--along with many day-to-day, sometimes minute-to-minute recollections of caring for both the wounded and the dead under fire. They also reflect on the long-term effects the war had on them and their families.

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of "postmemory," this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women's documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

Drawing on reinterpretations of melancholia and collective remembrance, Memory, Reconciliation, and Reunions in South Korea: Crossing the Divide explores the multi-layered implications of divided Korea's liminality, or its perceived "in-betweenness" in space and time. Offering a timely reconsideration of the pivotal period following the inter-Korean Summit of June 2000, this book focuses on a series of emotionally charged meetings among family members who had lost all contact for over fifty years on opposite sides of the Korean divide. With the scope of its analysis ranging from regional geopolitics and watershed political rituals to everyday social dynamics and intimate family narratives, this study provides a lens for approaching the cultural process of moving from a disposition of enmity to one of recognition and engagement amid the complex legacies of civil war and the global Cold War on the Korean Peninsula.

It is August 1990, and Iraq has just invaded Kuwait, setting off a chain reaction of events leading up to the first Gulf War. Vicki Cody's husband, the commander of an elite Apache helicopter battalion, is deployed to Saudi Arabia-and for the next nine months they have to rely on written letters in order to stay connected. From Vicki's narrative and journal entries, the reader gets a very realistic glimpse of what it is like for the spouses and families back home during a war, in particular what it was like at a time when most people did not own a personal computer and there was no Internet-no iPhones, no texting, no tweeting, no Facetime. Her writing also illuminates the roller coaster of stress, loneliness, sleepless nights, humor, joys, and, eventually, resilience, that make up her life while her husband is away. Meanwhile, Dick's letters to her give the reader a front row seat to the unfolding of history, the adrenaline rush of flying helicopters in combat, his commitment to his country, and his devotion to his family back home. Together, these three components weave a clear, insightful, and intimate story of love and its power to sustain us.

#1 New Release in Military & Wars Follow the Coming of Age Adventures of a U.S. Military Brat During the Early Vietnam War Years in Saigon.The early Vietnam war years through the eyes of a U.S. military brat: In May of 1962, Naval Chief Petty Officer Bryant Arbuckle flew to Saigon to establish a new Armed Forces radio station. Next to follow were his wife and three boys, Leslie among them. Saigon Kids is the candid, recondite slice of fourteen-year-old military brat Les Arbuckle's experience at the American Community School (ACS) during the critical months of the Vietnam War when events would, quite literally, ignite in downtown Saigon. In 1963, Saigon was beautiful, violent, and dirty and the most exciting place a fourteen-year-old American boy could live. Saigon offered a rich array of activities, and much to the consternation of their parents and teachers, Les and his fellow military brats explored the dangers with reckless abandon running from machine gun fire, watching a Buddhist monk burn to death, visiting brothels late at night or, trading currency on the black market. Coming of age in the streets of Vietnam War torn Saigon: When Les first arrives in Vietnam, he is a stranger in a strange land, expecting boredom in a country he doesn't know. But the American social scene is more vibrant than he expected. The American Community School is a blend of kids from all over the globe who arrived in Saigon as the fuse on Saigon was about to ignite. As the ACS students continue their American lifestyle behind barbed wire, Saigon unravels in chaos and destruction. In spite of this ugliness an ever-present feature of everyday life Les tells his story of teenage angst with humor and precocity. Coming of age tale with a twist: The events leading up to the Vietnam War provide an unusual backdrop for this coming-of-age tale with a twist. Saigon Kids will also make a perfect companion to the documentary film (sponsored by the New York Foundation for the Arts) currently in production. The film chronicles the lives of "military brats" living in Saigon in the volatile years from 1958 to 1964.

Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.

This book picks up where Passing Time: A Vietnam Veteran Against the War left off, and completes the trilogy begun with Vietnam-Perkasie: A Combat Marine Memoir. It begins with the Coast Guard raid on Ehrhart's oil tanker and ends with the conclusion of his trial for possession of "controlled substances," a span of time that corresponds almost exactly with the opening of the House Judiciary Committee's hearings on the impeachment of Richard Nixon and Nixon's resignation and pardon by Gerald Ford. Along the way, Ehrhart encounters a wise and sympathetic lawyer, an MG Midget, a local New Jersey cop who thinks he's Wyatt Earp, New York City detectives who arrest him for armed robbery of a liquor store, a forklift that can turn on a dime, a Coast Guard prosecutor who wants to teach Ehrhart a lesson, the Carranza Memorial, and three ghosts who are as real as you and me.

In recent years questions of ethical responsibility and justice in war have become increasingly significant in international relations. This focus has been precipitated by United States (U.S.) led invasions in Afghanistan and Iraq. In turn, Western conceptions of ethical responsibility have been largely informed by human rights based understandings of morality. This book directly addresses the question of what it means to act ethically in times of war by drawing upon first-hand accounts of U.S. war fighting in Iraq during the 2003 invasion and occupation. The book focuses upon the prominent rights based justification of war of Michael Walzer. Through an in-depth critical reading of Walzer's work, this title demonstrates the broader problems implicit to human rights based justifications of war and elucidates an alternative account of ethical responsibility: ethics as response. Putting forward a compelling case for people to remain troubled and engaged with questions of ethical responsibility in war, this work will be of great interest to students and scholars in a range of areas including international relations theory, ethics and security studies.

Developed specifically for the Vietnam War (and made famous by the 2004 presidential campaign), Swift Boats were versatile craft "big enough to outrun anything they couldn't outfight" but too small to handle even a moderate ocean chop, too loud to sneak up on anyone, and too flimsy to withstand the mildest of rocket attacks. This made more difficult an already tough mission: navigating coastal waters for ships and sampans smuggling contraband to the Viet Cong, disrupting enemy supply lines on the rivers and canals of the Mekong Delta, and inserting SEALs behind enemy lines. The stories in this book cover the Swift Boats' early years, which saw search-and-inspect operations in Vietnam's coastal waters, and their later years, when the Swift Boats' mission shifted to the Mekong Delta's labyrinth of 3,000 miles of rivers, streams, and canals. This is an intimate, exciting oral history of Swift Boats at war in Vietnam.

Running Toward the Guns is an autobiographical story and an accounting of Chanty Jong's personal inner self-healing journey that lead to a successfully unexpected discovery. Jong survived the Cambodian genocide during the Khmer Rouge regime of 1975-1979, witnessing the horrors of the killing fields, torture, starvation and much more. His vivid narrative recounts the suffering under the Khmer Rouge, his perseverance to survive physically and emotionally and his perilous escape to America. His memoir relives the traumatic memories of his experiences and traces his arduous personal transformation toward a life of inner peace through intensive meditation.

This book is a chronicle of the 1975 flight of Vietnamese from their country. It traces the departure from Vietnam and the resettlement of 130,000 of these refugees in the United States and focuses on the process by which Vietnamese went from refugees to immigrants.

Iraq: The Moral Reckoning applies classic just war theory to the U.S. decision to go to war in 2003. That theory, which evolved over several millennia, is a simple, profound tool for evaluating the rightness and wisdom of starting a war. The Bush administration and its supporters referred directly and indirectly to the theory in making a pro-war case to the world. The theory provides three core moral criteria for a just war: sovereign authority, just cause, and right intention (which includes an aim of peace). It adds three practical criteria: proportionality of ends, last resort, and reasonable chance of success. For a just war, each criterion should be substantially met. Since war is destructive and each country is presumed to have the right to live in peace, the evidence in favor of war must be clearly stronger than evidence against it. For each criterion, Iraq: The Moral Reckoning painstakingly weighs Bush administration statements, or those of its supporters, against evidence available at the time. A wide range of viewpoints and evidence is considered, and contrary arguments are refuted. One full chapter is given to neoconservative arguments on just war theory and its application from prominent war supporters. Each criterion, except sovereign authority, is shown not to have been met. The book concludes with a discussion of the implications of an unjust war for the United States and the world. The intensive weighing of each criterion against the facts and the balanced approach make the book unique. By demonstrating a comprehensive application of the theory to one war, it not only sets a new standard for evaluating the 2003 Iraq war, but also shows how present and future wars can be better evaluated in moral and practical terms, based on knowledge available at the time.

Like many other young men during the Vietnam War, Ed Corlew enlisted in hopes of having some influence regarding assignment-safety and training. Instead he found himself in the dangerous door gunner position and, soon after, the crew chief aboard a CH-47 Chinook, 15 miles from the DMZ in 1967 and 1968. Assigned to the famed 1st Cavalry Division, Corlew was shot down three times: in the Battle of Hue, the Battle of Quang Tri, and the A Shau Valley. This memoir began both as a journal and as counselor-recommended therapy for PTSD. He earned four bronze service stars for his service (an estimated 1000 flying hours) during the war's bloodiest year, enduring enemy mortar and rocket attacks. Engaging, frank, and full of action, Corlew describes his many combat experiences as well as the emotional effects-all through the lens of his Christian faith.

The emerging Jewish national consciousness in Europe toward the end of the 19th century claims many spiritual fathers, some of which have been seriously underestimated so far. Zionist intellectuals such as Moses Hess, Leon Pinsker and Isaac Rulf were already committed to the self-liberation of the Jewish people long before Theodor Herzl. Their experiences and observations brought them to believe that the emancipation and integration of Jews were not realistically possible in Europe. Instead, they began to think in national and territorial terms. The author explores the question as to what extent religious messianism influenced the ideas of these men and how this reflects in today's collective Israeli consciousness. In a comprehensive epilogue, Julius H. Schoeps critically correlates ideas of messianic salvation, Zionist pioneer ideals, the settler's movement before and after 1967, and the unsolved conflict between Israelis and Palestinians which has been lasting for over 100 years.