Presenting new perspectives on the Vietnam War, its global repercussions, and its role in modern history, this volume reveals "America's War" as an international event that reverberated worldwide. The essays address political, military, and diplomatic issues and the cultural and intellectual consequences of "Vietnam." They compare the Vietnam War to other major conflicts in world history. "America's War" is depicted as a global event whose origins and characteristics deserve an interdisciplinary treatment.

Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

B-1-5 was a unique company in the Korean War. The Baker Bandits fought at Inchon, Naktong, Chosin Reservoir, Guerrilla Hunts and the many numbered hills. Theyinspired one B Company Commander, Gen. Charlie Cooper to the extent that when he became Commanding General of the Marines First Division in 1977, his time with B-1-5 inspired his "Band Of Brothers Leadership Principles" used widely in the Corps for many years. Emmett Shelton was a 19-year-old Marine Reservist in 1950. He was called to duty after graduating Austin High School and, within six months, he was a rifleman in Korea. The Korean winter of 1950 was brutal and Emmett was evacuated shortly after Chosin due to frostbite. After the war, Emmett got on with life, then in the 1980s he attended a Chosin Few Reunion. He was overwhelmed by a need to reconnect with his old Company, his Baker Bandits. Emmett tracked down B Company members one-by-one and started a newsletter, The Guidon, to share stories and reconnect. For 20 years Emmett published The Guidon, monthly. The contributing readership grew to a high of 300, including a number of young B Company Marines fighting in Afghanistan. Chosin Brothers brings together first-hand accounts from The Guidon, written by the men of B-1-5 about their time in Korea: their battles, their fallen commanders, deathin the foxhole, lost platoons, injuries and what happened to them after the war.

Monuments and Memory-Making immerses students in the conversations and controversies that emerged as the nation grappled with how best to memorialize what was at the time the longest military conflict in US history. As students engage in the historical process of memory-making, they will work to reconcile the varied and often contradictory voices that rose up after the fall of Saigon. Students will tackle questions such as How do we create a national memory of the past? How do we reckon with a war that was widely understood as a defeat for the United States? How do we remember the dead while honoring the living? How do we reunite a fractured nation? How do public opinion and public consciousness shape our understanding of the past, and whose voices are privileged over others? Working with primary and secondary sources, students will take command of the subject matter as they immerse themselves in their individual roles as historical actors in the debate of how best to remember and honor American participation and sacrifice in the Vietnam War.

A riveting historical narrative of the shocking events surrounding the assassination of John F. Kennedy, and the follow-up to mega-bestselling author Bill O'Reilly's "Killing Lincoln"

More than a million readers have thrilled to Bill O'Reilly's "Killing Lincoln," the page-turning work of nonfiction about the shocking assassination that changed the course of American history. Now the anchor of "The O'Reilly Factor "recounts in gripping detail the brutal murder of John Fitzgerald Kennedy--and how a sequence of gunshots on a Dallas afternoon not only killed a beloved president but also sent the nation into the cataclysmic division of the Vietnam War and its culture-changing aftermath.

In January 1961, as the Cold War escalates, John F. Kennedy struggles to contain the growth of Communism while he learns the hardships, solitude, and temptations of what it means to be president of the United States. Along the way he acquires a number of formidable enemies, among them Soviet leader Nikita Khrushchev, Cuban dictator Fidel Castro, and Alan Dulles, director of the Central Intelligence Agency. In addition, powerful elements of organized crime have begun to talk about targeting the president and his brother, Attorney General Robert Kennedy.

In the midst of a 1963 campaign trip to Texas, Kennedy is gunned down by an erratic young drifter named Lee Harvey Oswald. The former Marine Corps sharpshooter escapes the scene, only to be caught and shot dead while in police custody.

The events leading up to the most notorious crime of the twentieth century are almost as shocking as the assassination itself. "Killing Kennedy" chronicles both the heroism and deceit of Camelot, bringing history to life in ways that will profoundly move the reader. This may well be the most talked about book of the year.

"A GRIPPING CLASSIC. Exhaustively researched, The Hunter Killers puts you directly into a Wild Weasel fighter cockpit during the Vietnam War. Dan Hampton lets you feel it for yourself as no one else could."--Colonel LEO THORSNESS, Wild Weasel pilot and Medal of Honor recipient At the height of the Cold War, America's most elite aviators bravely volunteered for a covert program aimed at eliminating an impossible new threat. Half never returned. All became legends. From New York Times bestselling author Dan Hampton comes one of the most extraordinary untold stories of aviation history. Vietnam, 1965: On July 24 a USAF F-4 Phantom jet was suddenly blown from the sky by a mysterious and lethal weapon-a Soviet SA-2 surface-to-air missile (SAM), launched by Russian "advisors" to North Vietnam. Three days later, six F-105 Thunderchiefs were brought down trying to avenge the Phantom. More tragic losses followed, establishing the enemy's SAMs as the deadliest anti-aircraft threat in history and dramatically turning the tables of Cold War air superiority in favor of Soviet technology. Stunned and desperately searching for answers, the Pentagon ordered a top secret program called Wild Weasel I to counter the SAM problem-fast. So it came to be that a small group of maverick fighter pilots and Electronic Warfare Officers volunteered to fly behind enemy lines and into the teeth of the threat. To most it seemed a suicide mission-but they beat the door down to join. Those who survived the 50 percent casualty rate would revolutionize warfare forever. "You gotta be sh*#@ing me!" This immortal phrase was uttered by Captain Jack Donovan when the Wild Weasel concept was first explained to him. "You want me to fly in the back of a little tiny fighter aircraft with a crazy fighter pilot who thinks he's invincible, home in on a SAM site in North Vietnam, and shoot it before it shoots me?" Based on unprecedented firsthand interviews with Wild Weasel veterans and previously unseen personal papers and declassified documents from both sides of the conflict, as well as Dan Hampton's own experience as a highly decorated F-16 Wild Weasel pilot, The Hunter Killers is a gripping, cockpit-level chronicle of the first-generation Weasels, the remarkable band of aviators who faced head-on the advanced Soviet missile technology that was decimating fellow American pilots over the skies of Vietnam.

The Vietnam War ended over thirty years ago. Yet, it continues as a cultural reference point, shaping contemporary American society and culture, its impact felt in many different contexts. Vietnam precipitated a crisis in national self-confidence and a breakdown in political consensus out of which new ideological perspectives, including neo-conservatism, emerged. This book offers fresh perspectives on a defining event in "the American Century," examining its historical and political significance as well as its continuing cultural relevance.

British foreign policy towards Vietnam illustrates the evolution of Britain's position within world geopolitics 1943-1950. It reflects the change of the Anglo-US relationship from equaltiy to dependence, and demonstrates Britain's changing association with its colonies and with the other European imperial spheres within southeast Asia. This book shows that Britain pursued a more involved policy towards Vietnam than has previously been stated, and clarifies Britain's role in the origins of the Vietnam War and the nature of subsequent US involvement.

From the award-winning co-author of I Am Malala, this book asks just how the might of NATO, with 48 countries and 140,000 troops on the ground, failed to defeat a group of religious students and farmers? How did the West's war in Afghanistan and across the Middle East go so wrong? Farewell Kabul tells how the West turned success into defeat in the longest war fought by the United States in its history and by Britain since the Hundred Years War. It is the story of well-intentioned men and women going into a place they did not understand at all. And how, what had once been the right thing to do had become a conflict that everyone wanted to exit. It has been a fiasco which has left Afghanistan still one of the poorest and most dangerous nations on earth. The leading journalist on the region with unparalleled access to all key decision makers, Christina Lamb is the best-selling author of 'The Africa House' and I Am Malala, co-authored with Nobel Peace Prize winner Malala Yousafzai. This revelatory and personal account is her final analysis of the realities of Afghanistan, told unlike anyone before.

They Were Soldiers showcases the inspiring true stories of 49 Vietnam veterans who returned home from the "lost war" to enrich America's present and future. In this groundbreaking new book, Joseph L. Galloway, distinguished war correspondent and New York Times bestselling author of We Were Soldiers Once . . . and Young, and Marvin J. Wolf, Vietnam veteran and award-winning author, reveal the private lives of those who returned from Vietnam to make astonishing contributions in science, medicine, business, and other arenas, and change America for the better. For decades, the soldiers who served in Vietnam were shunned by the American public and ignored by their government. Many were vilified or had their struggles to reintegrate into society magnified by distorted depictions of veterans as dangerous or demented. Even today, Vietnam veterans have not received their due. Until now. These profiles are touching and courageous, and often startling. They include veterans both known and unknown, including: Frederick Wallace ("Fred") Smith, CEO and founder of FedEx Marshall Carter, chairman of the New York Stock Exchange Justice Eileen Moore, appellate judge who also serves as a mentor in California's Combat Veterans Court Richard Armitage, former deputy secretary of state under Colin Powell Guion "Guy" Bluford Jr., first African American in space Engrossing, moving, and eye-opening, They Were Soldiers is a magnificent tribute that gives long overdue honor and recognition to the soldiers of this "forgotten generation."

Twenty-Fifth Anniversary Edition Widely regarded as a classic on the Vietnam War, Decent Interval provides a scathing critique of the CIA's role in and final departure from that conflict. Still the most detailed and respected account of America's final days in Vietnam, the book was written at great risk and ultimately at great sacrifice by an author who believed in the CIA's cause but was disillusioned by the agency's treacherous withdrawal, leaving thousands of Vietnamese allies to the mercy of an angry enemy. A quarter-century later, it remains a riveting and powerful testament to one of the darkest episodes in American history.

All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize-winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War-a conflict that lives on in the collective memory of both nations. From a kaleidoscope of cultural forms-novels, memoirs, cemeteries, monuments, films, photography, museum exhibits, video games, souvenirs, and more-Nothing Ever Dies brings a comprehensive vision of the war into sharp focus. At stake are ethical questions about how the war should be remembered by participants that include not only Americans and Vietnamese but also Laotians, Cambodians, South Koreans, and Southeast Asian Americans. Too often, memorials valorize the experience of one's own people above all else, honoring their sacrifices while demonizing the "enemy"-or, most often, ignoring combatants and civilians on the other side altogether. Visiting sites across the United States, Southeast Asia, and Korea, Viet Thanh Nguyen provides penetrating interpretations of the way memories of the war help to enable future wars or struggle to prevent them. Drawing from this war, Nguyen offers a lesson for all wars by calling on us to recognize not only our shared humanity but our ever-present inhumanity. This is the only path to reconciliation with our foes, and with ourselves. Without reconciliation, war's truth will be impossible to remember, and war's trauma impossible to forget.

On August 5, 1964, while Lt. (jg) Everett Alvarez was flying a retaliatory air strike against naval targets in North Vietnam, antiaircraft fire crippled his A-4 fighter-bomber, forcing him to eject over water at low altitude. Alvarez relates the engrossing tale of his capture by fishermen, brutal treatment by the North Vietnamese, physical and mental endurance, and triumphant repatriation nearly nine years later in 1973. Alvarez spent more time as a prisoner of war in Vietnam than any other flier. As Senator John McCain, a fellow POW, has written, "During his captivity, Ev exhibited a courage, compassion, and indomitable will that was an inspiration to us all." Indeed, the book, which was written with Anthony S. Pitch, is remarkable for its lack of rancor. Alvarez directs his strongest words against the small number of POWs who broke ranks and collaborated with the enemy. As one reviewer wrote, Alvarez "relates the misery of his condition with a detachment that robs it of its shock value." Chained Eagle also tells the story of the Alvarez family's ordeal during his years of imprisonment: His sister became an anitwar activist, his wife divorced him, and relatives died. Yet throughout his time as a prisoner of war, Alvarez remained duty-bound and held steadfast to his religious faith and the values enshrined in the U.S. Constitution. The book includes a new preface by Alvarez and ends with an upbeat conclusion as he recounts his joyous return and opportunity to rebuild his life anew.

Details how Osama bin Laden and other al Qaeda fighters slipped out of Afghanistan during the battles of Tora Bora and Operation Anaconda. The author also charges that Western media outlets, eager to satisfy their audience's thirst for revenge, lost their grasp on journalistic objectivity while covering bin Laden's pursuit. Blinding patriotism and reliance on Pentagon press releases led them to portray events not reflecting reality on the ground. He contends that to satisfy the press and the public's need for vengeance, the Bush administration pushed to achieve early, highly visible successes to the detriment of long-term strategy. Impatience at the top forced a rush into a war aimed primarily at "regime change," which left the U.S. military largely empty-handed.

J. William Fulbright was the longest serving and most powerful chair of the Senate Foreign Relations Committee. Both an intellectual and an internationalist, he had great influence over the course of American foreign relations in the 1960s and 1970s. Fulbright was also the most prominent, and the most effective, of the first American critics of the Vietnam War. His criticism was particularly galling and damning to Lyndon Johnson because Fulbright was a principled internationalist who could not be dismissed as an ideologue. Fulbright used hearings by the Foreign Relations Committee as a forum in which to advance his powerful critique of the war, and his writings constitute an ongoing, comprehensive critique of American foreign policy. This abridgement of Woods' prize-winning biography of J. William Fulbright presents the full story of Fulbright's role as one of the leading congressional opponents of the Vietnam War.

J. William Fulbright was the longest serving and most powerful chair of the Senate Foreign Relations Committee. Both an intellectual and an internationalist, he had great influence over the course of American foreign relations in the 1960s and 1970s. Fulbright was also the most prominent, and the most effective, of the first American critics of the Vietnam War. His criticism was particularly galling and damning to Lyndon Johnson because Fulbright was a principled internationalist who could not be dismissed as an ideologue. Fulbright used hearings by the Foreign Relations Committee as a forum in which to advance his powerful critique of the war, and his writings constitute an ongoing, comprehensive critique of American foreign policy. This abridgement of Woods' prize-winning biography of J. William Fulbright presents the full story of Fulbright's role as one of the leading congressional opponents of the Vietnam War.

The year is 1970; the war in Vietnam is five years from over. The women's movement is newly resurgent, and feminists are summarily reviled as "libbers." Inette Miller is one year out of college-a reporter for a small-town newspaper. Her boyfriend gets drafted and is issued orders to Vietnam. Within their few remaining days together, Inette marries her US Army private, determined to accompany him to war. There are obstacles. All wives of US military are prohibited in country. With the aid of her newspaper's editor, Miller finagles a one-month work visa and becomes a war reporter. Her newspaper cannot afford life insurance beyond that. After thirty days, she is on her own. As one of the rare woman war correspondents in Vietnam and the only one also married to an Army soldier, Miller's experience was pathbreaking. Girls Don't shines a light on the conflicting motives that drive an ambitious woman of that era and illustrates the schizophrenic struggle between the forces of powerful feminist ideology and the contrarian forces of the world as it was. Girls Don't is the story of what happens when a twenty-three-year-old feminist makes her way into the land of machismo. This is a war story, a love story, and an open-hearted confessional within the burgeoning women's movement, chronicling its demands and its rewards.

From 1967-1971, Stuart Steinberg served in the U.S. Army as an explosive ordnance disposal specialist. In January 1968, he was sent to Dugway Proving Grounds in Utah, where chemical and biological weaponry was stockpiled, staying there until July 1968. Steinberg was involved in helping to clean up the worst nerve gas disaster in American history on March 13, 1968. As a result, he volunteered to serve in Vietnam from September 4, 1968 to March 24, 1970. This is What Hell Looks Like explores the difficult and traumatic situations faced by Steinberg and his teammates across their time in Vietnam. This volume also examines the causes and consequences of post-traumatic stress disorder though Steinberg's honest account of his experiences, including his subsequent addiction to prescription painkillers. Documenting Steinberg's personal journey through "Hell," his account casts further light on life during the Vietnam War.