This book examines the early years of the Claims Conference, the organization which lobbies for and distributes reparations to Holocaust survivors, and its operations as a nongovernmental actor promoting reparative justice in global politics. Rachel Blumenthal traces the founding of the organization by one person, and its continued campaign for the payment of compensation to survivors after Israel left the negotiations. This book explores the degree to which the leadership entity served individual victims of the Third Reich, the Jewish public, or member organizations.

This book examines a wide range of works written by and about child survivors and victims of the Holocaust. The writers analyzed range from Anne Frank and Saul Friedlander to Ida Fink and Louis Begley; topics covered include the Kindertransport experience, exile to Siberia, living in hiding, Jewish children masquerading as Christian, and ghetto diaries. Throughout, the argument is made that these texts use such similar techniques and structures that children's-eye views of the Holocaust constitute a discrete literary genre.

The Stolen Narrative of the Bulgarian Jews and the Holocaust shares a complex tapestry of voices of memories previously underrepresented, ignored and denied. An alternative perspective that includes stolen, silenced, but now reclaimed Jewish narrative based on our peoples' experiences. It contextualizes and personalizes our history, reconstructs the puzzle, praises those who helped the Jews and shares their exemplary acts of humanity for future generations.

The Nazis' persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called "privileged" positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi's concept of the "grey zone," this study analyzes the passing of moral judgment on "privileged" Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann's Shoah and Steven Spielberg's Schindler's List. Negotiating the problems and potentialities of "representing the unrepresentable," this book engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature.

Each scholar working in the field of Holocaust literature and representation has a story to tell. Not only the scholarly story of the work they do, but their personal story, their journey to becoming a specialist in Holocaust studies. What academic, political, cultural, and personal experiences led them to choose Holocaust representation as their subject of research and teaching? What challenges did they face on their journey? What approaches, genres, media, or other forms of Holocaust representation did they choose and why? How and where did they find a scholarly "home" in which to share their work productively? Have political, social, and cultural conditions today affected how they think about their work on Holocaust representation? How do they imagine their work moving forward, including new challenges, responses, and audiences? These are but a few of the questions that the authors in this volume address, showing how a scholar's field of research and resulting writings are not arbitrary, and are often informed by their personal history and professional experiences.

A remarkable portrait of the heroic people who faced the threat of extermination by the Nazis and resisted by any means possible-whether through boxing, exposing the reality of death camps, armed guerrilla attacks, or deadly acts of vengeance. In Holocaust Fighters: Boxers, Resisters, and Avengers, Jeffrey Sussman shares the riveting stories of those who fought back against the Nazis. The lives of five boxers who were forced to fight for their lives while imprisoned in concentration camps are explored in depth, followed by the stories of those who managed to escape captivity and reveal the truth about the death camps. Sussman also depicts in fascinating detail the acts of the Avengers, a military unit that hunted down and killed Nazi war criminals. The final portraits are of the prosecutors who brought the Nazi leaders to justice, those same leaders who watched Jewish and Gypsy boxers beat each other for their own personal entertainment. Holocaust Fighters is an incredible account of the many ways people resisted Nazi rule, providing moving portrayals of the resilience of the human spirit even in the face of incredible horrors.

This book explores the Holocaust exhibition opened within the Imperial War Museum (IWM) in 2000; setting out the long and often contentious debates surrounding the conception, design, and finally the opening of an important exhibition within a national museum in Britain. It considers a process of memory-making through an assessment of Holocaust photographs, material culture, and survivor testimonies; exploring theories of cultural memory as they apply to the national museum context. Anchored in time and place, the Holocaust exhibition within Britain's national museum of war is influenced by, and reflects, an international rise in Holocaust consciousness in the 1990s. This book considers the construction of Holocaust memory in 1990s Britain, providing a foundation for understanding current and future national memory projects. Through all aspects of the display, the Holocaust is presented as meaningful in terms of what it says about Nazism and what this, in turn, says about Britishness. From the original debates surrounding the inclusion of a Holocaust gallery at the IWM, to the acquisition of Holocaust artefacts that could act as 'concrete evidence' of Nazi barbarity and criminality, the Holocaust reaffirms an image of Britain that avoids critical self-reflection despite raising uncomfortably close questions. The various display elements are brought together to consider multiple strands of the Holocaust story as it is told by national museums in Britain.

A survey of the historical, political, and sociological contexts of antisemitism in more than 50 countries. Antisemitism: A Reference Handbook is the first reference work to present a global survey of antisemitism that goes beyond its history to reveal the roots and nature of antisemitism. Exploring how antisemitism has manifested itself in various countries from pre-Christian times to today's ongoing Palestinian Intifada, which has caused severe reactions in Arab and Muslim communities all over the world, this unique work traces the history of the hatred of Jews worldwide. Approximately 20 biographical sketches profile advocates of antisemitism such as William Marr, who coined the term "antisemitism," and opponents of antisemitism such as St. Anselm and Martin Luther King. In this serious yet accessible volume, students, scholars, government officials, and diplomats will discover the answers to such puzzling questions as "What is antisemitism?" and "How does antisemitism relate to racism and to group prejudice in general?" A detailed worldwide survey of antisemitism, covering every major country from Austria to Yemen Biographical sketches of influential antisemitic figures such as John Chrysostom, Father Charles Coughlin, and David Duke as well as individuals who fought against antisemitism such as Abraham Foxman, David Harris, and Martin Niemoller

A key player in the annexation of Austria in 1938, Odilo Globocnik was made Gauleiter of Vienna for seven months until the Nazi party forced him to resign because of his abrasive manner, murky financial dealings, and blatant incompetence. Due to a close personal relationship with Heinrich Himmler, however, Globocnik was named to the seminal post of Lubin SS and Police Chief from 1939 to 1943, where he built and was in charge of some 150 camps, including the Majdanek camp and the killing centres of Belzec, Sobibor, and Treblinka.

The inspiring stories of courageous non-Jews who risked their own lives to save Jews from the Holocaust Thanks to Thomas Keneally's book "Schindler's Ark," and the film based on it, "Schindler's List," people have become more aware of the fact that, in the midst of Hitler's extermination of the Jews, courage and humanity could still overcome evil. While six million Jews were murdered by the Nazi regime, some were saved through the actions of non-Jews whose consciences would not allow them to pass by on the other side, and many are honored by Israel's official memorial to Jewish Holocaust victims, Yad Vashem, as "Righteous among the Nations" for their actions. As a baby, Agnes Grunwald-Spier was herself saved from the horrors of Auschwitz by an unknown official, and is now a trustee of the Holocaust Memorial Day Trust. She has collected the stories of 30 individuals who rescued Jews, providing a new insight into why these people were prepared to risk so much for their fellow men and women. With a foreword by one of the leading experts on the subject, this is an ultimately uplifting account of how some good deeds really do shine in a weary world.

"Holocaust as Fiction" seeks to explain and critically evaluate the extraordinary success of Schlink's internationally acclaimed novel, "The Reader," the widely read "Selb" detective trilogy, and two popular films based closely on his work. With the help of wide-ranging reception data, the work of Holocaust scholars, as well as cultural and legal reflections on the concept of guilt, Donahue elucidates not only these works, but the wider critical climate that has fostered their success.

This book serves as a critical resource for educators across various roles and contexts who are interested in Holocaust education that is both historically sound and practically relevant. As a collection, it pulls together a diverse group of scholars to share their research and experiences. The volume endeavors to address topics including the nature and purpose of Holocaust education, how our understanding of the Holocaust has changed, and resources we can use with learners. These themes are consistent across the chapters, making for a comprehensive exploration of learning through the Holocaust today and in the future.

This collection is comprised of essays about Holocaust education by a diverse group of educators involved primarily at the secondary level of schooling (grades 7-12). In their essays, the contributors relate the genesis of their interest in the Holocaust and the evolution of their educative efforts. There is a critical need to teach about the Holocaust in a pedagogically sound and historically accurate manner. This group of essays recounts the motivation of educators teaching primarily at the secondary level (grades 7 to 12), recounting their efforts to gain an ever-deepening knowledge about the Holocaust, their initial efforts to teach about it, their on-going teaching efforts and the changes they have made along the way, and their involvement in curriculum development, staff development, and other outreach projects. Various authors also include the insights and reactions of their students to the material.

2018 Book Prize from the Association for the Advancement of Baltic Studies 2018 Vine Award for Canadian Jewish Literature in Nonfiction from the Koffler Centre of the Arts in Toronto When Julija Sukys was a child, her paternal grandfather, Anthony, rarely smiled, and her grandmother, Ona, spoke only in her native Lithuanian. But they still taught Sukys her family's story: that of a proud people forced from their homeland when the soldiers came. In mid-June 1941 three Red Army soldiers arrested Ona and sent her east to Siberia, where she spent seventeen years working on a collective farm. It was all a mistake, the family maintained. Some seventy years after these events, Sukys sat down to write about her grandparents and their survival of a twenty-five-year forced separation and subsequent reunion. Piecing the story together from letters, oral histories, audio recordings, and KGB documents, her research soon revealed a Holocaust-era secret-a family connection to the killing of seven hundred Jews in a small Lithuanian border town. According to KGB documents, the man in charge when those massacres took place was Anthony, Ona's husband. In Siberian Exile Sukys weaves together the two narratives: the story of Ona, noble exile and innocent victim, and that of Anthony, accused war criminal. She examines the stories that communities tell themselves and considers what happens when the stories we've been told all our lives suddenly and irrevocably change, and how forgiveness operates across generations and the barriers of life and death.

This interdisciplinary edited collection establishes a new dialogue between translation, conflict and memory studies focusing on fictional texts, reports from war zones and audiovisual representations of the Spanish Civil War and the Franco Dictatorship. It explores the significant role of translation in transmitting a recent past that continues to resonate within current debates on how to memorialize this inconclusive historical episode. The volume combines a detailed analysis of well-known authors such as Langston Hughes and John Dos Passos, with an investigation into the challenges found in translating novels such as The Group by Mary McCarthy (considered a threat to the policies established by the dictatorial regime), and includes more recent works such as El tiempo entre costuras by Maria Duenas. Further, it examines the reception of the translations and whether the narratives cross over effectively in various contexts. In doing so it provides an analysis of the landscape of the Spanish conflict and dictatorship in translation that allows for an intergenerational and transcultural dialogue. It will appeal to students and scholars of translation, history, literature and cultural studies.

Filled with new elements that challenge common scholarly theses, this book acquaints the reader with the "Jewish problem" of sociology and provides what this academic discipline urgently needs: a one-volume history of the Sociology of the Holocaust. The story of why and how sociologists as well as the schools of sociological thought came to confront the Holocaust has never been entirely told. The volume offers original insights on the nature of American sociology with implications for the post-Holocaust sociology development.

Leslie H. Hardman, a Jewish chaplain, entered Belsen camp two days after its liberation by the British Army. This book tells the story of what he found there, and what he did. The horror which first confronts him is overwhelming, and something other than himself makes him stay and face it. In the beginning he feels he is making no inroads into the task he has set himself, that he is a pigmy grappling with a mountain. But with courage and patience he brings faith, comfort and help to the stricken survivors. In his mission he meets some remarkable men and women: Marta the woman doctor, Yankel the strong man, Eva whose love is oddly deflected, Joseph who rises to astonishing heights, and many others. He himself is enmeshed in the life of liberated Belsen, experiencing hope, despair, intolerance, inspiration. This book is an authentic record, written with compassionate understanding. The account of the rebirth of the almost dehumanised survivors is an inspiring, rather than a harrowing narrative. In the simplicity and sincerity of its writing, it tells a moving and vivid story of a crime which has shocked the world, but which should be read and remembered.

This volume is the first ever study to address Jewish forced labor in Poland's General Government during the Holocaust. The study presents German economic policy on the occupied territories, discussing Germany's misappropriation and misuse of available resources-particularly human resources and their inhuman treatment-and how this policy ultimately led to the downfall of the Nazi regime. This fascinating study sheds a light on the mutual dependence of economics and warfare during one of the most difficult periods in human history.

New essays on poetical and theoretical responses to the Holocaust's rupture of German and European civilization. Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Auslander, Charlotte Beradt, Thomas Kling, Heiner Muller, and Nelly Sachs; concrete poetry is also treated. The final section offers comparative views of the poetics of European literary figures such as Jean Paul Sartre, Andre Malraux, and Danilo Kis and a consideration of the aesthetics of Claude Lanzmann's film Shoah. Contributors: Chris Bezzel, Manuel Braganca, Gisela Dischner, Rudiger Goerner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich, Rachel MagShamhrain, Marton Marko, Elaine Martin, Barry Murnane, Marko Pajevic, Tatjana Petzer, Renata Plaice,Annette Runte, Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert Hofmann is a Lecturer in German, Comparative Literature, Drama, and Film and Rachel MagShamhrain is a Lecturer in German, Film, and Comparative Literature, both at University College Cork; Marko Pajevic is a Lecturer in German at Queen's University Belfast; Michael Shields is a Lecturer in German at the National University of Ireland, Galway.

This book is the first to bring together analyses of the full range of post-war testimony given by survivors of the Sonderkommando of Auschwitz-Birkenau. The Auschwitz Sonderkommando were slave labourers in the gas chambers and crematoria, forced to process and dispose of the bodies of those who were murdered. They have been central to a number of key topics in post-war debates about the Shoah: collaboration, moral compromise and survival, resistance, representation, and the possibility of bearing witness. Their testimony however has mostly met with a reluctance to engage in depth with it. Moving from testimonies produced within the event, the Scrolls of Auschwitz and the Sonderkommando photographs, to testimonies given at trials and for video archives, and to the paintings of David Olere and the film Shoah by Claude Lanzmann, this book demonstrates the importance of their witnessing in the post-war memory of the Holocaust, and provides vital new insights into the questions of representation, memory, gender, and the Shoah.

In this book, Weikart helps unlock the mystery of Hitler's evil by vividly demonstrating the surprising conclusion that Hitler's immorality flowed from a coherent ethic. Hitler was inspired by evolutionary ethics to pursue the utopian project of biologically improving the human race. This ethic underlay or influenced almost every major feature of Nazi policy: eugenics (i.e., measures to improve human heredity, including compulsory sterilization), euthanasia, racism, population expansion, offensive warfare, and racial extermination.

Jerzy Einhorn was fourteen years old when the war started. His father Pinkus was "the" tailor of Czestochowa -- a fact, which together with Pinkus's mental resourcefulness would help save the family. This touching memoir, which sold several hundred thousand copies when it was first published in Swedish, documents Jerzy Einhorn's life in Czestochowa before the war, during the war -- in the Czestochowa ghetto and the concentration camp Hasag-Pelcery -- and after the war, when Jerzy came as a refugee to Sweden and started studying medicine. Jerzy Einhorn became a prominent figure in Swedish life, as a Professor of Oncology, a Member of Parliament and a debater. He passed away in 2000. The Maple Tree Behind The Barbed Wire has also been published in Polish and Russian.