The dramatic story of a Jewish child's rescue at Buchenwald and its use as propaganda in both East and united Germany. At the notorious Buchenwald concentration camp, communist prisoners organized resistance against the SS and even planned an uprising. They helped rescue a three-year-old Jewish boy, Stefan Jerzy Zweig, from certain death in the gas chambers. After the war, his story became a focus for the German Democratic Republic's celebration of its resistance to the Nazis. Now Bill Niven tells the true story of Stefan Zweig: what actually happened to him in Buchenwald, how he was protected, and at what price. He explores the (mis)representation of Zweig's rescue in East Germany and what this reveals about that country's understanding of its Nazi past. Finally he looks at the telling of the Zweig rescue story since German unification: a story told in the GDR to praise communists has become a story used to condemn them. Bill Niven is Professor of Contemporary German History at the Nottingham Trent University, UK.

In Prevail until the Bitter End, Alexandra Lohse explores the gossip and innuendo, the dissonant reactions and perceptions of Germans to the violent dissolution of the Third Reich. Mobilized for total war, soldiers and citizens alike experienced an unprecedented convergence of military, economic, social, and political crises. But even in retreat, the militarized national community unleashed ferocious energies, staving off defeat for over two years and continuing a systematic murder campaign against European Jews and others. Was its faith in the Fuhrer never shaken by the prospect of ultimate defeat? Lohse uncovers how Germans experienced life and death, investigates how mounting emergency conditions affected their understanding of the nature and purpose of the conflagration, and shows how these factors influenced the people's relationship with the Nazi regime. She draws on Nazi morale and censorship reports, features citizens' private letters and diaries, and incorporates a large body of Allied intelligence, including several thousand transcripts of surreptitiously recorded conversations among German prisoners of war in Western Allied captivity. Lohse's historical reconstruction helps us understand how ordinary Germans interpreted their experiences as both the victims and perpetrators of extreme violence. We are immersively drawn into their desolate landscape: walking through bombed-out streets, scrounging for food, burning furniture, listening furtively to Allied broadcasts, unsure where the truth lies. Prevail until the Bitter End is about the stories that Germans told themselves to make sense of this world in crisis.

The incorporation of German territories east of the Oder and Western Neisse rivers into Poland in 1945 was linked with the difficult process of an almost total exchange of population and involved the taking over of a region in which the Second World War had effected an enormous level of destruction. The contemporary term 'Polish Wild West' not only alluded to the reigning atmosphere of chaos and 'survival of the fittest' in the Polish-German borderland but was also associated with a new kind of freedom and the opportunity to start everything anew. The arrival in this region of Polish settlers from different parts of Poland led to Poles, Germans and Soviet soldiers temporarily coming into contact with one another. Living together in this war-damaged space was far from easy. On the basis of ego-documents, the author recreates the beginnings of the shaping of this new society, one affected by a repressive political system, internal conflicts and human tragedy. In distancing oneself from the until-recently dominant narratives concerning expellees in Germany or pioneers of the 'Recovered Territories' in Poland, Beata Halicka tells the story of the disintegration of a previous cultural landscape and the establishment of one which was new, in a colourful and vivid manner and encompassing different points of view.

How do the spaces of the past stay with us through representations-whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.

The Letters Project is about big history, the Holocaust, but it is also an extraordinarily intimate personal narrative-a rare blend of informative, poignant, excruciating, startling, humorous, and ultimately inspiring storytelling. In 1986, when her mother died at the age of sixty-four, Eleanor Reissa went through all of her belongings. In the back of her mother's lingerie drawer, she found an old leather purse. Inside that purse was a large wad of folded papers. They were letters. Fifty-six of them. In German. Written in 1949. Letters from her father to her mother, when they were courting. Just four years earlier, he had fought to stay alive in Auschwitz and on the Death March while she had spent the war years suffering in Uzbekistan. Thirty years later, Eleanor-a theatre artist who has been on the forefront of keeping Yiddish alive-finally had the letters translated. The particulars of those letters send her off on an unimaginable adventure into the past, forever changing her and anyone who reads this book. "'The Holocaust,' Eleanor Reissa writes in this unforgettable and courageous book, 'is attached to me like my skin and I would be formless without it.' A very personal story that is also a fundamental one of a woman trying to make sense of her life and family and of the shadows that go back before she was born. There is plenty of feeling and sentiment but it never feels sentimental. Her inimitable wit leavens the sadder scenes. This journey of discovery is riveting, told with tender insight, at times heartbreaking and at times heartwarming just like the Yiddish songs that have delighted Ms. Reissa's audiences." -Joseph Berger is a New York Times reporter and author of Displaced Persons: Growing Up American After the Holocaust "Among the great number of personal takes on the Holocaust, Eleanor Reissa's book really stands out, both for its intelligence and courage and for the unique way she braids the inter-generational stories together. In this brutal, poignant, and searingly honest book, Reissa simultaneously pieces together the unfathomable story of her Holocaust survivor father, reckons with the guilt she came to feel as his uncomprehending American daughter, and manages somehow to find insight and purpose in the ashes. This extraordinary account of two parallel journeys will stick with anyone privileged enough to read it." -David Margolick, a former reporter for The New York Times, author of several books, including, most recently, The Promise and the Dream: The Untold Story of Martin Luther King, Jr. And Robert F. Kennedy "The Letters Project is a wonderful book-funny, heartbreaking, and ultimately transcendent. Eleanor Reissa's journey back into her family's past makes for a gripping-and very human-international mystery. I highly recommend it." -Tony Phelan, TV Showrunner for: Grey's Anatomy, Doubt, and Council of Dads "Eleanor Reissa has written a gritty, fearless yet funny memoir about herself, her family, and the Holocaust. Once I began reading it, I was completely swept away until the journey ended. I was moved by the power of this uniquely personal yet universal story." -Julian Schlossberg is an American motion pictures, theatre, and television producer

View the Table of Contents. Read the Introduction.

"Holocaust Restitution compiles a group of essays from leading authorities and participants in the Holocaust restitution movement. This book gathers different voices from across the Holocaust restitution movement and does an ex post facto review of the litigation. Holocaust Restitution presents an up-to-date analysis of the Holocaust restitution movement and presents the drama of Holocaust restitution from the perspective of almost all the major players, including plaintiff counsel, defense counsel, judges, diplomats, administrators, corporate defendants, and Jewish representatives. It also includes outside viewpoints from respected commentators, including historians, academics, and Holocaust survivors. It is remarkably comprehensive, does not shy away from controversy, and thoughtfully reflects on the Holocaust and its implications for future international human rights adjudication."
--"Stanford Journal of International Law"

aHolocaust Restitution compiles a group of essays from leading authorities and participants in the Holocaust restitution movement. This book gathers different voices from across the Holocaust restitution movement and does an ex post facto review of the litigation. Holocaust Restitution presents an up-to-date analysis of the Holocaust restitution movement and presents the drama of Holocaust restitution from the perspective of almost all the major players, including plaintiff counsel, defense counsel, judges, diplomats, administrators, corporate defendants, and Jewish representatives. It also includes outside viewpoints from respected commentators, including historians, academics, and Holocaust survivors.It is remarkably comprehensive, does not shy away from controversy, and thoughtfully reflects on the Holocaust and its implications for future international human rights adjudication.a
--"Stanford Journal of International Law"

"Bazyler and Alford have produced an essential tool for understanding the righteous struggle to win restitution for Holocaust victims and their heirs."
--Richard Z. Chesnoff, author of "Pack of Thieves: How Hitler & Europe Plundered the Jews & Committed The Greatest Theft In History"

"This excellent volume makes a significant contribution both to legal studies and to the history of the Holocaust. The editors deserve special praise for including chapters by Holocaust survivors, assuring that their often-forgotten voices are not lost within the great debate about Holocaust restitution."
--Marilyn J. Harran, Stern Chair in Holocaust History, Chapman University

"An invaluable text for students and scholars as well as a fascinating read for all those concerned with Holocaust and genocide issues in all disciplines and on behalf of all victims."
--Israel W. Charny, President, International Association of Genocide Scholars

"This unique collection is important in bringing together the perspectives of legal practitioners, activists, archivists and historians, negotiators, and survivors. It is remarkably comprehensive. . . . The editors have not shied away from controversy."
--David Cesarani, Research Professor in History, Royal Holloway, University of London

"If there is a 'final frontier' in understanding the Holocaust, it is the assessment of international litigation, compensation, and reparations claims. This extraordinary group ofcontributions thoughtfully reflects on the Holocaust, past and present, as well as what many would call 'imperfect justice.'"
--Stephen Feinstein, Professor of History and Director, Center for Holocaust and Genocide Studies, University of Minnesota

"This collection of essays on Holocaust restitution litigation provides a wonderful overview of the subject. Bazyler and Alford have assembled the 'A list' and the result is a most authoritative and complete treatment."
--Professor William A. Schabas, Director, Irish Centre for Human Rights

Holocaust Restitution is the first volume to present the Holocaust restitution movement directly from the viewpoints of the various parties involved in the campaigns and settlements. Now that the Holocaust restitution claims are closed, this work enjoys the benefits of hindsight to provide a definitive assessment of the movement.

From lawyers and state department officials to survivors and heads of key institutes involved in the negotiations, the volume brings together the central players in the Holocaust restitution movement, both pro and con. The volume examines the claims against European banks and against Germany and Austria relating to forced labor, insurance claims, and looted art claims. It considers their significance, their legacy, and the moral issues involved in seeking and receiving restitution.

Contributors: Roland Bank, Michael Berenbaum, Lee Boyd, Thomas Buergenthal, Monica S. Dugot, Stuart E. Eizenstat, Eric Freedman and Richard Weisberg, Si Frumkin, Peter Hayes, Kai Henning, Roman Kent, Lawrence Kill and Linda Gerstel, Edward R. Korman, Otto Graf Lambsdorff, David A. Lash and Mitchell A. Kamin, Hannah Lessing and FiorentinaAzizi, Burt Neuborne, Owen C. Pell, Morris Ratner and Caryn Becker, Shimon Samuels, E. Randol Schoenberg, William Z. Slany, Howard N. Spiegler, Deborah Sturman, Robert A. Swift, Gideon Taylor, Lothar Ulsamer, Melvyn I. Weiss, Roger M. Witten, Sidney Zabludoff, and Arie Zuckerman.

Berlin 1941. Marie Jalowicz Simon, a nineteen-year-old Jewish woman, makes an extraordinary decision. All around her, Jews are being rounded up for deportation, forced labour and extermination. Marie takes off the yellow star and vanishes into the city. In the years that follow, Marie lives under an assumed identity, moving between almost twenty different safe houses. She is forced to accept shelter wherever she can find it, and many of those she stays with expect services in return. She stays with foreign workers, committed communists and even convinced Nazis. Any false move might lead to arrest. Always on the move, never certain who could be trusted and how far, it is her quick-witted determination and the most amazing and hair-raising strokes of luck that ensure her survival. This is Marie's extraordinary story, told in her own voice with unflinching honesty after more than fifty years of silence.

The Jewish Orphanage in Leiden was the last one of eight such care homes to open its doors in the Netherlands before the Second World War. After spending almost 39 years in an old and utterly inadequate building in Leiden's city centre, the inauguration in 1929 of a brand-new building, shown on the front cover, was the start of a remarkably productive and prosperous period. The building still stands there, proudly but sadly, to this day: the relatively happy period lasted less than fourteen years. On Wednesday evening, 17th March 1943, the Leiden police, under German instructions, closed down the orphanage and delivered 50 children and nine staff to the Leiden railway station, from where they were brought to Transit Camp Westerbork in the north-east of the country. Two boys were released from Westerbork thanks to tireless efforts of a neighbour in Leiden; one young woman survived Auschwitz, and one young girl escaped to Palestine via Bergen-Belsen. The remaining 55 were deported to Sobibor - and not one of them survived. Some 168 children lived in the new building at one time or another between August 1929 and March 1943. This book reconstructs life in the orphanage based on the many stories and photographs which they left us. It is dedicated to the memory of those who perished in the Holocaust, but also to those who survived. Without them, this book could not have been written.

Olivia Munoz-Rojas critically examines the wartime destruction and post-war rebuilding of three prominent sites in Madrid, Bilbao and Barcelona in the Spanish Civil War and its aftermath. Each case highlights different dimensions of the material impact of the conflict, the practical challenges of reconstruction and the symbolic uses of the two processes by the winning side. The books reveals aspects of the Spanish Civil War and the evolution of the Franco regime from an original and fruitful angle as well as more general insights into the topic of wartime destruction and post-war reconstruction of cities. The title -- Ashes and Granite -- aims to capture, visually and texturally, on the one hand, the damage caused by the war and, on the other, the Franco regime's concept of the ideal Hispanic construction material. Written from an interdisciplinary perspective at the intersection of urban and political history and theory, planning and architecture, the book draws largely on unpublished archival material. Key features of the Franco regime's rebuilding programme are considered, such as the priority given to rural reconstruction and the persistent search for a national architectural style. The case of Madrid centres on the failure of the Falange's ambitious plans for a neo-imperial capital as illustrative of the regime's gradual shift from state planning to privately driven urban development. The case of Bilbao focuses on the reconstruction of the bridges of the city to demonstrate how, occasionally, the regime managed to turn destruction and reconstruction into opportunities for successfully marking the beginning of what was perceived as a new era in Spain's history. Finally, the opening of Avenida de la Catedral in Barcelona exemplifies how wartime destruction sometimes facilitated the implementation of controversial planning, acting as a catalyst for urban redevelopment. Moreover, the opening of the avenue contributed to the disclosure of the ancient Roman city-wall, allowing the regime to appropriate the ancient legacy symbolically. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

This book explores the role of cultural heritage in post-conflict reconstruction, whether as a motor for the prolongation of violence or as a resource for building reconciliation. The research was driven by two main goals: first, to understand the post-conflict reconstruction process in terms of cultural heritage, and second, to identify how this process evolves in the medium term and the impact it has on society. The Spanish Civil War (193639) and its subsequent phases of reconstruction provides the primary material for this exploration. In pursuit of the first goal, the book centres on the material practices and rhetorical strategies developed around cultural heritage in post-civil war Spain and the victorious Franco regime's reconstruction. The analysis seeks to capture a discursively complex set of practices that made up the reconstruction and in which a variety of Spanish heritage sites were claimed, rebuilt or restored and represented in various ways as signs of historical narratives, political legitimacy and group identity. The reconstruction of the town of Gernika is a particularly emblematic instance of destruction and a significant symbol within the Basque regions of Spain as well as internationally. By examining Gernika it is possible to identify some of the trends common to the reconstruction as a whole along with those aspects that pertain to its singular symbolic resonance. In order to achieve the second goal, the processes of selection, value change and exclusionary dynamics of reconstruction and the responses it elicits are examined. Exploring the possible impact of post-civil war reconstruction in the medium term is conducted in two time frames: the period of political transition that followed General Franco's death in 1975; and the period 20042008, when Rodriguez Zapatero's government undertook initiatives to 'recover the historic memory' of the war and dictatorship. Finally, the observations made of the Spanish reconstruction are analysed in terms of how they might reveal general trends in post-conflict reconstruction processes in relation to cultural heritage. These insights are pertinent to the situations in Cambodia, Bosnia and Herzegovina, Afghanistan and Iraq.

The Holocaust and Representations of Jews examines how prominent national exhibitions in Europe represent the Jewish minority and its cultural and religious self-understandings, historically and today, in particular in the context of the Holocaust. Insights from the New Museology are brought to the field of Jewish Studies through an exploration of the visual representation of Jewish history and Jewish identifications in the display of photographs. Drawing on case studies which focus on the Holocaust Exhibition at the Imperial War Museum in London and the permanent exhibition at the Jewish Museum Berlin, these themes become the prism through which aspects of historiography and the display of the 'otherness' of minorities are addressed. Casting new light on the issues surrounding the visual representation of Jews, the work of museum practitioners in relation to historical presentations and to the use of photographs in exhibitions, this book is an important contribution not only to the fields of Jewish Studies, Religion and History, but also to the study of the representation of minority-majority relations and the understanding of exhibition visits as an educational tool.

When a failed right-wing military coup provoked civil war in Spain, in July 1936, the Spanish government made a worldwide plea for help. In Britain, Aid Spanish Committees sprang up nationwide. Nowhere was empathy more keenly felt for the working people of Spain than among the people of Glasgow, which became the hub of the Scottish Aid for Spain movement. Glasgow was also home to an enterprise which was to make a significant contribution to the Spanish Republic the Scottish Ambulance Unit (SAU). The Unit was the brainchild of a wealthy Glaswegian philanthropist, Sir Daniel Macaulay Stevenson (18511944). The Units valiant and tireless work soon earned it an excellent reputation among Republican forces and as news of its remarkable work spread, volunteers became affectionately known as Los Brujos The Wizards. However, the off-duty activities of some of the SAUs members earned it an altogether different kind of reputation, and the Unit was soon to become immersed in scandal which tarnished its good name. Donald Gallie was a member of the first SAU team to arrive in Madrid (there would be three successive expeditions). He was 24 years old when Civil War broke out. His family shared a strong sense of commitment, and this, together with Donalds love of travel and adventure, is what impelled him to volunteer for service. His skills as mechanic would prove invaluable in the aid and transport given to casualties. His Diary is a remarkable document, and its publication a significant event in the historiography of the Spanish Civil War.

A naive English farmer's wife travels alone to Poznan, Poland, to visit the Zachodni Institute; an archive that holds records of the wartime Polish Resistance. It is the start of an adventure into history, and all that had been hidden since the Nuremberg Trials where Stalin and dismissed all evidence submitted by the Poles and the ensuing 45-year Russian occupation of Poland ensured their silence. On a quest to distinguish fact from fiction, Cynthia Engelmann investigates the truth of an unpublished manuscript bequeathed to her upon the death of Maria Weychan. Maria's memoire had revealed an extraordinary tale of intrigue, romance, imprisonment and survival, as told a by a young Polish dancer in Berlin after the end of World War II. She had survived life in a camp with her mother for longer than had previously been thought possible. Had they collaborated with the Germans to protect themselves? Finding herself part of a movement to collate events of history previously hidden and silenced, Cynthia uncovers the leads of the evidence to share the truth of Maria's memoire.

First ever volume on Holocaust in Thessaloniki in English, utilizing new sources and interpretation schemes Thessaloniki was for centuries one of the most prominent Jewish communities in the world, which lost more than 90% of its population during the Holocaust Book will be a great contribution to the local efforts underway to reconcile Thessaloniki with its Jewish past and honor the victims of the Holocaust An ambitious Holocaust Memorial Museum, with the backing of several governments and institutions, is schedule to open in the city by 2021.

The Spanish Civil War: A Military History takes a new, military approach to the conflict that tore Spain apart from 1936 to 1939. In many histories, the war has been treated as a primarily political event with the military narrative subsumed into a much broader picture of the Spain of 1936-9 in which the chief themes are revolution and counter-revolution. While remaining conscious of the politics of the struggle, this book looks at the war as above all a military event, and as one in whose outbreak specifically military issues - particularly the split in the armed forces produced by the long struggle in Morocco (1909-27) - were fundamental. Across nine chapters that consider the war from beginning to endgame, Charles J. Esdaile revisits traditional themes from a new perspective, deconstructs many epics and puts received ideas to the test, as well as introducing readers to foreign-language historiography that has previously been largely inaccessible to an anglophone audience. In taking this new approach, The Spanish Civil War: A Military History is essential reading for all students of twentieth-century Spain.

A NEW YORK TIMES BESTSELLER 'Original and compelling, an untold story of rare and captivating power' Philippe Sands 'A fascinating history about a little-known group who took on the Nazis . . . The individual tales of these courageous young women are remarkable' Independent 'Rescues a long-neglected aspect of history from oblivion, and puts paid to the idea of Jewish, and especially female, passivity during the Holocaust. It is uncompromising, written with passion - and it preserves truly significant knowledge. ... Judy Batalion has uncovered a trove of unknown or forgotten information about the Holocaust of genuine import and impact.' Eva Hoffman, TLS One of the most important untold stories of World War II, The Light of Days is a soaring landmark history that brings to light the extraordinary accomplishments of brave Jewish women who inspired Poland's Jewish youth groups to resist the Nazis. Witnesses to the brutal murder of their families and the violent destruction of their communities, a cadre of Jewish women in Poland - some still in their teens - became the heart of a wide-ranging resistance network that fought the Nazis. With courage, guile and nerves of steel, these 'ghetto girls' smuggled guns in loaves of bread and coded intelligence messages in their plaited hair. They helped build life-saving systems of underground bunkers and sustained thousands of Jews in safe hiding places. They bribed Gestapo guards with liquor, assassinated Nazis and sabotaged German supply lines. The Light of Days at last reveals the real history of these incredible women whose courageous yet little-known feats have been eclipsed by time.

Volumes one and two of the Pulitzer Prize-winning tale of a mouse's experiences in Nazi-occupied Europe and in German concentration camps are housed in a sturdy box. Reprint.

Educators and students face many questions when exploring the history of the Holocaust. Both the harrowing historical narrative and its wider contemporary implications make the Holocaust an essential part of our education, whilst simultaneously bringing to the fore challenging questions of how best to recount such an event. This book addresses these crucial questions by exploring the way in which we teach and learn about the Holocaust. It demonstrates how we can dignify memories of the Holocaust by joining with resilient survivors, as well as how careful discussion and interpretation of definitions and appropriate representations can link the Holocaust to human rights and international law. It also highlights that understanding the Holocaust serves as a catalyst for the expansion of human rights and for genocide prevention. Throughout, Polgar applies sociological concepts that can help all of us to understand how the Holocaust has become both a particular concern for Jewish and European groups and also a basis for laws and practices that support universal human rights. Advocating for the inclusion of the Holocaust in multicultural education, this text will prove invaluable to students, researchers and educators alike.

The First Graphic Adaptation of the Multi-Million Bestseller '12th June, 1942: I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support.' In the summer of 1942, fleeing the horrors of the Nazi occupation, Anne Frank and her family were forced into hiding in the back of an Amsterdam warehouse. Aged thirteen when she went into the secret annexe, Anne Frank kept a diary in which she confided her innermost thoughts and feelings, movingly revealing how the eight people living under these extraordinary conditions coped with the daily threat of discovery and death. Adapted by Ari Folman, illustrated by David Polonsky, and authorized by the Anne Frank Foundation in Basel, this is the first graphic edition of the beloved diary of Anne Frank. 'Faithful to the spirit and often the language of the diary... Mr Polonsky's beautiful artwork offers a charming and convincing view of Anne on the page' THE ECONOMIST 'Folman and Polonsky have reclaimed Anne Frank in all of her humanity, and they allow us to witness for ourselves her beauty, courage, vision and imagination. And, in doing so, they have elevated the tools of the comic book to create an astonishing work of art.' JEWISH JOURNAL 'The illustrations [. . .] retell Anne's diary with great compassion, wit and ebullience' StANDPOINT

British state-supported Holocaust remembrance has dramatically grown in prominence since the 1990s. This monograph provides the first substantial discussion of the interface between public Holocaust memory in contemporary Britain and the nation's changing religious-secular landscape. In the first half of the book attention is given to the relationships between remembrance activities and Jewish, Muslim, Christian, and post-Christian communities. Such relationships are far from monolithic, being entangled in diverse histories, identities, power-structures, and notions of 'British values'. In the book's second half, the focus turns to ways in which public initiatives concerned with Holocaust commemoration and education are intertwined with evocations and perceptions of the sacred. Three state-supported endeavours are addressed in detail: Holocaust Memorial Day, plans for a major new memorial site in London, and school visits to Auschwitz. Considering these phenomena through concepts of ritual, sacred space, and pilgrimage, it is proposed that response to the Holocaust has become a key feature of Britain's 21st century religious-secular landscape. Critical consideration of these topics, it is argued, is necessary for both a better understanding of religious-secular change in modern Britain and a sustainable culture of remembrance and national self-examination. This is the first study to examine Holocaust remembrance and British religiosity/secularity in relation to one another. As such, it will be of keen interest to scholars of Religious Studies, Jewish studies and Holocaust Studies, as well as the Sociology of Religion, Material Religion and Secularism.

It's a pretty long story, Primo Levi tells a classroom of children, so I'll try to make it simple. Translated from the original Italian, this hauntingly illustrated comic tells the story of the Italian Jewish chemist who survived the camps at Auschwitz against all odds. Matteo Mastragostino draws on historical research, interviews, and Levi's own landmark books to piece together a fictionalized yet profoundly intimate portrait of a courageous figure. In the scene that emerges, Levi visits a group of schoolchildren to retell his life story and keep the memory of the Holocaust alive, answering innocent questions with hard truths. Sobering yet tender, Primo Levi extends a rare opportunity for readers both young and old to deepen their understanding of life, death, and the human spirit.

On October 14, 1943, Aleksandr "Sasha" Pechersky led a mass escape of inmates from Sobibor, a Nazi death camp in Poland. Despite leading the only successful prisoner revolt at a World War II death camp, Pechersky never received the public recognition he deserved in his home country of Russia. This story of a forgotten hero reveals the tremendous difference in memorial cultures between societies in the West and societies in the former Communist world. Pechersky, along with other Russian and Jewish inmates who had been prisoners of the Nazis, was considered suspect by the Russian government simply because he had been imprisoned. In this volume, Selma Leydesdorff describes the official silence in the Eastern Bloc about Pechersky's role in the Sobibor escape and how an effort was made to recognize his actions. The narrative is based on eyewitness accounts from people in Pechersky's life and a discussion of the mechanism of memory, mixing written sources with varied recollections and assessing the collisions of collective memory held by the East and the West. Specifically, this book critiques the ideological refusal of many societies to acknowledge the suffering of Jews at Sobibor. Offering fascinating insights into a crucial period of history, emphasizing that Jews were not passive in the face of German violence, and exploring the history of the Jews who fell victim to Stalinism after surviving Nazism, this is valuable reading for students and scholars of the Holocaust and the position of Jews under Communism.

Mira Hamermesh is an award-winning film maker, painter and writer. This moving memoir gives a vivid account of her remarkable life. As a young Jewish teenager Hamermesh escaped the horrors of German-occupied Poland and was spared the experience of the ghetto and the concentration camp that claimed most of her family. Mira shows how her status as a refugee has continued to influence her throughout her life. The journey led her across Europe and eventually to Palestine in 1941; her account of that region, before the establishment of Israel, provides a fascinating insight into the historical setting for today's conflict. Having settled in London where she studied art and married, she eventually won a place at the celebrated Polish Film School in Lodz. At the height of the Cold War Mira Hamermesh commuted across the Iron Curtain - her experience of a divided Europe offers many insights into the political factors that affected people's everyday lives. Mira's theme of political conflict, so often explored in her films, is brought to life here in an intimate account that will live long in the memory.

A prequel to the authors previous monographs on the Great War and the Foundations of the Spanish Civil War, this book analyses the troubled and often violent path of Spain to modernity. During the nearly 30 years of history explored (18921921), the country appeared to be caught in a kind of Groundhog Day. It was rocked in the 1890s by an ill-fated colonial adventure and a spiral of anarchist terrorism and praetorian-led repression, mostly in Barcelona, which culminated with the murder of the Conservative prime minister, Antonio Canovas, in August 1897. Twenty-four years later, Spain was undergoing a similar set of circumstances: a military quagmire in Morocco and vicious social warfare, with its epicentre in the Catalan capital, which resulted in the killing of the then Conservative prime minister, Eduardo Dato, in March 1921. The chronological framework highlights the gradual crisis, but also resilience, of the ruling Restoration Monarchy. Francisco Romero Salvado pursues the thesis that this crisis could be largely explained by focusing on the correlation between two apparently contradictory conceptual terms, but which in fact proved to be supplementary: the extent to which the persistence of the political comedy embodied by an unreformed liberal but oligarchic order perpetuated a social tragedy. Notwithstanding the peculiarity of the authors approach, this study rejects any notion of determinism or exceptionalism. On the contrary, Spain was not an extraordinary case within the European context but constituted a laboratory par excellence of the turmoil which marked this age. Indeed, a watershed period of fast technological progress, economic modernization and cultural awareness clashed head-on with traditional constitutional and liberal states that found they were unable to retain their past hegemony in the dawning era of mass politics. The outcome was unprecedented social warfare which led in many cases to a reactionary backlash and the establishment of authoritarian formulas of governance. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies