In February 1945, Israele Zolli, chief rabbi of Rome's ancient Jewish community, shocked his co-religionists in Italy and throughout the Jewish world by converting to Catholicism and taking as his baptismal name, Eugenio, to honor Pope Pius XII (Eugenio Pacelli) for what Zolli saw as his great humanitarianism toward the Jews during the Holocaust. Almost a half a century after his conversion, Zolli still evokes anger and embarrassment in Italy's Jewish community. This book is the first authoritative treatment of this astonishing story.

What induced Zolli to embrace Catholicism will probably never be known. Nonetheless, by painstaking scholarly detective work, through interviews in Italy and elsewhere, through the unearthing of private papers not previous known to exist, and through the study of previous inaccessible archival materials, the authors have succeeded in explaining why Zolli left the Jewish fold and joined the Catholic Church.

Like Zolli's rabbinical career, Pius XII's long pontificate tells us much about the Church of Rome and its relationship to the Jewish people, particularly with reference to the issue of conversion. The authors focus on the pontiff's World War II policies vis-a-vis the Jews, a subject that has been heatedly debated since Rolf Hochhuth's "The Deputy" was performed in the early 1960s. What Pacelli knew abut the extermination of the Jews and when he knew it, what he said and failed to say, are given special attention in this book. Through the examination of previous scholarship and primary materials (including Pius XI's encyclical on race and anti-Semitism, Pacelli's behavior is evaluated to determine if Zolli accurately gauged the Holy Father's efforts to save Jews. This saga of the two Eugenios will interest historians of the Second World War and the Holocaust and students of history alike.

When Nazi Germany and fascist Italy were united, both had savage racial laws; Hitler and Mussolini viciously denounced the "Jewish manace". In the Second World War Jews who fell into the hands of the German army were consigned almost without exception for the death camps, not one Jew who came under the control of the Italian army ended there. The Italian officers protected not just Italian Jews, but Jewish refugees of every nationality. To the Germans, their actions were inexplicable and subversive. Yet the protectors of the Jews were no philo-Semites, nor were they great respecters of human life. Some of those same officers had sanctioned savage atrocities against Ethiopians and Arabs in the years before the war. They saved the Jews because it was unworthy and immoral to send them to death camps; to sustain morality they risked their careers, and sometimes, their lives. Only a handful of German officers protested; none of them took the same active steps as the Italians. Jonathan Steinberg unravels the motives and forces underpinning Nazism and fascism and offers an insight into the ambivalence inherent within their relationship.

Mimi Rubin had fond memories of growing up in Novy Bohumin, Czechoslovakia, a place that ten thousand people called home. It was a tranquil town until September 1, 1939, when the German army invaded the city. From that day forward, eighteen-yearold Mimi would face some of the harshest moments of her life.

This memoir follows Mimi's story-from her idyllic life in Novy Bohumin before the invasion, to being transported to a Jewish ghetto, to living in three different German concentration camps, and finally, to liberation. It tells of the heartbreaking loss of her parents, grandmother, and countless other friends and relatives. It tells of the tempered joys of being reunited with her sister and of finding love, marrying, and raising a family.

A compelling firsthand account, "Mimi of Novy Bohumin, Czechoslovakia: A Young Woman's Survival of the Holocaust" weaves the personal, yet horrifying, details of Mimi's experience with historical facts about this era in history. This story helps keep alive the memory of the millions of innocent men, women, and children who died in the German concentration camps during the 1930s and 1940s.

Historians have long noted that Jews often appear at the storm center of European history. Nowhere is this more true than when dealing with the tumultuous years between the Nazi seizure of power in Germany on January 30, 1933 and the proclamation of the State of Israel on May 14, 1948. Yet, the events of Jewish history must also be viewed within the broader contexts of European, American, and global history. Spanning sixteen years of destruction and rebirth, A World in Turmoil is the first book of its kind, an integrated chronology which attempts to provide the researcher with clear and concise data describing the events as they unfolded. From the murder pits of Nazi-occupied Eastern Europe, to the battlefields in all the major theatres of operation, to the home fronts of all the major and minor combatants, A World in Turmoil covers a broad spectrum of events. Although major events throughout the world are noted, the volume concentrates on events in Europe, the Middle East, and the Americas. While the volume deals primarily with politics, significant social and intellectual trends are woven into the chronology. Augmented by an introductory essay and postscript to help place events in their historical context, by a bibliography, and by name, place, and subject indexes, the volume provides scholars and researchers alike a basic reference tool on sixteen of the most important years in modern history.

Invisible Ink is the story of Guy Stern's remarkable life. This is not a Holocaust memoir; however, Stern makes it clear that the horrors of the Holocaust and his remarkable escape from Nazi Germany created the central driving force for the rest of his life. Stern gives much credit to his father's profound cautionary words, "You have to be like invisible ink. You will leave traces of your existence when, in better times, we can emerge again and show ourselves as the individuals we are." Stern carried these words and their psychological impact for much of his life, shaping himself around them, until his emergence as someone who would be visible to thousands over the years. This book is divided into thirteen chapters, each marking a pivotal moment in Stern's life. His story begins with Stern's parents-"the two met, or else this chronicle would not have seen the light of day (nor me, for that matter)." Then, in 1933, the Nazis come to power, ushering in a fiery and destructive timeline that Stern recollects by exact dates and calls "the end of [his] childhood and adolescence." Through a series of fortunate occurrences, Stern immigrated to the United States at the tender age of fifteen. While attending St. Louis University, Stern was drafted into the U.S. Army and soon found himself selected, along with other German-speaking immigrants, for a special military intelligence unit that would come to be known as the Ritchie Boys (named so because their training took place at Ft. Ritchie, MD). Their primary job was to interrogate Nazi prisoners, often on the front lines. Although his family did not survive the war (the details of which the reader is spared), Stern did. He has gone on to have a long and illustrious career as a scholar, author, husband and father, mentor, decorated veteran, and friend. Invisible Ink is a story that will have a lasting impact. If one can name a singular characteristic that gives Stern strength time after time, it is his resolute determination to persevere. To that end Stern's memoir provides hope, strength, and graciousness in times of uncertainty.

Between 1941 and 1945, in one of the more curious episodes of racial politics during the Second World War, a small number of Jews were granted the rights of Aryan citizens in the Independent State of Croatia by the pro-Nazi Utasha regime. This study seeks to explain how these exemptions from Ustasha racial laws came to be, and in particular how they were justified by the race theory of the time. Author Nevenko Bartulin explores these questions within the broader histories of anti-Semitism, nationalism, and race in Croatia in the late nineteenth and early twentieth century, tracing Croatian Jews' troubled journey from "Croats of the Mosaic faith" before World War II to their eventual rejection as racial aliens by the Utasha movement.

"A meticulous and shattering investigation of eight horrific pictures..."-L'Arche In December 1941, on a shore near the Latvian city of Liepaja, Nazi death squads (the Einsatzgruppen) and local collaborators murdered in three days more than 2,700 Jews. The majority were women and children, most men having already been shot during the summer. The perpetrators took pictures of the December killings. These pictures are among the rare photographs from the first period of the extermination, during which over 800 000 Jews from the Baltic to the Black Sea were shot to death. By showing the importance of photography in understanding persecution, Nadine Fresco offers a powerful meditation on these images while confronting the essential questions of testimony and guilt. From the forward by Dorota Glowackay: Straddling the boundary between historical inquiry and personal reflection, this extraordinary text unfolds as a series of encounters with eponymic Holocaust photographs. Although only a small number of photographs are reproduced here, Fresco provides evocative descriptions of many well-known images: synagogues and Torah scrolls burning on the night of Kristallnacht; deportations to the ghettos and the camps; and, finally, mass executions in the killing fi elds of Eastern Europe. The unique set of photographs included in On the Death of Jews shows groups of women and children from Liepaja (Liepaja), shortly before they were killed in December 1941 in the dunes of Shkede (Skede) on the Baltic Sea. In the last photograph of the series, we see the victims' bodies tumbling into the pit.

An extraordinary and unique document: Hoess was in charge of the huge extermination camp in Poland where the Nazis murdered some three million Jews, from the time of its creation (he was responsible for building it) in 1940 until late in 1943, by which time the mass exterminations were half completed. Before this he had worked in other concentration camps, and afterwards he was at the Inspectorate in Berlin. He thus knew more, both at first-hand and as an administrator, about Nazi Germany's greatest crime than did any save two or three other men. Taken prisoner by the British, he was handed over to the Poles, tried, sentenced to death, and taken back to Auschwitz and there hanged. During the period between his trial and his execution, he was ordered to write his autobiography. This is it. Hoess repeatedly says he was glad to write the book. He enjoyed the work. And finally the most careful checking has shown that he took great pains to tell the truth. Here we have, painted by his own hand, a vivid and unforgettable self-portrait of one of the great monsters of all time. To this are added portraits of some of his more spectacular fellow-criminals. The royalties from this macabre but historically important book go to the fund set up to help the few survivors from the Auschwitz camps.

This is a unique, eye-witness account of everyday life right at the heart of the Nazi extermination machine.

Slomo Venezia was born into a poor Jewish-Italian community living in Thessaloniki, Greece. At first, the occupying Italians protected his family; but when the Germans invaded, the Venezias were deported to Auschwitz. His mother and sisters disappeared on arrival, and he learned, at first with disbelief, that they had almost certainly been gassed. Given the chance to earn a little extra bread, he agreed to become a 'Sonderkommando', without realising what this entailed. He soon found himself a member of the 'special unit' responsible for removing the corpses from the gas chambers and burning their bodies.

Dispassionately, he details the grim round of daily tasks, evokes the terror inspired by the man in charge of the crematoria, 'Angel of Death' Otto Moll, and recounts the attempts made by some of the prisoners to escape, including the revolt of October 1944.

It is usual to imagine that none of those who went into the gas chambers at Auschwitz ever emerged to tell their tale - but, as a member of a 'Sonderkommando', Shlomo Venezia was given this horrific privilege. He knew that, having witnessed the unspeakable, he in turn would probably be eliminated by the SS in case he ever told his tale. He survived: this is his story.

Published in association with the United States Holocaust Memorial Museum.

Pitting fascists and communists in a showdown for supremacy, the Spanish Civil War has long been seen as a grim dress rehearsal for World War II. Francisco Franco's Nationalists prevailed with German and Italian military assistance-a clear instance, it seemed, of like-minded regimes joining forces in the fight against global Bolshevism. In Hitler's Shadow Empire Pierpaolo Barbieri revises this standard account of Axis intervention in the Spanish Civil War, arguing that economic ambitions-not ideology-drove Hitler's Iberian intervention. The Nazis hoped to establish an economic empire in Europe, and in Spain they tested the tactics intended for future subject territories. "The Spanish Civil War is among the 20th-century military conflicts about which the most continues to be published...Hitler's Shadow Empire is one of few recent studies offering fresh information, specifically describing German trade in the Franco-controlled zone. While it is typically assumed that Nazi Germany, like Stalinist Russia, became involved in the Spanish Civil War for ideological reasons, Pierpaolo Barbieri, an economic analyst, shows that the motives of the two main powers were quite different. -Stephen Schwartz, Weekly Standard

'A real treasure that we can't stop exploring' - La Republica Felicia Browne decided it was time to put down her paintbrushes and pick up a rifle. Jimmy Yates left Chicago with three books in his bindle, sacrificing them all on the gruelling trek across the Pyrenees. Salaria Kea worked at the front as a nurse, judged by her skill rather than her skin colour... In 1936 something extraordinary happened. As the threat of fascism swept across the Iberian peninsula, thousands of people from all over the world left their families and jobs to heed the call - No Pasaran! History has never seen a wave of solidarity like it. The Spanish Civil War ended in 1939 with the Republic crushed, but the revolutionary dream of the International Brigades has never burnt out. Through these 60 illustrated profiles, Brigadistes embroiders an epic story of political struggle with the everyday bravery, sorrow and love of those who lived it.

Taking as its point of departure Omer Bartov's acclaimed Anatomy of a Genocide, this volume brings together previously unknown accounts by three individuals from Buczacz. These rare narratives give personal glimpses into daily life in unsettled times: a Polish headmaster during World War I, a Ukrainian teacher and witness to both Soviet and German rule, and a Jewish radio technician, genocide survivor, and member of the Polish resistance. Together, they offer a prismatic perspective on a world remote from our own that nonetheless helps us understand how people not unlike ourselves responded to mass violence and destruction.

This study investigates the relationship between Lothar-Gunther Buchheim (1918-2007), his bestselling 1973 novel Das Boot (The Boat), and West Germany's Vergangenheitsbewaltigung. As a war reporter during the Battle of the Atlantic, Buchheim benefitted from distinct privileges, yet he was never in a position of power. Almost thirty years later, Buchheim confronted the duality of his own past and railed against what he perceived to be a varnished public memory of the submarine campaign. Michael Rothberg's theory of the implicated beneficiary is used as a lens to view Buchheim and this duality. Das Boot has been retold by others worldwide because many people claim that the story bears an anti-war message. Wolfgang Petersen's critically acclaimed 1981 film and interpretations as a comedy sketch, a theatrical play, and a streamed television sequel have followed. This trajectory of Buchheim's personal memory reflects a process that practitioners of memory studies have described as transnational memory formation. Archival footage, interviews, and teaching materials reflect the relevance of Das Boot since its debut. Given the debates that surrounded Buchheim's endeavors, the question now raised is whether Germany's "mastering the past" serves as a model for other societies analyzing their own histories. Sitting at the intersection of History, Literature and Film Studies, this is an unprecedented case study depicting how the pre- and postwar times affected writers and others caught in the middle of the drama of the era.

A gripping memoir written by a 96-year-old Jewish Holocaust survivor about his escape from Nazi-occupied Poland in the 1930's and his adventures with the French Resistance during World War II In 1937, as the Nazi Party tightened its grip on the city of Danzig (now Gdansk, Poland), Justus Rosenberg's parents made the wrenching decision to send their son to Paris, where he would have the hope of finishing high school and going on to university in safety. He was sixteen years old, and he would not see his family again for sixteen years more. Even after war broke out in 1939, life in France was peaceful for a time-but when the Nazis pushed toward Paris in the spring of 1940, Justus was forced to flee south to Toulouse. There, a chance meeting put Justus in contact with Varian Fry, the American journalist who ran a refugee network that aided several thousand Jews in escaping Nazi Germany and the Holocaust. With his German background, understanding of French cultural, and fluency in several languages, including English, Justus was ideally positioned to thrive in Fry's network, coming to master an underworld of counterfeit documents, whispered passwords, black market currency, opportunistic gangsters, and clandestine mountain passes. Justus would spend the rest of the war working for Fry and later the French Resistance, helping to provide safe passage for many intellectuals and artists on the run from the Nazis, among them Hannah Arendt, Marc Chagall, Andre Breton, and Max Ernst. Along the way, he would have a number of close scrapes of his own: on one occasion, he was rounded up to be sent to a labor camp in Poland, and had to make a daring escape to save his life; on another, he narrowly survived after his jeep hits a landmine. An epic saga of survival, with the soul of a spy thriller, The Art of Resistance is also an uplifting story of personal triumph. (Several years after the war, Justus was finally able to track down his family, who he feared had died at the Nazis' hands.) As Justus writes, "I survived the war through a rare combination of good fortune, resourcefulness, optimism, and, most important, the kindness of many good people."

In this vivid memoir originally published in German, Anne Groschler (1888-1982) recounts her 1944 escape from the Bergen-Belsen concentration camp to Mandatory Palestine via "Transport 222", an exchange transport of 222 Jews for "Aryan" prisoners of war. In the most detailed contribution of the exchange ever published, Groschler paints an authentic picture of life before WWII amongst the upper echelons of German society, her ultimate persecution and escape to Holland where she was betrayed, the horrors of life in the Westerbork and Bergen-Belsen camps, and her eventual flight via "Transport 222" to Palestine. Written immediately after her liberation in 1944, this unique document captures a little-known chapter of Holocaust history.