The Polish Underground and the Jews, 1939-1945 examines one of the central problems in the history of Polish-Jewish relations: the attitude and the behavior of the Polish Underground - the resistance organization loyal to the Polish government-in-exile - toward the Jews during World War II. Using a variety of archival documents, testimonies, and memoirs, Zimmerman offers a careful, dispassionate narrative, arguing that the reaction of the Polish Underground to the catastrophe that befell European Jewry was immensely varied, ranging from aggressive aid to acts of murder. By analyzing the military, civilian, and political wings of the Polish Underground and offering portraits of the organization's main leaders, this book is the first full-length scholarly monograph in any language to provide a thorough examination of the Polish Underground's attitude and behavior towards the Jews during the entire period of World War II.

Ein einmaliges Zeitzeugnis und eine Sammlung von Augenzeugenberichten der Novemberpogrome 1938, der Reichskristallnacht. Erscheint erstmals in englischer Sprache mit einem Vorwort von Saul Friedlander, Pulitzer-Preistrager und UEberlebender des Holocaust.

The great majority of Holocaust scholarship concentrates heavily, if not almost completely, on the Final Solution from the German side. The distinctive feature of this book, both individually and as a collection, is its concentration on the Holocaust from a Judeo-centric point of view. The present essays make a unique contribution by exploring issues such as: the effect of events specifically on Jewish women and children; the character of the Nazi policy of slave labor in as much as this essential program resulted in different treatment with regard to Jews as compared to other workers; how the destruction of European Jewry has been responded to by Jewish thinkers; and how Jewish values, such as the well-known principle that "all Jews are responsible for each other," were exemplified and lived out during the war. The collection also includes an essay on Elie Wiesel, and another that explores the much discussed, very controversial issue of Jewish resistance, as well as several essays on philosophical and comparative issues raised by the Shoah. (CS1075)

Based on research in about fifty archives worldwide, Turkey, the Jews, and the Holocaust analyzes the minority politics of the Turkish republic and the country's ambivalent policies regarding Jewish refugees and Turkish Jews living abroad. Although Turkey stayed neutral during World War II, the country's policies proved crucial not only for the 75,000 Jews who lived in Turkey, but also to the 25,000 Turkish Jews living throughout Europe and the tens of thousands of Jews who desperately sought refuge in Turkey or transit to refuge elsewhere. Contrary to the official Turkish self-portrayal, this comprehensive study by Corry Guttstadt shows that Turkey was far from welcoming toward Jews during the Holocaust era.

The complete story of the Wannsee Conference, the meeting that paved the way for the Holocaust. On 20 January 1942, fifteen men arrived for a meeting in a luxurious villa on the shores of the Wannsee in the far-western outskirts of Berlin. They came at the invitation of Reinhard Heydrich and were almost all high-ranking Nazi Party, government, and SS officials. The exquisite position by the lake, the imposing driveway up to the villa, culminating in a generously sized roundabout in front of the house, the expansive, carefully landscaped park, the generous suite of rooms that opened on to the park and the lake, the three-level terrace that stretched the entire garden side of the house, and the winter garden with its marble fountain, all give today's visitor to the villa a good idea of its owner's aspiration to build a sophisticated, almost palatial structure as a testament to his cultivation and worldly success. But the beauty of the situation stood in stark contrast to the purpose of the meeting to which the fifteen had come in January 1942: the 'Final Solution of the Jewish Question'. According to the surviving records of the meeting, items on the agenda included the precise definition of exactly which group of people was to be affected, followed by a discussion of how upwards of eleven million people were to be deported and subjected to the toughest form of forced labour, and following on from this a discussion of how the survivors of this forced labour as well as those not capable of it were ultimately to be killed. The next item on the agenda was breakfast.

Based on the heart-breaking true story of Cilka Klein, Cilka's Journey is a million copy international bestseller and the sequel to the No.1 bestselling phenomenon, The Tattooist of Auschwitz 'She was the bravest person I ever met' Lale Sokolov, The Tattooist of Auschwitz In 1942 Cilka Klein is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival. After liberation, Cilka is charged as a collaborator by the Russians and sent to a desolate, brutal prison camp in Siberia known as Vorkuta, inside the Arctic Circle. Innocent, imprisoned once again, Cilka faces challenges both new and horribly familiar, each day a battle for survival. Cilka befriends a woman doctor, and learns to nurse the ill in the camp, struggling to care for them under unimaginable conditions. And when she tends to a man called Alexandr, Cilka finds that despite everything, there is room in her heart for love. Cilka's Journey is a powerful testament to the triumph of the human will. It will move you to tears, but it will also leave you astonished and uplifted by one woman's fierce determination to survive, against all odds. Don't miss Heather Morris's next book, Stories of Hope. Out now. - - - - - - - - 'Her truly incredible story is one to be read by everyone.' Sun 'Cilka's extraordinary courage in the face of evil and her determination to survive against the odds will stay with you long after you've finished reading this heartrending book.' Sunday Express 'Her courage and determination to survive makes for a heartrending read.' Daily Mirror

The Nazis asked him to swear allegiance to Hitler, betraying his country, his friends, and everything he believed in. He refused. Poland, 1939. Professional photographer Wilhelm Brasse is deported to Auschwitz-Birkenau and finds himself in a deadly race to survive, assigned to work as the camp's intake photographer and take "identity pictures" of prisoners as they arrive by the trainload. Brasse soon discovers his photography skills are in demand from Nazi guards as well, who ask him to take personal portraits for them to send to their families and girlfriends. Behind the camera, Brasse is safe from the terrible fate that so many of his fellow prisoners meet. But over the course of five years, the horrifying scenes his lens capture, including inhumane medical "experiments" led by Josef Mengele, change Brasse forever. Based on the true story of Wilhelm Brasse, The Auschwitz Photographer is a stark black-and-white reminder of the horrors of the Holocaust. This gripping work of World War II narrative nonfiction takes readers behind the barbed wire fences of the world's most feared concentration camp, bringing Brasse's story to life as he clicks the shutter button thousands of times before ultimately joining the Resistance, defying the Nazis, and defiantly setting down his camera for good.

KRAUS FAMILY AWARD WINNER FOR BEST AUTOBIOGRAPHY AND MEMOIR AT THE NATIONAL JEWISH BOOK AWARDS WINNER OF THE DAYTON LITERARY PEACE PRIZE 'Beautifully told' John le Carre 'More than just history' Michael Palin 'Truly exceptional' Jon Snow 'Absolutely remarkable' Edmund de Waal In this remarkably moving memoir, Ariana Neumann dives into the secrets of her father's past: years spent hiding in plain sight in wartorn Berlin, the annihilation of dozens of family members in the Holocaust, and the courageous choice to build anew. 'The darkest shadow is beneath the candle.' As a child in Venezuela, Ariana Neumann is fascinated by the enigma of her father, who appears to be the epitome of success and strength, but who wakes at night screaming in a language she doesn't recognise. Then, one day, she finds an old identity document bearing his picture - but someone else's name. From a box of papers her father leaves for her when he dies, Ariana meticulously uncovers the extraordinary truth of his escape from Nazi-occupied Prague. She follows him across Europe and reveals his astonishing choice to assume a fake identity and live out the war undercover, spying for the Allies in Berlin - deep in the 'darkest shadow'. Having known nothing of her father's past, not even that he was Jewish, Ariana's detective work also leads to the shocking discovery that a total of twenty-five members of the Neumann family were murdered by the Nazis. Spanning nearly ninety years and crossing oceans, When Time Stopped is a powerful and beautifully wrought memoir in which Ariana comes to know the family that has been lost - and, ultimately, her own beloved father.

A writer's search for his family's tragic past in World War II becomes a remarkably original and riveting epic, brilliantly exploring the nature of time and memory. 'The Lost' begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust - an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relative's fates. The quest takes him to a dozen countries and forces him to confront the wrenching discrepancies between the histories we live and the stories we tell. Finally, he goes back to the small Ukrainian town where his family's story began, and where the solution to a decades-old mystery awaits him. Deftly moving between past and present, interweaving a world-wandering odyssey with memories of a vanished generation, 'The Lost' transforms the story of one family into a profound and morally searching study of our fragile hold on the past. Deeply personal, grippingly suspenseful and beautifully written, this literary tour de force illuminates all that is lost, and found, in the passage of time.

A total of 160,000 people, a mix of resistants and Jews, were deported from France to camps in Central and Eastern Europe during the Second World War. In this compelling new study, Philip Nord addresses how the Deportation, as it came to be known, was remembered after the war and how Deportation memory from the very outset, became politicized against the backdrop of changing domestic and international contexts. He shows how the Deportation generated competing narratives - Jewish, Catholic, Communist, and Gaullist - and analyzes the stories told by and about deportees after the war and how these stories were given form in literature, art, film, monuments, and ceremonials.

The children of Auschwitz: this is the darkest spot in the ocean of suffering that was the Holocaust. They were deported to the concentration camp with their families, with most being murdered in the gas chambers upon their arrival, or were born there under unimaginable circumstances. While 232,000 children and juveniles were deported to Auschwitz, only 750 were liberated in the death camp at the end of January 1945. Most of them were under 15 years of age. Alwin Meyer's masterwork is the culmination of decades of research and interviews with the children and their descendants, sensitively reconstructing their stories before, during and after Auschwitz. The camp would remain with them throughout their lives: on their forearms, as a tattooed number, and in their minds, in the memory of heart-rending separation from parents and siblings, medical experiments, abject confusion, ceaseless hunger and a perpetual longing for home and security. Once the purported liberation came, there was no blueprint for piecing together personal biographies after the unthinkable had happened. Many of the children, often orphaned, had forgotten their names or ages, and had only fragmented understandings of where they came from. While some struggled to reconnect to the parents from whom they had been separated, others had known nothing other than the camp. Some children grew up without the ability to trust and to play. Survival is not yet life - it is an in-between stage which requires individuals to learn how to live. The liberated children had to learn how to be young again in order to grow into adults like others did. This remarkable book tells the stories of the most vulnerable victims of the Nazis' systematic attempt to extinguish innocent lives, and rescues their voices from historical oblivion. It is a unique testimony to the horrific suffering endured by millions in humanity's darkest hour.

Atrocities committed by the Nazis during the Holocaust were photographed extensively. These images have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and--above all--exploited for propaganda purposes or political interest. This book examines the history of this aspect of the Holocaust--its aftermath and afterlife. Whether taken by Nazis or their collaborators, by Jews themselves, their sympathizers and the resistance movements in the occupied territories, or by Allied forces at the end of the war, Struk suggests that the provenance of these images has been seen as of secondary importance to their meaning and the political ends they have been used for--from the desperate attempts of the war-time underground, to the memorial museums of Europe, the US and Israel today. Struk recounts the history of the use and abuse of Holocaust photographs and asks whether or not these images can serve as "evidence," as true representations of the events they depict. The book is illustrated with a wide range of photographs, including some never before seen.

In 1945, the day after liberation, Soviet soldiers in control of the Katowice camp in Poland asked Primo Levi and his fellow captive Leonardo De Benedetti to compile a detailed report on the sanitary conditions in Auschwitz. The result was 'Auschwitz Report', an extraordinary testimony and one of the first accounts of the extermination camps ever written. The report, published in a scientific journal in 1946, marked the beginnings of Levi's life-long work as writer, analyst and witness. In the subsequent four decades, Levi never ceased to recount his experiences in Auschwitz in a wide variety of texts, many of which are assembled together here for the first time. From early research into the fate of his companions to the deposition written for Eichmann's trial, from the 'letter to the daughter of a fascist who wants to know the truth' to newspaper and magazine articles, Auschwitz Testimonies is a rich mosaic of memories and critical reflections of great historic and human value. Underpinned by his characteristically clear language, rigorous method, and deep psychological insight, this collection of testimonies, reports and analyses reaffirms Primo Levi's position as one of the most important chroniclers of the Holocaust. It will find a wide readership, both among the many readers of Levi's work and among all those who wish to understand one of the greatest human tragedies of all time.

While the role the United States played in France's liberation from Nazi Germany is widely celebrated, it is less well known that American Jewish individuals and organizations mobilized to reconstruct Jewish life in France after the Holocaust. In A "Jewish Marshall Plan," Laura Hobson Faure explores how American Jews committed themselves and hundreds of millions of dollars to bring much needed aid to their French coreligionists. Hobson Faure sheds light on American Jewish chaplains, members of the Armed Forces, and those involved with Jewish philanthropic organizations who sought out Jewish survivors and became deeply entangled with the communities they helped to rebuild. While well intentioned, their actions did not always meet the needs and desires of the French Jews. A "Jewish Marshall Plan" examines the complex interactions, exchanges, and solidarities created between American and French Jews following the Holocaust. Challenging the assumption that French Jews were passive recipients of aid, this work reveals their work as active partners who negotiated their own role in the reconstruction process.

The Holocaust Short Story is the only book devoted entirely to representations of the Holocaust in the short story genre. The book highlights how the explosiveness of the moment captured in each short story is more immediate and more intense, and therefore recreates horrifying emotional reactions for the reader. The main themes confronted in the book deal with the collapse of human relationships, the collapse of the home, and the dying of time in the monotony and angst of surrounding death chambers. The book thoroughly introduces the genres of both the short story and Holocaust writing, explaining the key features and theories in the area. Each chapter then looks at the stories in detail, including work by Ida Fink, Tadeusz Borowski, Rokhl Korn, Frume Halpern, and Cynthia Ozick. This book is essential reading for anyone working on Holocaust literature, trauma studies, Jewish studies, Jewish literature, and the short story genre.

In his iconoclastic and controversial study, Norman G. Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in global culture to a disturbing examination of recent Holocaust compensation settlements. It was not until the Arab-Israeli War of 1967, when Israel's evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it has today. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism's victims comes from some of the very people who profess most passionately to defend it. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries and legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket.

The first comparative, comprehensive history of Nazi mass killing - showing how genocidal policies were crucial to the regime's strategy to win the war Nazi Germany killed approximately 13 million civilians and other non-combatants in deliberate policies of mass murder, mostly during the war years. Almost half the victims were Jewish, systematically destroyed in the Holocaust, the core of the Nazis' pan-European racial purification programme. Alex Kay argues that the genocide of European Jewry can be examined in the wider context of Nazi mass killing. For the first time, Empire of Destruction considers Europe's Jews alongside all the other major victim groups: captive Red Army soldiers, the Soviet urban population, unarmed civilian victims of preventive terror and reprisals, the mentally and physically disabled, the European Roma and the Polish intelligentsia. Kay shows how each of these groups was regarded by the Nazi regime as a potential threat to Germany's ability to successfully wage a war for hegemony in Europe. Combining the full quantitative scale of the killings with the individual horror, this is a vital and groundbreaking work.

This volume makes clear how Nazism was not only an attack on the human species and the Jewish people in particular, but also an attack on nature. Further, it examines the victims of the Holocaust for whom nature was not only a source of supplementary pain, but also a source of hope and redemption. The book reveals parallels between the attitudes of the bystanders during the Holocaust and us - bystanders today - watching the ecological disaster with the same passivity. The book's unique conclusion will challenge each reader. In addition to teaching us to be critical about our concepts of nature, as well as to remember the victims, the Holocaust also teaches us to become rescuers rather than bystanders in light of the contemporary destruction of nature. (Series: Geschichte des Holocaust - Vol. 8)

Memorial (Yizkor) Book of the Jewish Community of Novogrudok, Poland Translation of Pinkas Navaredok, Originally Published in Hebrew and Yiddish in Tel Aviv in 1963. Have you seen the movie "Defiance" about the Bielski brothers' creation of a Jewish village in the forests of Belorussia of families of partisans, and group of Jewish partisans? Have you wondered about Jewish resistance during World War II? Are your ancestors from Novogrudok? Then you must read this book, which has first-hand acounts that has new information that will be of high interest to you. This is the English translation of the original Hebrew and Yiddish book that was compiled by former residents of Novogrudok who emigrated before the war and by survivors of the Shoah from the town, to document the memories of the town, the institutions, the personalities, etc., to give a picture of the rich vitality of our ancestral town. All information is either first-hand accounts or based upon first-hand accounts and therefore serves as a primary resource for either research and to individuals seeking information about the town from which their parents, grandparents or great-grandparents had immigrated; this is their history It is a must for people searching for the history of their ancestors and for researchers looking for primary source material. Navahrudak, Belarus, in the region of Minsk, located at 53 36' North Latitude 25 50' East Longitude and 74 mi WSW of Minsk. Alternate Names: Navahrudak Belorussian], Novogrudok Russian], Nowogrodek Polish], Navaredok Yiddish], Naugardukas Lithuanian], Novaredok, Novogrudek, Novohorodok, Novradok, Nowogrudok, Nowogradek, Navharadak, Nawahradak. Hard cover, 784 pages, with full illustrations and photos from the original book. ISBN: 978-1-939561-03-9

Stranded in Germany after the Second World War, 300,000 Holocaust survivors began to rebuild their lives while awaiting emigration. Brought together by their shared persecution, Jewish displaced persons forged a vibrant community, redefining Jewish identity after Auschwitz. Asserting their dignity as Jews, they practised Jewish rituals, created new families, embraced Zionism, agitated against British policies in Palestine, and tried to force Germans to acknowledge responsibility for wartime crimes. In Holocaust Survivors in Postwar Germany, Margarete Myers Feinstein uses survivor memoirs and interviews, allowing the reader to 'hear' the survivors' voices, focusing on the personal aspects of the transition to normalcy. Unlike previous political histories, this study emphasizes Jewish identity and cultural life after the war.

The Holocaust Short Story is the only book devoted entirely to representations of the Holocaust in the short story genre. The book highlights how the explosiveness of the moment captured in each short story is more immediate and more intense, and therefore recreates horrifying emotional reactions for the reader. The main themes confronted in the book deal with the collapse of human relationships, the collapse of the home, and the dying of time in the monotony and angst of surrounding death chambers. The book thoroughly introduces the genres of both the short story and Holocaust writing, explaining the key features and theories in the area. Each chapter then looks at the stories in detail, including work by Ida Fink, Tadeusz Borowski, Rokhl Korn, Frume Halpern, and Cynthia Ozick. This book is essential reading for anyone working on Holocaust literature, trauma studies, Jewish studies, Jewish literature, and the short story genre.

'The Automaton' is based on a story told to Paolo Ventura as a child. It centres on an elderly, Jewish watchmaker living in the Venice ghetto in 1943, one of the darkest periods of the Nazi occupation and the rule of the fascist regime in Italy. The city where the watchmaker has lived his entire life, now desolate and fearful, is the stage on which the story unfolds. The old man decides to build an automaton (a robot), to keep him company while he awaits the arrival of the fascist police who will deport the last of the remaining Jews from the ghetto. Paolo Ventura is internationally known for the complex creative process he adopts. Having created the narrative script for the book, he then builds elaborate models and miniature figurines in his studio and incorporates them in what appear as almost film sets. These are then photographed and his final artworks are the photographs of these constructed tableaux. 'The Automaton' is a photographic narrative from beginning to end.

September 1939 - Nazi Austria turns on their Jews and the family Wacs flees Vienna, saving their lives. Destination: Shanghai; alien to them-different language, people, culture. Had they not escaped, one week later war broke out, and this family's fate might have been quite different. An Uncommon Journey addresses universal issues-persecution and the will to survive. This unique memoir by a sister and brother ten years apart shares different memories, often of the same events. The truth becomes a mosaic with many facets, creating a moving portrait of a family uprooted.