As the world heats up and we become more and more conscious of our place in the natural scheme, the appeal of the native plants of the Southwest becomes ever more compelling for gardeners. In addition to providing year-round beauty with relatively little maintenance, landscaping with native plants contributes to the repair of the natural ecosystem and brings us closer to our environment--and the array of native plant material available to the Southwestern gardener is diverse and spectacular, providing seemingly endless opportunities for creative and attractive landscapes.In Landscaping with Native Plants of the Southwest, George Oxford Miller provides the definitive guide to choosing the best of the best among the native plants of Arizona and New Mexico. Covering wildflowers, shrubs, trees, vines, groundcovers, and cacti, this comprehensive, richly illustrated book selects the species whose ornamental qualities, growth habit, adaptability, maintenance needs, and beauty add up to the highest landscape value. The illustrations, maps, and charts provide guidelines for species selection and planting, ongoing maintenance, landscape design, and water and energy conservation. In-depth plant profiles describe the habitat requirements for more than 350 native plant species, subspecies, and varieties, with lush photographs illustrating how each plant looks and responds to landscape conditions.As the interest in native-plant landscaping and xeriscaping continues to grow, this book will find a place on the shelf of every gardener and landscaper in the region--or of anybody interested in recreating the beauty of the Southwest in a hot, dry corner of the yard.

This compact, hardcover series offers information and full color photos and illustrations on a wonderfully wide variety of subjects. The group explores topics that range from horticulture and natural history to collectibles and pets. Written by professionals in each of the various fields, each book is indexed for easy access to information.

The greatest botanical artists in the world capture one of the most diverse floral kingdoms on earth.

The traditional medium of botanical art is given a new lens with the aim to ultimately connect the reader to a bigger picture - one in which the intricate relationship between ourselves, the natural environment, plants and their pollinators is revealed. Expect meticulous detailing of floral structures, bursting seed pods, brightly coloured beetles, foraging ants, floating pollen and striped field mice...coupled with scientific facts and narrative stories about each plant.

This is a florilegium immersed in the natural world, informed by ecology and the fragility of our botanical heritage. Each chapter includes an up-front ‘Wunderkammer’ of artists' notes, colour swatches, working drawings and archeological details, revealing a glimpse into the creative process and ancient origins of the area.

A unique marriage of art, natural science and storytelling is used to share the treasures of our botanical heritage, diversity and sustainability.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.