The civil rights of LGBTQ people have slowly yet steadily strengthened since the Stonewall Riots of June, 1969. Despite enormous opposition from some political segments and the catastrophic effects of the AIDS crisis, the last five decades have seen continual improvement in the conditions of the lives of LGBTQ individuals in the United States. As such, the realities and challenges faced by a young gay man coming of age and coming out in the 1960s is, in many profound ways, different from the experiences of a young gay man coming of age and coming out today. Out in Time explores the life experiences of three generations of gay men - the Stonewall, AIDS, Queer generations - arguing that while there are generational differences in the lived experiences of young gay men, and each one confronts its own unique historical events, realities, and socio-political conditions, there are consistencies across time that define and unify the identity formation of gay men. Guided by the vast research literature on gay identity formation and coming out, the ideas and themes explored here are seen through the oral histories of a diverse set of fifteen gay men, five from each generation. Out in Time demonstrates how early life challenges define and shape the life courses of gay men, demarcating both the specific time-bound challenges encountered by each generation and the universal challenges encountered by gay men coming of age across all generations and the conditions that define their lives.

"This book is a succinct, pedagogically designed introduction. As classroom text, Sullivan's work is heady with vibrant debate and slim heuristics; her intellectual clarity is stunning."
--"Choice"

A Critical Introduction to Queer Theory explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts.

The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how and why queer theory emerged in the West in the late twentieth century. Sullivan goes on to provide a detailed overview of the complex ways in which queer theory has been employed, covering a diversity of key topics including: race, sadomasochism, straight sex, fetishism, community, popular culture, transgender, and performativity. Each chapter focuses on a distinct issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Freud, Foucault, Derrida, Judith Butler, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), introduces key terms, and uses contemporary cinematic texts as examples.

Over time, male homosexuality and effeminacy have become indelibly associated, sometimes even synonymous. In "Faeries, Bears, and Leathermen," Peter Hennen contends that this stigma of effeminacy exerts a powerful influence on gay subcultures. Through a comparative ethnographic analysis of three communities, Hennen explores the surprising ways that conventional masculinity is being collectively challenged, subverted, or perpetuated in contemporary gay male culture.
Hennen's colorful study focuses on a trio of groups: the Radical Faeries, who parody effeminacy by playfully embracing it, donning prom dresses and glitter; the Bears, who strive to appear like "regular guys" and celebrate their larger, hairier bodies; and the Leathermen, who emulate hypermasculine biker culture, simultaneously paying homage to and undermining notions of manliness. Along with a historical analysis of the association between effeminacy and homosexuality, Hennen examines how this connection affects the groups' sexual practices. Ultimately, he argues, while all three groups adopt innovative approaches to gender issues and sexual pleasure, masculine norms continue to constrain members of each community.

Why were white bourgeois gay male writers so interested in spies, espionage, and treason in the twentieth century? Erin G. Carlston believes such figures and themes were critical to exploring citizenship and its limits, requirements, and possibilities in the modern Western state. Through close readings of Marcel Proust's novels, W. H. Auden's poetry, and Tony Kushner's play "Angels in America," which all reference real-life espionaage cases involving Jews, homosexuals, or Communists, Carlston connects gay men's fascination with spying to larger debates about the making and contestation of social identity.

Carlston argues that in the modern West, a distinctive position has been assigned to those perceived to be marginal to the nation because of non-visible religious, political, or sexual differences. Because these "invisible Others" existed somewhere between the wholly alien and the fully normative, they evoked acute anxieties about the security and cohesion of the nation-state. Incorporating readings of nonliterary cultural artifacts, such as trial transcripts, into her analysis, Carlston pinpoints moments in which national self-conceptions in France, England, and the United States grew unstable. Concentrating specifically on the Dreyfus affair in France, the defections of Communist spies in the U.K., and the Rosenberg case in the United States, Carlston directly links twentieth-century tensions around citizenship to the social and political concerns of three generations of influential writers.

In the three decades since New York City's Stonewall rebellion, gay literature has exploded as a distinctive form of cultural expression. In a variety of styles and genres, gay men have increasingly begun to articulate their sexual identities. At the same time, gay writers and scholars have begun in earnest the search for a literary history long denied by the refusal to recognize homosexual love as an integral part of Western literature. Yet to date, no single volume has brought together the full range of poetry, fiction, essays, and autobiography that portray love between men.

From the "Epic of Gilgamesh" to the poems of Allen Ginsberg and gay literature of the 1980s and '90s, "The Columbia Anthology of Gay Literature" draws together hundreds of texts from Western literary history that describe experiences of love, friendship, intimacy, desire, and sex among men. While other anthologies have focused primarily on poetry, drama, or fiction, this volume is the first to include a full range of genres. Spanning more than two millennia, from ancient Mesopotamia to the late twentieth century, this anthology brings together the best-known texts of gay male writing such as the poetry of Martial and Walt Whitman, and excerpts from E. M. Forster's Maurice, as well as from lesser known works such as nineteenth-century English homoerotic poetry and selections from two early American novels of homosexual love -- "Joseph and His Friend and Imre."

In "The Columbia Anthology" readers become acquainted with the early bonds of male companionship found in Homer's writings on Zeus and Ganymede, and with the homoerotic poetry of Catullus and Juvenal. From Shakespeare's "Sonnets" to the philosophy of de Sade, to the political writings of Edmund White, this masterful anthology traces a multifaceted tradition.

Arranged chronologically, sections are supplemented by illuminating introductory essays; many individual pieces include background commentary on the writer and the work.

As a landmark to the enduring spirit of gay writers, this collection is an essential addition to the library of anyone searching for the historical foundations of gay identities. With its excellent annotations and suggestions for further reading, "The Columbia Anthology of Gay Literature" will also serve as an invaluable resource to students and scholars in need of a guide to a massive body of literature that has long been hidden, ignored, or misrepresented.

Few words are as steeped in beliefs about gender, sexuality, and social desirability as "motherhood". Drawing on queer, postcolonial, and feminist theory, historical sources, personal narratives, film studies, and original empirical research, the authors in this book offer queer re-tellings and reexaminations of reproduction, family, politics, and community. The list of contributors includes emerging writers as well as established scholars and activists such as Gary Kinsman, Damien Riggs, Christa Craven, Cary Costello, Elizabeth Peel, and Rachel Epstein.

Male homosexual activity in public and semipublic locations is a central but seldom explored dimension of gay culture around the world. The majority of existing research emphasizes the impersonality of such erotic interaction and underscores the element of danger involved. While never denying the danger of anonymous public sex in the age of AIDS, the contributors to "Public Sex/Gay Space" go beyond narrow moralisms about the need to regulate unsafe sexual practices to discuss the significance of sex in public. William Leap has brought together contributions from such fields as anthropology, sociology, literary criticism, and history to reinvigorate the discussion on this issue, with twelve essays providing a more nuanced portrait of why public sexual activity is such an integral part of gay culture. The authors present rich ethnographic snapshots of male sex in public places--many drawn from interviews with participants or, in some instances, the authors' personal experiences.Contributors investigate a broad cultural spectrum of gay sexual space and activity: in a public park in contemporary Hanoi, at the beachfront community of New York's Fire Island, and in nineteenth-century Amsterdam, for example. They explore issues such as visibility and secrecy, as well as economic status and social class, and interrogate the historical trajectories through which certain locations come to be favored sites for sexual encounters. Together, they offer insight into the ways in which public sex calls into question the very line that divides "public" from "private."

In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity; considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities; and explores issues of transsexuality among "transgender dykes"-lesbians who pass as men-and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Featuring a new preface by the author, this twentieth anniversary edition of Female Masculinity remains as insightful, timely, and necessary as ever.

Hailed as magisterial when it first appeared, Greek Homosexuality remains an academic milestone and continues to be of major importance for students and scholars of gender studies. Kenneth Dover explores the understanding of homosexuality in ancient Greece, examining a vast array of material and textual evidence that leads him to provocative conclusions. This new release of the 1989 second edition, for which Dover wrote an epilogue reflecting on the impact of his book, includes two specially commissioned forewords assessing the author's legacy and the place of his text within modern studies of gender in the ancient world.

"A View from the Bottom" offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood--as a sexual position, a social alliance, an affective bond, and an aesthetic form--has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.

"One of the greatest achievements of modern literature." -Richard Howard "A major achievement . . . . Genet transforms experiences of degradation into spiri tual exercises and hoodlums into bearers of the majesty of love." -Saturday Review "This book recreates for the reader Genet's magic world, one of dazzling beauty charged with novelty and excitement." -Bettina Knapp "Genet would have deserved international standing for this novel alone. . . . He succeeds to an amazing degree in creating poetry from the profoundest degradation." -The Times (London)

As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.

As the first generation of gay men enters its autumn years, these men's responses to the physical and emotional tolls of aging promise to be as revolutionary as their advances in AIDS and civil rights activism. Older gay men's approaches to friendship, caregiving, romantic and sexual relationships, illness, and bereavement is upending conventional wisdom regarding the aging process, LGBTQ communities, and the entire field of gerontology. QUEER AGING comprises scholar Jesus Ramirez-Valles's probing conversations with 11 racially and economically diverse representatives of this pioneering generation of gay men-the gayby boomers. Through candid, first-person narratives, Ramirez-Valles's subjects reflect on their varied experiences as late career professionals, retirees, AIDS survivors, caregivers for ailing partners, and witnesses to profound social and cultural change. Framed within a larger introduction to both Queer Theory and its history, these reflections provide context for understanding the aging arc and experience of older gay men. Spanning sociology, history, cultural studies, and social work, QUEER AGING will be a vital resource for students as well as health professionals who serve the gay community and communities of color.

Revised and Expanded Edition Wait-what's wrong with rights? It is usually assumed that trans and gender nonconforming people should follow the civil rights and "equality" strategies of lesbian and gay rights organizations by agitating for legal reforms that would ostensibly guarantee nondiscrimination and equal protection under the law. This approach assumes that the best way to address the poverty and criminalization that plague trans populations is to gain legal recognition and inclusion in the state's institutions. But is this strategy effective? In Normal Life Dean Spade presents revelatory critiques of the legal equality framework for social change, and points to examples of transformative grassroots trans activism that is raising demands that go beyond traditional civil rights reforms. Spade explodes assumptions about what legal rights can do for marginalized populations, and describes transformative resistance processes and formations that address the root causes of harm and violence. In the new afterword to this revised and expanded edition, Spade notes the rapid mainstreaming of trans politics and finds that his predictions that gaining legal recognition will fail to benefit trans populations are coming to fruition. Spade examines recent efforts by the Obama administration and trans equality advocates to "pinkwash" state violence by articulating the US military and prison systems as sites for trans inclusion reforms. In the context of recent increased mainstream visibility of trans people and trans politics, Spade continues to advocate for the dismantling of systems of state violence that shorten the lives of trans people. Now more than ever, Normal Life is an urgent call for justice and trans liberation, and the radical transformations it will require.

In recent years queer identities have become increasingly visible in Irish cinema, a shift that can be linked to political, economic and social changes taking place both in Ireland and around the world, as well as to changes in national film policy to cater more to international audiences. Irish Queer Cinema explores the sexual politics and socio-economic conditions that have determined the shape and evolution of these representations whilst interrogating the relationship between on-screen visibility and progressive sexual politics. Drawing together 23 films as depictive of an Irish queer cinema, including Clash of the Ash, The Crying Game and Me First, the book investigates the different ways gender and sexuality intersect with nationhood and national forms of belonging, and explores the role of queerness within the constitution of an Irish national culture.

From concerns over the bullying of LGBTQ youth and battles over sex education to the regulation of sexual activity and the affirmation of queer youth identity, sexuality saturates the school day. Rather than understand these conflicts as an interruption to the work of education, Jen Gilbert explores how sexuality comes to bear on and to enliven teaching and learning.

Gilbert investigates the breakdowns, clashes, and controversies that flare up when sexuality enters spaces of schooling. Education must contain the volatility of sexuality, Gilbert argues, and yet, when education seeks to limit the reach of sexuality, it risks shutting learning down. Gilbert penetrates this paradox by turning to fiction, film, legal case studies, and personal experiences. What, she asks, can we learn about school from a study of sexuality?

By examining the strange workings of sexuality in schools, Gilbert draws attention to the explosive but also compelling force of erotic life in teaching and learning. Ultimately, this book illustrates how the most intimate of our experiences can come to shape how we see and act in the world.

In this funny, poignant and unflinchingly honest memoir, one of the world's best-loved storytellers explains how he evolved from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to claim their own lives. It is a journey that leads him from the racism and misogyny of mid-century North Carolina to a homoerotic Navy initiation ceremony in the jungles of Vietnam to an awkward conversation about girls with President Richard Nixon in the Oval Office of the White House. After losing his virginity to another man 'on the very spot where the first shots of the Civil War were fired', Maupin packs his earthly belongings into his Opel GT (including a portrait of a Confederate ancestor) and heads west to that strangest of strange lands: San Francisco in the early 1970's.

In 1951, a new type of publication appeared on newsstands-the physique magazine produced by and for gay men. For many men growing up in the 1950s and 1960s, these magazines and their images and illustrations of nearly naked men, as well as articles, letters from readers, and advertisements, served as an initiation into gay culture. The publishers behind them were part of a wider world of "physique entrepreneurs": men as well as women who ran photography studios, mail-order catalogs, pen-pal services, book clubs, and niche advertising for gay audiences. Such businesses have often been seen as peripheral to the gay political movement. In this book, David K. Johnson shows how gay commerce was not a byproduct but rather an important catalyst for the gay rights movement. Offering a vivid look into the lives of physique entrepreneurs and their customers, and presenting a wealth of illustrations, Buying Gay explores the connections-and tensions-between the market and the movement. With circulation rates many times higher than the openly political "homophile" magazines, physique magazines were the largest gay media outlets of their time. This network of producers and consumers helped foster a gay community and upend censorship laws, paving the way for open expression. Physique entrepreneurs were at the center of legal struggles, especially against the U.S. Post Office, including the court victory that allowed full-frontal male nudity and open homoeroticism. Buying Gay reconceives the history of the gay rights movement and shows how consumer culture helped create community and a site for resistance.

BEING gay in football - as fan or player - is to risk the homophobia that has run through the game for years. But things are changing. Gradually a few brave professional players have come out. And someone like NEIL BEASLEY now feels able to tell his poignant and uplifting story in Football's Coming Out. Coventry City fan, player for Birmingham Blaze - National Gay Football Supporters Network League champions - as well as chairman of the club, Neil tells honestly of the pains of growing up gay in the sport and fighting for his right to enjoy the game he loves without prejudice.

For many, the death of a parent marks a low point in their personal lives. For Martin Duberman-a major historian and a founding figure in the history of gay and lesbian studies-the death of his mother was just the beginning of what became a twelve-year period filled with despair, drug addiction, and debauchery. From his cocaine use, massive heart attack, and immersion into New York's gay hustler scene to experiencing near-suicidal depression and attending rehab, The Rest of It is the previously untold and revealing story of how Duberman managed to survive his turbulent personal life while still playing leading roles in the gay community and the academy. Despite the hardships, Duberman managed to be incredibly productive: he wrote his biography of Paul Robeson, rededicated himself to teaching, wrote plays, and coedited the prize-winning Hidden from History. His exploration of new paths of scholarship culminated in his founding of the Center for Lesbian and Gay Studies, thereby inaugurating a new academic discipline. At the outset of the HIV/AIDS epidemic Duberman increased his political activism, and in these pages he also describes the tensions between the New Left and gay organizers, as well as the profound homophobia that created the conditions for queer radical activism. Filled with gossip, featuring cameo appearances by luminaries such as Gore Vidal, Norman Mailer, Vivian Gornick, Susan Brownmiller, Kate Millett, and Nestor Almendros, among many others, and most importantly, written with an unflinching and fearless honesty, The Rest of It provides scathing insights into a troubling decade of both personal and political history. It is a stimulating look into a key period of Duberman's life, which until now had been too painful to share.