High school and the difficult terrain of sexuality and gender identity are brilliantly explored in this smart, incisive ethnography. Based on eighteen months of fieldwork in a racially diverse working-class high school, "Dude, You're a Fag "sheds new light on masculinity both as a field of meaning and as a set of social practices. C. J. Pascoe's unorthodox approach analyzes masculinity as not only a gendered process but also a sexual one. She demonstrates how the "specter of the fag" becomes a disciplinary mechanism for regulating heterosexual as well as homosexual boys and how the "fag discourse" is as much tied to gender as it is to sexuality.

LGBTQ people have strategies of resilience at their disposal to help them deal with the challenge that heteronormativity as a power structure poses to their affective lives. This book makes the concept of resilience available to queer literary and cultural studies, analysing these strategies in terms of narration, performance, bodies, and space. Resilience turns out to be a highly interactive mode of being in the world, which can set free creative energy as well as draw inspiration and energy from artistic work. Authors and artists discussed include Katherine Mansfield, Christopher Isherwood, Sylvia Townsend Warner, Jeanette Winterson, Michael Cunningham, and Ian McKellen.

Tenth Anniversary Expanded Edition Ten years on, Jasbir K. Puar's pathbreaking Terrorist Assemblages remains one of the most influential queer theory texts and continues to reverberate across multiple political landscapes, activist projects, and scholarly pursuits. Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, shifting queers from their construction as figures of death to subjects tied to ideas of life and productivity. This tenuous inclusion of some queer subjects depends, however, on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by what Puar calls homonationalism-a fusing of homosexuality to U.S. pro-war, pro-imperialist agendas. As a concept and tool of biopolitical management, homonationalism is here to stay. Puar's incisive analyses of feminist and queer responses to the Abu Ghraib photographs, the decriminalization of sodomy in the wake of the Patriot Act, and the profiling of Sikh Americans and South Asian diasporic queers are not instances of a particular historical moment; rather, they are reflective of the dynamics saturating power, sexuality, race, and politics today. This Tenth Anniversary Expanded Edition features a new foreword by Tavia Nyong'o and a postscript by Puar entitled "Homonationalism in Trump Times." Nyong'o and Puar recontextualize the book in light of the current political moment while reposing its original questions to illuminate how Puar's interventions are even more vital and necessary than ever.

To be gay in Iran means to live in the shadow of death. The country s harsh Islamic code of Lavat is used to execute gay men, and LGBT individuals who avoid execution are often subjected to severe lashings, torture and imprisonment. It was in this unforgiving environment that Arsham Parsi came to terms with his identity as a gay man. When a close friend committed suicide after his family learned he was gay, Arsham felt compelled to act. Risking his life as well as the safety of his family, he used the anonymity of the Internet to speak out about the human rights abuses against LGBT people in his country. In 2005 Parsi learned that an order had been issued for his arrest and execution. He was forced to seek refuge in neighbouring Turkey until, thirteen months later, he was granted asylum in Canada. Exiled for Love follows Parsi s incredible journey from his first understanding of his sexual orientation to his eventual exile. It explores the reality for LGBT people in Iran through the deeply personal and inspiring story of his life, escape and continuing work. "

Combining current theory and original fieldwork, Queer Visibilities explores the gap between liberal South African law and the reality for groups of queer men living in Cape Town. * Explores the interface between queer sexuality, race, and urban space to show links between groups of queer men* Focuses on three main 'population groups' in Cape Town-white, coloured, and black Africans* Discusses how HIV remains a key issue for queer men in South Africa* Utilizes new research data-the first comprehensive cross-community study of queer identities in South Africa

'Odets's warm and lyrical voice, his inspiring picture of how imaginative gay life can be, has sent me queuing for the couch.' Evening Standard 'A gay man could read this book as if his life depended on it - and perhaps it does' Andrew Holleran, author of Dancer from the Dance Even in our modern progressive world, it's not easy to be a gay man. While young men often come out more readily, even those from the most liberal of backgrounds still struggle to accept themselves and experience stigma, shame and difficulties with intimate relationships. They also suffer from ongoing trauma wrought by the AIDS epidemic, something that is all too often relegated to history. Drawing on a lifetime's work as a clinical psychologist, Walt Odets uses the stories of his patients as well as those of his own deep relationships with other gay men to illuminate how these difficulties may be overcome. From a 74-year-old who only felt able to come out after his wife had died, to the boy raised in a strict religious family who worked his way to San Francisco, to the middle-aged defence lawyer who left everything behind to embrace a new life, the experiences here explore everything from grief to survival, childhood pain to the definition of gay itself. Out of the Shadows shows us how a new way forward is possible through learning to accept ourselves and others as they are, and independently inventing our own lives.

Lesbian Web Series narrate female-centred stories, strengthen identity construction, and generate transnational communities beyond cultural barriers. Julia Obermayr explores the first definition of a new format, the first representations of lesbian women in US-American, Canadian, and Spanish web series from 2007 and onward, as well as their reciprocal effects regarding identity construction and community building of their transnational, mainly female, audience.The analyzed corpus comprises scenes taken from Venice the Series (2009) and its backstory "Otalia" on the soap opera Guiding Light (1952-2009), Seeking Simone (2009), Out With Dad (2010), Feminin/ Feminin (2014), Chica Busca Chica (2007) and its cinematic sequel De Chica En Chica (2015), as well as Notas Aparte (2016).

In Queer Marxism in Two Chinas Petrus Liu rethinks the relationship between Marxism and queer cultures in mainland China and Taiwan. Whereas many scholars assume the emergence of queer cultures in China signals the end of Marxism and demonstrates China's political and economic evolution, Liu finds the opposite to be true. He challenges the persistence of Cold War formulations of Marxism that position it as intellectually incompatible with queer theory, and shows how queer Marxism offers a nonliberal alternative to Western models of queer emancipation. The work of queer Chinese artists and intellectuals not only provides an alternative to liberal ideologies of inclusion and diversity, but demonstrates how different conceptions of and attitudes toward queerness in China and Taiwan stem from geopolitical tensions. With Queer Marxism in Two Chinas Liu offers a revision to current understandings of what queer theory is, does, and can be.

What makes kinship queer? This collection from leading and emerging thinkers in gender and sexualities interrogates the politics of belonging, shining a light on the outcasts, rebels, and pioneers. Queer Kinship brings together an array of thought-provoking perspectives on what it means to love and be loved, to 'do family' and to belong in the South African context. The collection includes a number of different topic areas, disciplinary approaches, and theoretical lenses on familial relations, reproduction, and citizenship. The text amplifies the voices of those who are bending, breaking, and remaking the rules of being and belonging. Photo-essays and artworks offer moving glimpses into the new life worlds being created in and among the 'normal' and the mundane. Taken as a whole, this text offers a critical and intersectional perspective that addresses some important gaps in the scholarship on kinship and families. Queer Kinship makes an innovative contribution to international studies in kinship, gender, and sexualities. It will be a valuable resource to scholars, students, and activists working in these areas.

Queer Natures, Queer Mythologies collects in two parts the scholarly work-both published and unpublished-that Sam See had completed as of his death in 2013. In Part I, in a thorough reading of Darwin, See argues that nature is constantly and aimlessly variable, and that nature itself might be considered queer. In Part II, See proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. With essays by Scott Herring, Heather Love, and Wendy Moffat.

Europe is witnessing a new era of racial denial. After decades of anti-racialism, post-feminism and the recognition of some queer lives, the language of equality and diversity suggests that Europe has not only overcome racism but also sexism and homophobia. Racist violence in the wake of the 'refugee crisis', Brexit as well as the force of the extreme Right have been blamed on 'too much diversity' and 'false tolerance' by European leaders and commentators alike. The reiteration that racialized Others are a danger to European liberal gains has become a 'common-sense' claim in the call for the securitization of the European borders and 'tougher rules' for immigrants and served as the basis for the call to end multiculturalism Race in Post-racial Europe offers an analysis of the intersectional logics of post-racial formations in Europe. With the increasing significance of gender and sexual norms in debates around migration, post-racial formations have yet to be studied in conjunction with the liberal articulation of Europe as post-feminist and post-homophobic. Whether in the campaign for the minaret ban in Switzerland, in Dutch gay rights discourses or in the aftermath of the Cologne events, the New Right has successfully joined forced with some feminist and LGBT voices in the claim that women and queers need to be protected from migrants. In Europe, where race is deeply intertwined with notions of modernity, gender and sexuality have proven particularly relevant sites of racialisation.

"An exhilarating, multi-layered new play."--"The Guardian"

"Stirring and stylishly told . . . McCraney's crispest and most confident work."--"Daily News"

"Greatly affecting. . . . It takes a brave writer to set his language against the plaintive beauty of the hymns and spirituals . . . but McCraney's speech holds its own, locating poetry even in casual vernacular and again demonstrating his gift for simile and metaphor."--"The Village Voice"

The Charles R. Drew Prep School for Boys is dedicated to the creation of strong, ethical black men. Pharus wants nothing more than to take his rightful place as leader of the school's legendary gospel choir, but can he find his way inside the hallowed halls of this institution if he sings in his own key? Known for his unique brand of urban lyricism, Tarrell Alvin McCraney follows up his acclaimed trilogy "The Brother/Sister Plays" with this affecting portrait of a gay youth trying to find the courage to let the truth about himself be known. Set against the sorrowful sounds of hymns and spirituals, "Choir Boy" premiered at the Royal Court in London before receiving its Off-Broadway premiere in summer 2013 to critical and popular acclaim.

Tarell Alvin McCraney is author of "The Brother/Sister Plays" "The Brothers Size," "In the Red and Brown Water," and "Marcus; Or the Secret of Sweet." Other works include "Wig Out ," set in New York's drag clubs, and "The Breach," which deals with the aftermath of Hurricane Katrina. His awards include the 2009 Steinberg Playwrights Award and the Paula Vogel Playwriting Award.

Longtime Washington, D.C. health journalist John-Manuel Andriote didn't expect to mark the twenty-fifth year of the HIV-AIDS epidemic in 2006 by coming out in the Washington Post about his own recent HIV diagnosis. For twenty years he had reported on the epidemic as an HIV-negative gay man, as AIDS killed many of his friends and roused gay Americans to action against a government that preferred to ignore their existence. Eight little words from his doctor, "I have bad news on the HIV test," turned Andriote's world upside down. Over time Andriote came to understand that his choice, each and every day, to take the powerful medication he needs to stay healthy, to stay alive, came from his own resilience. When and how had he become resilient? He searched his journals for answers in his own life story. The reporter then set out to learn more about resilience. Stonewall Strong is the result. Drawing from leading-edge research and nearly one hundred original interviews, the book makes it abundantly clear: most gay men are astonishingly resilient. Andriote deftly weaves together research data and lived experience to show that supporting gay men's resilience is the key to helping them avoid the snares that await too many who lack the emotional tools they need to face the traumas that disproportionately afflict gay men, including childhood sexual abuse, substance abuse, risky sexual behavior, depression, and suicide. Andriote writes with searing honesty about the choices and forces that brought him to his own 'before-and-after' moment, teasing out what he learned along the way about resilience, surviving, and thriving. He frames pivotal moments in recent history as manifestations of gay men's resilience, from the years of secrecy and subversion before the 1969 Stonewall riots; through the coming of age, heartbreak, and politically emboldening AIDS years; and pushing onward to legal marriage equality. Andriote gives us an inside look at family relationships that support resilient sons, the nation's largest organizations' efforts to build on the resilience of marginalized LGBTQ youth, drag houses, and community centers. We go inside individuals' hearts and groups' missions to see a community that works, plays, and even prays together. Finally, Andriote presents the inspiring stories of gay men who have moved beyond the traumas and stereotypes, claiming their resilience and right to good health, and working to build a community that will be "Stonewall Strong."

Erotic slang words from Great Britain, Canada, the United States, Australia, and other English-speaking nations number well into the tens of thousands. But the history of terms used to describe the sexual activities of gays and lesbians have opposing sources: one, the discreet networks of gay men and lesbians who sought to come up with a new terminology for the pleasures of their secret lives; and the other, those who found gay sexuality repellent, and created phrases that denigrated and insulted its proponents. The result? A coded language, for better or worse, that celebrates sexuality in all its queerness.

A.D. Peterkin shows how euphemism, camp humor, rhyme, acronym, foreign language, mythology, metaphor, and secret code have all been recruited imaginatively by gay men, lesbians, and bisexuals to name what was thought to be unnamable.

"I don't regret for a single moment having lived for pleasure. I did it to the full, as one should do anything one does. I lived on honeycomb." Oscar Wilde Although it is over 120 years since his infamous trial for indecency, Oscar Wilde has never held greater fascination for us. This packed illustrated biography tells the life of Oscar Wilde through his own words - private letters, poems, plays, stories and legendary witticisms. It includes his relationships with key artists and writers of the time, including John Ruskin, Charles Ricketts, and Lillie Langtry. It is illustrated throughout with paintings, engravings, contemporary photographs, cartoons and caricatures of Wilde and his social circle. With illustrations and paintings by Aubrey Beardsley, Henri de Toulouse-Lautrec, James Whistler and Max Beerbohm, it is a beautiful evocation of the glittering fin de siecle word by its most fascinating wordsmith and aesthete. The book details Wilde's ruin after the trial and its outcome. The profundity of his writing from prison and exile form an epitaph, not only to his own life, but also for the era that carelessly delighted in it.

Black queer lives often exist outside conventional civic institutions and therefore have to explore alternative intimacies to experience a sense of belonging. Civic Intimacies examines how-and to what extent-these different forms of intimacy catalyze the values, aspirations, and collective flourishing of Black queer denizens of Baltimore. Niels van Doorn draws on 18 months of immersive ethnographic fieldwork for his innovative cross-disciplinary analysis of contemporary debates in political and cultural theory. Van Doorn describes the way that these systematically marginalized communities improvise on citizenship not just to survive but also to thrive despite the proliferation of violence and insecurity in their lives. By reimagining citizenship as the everyday reparative work of building support structures, Civic Intimacies highlights the extent to which sex, kinship, memory, religious faith, and sexual health are rooted in collective practices that are deeply political. These systems sustain the lives of Black queer Baltimoreans who find themselves stuck in a city they cannot give up on-even though it has in many ways given up on them.

Billeh Nickerson tells it like it is: a wry and at times outrageous chronicler of contemporary gay life, written for those who can take it like a man, or at least read about it without squirming. In these charming and very funny essays, Billeh writes with disarming sweetness about love, sex, relationships, and subjects that might even make the women of "Sex in the City "blanch with embarrassment.

On occasion, Billeh is a Miss Manners for our times: after all, what would you do if you saw a friend at a nude beach who had toilet paper stuck to his genitals? Or what to do with friends who shave their pubes into artistic patterns, or those who insist on washing their dildos in the dishwasher? Billeh also writes about what it feels like to be the token gay at a house party; laments the lack of Speedo-watching at the Summer Olympics now that bodysuits are the fashion of the day; and describes what it feels like when the hot guy you've taken home turns out to be a Star Wars freak. (Nobody's perfect.)

More naked than David Sedaris, more fraudulent than David Rakoff, Billeh Nickerson's invigorating tonics are just what the doctor ordered. He's willing to explore new life and new civilization, and to go where no fag has gone before.

Poet and columnist Billeh Nickerson lives in Vancouver. His collection of poetry, "The Asthmatic Glassblower," was nominated for a Publishing Triangle Gay Men's Poetry Prize.

In Being Gay in Ireland: Resisting Stigma in the Evolving Present, Gerard Rodgers argues that existing theory and research on the lives of gay men often exhibits a social weightlessness such that self-beliefs are frequently decoupled from an analysis of society. History and conventions inform and shape gay men's self-beliefs, yet psychology as a discipline rarely dialogues with historical or political scholarship. Rodgers corrects this oversight with a critical analysis of the decades of socio-political struggle in Ireland and elsewhere. Rodgers captures the lives of gay men who are situated in varied contexts and who all, despite their different situations, possess self-beliefs that are shaped by wider historical traditions and evolving social change. Rodgers argues that the nuances and particulars of self-beliefs are significantly affected by wider historical traditions and evolving social and political changes. Through his reconstruction, Rodgers provides practitioners of applied psychological and therapeutic disciplines with an in-depth picture of how historical context and social justice successes have interacted with gay men's self-beliefs, with a particular focus on how prosocial resistances against prejudice have incrementally eroded historical standards of gay stigma.

"Written in 1965 about a same-sex sexual scandal that occurred in 1955 in Boise, Idaho, John Gerassi's classic study depicts both middle America's traditional response to homosexuality and an era in the country's history before the modern gay rights movement really got underway. Because much of what Gerassi wrote about persists in today's struggles over gay and lesbian issues, his book still has much to tell us about how contemporary society reacts to, and misunderstands, homosexuality."-Peter Boag On the morning of November 2, 1955, the people of Boise, Idaho, were stunned by a screaming headline in the Idaho Daily Statesman, THREE BOISE MEN ADMIT SEX CHARGES. Time magazine picked up the story, reporting that a "homosexual underworld" had long operated in Idaho's staid capital city. The Statesman led the hysteria that resulted in dozens of arrests-including some highly placed members of the community-and sentences ranging from probation to life imprisonment. Peter Boag's Foreword places the book in historical perspective, summarizing the popular psychological theories and legal conceptions that helped to shape Gerassi's research. He discusses advances in Idaho's public approach to homosexuality and ways in which the provincialism chronicled by Gerassi persists to this day.

The result of five years of practice-based creative research focused on Nicole Garneau's UPRISING project, Performing Revolutionary presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide. UPRISING, a series of public demonstrations in eight locations in the United States and five in Europe, involved thousands of voluntary participants who came together to create radical change through performance art. Bringing together accounts by participants, writers, theorists, artists and activists, as well as photographs and critical essays, Performing Revolutionary offers a fresh perspective on the challenges of moving from critique to action. An Interview with Nicole Garneu by Windy City Times

African American men who have sex with men while maintaining a heterosexual lifestyle in public are attracting increasing interest from both the general media and scholars. Commonly referred to as "down-low" or "DL" men, many continue to have relationships with girlfriends and wives who remain unaware of their same-sex desires, and in much of the media, DL men have been portrayed as carriers of HIV who spread the virus to black women. "Sexual Discretion "explores the DL phenomenon, offering refreshingly innovative analysis of the significance of media, space, and ideals of black masculinity in understanding down low communities.
In "Sexual Discretion," Jeffrey Q. McCune Jr. provides the first in-depth examination of how the social expectations of black masculinity intersect and complicate expressions of same-sex affection and desire. Within these underground DL communities, men aren't as highly policed--and thus are able to maintain their public roles as "properly masculine." McCune draws from sources that range from R&B singer R. Kelly's epic hip-hopera series "Trapped in the Closet" to Oprah's high-profile expose on DL subculture; and from E. Lynn Harris's contemporary sexual passing novels to McCune's own interviews and ethnography in nightclubs and online chat rooms. "Sexual Discretion" details the causes, pressures, and negotiations driving men who rarely disclose their intimate secrets.