Research has documented that despite knowing the risks of unprotected anal intercourse, increasing numbers of gay men are not using condoms, a practice that has become known as Barebacking. This groundbreaking book summarizes the research findings about who is barebacking, where they are doing it and why they say they are engaging in unprotected sex. Using case examples from the authors' psychotherapy practice, this book allows men who bareback to speak for themselves. The author describes the role that the Internet plays in facilitating unsafe sexual encounters, as well as how alcohol and club drugs, namely crystal methamphetemine use are also central to the increase in unsafe sex. He also explores how committed male couples are wrestling with this issue. While not denying the public health issues involved in barebacking nor the dangers inherent to an individual's physical or mental health, the author takes a balanced look at the variety of profound needs that are met by this seemingly reckless behavior in an attempt to help readers understand this important phenomenon. targeted to professors and students of human sexuality, health care professionals as well as gay men and anyone else who wants compassionate, sophisticated and nuanced insights into what for many people is one of the most perplexing aspects of today's gay male culture and life style. The author does not make any claims for an easy or sure fire way to help stop the rising tide of high risk sexual behaviors, but offers suggestions for ways that health care professionals can engage men who are barebacking in conversations and treatment approaches that can help men who bareback better understand themselves and address the issues that propel them to do it without being moralistic, sex-negative or homophobic.

Black queer lives often exist outside conventional civic institutions and therefore have to explore alternative intimacies to experience a sense of belonging. Civic Intimacies examines how-and to what extent-these different forms of intimacy catalyze the values, aspirations, and collective flourishing of Black queer denizens of Baltimore. Niels van Doorn draws on 18 months of immersive ethnographic fieldwork for his innovative cross-disciplinary analysis of contemporary debates in political and cultural theory. Van Doorn describes the way that these systematically marginalized communities improvise on citizenship not just to survive but also to thrive despite the proliferation of violence and insecurity in their lives. By reimagining citizenship as the everyday reparative work of building support structures, Civic Intimacies highlights the extent to which sex, kinship, memory, religious faith, and sexual health are rooted in collective practices that are deeply political. These systems sustain the lives of Black queer Baltimoreans who find themselves stuck in a city they cannot give up on-even though it has in many ways given up on them.

With Pathways of Desire, Hector Carrillo brings us into the lives of Mexican gay men who have left their home country to pursue greater sexual autonomy and sexual freedom in the United States. The groundbreaking ethnography brings our attention to the full arc of these men's migration experiences, from their upbringing in Mexican cities and towns, to their cross-border journeys, to their incorporation into urban gay communities in American cities, and their sexual and romantic relationships with American men. These men's diverse and fascinating stories demonstrate the intertwining of sexual, economic, and familial motivations for migration. Further, Carrillo shows that sexual globalization must be regarded as a bidirectional, albeit uneven, process of exchange between countries in the global north and the global south. With this approach, Carrillo challenges the view that gay men from countries like Mexico would logically want to migrate to a "more sexually enlightened" country like the United States a partial and limited understanding, given the dynamic character of sexuality in countries such as Mexico, which are becoming more accepting of sexual diversity. Pathways of Desire also provides a helpful analytical framework for the simultaneous consideration of structural and cultural factors in social scientific studies of sexuality. Carrillo explains the patterns of cross-cultural interaction that sexual migration generates and at the most practical level shows how the intricacies of cross-cultural sexual and romantic relations may affect the sexual health and HIV risk of transnational immigrant populations.

For many readers and scholars, James Baldwin occupies so central a place in black gay literary history that he has become a key representative for queer creative culture. James Baldwin and the Queer Imagination seeks to complicate this view by providing a sustained investigation of the queer implications of Baldwin's writing while addressing the problematic appropriation of Baldwin as the standard-bearer of queer literary history and African American writing. Author Matt Brim argues that Baldwin's queer imagination is highly complex and anything but obvious, that queerness emerges unevenly in Baldwin's fiction, in ways that can be as restrictive as they are revelatory, and that his work exemplifies what the author terms an "unqueer" undercurrent present in queer creative thought. In demonstrating Baldwin's ambiguity, Brim also provides a critique of queerness from within queer studies.

In 2001, a collection of open and affirming churches with predominantly African American membership and a Pentecostal style of worship formed a radically new coalition. The group, known now as the Fellowship of Affirming Ministries or TFAM, has at its core the idea of "radical inclusivity" the powerful assertion that everyone, no matter how seemingly flawed or corrupted, has holiness within. Whether you are LGBT, have HIV/AIDS, have been in prison, abuse drugs or alcohol, are homeless, or are otherwise compromised and marginalized, TFAM tells its people, you are one of God's creations. In Filled with the Spirit, Ellen Lewin gives us a deeply empathetic ethnography of the worship and community central to TFAM, telling the story of how the doctrine of radical inclusivity has expanded beyond those it originally sought to serve to encompass people of all races, genders, sexualities, and religious backgrounds. Lewin examines the seemingly paradoxical relationship between TFAM and traditional black churches, focusing on how congregations and individual members reclaim the worship practices of these churches and simultaneously challenge their authority. The book looks closely at how TFAM worship is legitimated and enhanced by its use of gospel music and considers the images of food and African American culture that are central to liturgical imagery, as well as how understandings of personal authenticity tie into the desire to be filled with the Holy Spirit. Throughout, Lewin takes up what has been mostly missing from our discussions of race, gender, and sexuality--close attention to spirituality and faith.

'Odets's warm and lyrical voice, his inspiring picture of how imaginative gay life can be, has sent me queuing for the couch.' Evening Standard 'A gay man could read this book as if his life depended on it - and perhaps it does' Andrew Holleran, author of Dancer from the Dance Even in our modern progressive world, it's not easy to be a gay man. While young men often come out more readily, even those from the most liberal of backgrounds still struggle to accept themselves and experience stigma, shame and difficulties with intimate relationships. They also suffer from ongoing trauma wrought by the AIDS epidemic, something that is all too often relegated to history. Drawing on a lifetime's work as a clinical psychologist, Walt Odets uses the stories of his patients as well as those of his own deep relationships with other gay men to illuminate how these difficulties may be overcome. From a 74-year-old who only felt able to come out after his wife had died, to the boy raised in a strict religious family who worked his way to San Francisco, to the middle-aged defence lawyer who left everything behind to embrace a new life, the experiences here explore everything from grief to survival, childhood pain to the definition of gay itself. Out of the Shadows shows us how a new way forward is possible through learning to accept ourselves and others as they are, and independently inventing our own lives.

Video games have long been seen as the exclusive territory of young, heterosexual white males. In a media landscape dominated by such gamers, players who do not fit this mold, including women, people of color, and LGBT people, are often brutalized in forums and in public channels in online play. Discussion of representation of such groups in games has frequently been limited and cursory. In contrast, "Gaming at the Edge" builds on feminist, queer, and postcolonial theories of identity and draws on qualitative audience research methods to make sense of how representation comes to matter.

In "Gaming at the Edge," Adrienne Shaw argues that video game players experience race, gender, and sexuality concurrently. She asks: How do players identify with characters? How do they separate identification and interactivity? What is the role of fantasy in representation? What is the importance of understanding market logic? In addressing these questions Shaw reveals how representation comes to matter to participants and offers a perceptive consideration of the high stakes in politics of representation debates.

Putting forth a framework for talking about representation, difference, and diversity in an era in which user-generated content, individualized media consumption, and the blurring of producer/consumer roles has lessened the utility of traditional models of media representation analysis, Shaw finds new insight on the edge of media consumption with the invisible, marginalized gamers who are surprising in both their numbers and their influence in mainstream gamer culture.

Acts of Gaiety explores the mirthful modes of political performance by LGBT artists, activists, and collectives that have inspired and sustained deadly serious struggles for revolutionary change. The book explores antics such as camp, kitsch, drag, guerrilla theatre, zap actions, rallies, manifestos, pageants, and parades alongside more familiar forms of ""legitimate theatre."" Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously by mainstream society, Acts of Gaiety seeks to reanimate notions of ""gaiety"" as a political value for LGBT activism. The book mines the archives of lesbian-feminist activism of the 1960s-70s, highlighting the outrageous gaiety that lay at the centre of the social and theatrical performances of the era and uncovering original documents long thought to be lost. Juxtaposing historical figures such as Valerie Solanas and Jill Johnston with more recent performers and activists (including Hothead Paisan, Bitch & Animal, and the Five Lesbian Brothers), Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.

"James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative."
---David Krasner, author of "A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927"

"Bulldaggers, Pansies, and Chocolate Babies" shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment.

Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's "Lulu Belle" (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination.

"Bulldaggers, Pansies, and Chocolate Babies" is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book.

James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.

Lady Boys, Tom Boys, Rent Boys: Male and Female Homosexualities in Contemporary Thailand offers methods that will help social workers, researchers, and students create HIV/AIDS intervention services for gay men, lesbians, and transgender individuals in or from Thailand. Many of these methods can also be used by practitioners or HIV/AIDS educators in North America and developing countries to address issues of culturally diverse clientele. In response to Western and Thai sexuality studies that fail to accurately represent the diverse sexualities of Thailand, this book discusses and describes certain factors that need to be taken into consideration when developing intervention programs. Demonstrating how cultural and social factors influence services, Lady Boys, Tom Boys, Rent Boys will help you provide clients with effective and relevant services. Drawing attention to Eurocentric ideology that may hinder cross-cultural collaboration for Thai-Western service provisions, this book offers you information that will help you understand how cultural, political, and economic systems shape sexuality and gender roles in Thai society. Lady Boys, Tom Boys, Rent Boys provides you with the necessary knowledge for providing successful services, including: how Thai sexualities are identified by examining the meaning of terms such as "toms" (masculine Thai lesbians), "dee" (feminine-identified women who have relations with other women), "kathoey" (males that dress like women and wear make-up), or "lady boys" (transsexual or transvestite males) how Thai society actually defines "having sex" and recognizing the differences from Western connotations of sex to effectively teach individuals about the risk of HIV/AIDS ways Western views of confidentiality and privacy differ from Thai views in order to understand why individuals hesitate to get tested for or seek counselling about HIV/AIDS the relationship between occupation and sexual identity in movies and magazines that reveal how sexuality is characterized in Thailand the unique social identity of "toms" and how Thai society labels what is masculine and feminine reasons for hiding sexual identity, such as rejection, fear of stereotypes, and having a relationship that is viewed by society as wrong and meaningless protecting commercial sex workers (CSW) from infection by developing culturally appropriate interventions One of the only books to address HIV/AIDS issues of gay and transgender individuals in Thailand, Lady Boys, Tom Boys, Rent Boys will help you increase awareness about HIV/AIDS and create successful intervention programs for clients.

Is there an option to oppose without automatically participating in the opposed? This volume explores different perspectives on dissent, understanding practices, cultures, and theories of resistance, dispute, and opposition as inherently participative. It discusses aspects of the body as a political instance, the identity and subjectivity building of individuals and groups, (micro-)practices of dissent, and theories of critique from different disciplinary perspectives. This collection thus touches upon contemporary issues, recent protests and movements, artistic subversion and dissent, online activism as well as historic developments and elemental theories of dissent.

Ceylon, or Sri Lanka, was long known to travellers for its luxuriant landscapes, colourful temples and friendly inhabitants - the island once named Serendip. This book explores the sojourns of gay visitors from the late 1800s to the modern day, providing a history of homosexuality, travel and cultural encounter on the island. The book offers profiles of major figures in Sri Lankan culture and of homosexual visitors, both famous and infamous, to the island. It discusses the experiences of sojourners including the Victorian social reformer Edward Carpenter and the German naturalist Ernst Haeckel, such British and American writers as Paul Bowles and Arthur C. Clarke, and the Australian painter Donald Friend. It also pays particular attention to Lionel Wendt, one of the most important modernist photographers outside Europe. For these figures, an erotic appreciation of young men whom they encountered mixed with interest in Sinhalese art, Buddhist and Hindu spirituality, and the flora and fauna of the island. Their experiences influenced modern writing, art and dance. Cultural influences moved in both directions, however, and Sri Lankans also found inspiration from abroad. The book argues that homosexuals played a major role in the transmission of cultural influences from Sri Lanka to the rest of the world, and from the wider world to this Indian Ocean island. Providing an original analysis of gay cultures in Sri Lanka from Victorian encounters to the present day, this book is the first study of Sri Lanka as a site of gay travel. An excellent study of trans-national cultural exchange, sexuality and the relationships between them, it will be of interest to academics in the field of Asian Studies, Colonial History and Gay and Queer Studies.

Travel beyond the fear and paranoia of 9-11 to experience Muslim culture Gay Travels in the Muslim World journeys where other gay travel books fear to treadMuslim countries. This thought-provoking book tells both Muslim and non-Muslim gay men's stories of traveling in the Middle East during these difficult political times. The true, very personal tales reveal how gay men celebrate their lives and meetings with local men, including a gay soldier's story of his tour of duty in Iraq. Insightful and at times sexy, this intelligent book goes beyond 9-11 and the present political and cultural divides to illustrate the real experiences of gay men in trouble zonesin an effort to seek peace for all. After the collapse of the Twin Towers, fears about terrorism and Muslim culture went hand in hand. Gay Travels in the Muslim World enters the current war zones to bring real and very personal stories of gay men who live and travel in these dangerous areas. This book challenges readers' preconceptions and assumptions about both homosexuality and being Muslim, while showing the wide range of experiencesgood and badabout the regions as well as the differences in attitudes and beliefs. Excerpts from Gay Travels in the Muslim World: From I Want Your Eyes by David Stevens Men by themselves are rare. I pass a handsome Omani man sitting on the Corniche wall with a cigarette between his long brown fingers. He wears his colourful cuma cap at a jaunty angle and his mustard-coloured dishdasha has risen up to reveal tantalizingly hairy calves. I note the carefully made holes in his earsnot in his ear lobes but deep inside the cartilagesa pre-Islamic custom still practiced on some male babies to ward off evil spirits. I decide it suits him. From It All Began with Mamadou by Jay Davidson Drawing definitive conclusions about a society after living here for a little more than a year is not a wise, safe, or responsible action on my part. If a society's culture is a mosaic of thousands of little tiles, then I like to think that what I have been able to piece together has been a tableau in which certain aspects have become discernable, some are a little less clear, and others remain in a way that I will never see as whole and comprehensible. From A Market and a Mosque by Martin Foreman Sylhet, Bangladesh: It's eight o'clock in the evening and Tarique and Paritosh are taking me out to look at the cruising spots. Until I flew in here this afternoon, all I knew of the provincial city and the surrounding area was that it was where most of the Bangladeshis in the UK come fromand since most of the Bangladeshis in the UK live in my home borough of Tower Hamlets, I feel a kind of affinity with the place. Whether or not Sylhet feels an affinity with me is a different matter. From Work In Progress: Notes From A Continuing Journey of Manufacturing Dissent by Parvez Sharma In the construction of the image and life of the queer Muslim is also the awareness of the not so well known fact that a sexual revolution of immense proportions came to the earliest Muslims, some 1,300 years before the West had even thought about it. This promise of equal gender rights and, unlike in the Bible, the stress on sex as not just reproduction but also enjoyment within the confines of marriage has all but been lost in the rhetoric spewing from loudspeakers perched on Masjid'sor mosquesin Riyadh, Marrakech and Islamabad. The same Islam that has for centuries not only tolerated but also openly celebrated homosexuality is, today, used to justify a state-sanctioned pogrom against gay men in EgyptAmerica's enlightened friend in the Middle East. Gay Travels in the Muslim World is a refreshing, well written look a

During her difficult childhood, Esther Newton recalls that she "became an anti-girl, a girl refusenik, caught between genders," and that her "child body was a strong and capable instrument stuffed into the word 'girl.'" Later, in early adulthood, as she was on her way to becoming a trailblazing figure in gay and lesbian studies, she "had already chosen higher education over the strongest passion in my life, my love for women, because the two seemed incompatible." In My Butch Career Newton tells the compelling, disarming, and at times sexy story of her struggle to write, teach, and find love, all while coming to terms with her identity during a particularly intense time of homophobic persecution in the twentieth century. Newton recounts a series of traumas and conflicts, from being molested as a child to her failed attempts to live a "normal," straight life in high school and college. She discusses being denied tenure at Queens College-despite having written the foundational Mother Camp-and nearly again so at SUNY Purchase. With humor and grace, she describes the influence her father Saul's strong masculinity had on her, her introduction to middle-class gay life, and her love affairs-including one with a well-known abstract painter and another with a French academic she met on a spur-of-the-moment trip to Mexico and with whom she traveled throughout France and Switzerland. By age forty, where Newton's narrative ends, she began to achieve personal and scholarly stability in the company of the first politicized generation of out lesbian and gay scholars with whom she helped create gender and sexuality studies. Affecting and immediate, My Butch Career is a story of a gender outlaw in the making, an invaluable account of a beloved and influential figure in LGBT history, and a powerful reminder of just how recently it has been possible to be an openly queer academic.

On the battlefields of World War II, with their fellow soldiers as the only shield between life and death, a generation of American men found themselves connecting with each other in new and profound ways. Back home after the war, however, these intimacies faced both scorn and vicious homophobia. The Mourning After makes sense of this cruel irony, telling the story of the unmeasured toll exacted upon generations of male friendships. John Ibson draws evidence from the contrasting views of male closeness depicted in WWII-era fiction by Gore Vidal and John Horne Burns, as well as from such wide-ranging sources as psychiatry texts, child development books, the memoirs of veterans' children, and a slew of vernacular snapshots of happy male couples. In this sweeping reinterpretation of the postwar years, Ibson argues that a prolonged mourning for tenderness lost lay at the core of midcentury American masculinity, leaving far too many men with an unspoken ache that continued long after the fighting stopped, forever damaging their relationships with their wives, their children, and each other.

It passes for an unassailable truth that the slave past provides an explanatory prism for understanding the black political present. In None Like Us Stephen Best reappraises what he calls "melancholy historicism"-a kind of crime scene investigation in which the forensic imagination is directed toward the recovery of a "we" at the point of "our" violent origin. Best argues that there is and can be no "we" following from such a time and place, that black identity is constituted in and through negation, taking inspiration from David Walker's prayer that "none like us may ever live again until time shall be no more." Best draws out the connections between a sense of impossible black sociality and strains of negativity that have operated under the sign of queer. In None Like Us the art of El Anatsui and Mark Bradford, the literature of Toni Morrison and Gwendolyn Brooks, even rumors in the archive, evidence an apocalyptic aesthetics, or self-eclipse, which opens the circuits between past and present and thus charts a queer future for black study.

Examining love, sex and gender in the ancient Greek world, David Halperin documents the existence in ancient Greece of a radically unfamiliar set of attitudes and behaviours, institutions and social pratices.

What did it mean to be a man in colonial Latin America? More specifically, what did indigenous and Iberian groups think of men who had sexual relations with other men? Providing comprehensive analyses of how male homosexualities were represented in areas under both Portuguese and Spanish control, "Infamous Desire" is the first book-length attempt to answer such questions. Each of the contributors connects male homosexual behaviour to broader gender systems - both indigenous and European - that defined masculinity and femininity, and relate sodomy to concepts of desire and power. But they sometimes draw very different conclusions. For instance, based on his study of the "berdache" (indigenous cross-dressers), Richard Trexler argues that homosexuality as we know it today did not exist in colonial Latin America, while Luiz Mott uses Inquisition documents to reveal a community of sodomites whom he believes shared a homosexual identity rooted in their common oppression. "Infamous Desire" should be valuable for anyone studying sexuality, gender or power relations in colonial Latin America.

Since the early 2000s, the phenomenon of the "down low"--black men who have sex with men as well as women and do not identify as gay, queer, or bisexual--has exploded in news media and popular culture, from the "Oprah Winfrey Show" to R & B singer R. Kelly's hip hopera "Trapped in the Closet." Most down-low stories are morality tales in which black men are either predators who risk infecting their unsuspecting female partners with HIV or victims of a pathological black culture that repudiates openly gay identities. In both cases, down-low narratives depict black men as sexually dangerous, duplicitous, promiscuous, and contaminated.

In "Nobody Is Supposed to Know," C. Riley Snorton traces the emergence and circulation of the down low in contemporary media and popular culture to show how these portrayals reinforce troubling perceptions of black sexuality. Reworking Eve Sedgwick's notion of the "glass closet," Snorton advances a new theory of such representations in which black sexuality is marked by hypervisibility and confinement, spectacle and speculation. Through close readings of news, music, movies, television, and gossip blogs, "Nobody Is Supposed to Know "explores the contemporary genealogy, meaning, and functions of the down low.

Snorton examines how the down low links blackness and queerness in the popular imagination and how the down low is just one example of how media and popular culture surveil and police black sexuality. Looking at figures such as Ma Rainey, Bishop Eddie L. Long, J. L. King, and Will Smith, he ultimately contends that down-low narratives reveal the limits of current understandings of black sexuality.

In this portrait of the everyday world of lesbian and gay relationships, Christopher Carrington captures the experiences of creating and maintaining a home and a "chosen" family. Observing lesbians and gay men as they go about their daily routines, Carrington unveils the complex, frequently hidden, and sometimes artful ways that gay people make a family and home for themselves. Based on a careful analysis of interviews and field evidence, "No Place Like Home" demonstrates how gay and lesbian couples attempt to strike a balance between work and family obligations, and how they must also struggle against forces undermining their relationships. Carrington skillfully addresses the conflicts that surround domestic tasks and shows how gay and lesbian couples sometimes hold unspoken or unrealistic expectations about household and family life. Carrington brings such expectations into the open, and in the process he challenges many stereotypes about gay and lesbian family life, from the myth of gay family affluence to the notion that such relationships are beacons of equality. He argues that family life really varies by class, gender, race, occupation, and neighborhood. Finally, with one eye on the day-to-day domestic lives of diverse gay and lesbian households and the other eye on the public policy options now emerging to address lesbian and gay family life, Carrington makes the case for expanding domestic partnership policies instead of attaining legal marriage as the ideal solution for achieving happiness, equity, and longevity for lesbian and gay families.

Michel Foucault was the first to embed the roots of human sexuality in discipline and biopolitics, therefore revolutionizing our conception of sex and its relationship to society, economics, and culture. Yet over the past two decades, scholars have limited themselves to the study of Foucault's "History of Sexuality," volume 1 paying lesser attention to his equally explosive "History of Madness." In this earlier volume, Foucault recasts Western rationalism as a project that both produces and represses sexual deviants, calling out the complicity of modern science and the exclusionary nature of family morality. By reclaiming these deft moves, Lynne Huffer teases out exciting new strands of Foucauldian thought. She then revisits the theorist's ethical work in light of these discoveries, divining an ethics of eros that sees sexuality as a lived experience we are repeatedly called on to remember. Throughout her study, Huffer weaves her own experiences together with Foucault's, sampling from unpublished interviews and other archived materials in order to intimately rework the problem of sexuality as a product of reason.

Based on surveys and interviews of two hundred gay men, Peter Nardi's new study presents the first book-length examination of contemporary urban gay men's friendships. Expertly weaving historical and sociological research on friendship with firsthand information, Nardi argues that friendship is the central organizing element of gay men's lives. Through friendship, gay identities and communities are created, transformed, maintained, and reproduced.
Nardi explores the meaning of friends to some gay men, how friends often become a surrogate family, how sexual behavior and attraction affects these friendships, and how, for many, friends mean more and last longer than romantic relationships. While looking at the psychological joys and sorrows of friendship, he also considers the cultural constraints limiting gay men in contemporary urban America--especially those that deal with dominant images of masculinity and heterosexuality--and how they relate to friendship.
By listening to gay men talk about their interactions, Nardi offers a rare glimpse into the mechanisms of gay life. We learn how gay men meet their friends, what they typically do and talk about, and how these strong relationships contain the roots of larger cultural forces such as social movements and gay identities and neighborhoods. Nardi also points out the political and social consequences when friendships fail to provide support against oppression.
An intimate and informative look at gay life in urban America, "Gay Men's Friendships" ultimately shows how these relationships challenge the gender order of our society by questioning how masculinity is constructed and by offering a model for a more creative blending of gay and heterosexual masculinity.

2010 Outreach Magazine Resource of the Year Award winner: culture category 2010 Golden Canon Leadership Book Award winner Relevant Magazine Top 20 Best Overall Books of 2009 winner Englewood Review of Books: Top 20 Best Overall Books of 2009 winner Christian Manifesto 2009 Lime Award winner Andrew Marin's life changed forever when his three best friends came out to him in three consecutive months. Suddenly he was confronted with the gay, lesbian, bisexual and transgender community (GLBT) firsthand. And he was compelled to understand how he could reconcile his friends to his faith. In an attempt to answer that question, he and his wife relocated to Boystown, a predominantly GLBT community in Chicago. And from his experience and wrestling has come his book, Love Is an Orientation, a work which elevates the conversation between Christianity and the GLBT community, moving the focus from genetics to gospel, where it really belongs. Why are so many people who are gay wary of people who are Christians? Do GLBT people need to change who they are? Do Christians need to change what they believe?Love Is an Orientation is changing the conversation about sexuality and spirituality, and building bridges from the GLBT community to the Christian community and, more importantly, to the good news of Jesus Christ.

The history of American gender and sexuality is examined here through a case study of the YMCA, the organization devoted to young men. The social history of the YMCA has been filled with strife, tragedy and irony, reflecting the struggle and shifting societal mores about masculine friendship and intimacy. In the 19th-century the YMCA was built on intense male friendships that involved economic as well as emotional independence. Some men found in the YMCA an alternative to mainstream patterns of heterosexual marriage and family life, choosing to live their lives as bachelors in community with other men. But with the turn of the century, social perceptions of gender and sexuality began to change and certain forms of male intimacy were regarded as deviant. The text argues that the YMCA grew more hostile to masculine love and sought to expand its control over the emotional and sexual lives of its members through programs in physical training, reinforcing new images of masculinity. Pointing out, ironically, that the YMCA's gymnasiums and dormitories became primary sites for illicit male sexual encounters.

"I don't regret for a single moment having lived for pleasure. I did it to the full, as one should do anything one does. I lived on honeycomb." Oscar Wilde Although it is over 120 years since his infamous trial for indecency, Oscar Wilde has never held greater fascination for us. This packed illustrated biography tells the life of Oscar Wilde through his own words - private letters, poems, plays, stories and legendary witticisms. It includes his relationships with key artists and writers of the time, including John Ruskin, Charles Ricketts, and Lillie Langtry. It is illustrated throughout with paintings, engravings, contemporary photographs, cartoons and caricatures of Wilde and his social circle. With illustrations and paintings by Aubrey Beardsley, Henri de Toulouse-Lautrec, James Whistler and Max Beerbohm, it is a beautiful evocation of the glittering fin de siecle word by its most fascinating wordsmith and aesthete. The book details Wilde's ruin after the trial and its outcome. The profundity of his writing from prison and exile form an epitaph, not only to his own life, but also for the era that carelessly delighted in it.