The expression "to come out of the closet" calls for an analysis of how language and notional as well as social spaces interact and intersect to constitute "queer". This performative book, a product of artistic research, is an exploration of the proverbial closet through linguistics, queer, and postcolonial theory. It is a project in which opacity, minority, and improvisation happen on the levels of content, analysis, and typography. Eleven queer slangs from around the world become part of an exploration of queerness and knowledge from the Periphery through autoethnography, Edouard Glissant's concept of opacity, Jose Munoz's disidentifications, and Gloria Anzaldua's performative writing. Theory, personal accounts, and art are interwoven to offer an interdisciplinary reading of the slangs as queer methods of survival and resistance.

Seeking Rights from the Left offers a unique comparative assessment of left-leaning Latin American governments by examining their engagement with feminist, women's, and LGBT movements and issues. Focusing on the "Pink Tide" in eight national cases-Argentina, Bolivia, Brazil, Chile, Ecuador, Nicaragua, Uruguay, and Venezuela-the contributors evaluate how the Left addressed gender- and sexuality-based rights through the state. Most of these governments improved the basic conditions of poor women and their families. Many significantly advanced women's representation in national legislatures. Some legalized same-sex relationships and enabled their citizens to claim their own gender identity. They also opened opportunities for feminist and LGBT movements to press forward their demands. But at the same time, these governments have largely relied on heteropatriarchal relations of power, ignoring or rejecting the more challenging elements of a social agenda and engaging in strategic trade-offs among gender and sexual rights. Moreover, the comparative examination of such rights arenas reveals that the Left's more general political and economic projects have been profoundly, if at times unintentionally, informed by traditional understandings of gender and sexuality. Contributors: Sonia E. Alvarez, Maria Constanza Diaz, Rachel Elfenbein, Elisabeth Jay Friedman, Niki Johnson, Victoria Keller, Edurne Larracoechea Bohigas, Amy Lind, Marlise Matos, Shawnna Mullenax, Ana Laura Rodriguez Gusta, Diego Sempol, Constanza Tabbush, Gwynn Thomas, Catalina Trebisacce, Annie Wilkinson

"An exhilarating, multi-layered new play."--"The Guardian"

"Stirring and stylishly told . . . McCraney's crispest and most confident work."--"Daily News"

"Greatly affecting. . . . It takes a brave writer to set his language against the plaintive beauty of the hymns and spirituals . . . but McCraney's speech holds its own, locating poetry even in casual vernacular and again demonstrating his gift for simile and metaphor."--"The Village Voice"

The Charles R. Drew Prep School for Boys is dedicated to the creation of strong, ethical black men. Pharus wants nothing more than to take his rightful place as leader of the school's legendary gospel choir, but can he find his way inside the hallowed halls of this institution if he sings in his own key? Known for his unique brand of urban lyricism, Tarrell Alvin McCraney follows up his acclaimed trilogy "The Brother/Sister Plays" with this affecting portrait of a gay youth trying to find the courage to let the truth about himself be known. Set against the sorrowful sounds of hymns and spirituals, "Choir Boy" premiered at the Royal Court in London before receiving its Off-Broadway premiere in summer 2013 to critical and popular acclaim.

Tarell Alvin McCraney is author of "The Brother/Sister Plays" "The Brothers Size," "In the Red and Brown Water," and "Marcus; Or the Secret of Sweet." Other works include "Wig Out ," set in New York's drag clubs, and "The Breach," which deals with the aftermath of Hurricane Katrina. His awards include the 2009 Steinberg Playwrights Award and the Paula Vogel Playwriting Award.

Get a queer perspective on communication theory! Queer Theory and Communication: From Disciplining Queers to Queering the Discipline(s) is a conversation starter, sparking smart talk about sexuality in the communication discipline and beyond. Edited by members of The San Francisco Radical Trio, the book integrates current queer theory, research, and interventions to create a critical lens with which to view the damaging effects of heteronormativity on personal, social, and cultural levels, and to see the possibilities for change through social and cultural transformation. Queer Theory and Communication represents a commitment to positive social change by imagining different social realities and sharing ideas, passions, and lived experiences. As the communication discipline begins to recognize queer theory as a vital and viable intellectual movement equal to that of Gay and Lesbian studies, the opportunity is here to take current queer scholarship beyond conference papers and presentations. Queer Theory and Communication has five objectives: 1) to integrate and disseminate current queer scholarship to a larger audience-academic and nonacademic; 2) to examine the potential implications of queer theory in human communication theory and research in a variety of contexts; 3) to stimulate dialogue among queer scholars; 4) to set a preliminary research agenda; and 5) to explore the implications of the scholarship in cultural politics and personal empowerment and transformation. Queer Theory and Communication boasts an esteemed panel of academics, artists, activists, editors, and essayists. Contributors include: John Nguyet Erni, editor of Asian Media Studies and Research & Analysis Program Board member for GLAAD Joshua Gamson, author of Freaks Talk Back: Tabloid Talk Shows and Sexual Nonconformity Sally Miller Gerahart, author, activist, and actress Judith Halberstam, author of Female Masculinity David M. Halperin, author of How to Do the History of Homosexuality E. Patrick Johnson, editor of Black Queer Studies Kevin Kumashiro, author of Troubling Education: Queer Activism and Antioppressive Pedagogy Thomas Nakayama, co-editor of Whiteness: The Communication of Social Identity A. Susan Owen, author of Bad Girls: Cultural Politics and Media Representations of Transgressive Women William F. Pinar, author of Autobiography, Politics, and Sexuality, and editor of Queer Theory in Education Ralph Smith, co-author of Progay/antigay: The Rhetorical War over Sexuality Queer Theory and Communication: From Disciplining Queers to Queering the Discipline(s) is an essential addition to the critical consciousness of anyone involved in communication, media studies, cultural studies, gender studies, and the study of human sexuality, whether in the classroom, the boardroom, or the bedroom.

Buried for decades, the Up Stairs Lounge tragedy has only recently emerged as a catalyzing event of the gay liberation movement. In revelatory detail, Robert W. Fieseler chronicles the tragic event that claimed the lives of thirty-one men and one woman on June 24, 1973, at a New Orleans bar, the largest mass murder of gays until 2016. Relying on unprecedented access to survivors and archives, Fieseler creates an indelible portrait of a closeted, blue- collar gay world that flourished before an arsonist ignited an inferno that destroyed an entire community. The aftermath was no less traumatic-families ashamed to claim loved ones, the Catholic Church refusing proper burial rights, the city impervious to the survivors' needs-revealing a world of toxic prejudice that thrived well past Stonewall. Yet the impassioned activism that followed proved essential to the emergence of a fledgling gay movement. Tinderbox restores honor to a forgotten generation of civil-rights martyrs.

Over the past several decades, mainstream films have gradually featured queer content and characters. Depicted covertly at first, these characterizations have become much more prominent in recent years, most notably in such films as Philadelphia, Boys Don't Cry, and Brokeback Mountain. In Queer Males in Contemporary Cinema: Becoming Visible, Kylo-Patrick R. Hart explores both latent and manifest representations of queer males in noteworthy cinema from the mid-20th to the early 21st century. Hart examines films pertaining to bisexual, gay, and transgender men, as well as transsexuals, transvestites, queer people with HIV/AIDS, queer teens, and others. Throughout, this book continually reminds readers that both mainstream and independent films communicate, reinforce, and perpetuate culturally pervasive notions of normalcy, deviance, and social otherness, in ways that frequently have real-and sometimes detrimental-effects on actual people.Covering a range of films, including From Here to Eternity, The Boys in the Band, Saturday Night Fever, Cruising, Point Break, The Doom Generation, Boys Don't Cry, Hedwig and the Angry Inch, Kinsey, Brokeback Mountain, Transamerica, and Shortbus, this book shows not only how much has changed since the mid-20th century, but also how much has (problematically) remained the same. Queer Males in Contemporary Cinema provides perceptive insights for students and academics interested in film history, cultural studies, gender studies, media studies, popular culture, and LGBT studies.

This riveting debut from poet Faylita Hicks is a reclamation of power for black women and nonbinary people whose bodies have become the very weapons used against them. HoodWitch tells the story of a young person who discovers that they are "something that can & will survive / a whole century of hunt." Through a series of poems based on childhood photographs, Hicks invokes the spirits of mothers and daughters, sex workers and widows, to conjure an alternative to their own early deaths and the deaths of those whom they have already lost. In this collection about resilience, Hicks speaks about giving her child up for adoption, mourning the death of her fiance, and embracing the nonbinary femme body--persevering in the face of medical malpractice, domestic abuse, and police violence. The poems find people transformed, "remade out of smoke & iron" into cyborgs and wolves, machines and witches--beings capable of seeking justice in a world that refuses them the option. Exploring the intersections of Christianity, modern mysticism, and Afrofuturism in a sometimes urban, sometimes natural setting, Hicks finds a place where "everyone everywhere is hands in the air," where "you know they gonna push & pull it together. / Just like they learned to." It is a place of natural magick--where someone like Hicks can have more than one name: where they can be both dead and alive, both a mortal and a god.

Visibility matters to activists-to their social and political relevance, their credibility, their influence. But invisibility matters, too, in times of political hostility or internal crisis. Out in Africa is the first to present an intimate look at how Namibian and South African lesbian, gay, bisexual, and transgender (LGBT) organizations have cultivated visibility and invisibility as strategies over time. As such, it reveals the complexities of the LGBT movements in both countries as these organizations make use of Western terminology and notions of identity to gain funding even as they work to counter the perception that they are "un-African." Different sociopolitical conditions in Namibia and South Africa affected how activists in each country campaigned for LGBT rights between 1995 and 2006. Focusing on this period, Ashley Currier shows how, in Namibia, LGBT activists struggled against ruling party leaders' homophobic rhetoric and how, at the same time, black LGBT citizens of South Africa, though enjoying constitutional protections, greater visibility, and heightened activism, nonetheless confronted homophobic violence because of their gender and sexual nonconformity. As it tells the story of the evolving political landscape in postapartheid Namibia and South Africa, Out in Africa situates these countries' movements in relation to developments in pan-African LGBT organizing and offers broader insights into visibility as a social movement strategy rather than simply as a static accomplishment or outcome of political organizing.

This book explores the concept of homonormativity and examines how the politics of homonormativity has shaped the lives and practices of gay men living primarily in the UK. The book adopts a case study approach in order to examine how homonormativity is shaping relationships within gay male culture, and between this culture and mainstream society. The book features chapters on same-sex marriage, HIV treatment, dating and hook-up culture, sexualized drug use and the world of work. Throughout these chapters, the book develops a conversation regarding the role that neoliberalism has played in defining gay male identities and practices in the UK and USA. If homonormativity is understood as the sexual politics of neoliberalism, this book considers to what extent those sexual politics pervade gay men's sense of self, their relationships with each other, their experience of the spaces they occupy in everyday life, and the identities they inhabit in the workplace.blematizing the concept of homonormativity.

Michel Foucault was the first to embed the roots of human sexuality in discipline and biopolitics, therefore revolutionizing our conception of sex and its relationship to society, economics, and culture. Yet over the past two decades, scholars have limited themselves to the study of Foucault's "History of Sexuality," volume 1 paying lesser attention to his equally explosive "History of Madness." In this earlier volume, Foucault recasts Western rationalism as a project that both produces and represses sexual deviants, calling out the complicity of modern science and the exclusionary nature of family morality. By reclaiming these deft moves, Lynne Huffer teases out exciting new strands of Foucauldian thought. She then revisits the theorist's ethical work in light of these discoveries, divining an ethics of eros that sees sexuality as a lived experience we are repeatedly called on to remember. Throughout her study, Huffer weaves her own experiences together with Foucault's, sampling from unpublished interviews and other archived materials in order to intimately rework the problem of sexuality as a product of reason.

Black queer lives often exist outside conventional civic institutions and therefore have to explore alternative intimacies to experience a sense of belonging. Civic Intimacies examines how-and to what extent-these different forms of intimacy catalyze the values, aspirations, and collective flourishing of Black queer denizens of Baltimore. Niels van Doorn draws on 18 months of immersive ethnographic fieldwork for his innovative cross-disciplinary analysis of contemporary debates in political and cultural theory. Van Doorn describes the way that these systematically marginalized communities improvise on citizenship not just to survive but also to thrive despite the proliferation of violence and insecurity in their lives. By reimagining citizenship as the everyday reparative work of building support structures, Civic Intimacies highlights the extent to which sex, kinship, memory, religious faith, and sexual health are rooted in collective practices that are deeply political. These systems sustain the lives of Black queer Baltimoreans who find themselves stuck in a city they cannot give up on-even though it has in many ways given up on them.

Research has documented that despite knowing the risks of unprotected anal intercourse, increasing numbers of gay men are not using condoms, a practice that has become known as Barebacking. This groundbreaking book summarizes the research findings about who is barebacking, where they are doing it and why they say they are engaging in unprotected sex. Using case examples from the authors' psychotherapy practice, this book allows men who bareback to speak for themselves. The author describes the role that the Internet plays in facilitating unsafe sexual encounters, as well as how alcohol and club drugs, namely crystal methamphetemine use are also central to the increase in unsafe sex. He also explores how committed male couples are wrestling with this issue. While not denying the public health issues involved in barebacking nor the dangers inherent to an individual's physical or mental health, the author takes a balanced look at the variety of profound needs that are met by this seemingly reckless behavior in an attempt to help readers understand this important phenomenon. targeted to professors and students of human sexuality, health care professionals as well as gay men and anyone else who wants compassionate, sophisticated and nuanced insights into what for many people is one of the most perplexing aspects of today's gay male culture and life style. The author does not make any claims for an easy or sure fire way to help stop the rising tide of high risk sexual behaviors, but offers suggestions for ways that health care professionals can engage men who are barebacking in conversations and treatment approaches that can help men who bareback better understand themselves and address the issues that propel them to do it without being moralistic, sex-negative or homophobic.

What would it mean to turn to ugliness rather than turn away from it? Indeed, the idea of ugly often becomes synonymous with non-white, non-male, and non-heterosexual physicality and experience. That same pejorative migrates to become a label for practices within underground culture. In Ugly Differences, Yetta Howard uses underground contexts to theorize queer difference by locating ugliness at the intersection of the physical, experiential, and textual. From that nexus, Howard contends that ugliness-as a mode of pejorative identification-is fundamental to the cultural formations of queer female sexuality. Slava Tsukerman's postpunk film Liquid Sky, Sapphire's poetry, Roberta Gregory's Bitchy Butch comix, New Queer Cinema such as High Art-these and other non-canonical works contribute to an audacious critique. Howard reveals how the things we see, read as, or experience as ugly productively account for non-dominant sexual identities and creative practices. Ugly Differences offers eye-opening ways to approach queerness and its myriad underground representations.

Impassioned, witty and polemical, At Your Own Risk is Derek Jarman's defiant celebration of gay sexuality. In At Your Own Risk, Derek Jarman weaves poetry, prose, photographs and newspaper extracts into a rich tapestry of gay experience in the UK. The buttoned-up repression of the fifties and sixties makes way for liberation and free love in the seventies, only to be chased by the terror and pain of HIV/AIDS. This is Jarman at his passionate best, written when he was already ill with HIV and in the midst of the moral panic surrounding the AIDS crisis. Defiant and furious, he not only celebrates his own sexuality but skewers wider society for its brazen homophobia. Reissued here 25 years after Jarman's death, with an introduction by Straight Jacket author Matthew Todd, At Your Own Risk remains a singular work. It is a powerful reminder of how far we have come and how much further we have left to go. 'It blew my mind quite honestly !', It's A Sin star Olly Alexander via Twitter

"Each of us has his tastes inscribed in his brain and heart; whether he fulfills his urges with regret or with joy, he must fulfill them. He should let others act according to their own nature. It's fate that creates us and guides us throughout our lives: to fight against it would be little more than fruitless, foolish, and reckless!" In the late 1880s, a dashing young Italian aristocrat made an astonishing confession to the novelist Emile Zola. In a series of revealing letters, he frankly described his sexual experiences with other men-including his seduction as a teenager by one of his father's friends and his first love affair, with a sergeant during his military service-as well as his "extraordinary" personality. Judging it too controversial, Zola gave it to a young doctor, who in 1896 published a censored version in a medical study on sexual inversion, as homosexuality was then known. When the Italian came across this book, he was shocked to discover how his life story had been distorted. In protest, he wrote a long, daring, and unapologetic letter to the doctor defending his right to love and to live as he wished. This book is the first complete, unexpurgated version in English of this remarkable queer autobiography. Its text is based on the recently discovered manuscript of the Italian's letter to the doctor. It also features an introduction tracing the textual history of the documents, analytical essays, and additional materials that help place the work in its historical context. Offering a striking glimpse of gay life in Europe in the late nineteenth century, The Italian Invert brings to light the powerful voice of a young man who forthrightly expressed his desires and eloquently affirmed his right to pleasure.

Is there an option to oppose without automatically participating in the opposed? This volume explores different perspectives on dissent, understanding practices, cultures, and theories of resistance, dispute, and opposition as inherently participative. It discusses aspects of the body as a political instance, the identity and subjectivity building of individuals and groups, (micro-)practices of dissent, and theories of critique from different disciplinary perspectives. This collection thus touches upon contemporary issues, recent protests and movements, artistic subversion and dissent, online activism as well as historic developments and elemental theories of dissent.

Finalist: Lambda Literary Award for LBGTQ Nonfiction. Far from the coastal centers of culture and politics, Kansas stands at the very center of American stereotypes about red states. In the American imagination, it is a place LGBT people leave. No Place Like Home is about why they stay. The book tells the epic story of how a few disorganized and politically naive Kansans, realizing they were unfairly under attack, rolled up their sleeves, went looking for fights, and ended up making friends in one of the country's most hostile states. The LGBT civil rights movement's history in California and in big cities such as New York and Washington, DC, has been well documented. But what is it like for LGBT activists in a place like Kansas, where they face much stiffer headwinds? How do they win hearts and minds in the shadow of the Westboro Baptist Church ( Christian" motto: "God Hates Fags")? Traveling the state in search of answers-from city to suburb to farm-journalist C. J. Janovy encounters LGBT activists who have fought, in ways big and small, for the acceptance and respect of their neighbors, their communities, and their government. Her book tells the story of these twenty-first-century citizen activists-the issues that unite them, the actions they take, and the personal and larger consequences of their efforts, however successful they might be. With its close-up view of the lives and work behind LGBT activism in Kansas, No Place Like Home fills a prairie-sized gap in the narrative of civil rights in America. The book also looks forward, as an inspiring guide for progressives concerned about the future of any vilified minority in an increasingly polarized nation.

In this ground-breaking study, Aaron Devor provides a compassionate, intimate, and incisive look at the life experiences of forty-five trans men. Emerging into 21st-century political and social conversations, questions persist. Who are they? How do they come to know themselves as men? What do they do about it? How do their families respond? Who are their lovers? What does it mean for everyone else? To answer these and other questions, Devor spent years compiling in-depth interviews and researching the lives of transsexual and transgender people. Here, he traces the everyday and significant events that coalesce into trans identities, culminating in gender and sex transformations. Using trans men's own words as illustrations, Devor looks at how childhood, adolescence, and adult experiences with family members, peers, and lovers work to shape and clarify their images of themselves as men. With a new introduction, Devor positions the volume in twenty-first century debates of identity politics and community-building and provides a window into his own self-exploration as a result of his research.

THE BOOK OF PRIDE captures the true story of the gay rights movement from the 1960s to the present, through richly detailed, stunning interviews with the leaders, activists, and ordinary people who witnessed the movement and made it happen. These individuals fought battles both personal and political, often without the support of family or friends, frequently under the threat of violence and persecution. By shining a light on these remarkable stories of bravery and determination, THE BOOK OF PRIDE not only honors an important chapter in American history, but also empowers young people today (both LGBTQ and straight) to discover their own courage in order to create positive change. Furthermore, it serves a critically important role in ensuring the history of the LGBTQ movement can never be erased, inspiring us to resist all forms of oppression with ferocity, community, and, most importantly, pride

It passes for an unassailable truth that the slave past provides an explanatory prism for understanding the black political present. In None Like Us Stephen Best reappraises what he calls "melancholy historicism"-a kind of crime scene investigation in which the forensic imagination is directed toward the recovery of a "we" at the point of "our" violent origin. Best argues that there is and can be no "we" following from such a time and place, that black identity is constituted in and through negation, taking inspiration from David Walker's prayer that "none like us may ever live again until time shall be no more." Best draws out the connections between a sense of impossible black sociality and strains of negativity that have operated under the sign of queer. In None Like Us the art of El Anatsui and Mark Bradford, the literature of Toni Morrison and Gwendolyn Brooks, even rumors in the archive, evidence an apocalyptic aesthetics, or self-eclipse, which opens the circuits between past and present and thus charts a queer future for black study.

Lady Boys, Tom Boys, Rent Boys: Male and Female Homosexualities in Contemporary Thailand offers methods that will help social workers, researchers, and students create HIV/AIDS intervention services for gay men, lesbians, and transgender individuals in or from Thailand. Many of these methods can also be used by practitioners or HIV/AIDS educators in North America and developing countries to address issues of culturally diverse clientele. In response to Western and Thai sexuality studies that fail to accurately represent the diverse sexualities of Thailand, this book discusses and describes certain factors that need to be taken into consideration when developing intervention programs. Demonstrating how cultural and social factors influence services, Lady Boys, Tom Boys, Rent Boys will help you provide clients with effective and relevant services. Drawing attention to Eurocentric ideology that may hinder cross-cultural collaboration for Thai-Western service provisions, this book offers you information that will help you understand how cultural, political, and economic systems shape sexuality and gender roles in Thai society. Lady Boys, Tom Boys, Rent Boys provides you with the necessary knowledge for providing successful services, including: how Thai sexualities are identified by examining the meaning of terms such as "toms" (masculine Thai lesbians), "dee" (feminine-identified women who have relations with other women), "kathoey" (males that dress like women and wear make-up), or "lady boys" (transsexual or transvestite males) how Thai society actually defines "having sex" and recognizing the differences from Western connotations of sex to effectively teach individuals about the risk of HIV/AIDS ways Western views of confidentiality and privacy differ from Thai views in order to understand why individuals hesitate to get tested for or seek counselling about HIV/AIDS the relationship between occupation and sexual identity in movies and magazines that reveal how sexuality is characterized in Thailand the unique social identity of "toms" and how Thai society labels what is masculine and feminine reasons for hiding sexual identity, such as rejection, fear of stereotypes, and having a relationship that is viewed by society as wrong and meaningless protecting commercial sex workers (CSW) from infection by developing culturally appropriate interventions One of the only books to address HIV/AIDS issues of gay and transgender individuals in Thailand, Lady Boys, Tom Boys, Rent Boys will help you increase awareness about HIV/AIDS and create successful intervention programs for clients.

The aftermath of Algeria's revolutionary war for independence coincided with the sexual revolution in France, and in this book Todd Shepard argues that these two movements are inextricably linked. Sex, France, and Arab Men is a history of how and why-from the upheavals of French Algeria in 1962 through the 1970s-highly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepard's analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century.

During her difficult childhood, Esther Newton recalls that she "became an anti-girl, a girl refusenik, caught between genders," and that her "child body was a strong and capable instrument stuffed into the word 'girl.'" Later, in early adulthood, as she was on her way to becoming a trailblazing figure in gay and lesbian studies, she "had already chosen higher education over the strongest passion in my life, my love for women, because the two seemed incompatible." In My Butch Career Newton tells the compelling, disarming, and at times sexy story of her struggle to write, teach, and find love, all while coming to terms with her identity during a particularly intense time of homophobic persecution in the twentieth century. Newton recounts a series of traumas and conflicts, from being molested as a child to her failed attempts to live a "normal," straight life in high school and college. She discusses being denied tenure at Queens College-despite having written the foundational Mother Camp-and nearly again so at SUNY Purchase. With humor and grace, she describes the influence her father Saul's strong masculinity had on her, her introduction to middle-class gay life, and her love affairs-including one with a well-known abstract painter and another with a French academic she met on a spur-of-the-moment trip to Mexico and with whom she traveled throughout France and Switzerland. By age forty, where Newton's narrative ends, she began to achieve personal and scholarly stability in the company of the first politicized generation of out lesbian and gay scholars with whom she helped create gender and sexuality studies. Affecting and immediate, My Butch Career is a story of a gender outlaw in the making, an invaluable account of a beloved and influential figure in LGBT history, and a powerful reminder of just how recently it has been possible to be an openly queer academic.