Alan Turing is a patron saint of Manchester, remembered as the Mancunian who won the war, invented the computer, and was all but put to death for being gay. Each myth is related to a historical story. This is not a book about the first of those stories, of Turing at Bletchley Park. But it is about the second two, which each unfolded here in Manchester, of Turing's involvement in the world's first computer and of his refusal to be cowed about his sexuality. Manchester can be proud of Turing, but can we be proud of the city he encountered?

Written by a longtime psychiatrist who is himself gay, this unique guide will help parents deal with discovering they have a gay son, allowing them to more comfortably "come out of their closet as their son comes out of his." This is the first book to focus on the parents of gay sons and the mixed feelings they may have following a son's revelation that he is gay. On the one hand, parents want to be honest and open both about and with their son. On the other, they sometimes wish to cover up or ignore their son's sexuality-then are ashamed of themselves for feeling that way. The goal of this book is to enable parents to come to terms with such complex emotions so they can enjoy a genuine, positive relationship with a gay son. Using examples from the author's psychiatric practice and from his interactions with friends and relatives with gay sons, the first section of the book discusses the issues parents face, or think they will face, raising a gay son. The second part analyzes the causes of problems, while the third provides "therapy" devoted to helping parents manage and resolve negative or contradictory feelings and uncertainty. A bonus chapter suggests ways gay sons can help their parents parent them in a supportive, mutually beneficial way. Explores ways parents can deal with negative, often-secret thoughts about having and parenting a gay son Helps parents of gay sons see factual distortions they need to revise, misunderstandings they need to correct, and neurotic notions that need undoing Includes revealing and instructive vignettes from parents and sons who have been the author's patients, personal friends, and acquaintances Recommends steps to be taken by parents based on time-tested and proven psychological principles

Rooted in the politics and theories of early gay liberation and radical feminism, Shannon Gilreath's The End of Straight Supremacy presents a cohesive theory of gay life under straight domination. Beginning with a critique of formal equality law, centering on the 'like-straight' demands of liberal equality theory as highlighted in Lawrence v. Texas, Gilreath moves to criticize the gay movement itself, challenging the assimilation politics behind the movement's blithe acceptance of discrimination in the guise of free speech and pornography in the name of sexual liberation, as well as same-sex marriage and transsexuality as tools of straight hegemony. Ultimately, Gilreath rejects both the liberal demand for gay erasure in exchange for meager legal progress and the gay establishment agenda. In The End of Straight Supremacy, Gilreath calls gays and their allies to the difficult task of rethinking what liberation and equality really mean.

Smith examines the different ways in which gay men use pop music, both as producers and consumers, and how, in turn, pop uses gay men. He asks what role culture plays in shaping identity and why pop continues to thrill gay men. These 40 essays and interviews look at how performers, from The Kinks' Ray Davies to Gene's Martin Rossiter, have used pop as a platform to explore and articulate, conform to or contest notions of sexuality and gender. A defence of cultural differences and an attack on cultural elitism, Seduced and Abandoned is as passionate and provocative as pop itself.

As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.

This volume showcases a vibrant wave of scholarship that explores the intersection of queer theory and Sinophone studies, consolidating an interdisciplinary framework for furthering transnational research into non-conforming genders, sexualities and bodies. Engaging with contemporary debates and controversies, Keywords in Queer Sinophone Studies presents a definitive collection of original contributions, which are both theoretically and empirically grounded and cross-disciplinary in nature. Individual chapters offer an in-depth study of new empirical data and case studies, covering keywords such as transpacific, viscerality, fandom, postcoloniality, ethnicity and activism. Imagining new conversations across several fields, including literature, film, communication, ethnic studies, anthropology, history, sociology and politics, this book will appeal to students and scholars of Queer Studies and Asian culture, literature and film, as well as gender and sexuality.

Queer Campus Climate: An Ethnographic Fantasia is a visceral and provocative account of the lives of ten queer college men living in the Deep South. The book serves many goals. It is an emancipatory research document told in the raucous, fiery voices of these queer men whose narratives are presented free from the sanitizing impulses of traditional scholarship. It is a manifesto on postqualitative paradigms applied to a queer subject. It is a public history of the life and times of queers subjects living under an alt-right political assault. And it is an analysis of how a hostile campus climate impacts psychosocial development of marginalized students. Blurring the line between literature and research, Queer Campus Climate: An Ethnographic Fantasia contains a cast of characters (including a bear, a twink, and three drag queens) who dish on sex, gender performance, mental wellness, relationships, harassment, addiction, professional development, and politics. Their stories are told against a musical backdrop that includes selections from Puccini to Frank Ocean, which provides a multisensory experience unlike anything else in sociological research.

Despite ongoing challenges to the criminalisation and surveillance of queer lives, police leaders are now promoted as allies and defenders of LGBT rights. However, in this book, Emma K. Russell argues that the surface inclusion of select LGBT identities in the protective aspirations of the law is deeply tenuous and conditional, and that police recognition is both premised upon and reproductive of an imaginary of' 'good queer citizens'-those who are respectable, responsible, and 'just like' their heterosexual counterparts. Based on original empirical research, Russell presents a detailed analysis of the political complexities, compromises, and investments that underpin LGBT efforts to achieve sexual rights and protections. With a historical trajectory that spans the so-called 'decriminalisation' era to the present day, she shows how LGBT activists have both resisted and embraced police incursions into queer space, and how-with LGBT support-police leaders have re-crafted histories of violence as stories of institutional progress. Queer Histories and the Politics of Policing advances broader understandings of the nature of police power and the shifting terrain of sexual citizenship. It will be of interest to students and researchers of criminology, sociology, and law engaged in studies of policing, social justice, and gender and sexuality.

One of the few books to address the horror film from any kind of critical position.. Unique - The first history of the horror film to approach it from a queer perspective.. Written with detail and thoroughness - covers all eras of the horror film and correlates specific types of movie monsters to the historical social conditions which produced them.. Explores how popular culture encodes and demonizes queerness within the generic format of the horror film. -- .

Choice Outstanding Academic Title of 2016 Rural queer experience is often hidden or ignored, and presumed to be alienating, lacking, and incomplete without connections to a gay culture that exists in an urban elsewhere. Queering the Countryside offers the first comprehensive look at queer desires found in rural America from a genuinely multi-disciplinary perspective. This collection of original essays confronts the assumption that queer desires depend upon urban life for meaning. By considering rural queer life, the contributors challenge readers to explore queer experiences in ways that give greater context and texture to modern practices of identity formation. The book's focus on understudied rural spaces throws into relief the overemphasis of urban locations and structures in the current political and theoretical work on queer sexualities and genders. Queering the Countryside highlights the need to rethink notions of "the closet" and "coming out" and the characterizations of non-urban sexualities and genders as "isolated" and in need of "outreach." Contributors focus on a range of topics-some obvious, some delightfully unexpected-from the legacy of Matthew Shepard, to how heterosexuality is reproduced at the 4-H Club, to a look at sexual encounters at a truck stop, to a queer reading of TheWizard of Oz. A journey into an unexplored slice of life in rural America, Queering the Countryside offers a unique perspective on queer experience in the modern United States and Canada.

This book explores how the social and technical integration of mainstream social media into gay men's digital cultures since the mid 2000s has played out in the lives of young gay men, looking at how these convergences have influenced more recent iterations of gay men's digital culture. Focusing on platforms such as Gaydar, Facebook, Grindr and Instagram, Cassidy highlights the ways that identity and privacy management issues experienced in this context have helped to generate a culture of participatory reluctance within gay men's digital environments.

This groundbreaking book explores the relevance of queer theory to Translation Studies and of translation to Global Sexuality Studies. Beginning with a comprehensive overview of the origins and evolution of queer theory, this book places queer theory and Translation Studies in a productive and mutually interrogating relationship. After framing the discussion of actual and potential interfaces between queer sexuality and queer textuality, the chapters trace the transnational circulation of queer texts, focusing on the place of translation in "gay" anthologies, the packaging of queer life writing for global audiences, and the translation of lyric poetry as a distinct site of queer performativity. Baer analyzes fictional translators in literature and film, the treatment of translation in historical and ethnographic studies of sexual and linguistic others, the work of queer translators, and the reception of queer texts in translation. Including a range of case studies to exemplify key ethical issues relevant to all scholars of global sexuality and postcolonial studies, this book is essential reading for advanced students, scholars, and researchers in Translation Studies, gender and sexuality studies, and related areas.

Whisnant argues that the period after Nazism was more important for the history of homosexuality in Germany than is generally recognized. Gay scenes resurfaced; a more masculine view of homosexuality also became prominent. Above all, a public debate about homosexuality emerged, constituting a critical debate within the Sexual Revolution.

'Although he writes about queer lives and loves in Nigeria, Arinze Ifeakandu's voice is sensually alert to the human and universal in every situation. These quietly transgressive stories are the work of a brilliant new talent' DAMON GALGUT, Booker Prize-winning author of The Promise 'Contemporary love stories with moments of real surprise and revelation' BRANDON TAYLOR, author of Real Life 'Gorgeous... A hugely impressive collection, full of subtlety, wisdom and heart' SARAH WATERS, author of Fingersmith 'Captures the tenderness and tumult of queer love, familial love, self-love, and the many ways love elates and eludes us.... Masterful. What a glorious collection!' DEESHA PHILYAW, author of The Secret Lives of Church Ladies 'Magic in motion... A staggering, heartshattering show' ELOGHOSA OSUNDE, author of Vagabonds! 'Raw tender grace... A serious literary talent has emerged' COLM TOIBIN, author of The Magician 'Quite simply a tour de force' SARAH HALL, author of Burntcoat In this stunning debut from one of Nigeria's most promising young writers, the stakes of love meet a society in flux A man revisits the university campus where he lost his first love, aware now of what he couldn't understand then. A daughter returns home to Lagos after the death of her father, where she must face her past - and future -relationship with his longtime partner. A young musician rises to fame at the risk of losing himself and the man who loves him. Generations collide, families break and are remade, languages and cultures intertwine, and lovers find their ways to futures; from childhood through adulthood; on university campuses, city centres, and neighbourhoods where church bells mingle with the morning call to prayer. These nine stories of queer male intimacy brim with simmering secrecy, ecstasy, loneliness and love in their depictions of what it means to be gay in contemporary Nigeria.

Is the Christian mystical tradition a relic of another time, shaped by celibates for celibates, unable to engage meaningfully with people of our time who embrace their corporeality and sexuality as crucial aspects of their journey towards union with God? This book reflects in serious theological depth and detail on the spiritual and sexual journeys of gay men of mature and committed Christian faith, employing the Christian mystical tradition as the lens and the interlocutor in this process. This study examines the major themes and stages of the mystical tradition as outlined by Evelyn Underhill, but also including more recent work by Ruth Burrows, Thomas Merton and Constance Fitzgerald. Using methods of qualitative research, it then considers the texts of in-depth interviews conducted with men, most of whom are theologians or spiritual leaders with a deep Catholic faith, and all of whom are openly, self-affirmingly gay. Finally, it employs Ricoeur's hermeneutical theory to engage in a creative theological conversation between the traditional mystical stages and themes and these men's lives, as described in their interviews. This is a unique study that brings together ancient spirituality with contemporary lived religion. As such, it will be of interest to scholars of religious studies, theology, Christian mysticism and spirituality, and queer studies. It will be of particular interest to those teach spiritual direction and to all who seek new ways to engage with the spiritual lives of LGBTIQ+ people.

Drawing on ethnographic encounters with self-identified gay men in Iran, this book explores the construction, enactment, and veiling and unveiling of gay identity and same-sex desire in the capital city of Tehran. The research draws on diverse interpretive, historical, online and empirical sources in order to present critical and nuanced insights into the politics of recognition and representation and the constitution of same-sex desire under the specific conditions of Iranian modernity. As it engages with accounts of the persecuted Iranian gay male subject as a victim of the barbarism of the Islamic Republic of Iran, the book addresses interpretive questions of sexuality governance in transnational contexts and attends to issues of human rights frameworks in weighing social justice and political claims made by and on behalf of sexual and gender minorities. The book thus combines empirical data with a critical consideration of the politics of same-sex desire for Iranian gay men.

Drawing on a rich array of source materials including previously unseen, fascinating (and often quite moving) oral histories, archival and news media sources, 'Curing queers' examines the plight of men who were institutionalised in British mental hospitals to receive 'treatment' for homosexuality and transvestism, and the perceptions and actions of the men and women who nursed them. It examines why the majority of the nurses followed orders in administering the treatment - in spite of the zero success-rate in 'straightening out' queer men - but also why a small number surreptitiously defied their superiors by engaging in fascinating subversive behaviours. 'Curing queers' makes a significant and substantial contribution to the history of nursing and the history of sexuality, bringing together two sub-disciplines that combine only infrequently. It will be of interest to general readers as well as scholars and students in nursing, history, gender studies, and health care ethics and law. -- .

A timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity.

It hasn’t been easy being Michael Arceneaux. Equality for LGBTQ people has come a long way and all, but voices of persons of color within the community are still often silenced, and being Black in America is…well, have you watched the news? With the characteristic wit and candor that have made him one of today’s boldest writers on social issues, I Can’t Date Jesus is Michael Arceneaux’s impassioned, forthright, and refreshing look at minority life in today’s America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite.

He eloquently writes about coming out to his mother; growing up in Houston, Texas; being approached for the priesthood; his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants and maybe fleas; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams.

Perfect for fans of David Sedaris, Samantha Irby, and Phoebe Robinson, I Can’t Date Jesus tells us—without apologies—what it’s like to be outspoken and brave in a divisive world.

Europe is witnessing a new era of racial denial. After decades of anti-racialism, post-feminism and the recognition of some queer lives, the language of equality and diversity suggests that Europe has not only overcome racism but also sexism and homophobia. Racist violence in the wake of the 'refugee crisis', Brexit as well as the force of the extreme Right have been blamed on 'too much diversity' and 'false tolerance' by European leaders and commentators alike. The reiteration that racialized Others are a danger to European liberal gains has become a 'common-sense' claim in the call for the securitization of the European borders and 'tougher rules' for immigrants and served as the basis for the call to end multiculturalism Race in Post-racial Europe offers an analysis of the intersectional logics of post-racial formations in Europe. With the increasing significance of gender and sexual norms in debates around migration, post-racial formations have yet to be studied in conjunction with the liberal articulation of Europe as post-feminist and post-homophobic. Whether in the campaign for the minaret ban in Switzerland, in Dutch gay rights discourses or in the aftermath of the Cologne events, the New Right has successfully joined forced with some feminist and LGBT voices in the claim that women and queers need to be protected from migrants. In Europe, where race is deeply intertwined with notions of modernity, gender and sexuality have proven particularly relevant sites of racialisation.

To what extent did people think they could identify an 'obvious' sodomite before the construction of the homosexual as a type of person during the latter part of the nineteenth century? What role did secrecy and denial play in relation to the visual expression of same-sex desire before the term 'the closet' came into widespread use in the latter part of the twentieth century? And what, therefore, did sodomites/homosexuals/gays/queers look like in Britain in 1700, 1800, 1900 and 2000? Could they be spotted mincing down the street? Or were such as these just the flamboyant few whose presence conveniently drew attention away from the many others who wanted to appear 'normal'? These issues are not peripheral to the struggle of the last several decades for individual self-determination and self-expression. It was this set of cultural constructions that the pioneering writer Eve Kosofsky Sedgwick (1950-2009) attacked in her book Epistemology of the Closet as representing 'the defining structure for gay oppression in this century'. This book represents a visual culture counterpart to Sedgwick's study and aims, through the use of a series of interdisciplinary case-studies, to explore both the pre-history of the closet since the eighteenth century and its evolution through to the present day. Chapters explore key moments and issues within the British cultural experience and make pioneering use of a wide range of source materials ranging from art to fashion, literature, philosophy, theology, film and archival records.

The #2 SUNDAY TIMES BESTSELLER from the author of MURDER BEFORE EVENSONG 'Immensely moving and disarmingly witty' Nigella Lawson 'Such a moving, tough, funny, raw, honest read' Matt Haig 'Beautifully written, moving and gut-wrenching, but also at times very funny' Ian Rankin 'Captures brilliantly, beautifully, bravely the comedy as well as the tragedy of bereavement' The Times 'Will strike a chord with anyone who has grieved' Independent When the Reverend Richard Coles's partner died suddenly, shortly before Christmas in 2019, what came next took Richard by surprise. Despite his years of experience assisting his parishioners in examining life's moral questions, Richard now found he needed guidance himself. Much about grief was unexpected: the volume of 'sadmin' that must be undertaken, how much harder it is travelling solo for work, the pain of typing a text message to your partner - then remembering they are gone. This deeply personal account of life after grief will resonate, unforgettably, long after the final page has been turned.

Although nudity is something that everyone has experience with, public nudity is still largely considered taboo. Public Nudity and the Rhetoric of the Body examines instances of public nudity where sexuality is at the forefront of public body display. It presents a range of case studies: the legal aspects of sexualized public nudity as it relates to communication theory and the First Amendment; the controversies surrounding the work of photographer Jock Sturges; the public performance art of Milo Moire; the topless protests of FEMEN; the social media activism of Aliaa Magda Elmahdy; the ritualized flashing during Mardi Gras in New Orleans; and the sexual displays of Folsom Street Fair, the largest leather pride festival. Taken together, these cases teach much about identity, self-determination, and sexuality, and illustrate the complicated rhetorical nature of the human body in the public sphere.

Homoerotic Sensibilities in Late Imperial China is the richest exploration to date of late imperial Chinese literati interest in male love. Employing primary sources such as miscellanies, poetry, fiction and 'flower guides', Wu Cuncun argues that male homoeroticism played a central role in the cultural life of late imperial Chinese literati elites. Countering recent arguments that homosexuality was marginal and disparaged during this period, the book also seeks to trace the relationship of homoeroticism to status and power. In addition to historical portraits and analysis, the book also advances the concept of 'sensibilities' as a method for interpreting the complex range of homoerotic texts produced in late imperial China.