Whisnant argues that the period after Nazism was more important for the history of homosexuality in Germany than is generally recognized. Gay scenes resurfaced; a more masculine view of homosexuality also became prominent. Above all, a public debate about homosexuality emerged, constituting a critical debate within the Sexual Revolution.

In gay bars and nightclubs across America, and in gay-oriented magazines and media, the buff, macho, white gay man is exalted as the ideal-the most attractive, the most wanted, and the most emulated type of man. For gay Asian American men, often viewed by their peers as submissive or too 'pretty,' being sidelined in the gay community is only the latest in a long line of racially-motivated offenses they face in the United States.Repeatedly marginalized by both the white-centric queer community that values a hyper-masculine sexuality and a homophobic Asian American community that often privileges masculine heterosexuality, gay Asian American men largely have been silenced and alienated in present-day culture and society. In Geisha of a Different Kind, C. Winter Han travels from West Coast Asian drag shows to the internationally sought-after Thai kathoey, or "ladyboy," to construct a theory of queerness that is inclusive of the race and gender particularities of the gay Asian male experience in the United States. Through ethnographic observation of queer Asian American communities and Asian American drag shows, interviews with gay Asian American men, and a reading of current media and popular culture depictions of Asian Americans, Han argues that gay Asian American men, used to gender privilege within their own communities, must grapple with the idea that, as Asians, they have historically been feminized as a result of Western domination and colonization, and as a result, they are minorities within the gay community, which is itself marginalized within the overall American society. Han also shows that many Asian American gay men can turn their unusual position in the gay and Asian American communities into a positive identity. In their own conception of self, their Asian heritage and sexuality makes these men unique, special, and, in the case of Asian American drag queens, much more able to convey a convincing erotic femininity. Challenging stereotypes about beauty, nativity, and desirability, Geisha of a Different Kind makes a major intervention in the study of race and sexuality in America.

Queerness and Christianity, often depicted as mutually exclusive, both challenge received notions of the good and the natural. Nowhere is this challenge more visible than in the identities, faiths, and communities that queer Christians have long been creating. As Christians they have staked a claim for a Christianity that is true to their self-understandings. How do queer-identified persons understand their religious lives? And in what ways do the lived experiences of queer Christians respond to traditions and reshape them in contemporary practice?

Queer Christianities integrates the perspectives of queer theory, religious studies, and Christian theology into a lively conversation--both transgressive and traditional--about the fundamental questions surrounding the lives of queer Christians. The volume contributes to the emerging scholarly discussion on queer religious experiences as lived both within communities of Christian confession, as well as outside of these established communities.

Organized around traditional Christian states of life--celibacy, matrimony, and what is here provocatively conceptualized as promiscuity--this work reflects the ways in which queer Christians continually reconstruct and multiply the forms these states of life take.

Queer Christianities challenges received ideas about sexuality and religion, yet remains true to Christian self-understandings that are open to further enquiry and to further queerness.

This book draws on interviews with women who left relationships with women to begin relationships with men, and uncovers how the women make sense of who they are. The women who leave female partners to begin relationships with male partners have the capacity to redefine their sexual identity. They can essentially call themselves whatever they want. However, their capacity for such a creative process is limited. In the process of framing their decision in a way that renders their claim to a stable identity legitimate, the women communicate their understandings of notions of identity, community, and belonging. The women also show a nuanced regard for sexual categories. They stretch the boundaries of some categories, while preserving and even policing the boundaries of other categories. This book is in no way an ex-gay narrative. It is entirely the voices of feminist, queer women who find themselves viewed by society as heterosexual, but who themselves, with two exceptions, do not identify as such. This book is a rich collection of wonderfully human stories about what it means to be "true" to oneself.

This groundbreaking book explores the relevance of queer theory to Translation Studies and of translation to Global Sexuality Studies. Beginning with a comprehensive overview of the origins and evolution of queer theory, this book places queer theory and Translation Studies in a productive and mutually interrogating relationship. After framing the discussion of actual and potential interfaces between queer sexuality and queer textuality, the chapters trace the transnational circulation of queer texts, focusing on the place of translation in "gay" anthologies, the packaging of queer life writing for global audiences, and the translation of lyric poetry as a distinct site of queer performativity. Baer analyzes fictional translators in literature and film, the treatment of translation in historical and ethnographic studies of sexual and linguistic others, the work of queer translators, and the reception of queer texts in translation. Including a range of case studies to exemplify key ethical issues relevant to all scholars of global sexuality and postcolonial studies, this book is essential reading for advanced students, scholars, and researchers in Translation Studies, gender and sexuality studies, and related areas.

Is the Christian mystical tradition a relic of another time, shaped by celibates for celibates, unable to engage meaningfully with people of our time who embrace their corporeality and sexuality as crucial aspects of their journey towards union with God? This book reflects in serious theological depth and detail on the spiritual and sexual journeys of gay men of mature and committed Christian faith, employing the Christian mystical tradition as the lens and the interlocutor in this process. This study examines the major themes and stages of the mystical tradition as outlined by Evelyn Underhill, but also including more recent work by Ruth Burrows, Thomas Merton and Constance Fitzgerald. Using methods of qualitative research, it then considers the texts of in-depth interviews conducted with men, most of whom are theologians or spiritual leaders with a deep Catholic faith, and all of whom are openly, self-affirmingly gay. Finally, it employs Ricoeur's hermeneutical theory to engage in a creative theological conversation between the traditional mystical stages and themes and these men's lives, as described in their interviews. This is a unique study that brings together ancient spirituality with contemporary lived religion. As such, it will be of interest to scholars of religious studies, theology, Christian mysticism and spirituality, and queer studies. It will be of particular interest to those teach spiritual direction and to all who seek new ways to engage with the spiritual lives of LGBTIQ+ people.

This book explores how the social and technical integration of mainstream social media into gay men's digital cultures since the mid 2000s has played out in the lives of young gay men, looking at how these convergences have influenced more recent iterations of gay men's digital culture. Focusing on platforms such as Gaydar, Facebook, Grindr and Instagram, Cassidy highlights the ways that identity and privacy management issues experienced in this context have helped to generate a culture of participatory reluctance within gay men's digital environments.

Drawing on ethnographic encounters with self-identified gay men in Iran, this book explores the construction, enactment, and veiling and unveiling of gay identity and same-sex desire in the capital city of Tehran. The research draws on diverse interpretive, historical, online and empirical sources in order to present critical and nuanced insights into the politics of recognition and representation and the constitution of same-sex desire under the specific conditions of Iranian modernity. As it engages with accounts of the persecuted Iranian gay male subject as a victim of the barbarism of the Islamic Republic of Iran, the book addresses interpretive questions of sexuality governance in transnational contexts and attends to issues of human rights frameworks in weighing social justice and political claims made by and on behalf of sexual and gender minorities. The book thus combines empirical data with a critical consideration of the politics of same-sex desire for Iranian gay men.

A raw and heart-wrenching literary memoir about a queer couple's attempt to adopt a child. But would you take a ginger child? a social worker asks Patrick Flanery as he and his husband embark on their four-year odyssey of trying to adopt. This curious question comes to haunt the journey, which Flanery recounts with startling candour as he explores what it means to make a family as a queer couple, to be an outsider in a foreign country, to grapple with the inheritance of intergenerational loss, and to discover that the emotions we feel are sometimes as mysterious to ourselves as to others. This uniquely powerful book moves deftly between heartbreaking memoir and illuminating meditation on parenting, adoption and queerness in contemporary culture, stopping along the way to consider recent science fiction film, camp horror television, fiction and visual art. At the end, which could also be the beginning of a new journey, Flanery asks whether we might all imagine ourselves as ginger children-fragile, sensitive, more easily hurt than we think possible, but with the hope that we are also survivors, with greater powers of resilience than we know.

A timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity.

It hasn’t been easy being Michael Arceneaux. Equality for LGBTQ people has come a long way and all, but voices of persons of color within the community are still often silenced, and being Black in America is…well, have you watched the news? With the characteristic wit and candor that have made him one of today’s boldest writers on social issues, I Can’t Date Jesus is Michael Arceneaux’s impassioned, forthright, and refreshing look at minority life in today’s America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite.

He eloquently writes about coming out to his mother; growing up in Houston, Texas; being approached for the priesthood; his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants and maybe fleas; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams.

Perfect for fans of David Sedaris, Samantha Irby, and Phoebe Robinson, I Can’t Date Jesus tells us—without apologies—what it’s like to be outspoken and brave in a divisive world.

When gay couples become parents, they face a host of questions and issues that their straight counterparts may never have to consider. How important is it for each partner to have a biological tie to their child? How will they become parents: will they pursue surrogacy, or will they adopt? Will both partners legally be able to adopt their child? Will they have to hide their relationship to speed up the adoption process? Will one partner be the primary breadwinner? And how will their lives change, now that the presence of a child has made their relationship visible to the rest of the world? In Gay Dads: Transitions to Adoptive Fatherhood, Abbie E. Goldberg examines the ways in which gay fathers approach and negotiate parenthood when they adopt. Drawing on empirical data from her in-depth interviews with 70 gay men, Goldberg analyzes how gay dads interact with competing ideals of fatherhood and masculinity, alternately pioneering and accommodating heteronormative "parenthood culture." The first study of gay men's transitions to fatherhood, this work will appeal to a wide range of readers, from those in the social sciences to social work to legal studies, as well as to gay-adoptive parent families themselves.

The narrative re-tellings of the life, reign, and death of the English King Edward II (reigned 1307-1327) present a unique opportunity for scholars of sexuality in the early modern era. This is because the works of authors like Christopher Marlowe, Michael Drayton, Sir Francis Hubert, Elizabeth Cary, and Richard Niccols were all inspired by the public, cultural memory fashioned from Edward's same-sex love affair with Piers Gaveston. As such, each of them presents a particular representation of and a specific discourse about male-male sexual relations in the Renaissance. In other words, what these works present is a concentrated body of literature about same-sex love in the early modern era: works that openly and frankly explore the possible origins of the love, the reasons and causes for it; works that explore the ramifications of male-male romantic relationships; works that explore the sexual politics and sociocultural dynamics of same-sex romantic partnerships; and works that describe and denote same-sex love from an English Renaissance perspective. This study looks at each of the major Renaissance texts about Edward II and examines the means through which each text understands and analyzes the nature of male-male same-sex love. From Marlowe's crafting of a lover-identity for Edward to Drayton's obsession with Marlowe's version of (gay) history; from Hubert's Augustinian construction of Edward's nature to Cary's identification with the fallen king to Niccols' inspired exemplum, what each of these works demonstrates is that the "love that dare not speak its name" would not be silenced, at least not in the case of Edward and Gaveston. When one sees the name Edward II, one also sees his same-sex loves. The correlation has become ingrained into our public recall of history. Thus, as far as the world is concerned, Edward II was-and ever will be-the gay king.

To what extent did people think they could identify an 'obvious' sodomite before the construction of the homosexual as a type of person during the latter part of the nineteenth century? What role did secrecy and denial play in relation to the visual expression of same-sex desire before the term 'the closet' came into widespread use in the latter part of the twentieth century? And what, therefore, did sodomites/homosexuals/gays/queers look like in Britain in 1700, 1800, 1900 and 2000? Could they be spotted mincing down the street? Or were such as these just the flamboyant few whose presence conveniently drew attention away from the many others who wanted to appear 'normal'? These issues are not peripheral to the struggle of the last several decades for individual self-determination and self-expression. It was this set of cultural constructions that the pioneering writer Eve Kosofsky Sedgwick (1950-2009) attacked in her book Epistemology of the Closet as representing 'the defining structure for gay oppression in this century'. This book represents a visual culture counterpart to Sedgwick's study and aims, through the use of a series of interdisciplinary case-studies, to explore both the pre-history of the closet since the eighteenth century and its evolution through to the present day. Chapters explore key moments and issues within the British cultural experience and make pioneering use of a wide range of source materials ranging from art to fashion, literature, philosophy, theology, film and archival records.

The bachelor has long held an ambivalent, uncomfortable and even at times unfriendly position in society. This book carefully considers the complicated relationships between the modern queer bachelor and interior design, material culture and aesthetics in Britain between 1885 and 1957. The seven deadly sins of the modern bachelor (queerness, idolatry, askesis, decadence, the decorative, glamour and artifice) comprise a contested site and reveal in their respective ways the distinctly queer twinning of shame and resistance. It pays close attention to the interiors of Lord Ronald Gower, Alfred Taylor, Oscar Wilde, Charles Shannon and Charles Ricketts, Edward Perry Warren and John Marshall, Sir Cedric Morris and Arthur Lett-Haines, Noel Coward and Cecil Beaton. Richly illustrated and written in a lively and accessible manner, Bachelors of a different sort is at once theoretically ambitious and rich in its use of archival and various historical sources. -- .

Influential sexologist and activist Magnus Hirschfeld founded Berlin's Institute of Sexual Sciences in 1919 as a home and workplace to study homosexual rights activism and support transgender people. It was destroyed by the Nazis in 1933. This episode in history prompted Heike Bauer to ask, Is violence an intrinsic part of modern queer culture? The Hirschfeld Archives answers this critical question by examining the violence that shaped queer existence in the first part of the twentieth century. Hirschfeld himself escaped the Nazis, and many of his papers and publications survived. Bauer examines his accounts of same-sex life from published and unpublished writings, as well as books, articles, diaries, films, photographs and other visual materials, to scrutinize how violence-including persecution, death and suicide-shaped the development of homosexual rights and political activism. The Hirschfeld Archives brings these fragments of queer experience together to reveal many unknown and interesting accounts of LGBTQ life in the early twentieth century, but also to illuminate the fact that homosexual rights politics were haunted from the beginning by racism, colonial brutality, and gender violence.

This book investigates the lives and stories of queer Maghrebi and Maghrebi French men who moved to or grew up in contemporary France. It combines original French language data from my ethnographic fieldwork in France with a wide array of recent narratives and cultural productions including performance art and photography, films, novels, autobiographies, published letters, and other first-person essays to investigate how these queer men living in France and the diaspora stake claims to time and space, construct kinship, and imagine their own future. By closely examining empirical evidence from the lived experiences of these queer Maghrebi French-speakers, this book presents a variety of paths available to these men who articulate and pioneer their own sexual difference within their families of origin and contemporary French society. These sexual minorities of North African origin may explain their homosexuality in terms of a "modern coming out" narrative when living in France. Nevertheless, they are able to negotiate cultural hybridity and flexible language, temporalities, and filiations, that combine elements from a variety of discourses on family, honor, face-saving, the symbolic order of gender differences, gender equality, as well as the western and largely neoliberal constructs of individualism and sexual autonomy.

Aeschines' successful prosecution against Timarchos of 346/5 BC is our best evidence for Athenian laws and moral attitudes concerning homosexuality, and for Athenians' moral expectations of their politicians. Though much discussed in recent years, the speech has never received a proper commentary. Nick Fisher provides a new translation, a fully detailed commentary, and an introduction which explores in depth all the political and sexual issues. It is fully accessible to those without knowledge of Greek.

Since the onset of the HIV epidemic, the behaviour of men who have sex with men has been subject to intense scrutiny on the part of the behavioural and sociomedical sciences. What happens when we consider the work of these sciences to be not merely descriptive, but also constitutive of the realities it describes? The Gay Science pays attention to lived experiences of sex, drugs and the scientific practices that make these experiences intelligible. Through a series of empirically and historically detailed case studies, the book examines how new technologies and scientific artifacts - such as antiretroviral therapy, digital hookup apps and research methods - mediate sexual encounters and shape the worlds and self-practices of men who have sex with men. Rather than debunking scientific practices or minimizing their significance, The Gay Science approaches these practices as ways in which we 'learn to be affected' by HIV. It explores what knowledge practices best engage us, move us and increase our powers and capacities for action. The book includes an historical analysis of drug use as a significant element in the formation of urban gay cultures; constructivist accounts of the emergence of barebacking and chemsex; a performative response to Pre-Exposure Prophylaxis and its uptake; and, a speculative analysis of ways of thinking and doing sexual community in the digital context. Combining insights from queer theory, process philosophy and science and technology studies to develop an original approach to the analysis of sexuality, drug use, public health and digital practices, this book demonstrates the ontological consequences of different modes of attending to risk and pleasure. It is suitable for those interested in cultural studies, sociology, gender and sexuality studies, digital culture, public health and drug and alcohol studies.

Critically Sovereign traces the ways in which gender is inextricably a part of Indigenous politics and U.S. and Canadian imperialism and colonialism. The contributors show how gender, sexuality, and feminism work as co-productive forces of Native American and Indigenous sovereignty, self-determination, and epistemology. Several essays use a range of literary and legal texts to analyze the production of colonial space, the biopolitics of "Indianness," and the collisions and collusions between queer theory and colonialism within Indigenous studies. Others address the U.S. government's criminalization of traditional forms of Dine marriage and sexuality, the Inupiat people's changing conceptions of masculinity as they embrace the processes of globalization, Hawai'i's same-sex marriage bill, and stories of Indigenous women falling in love with non-human beings such as animals, plants, and stars. Following the politics of gender, sexuality, and feminism across these diverse historical and cultural contexts, the contributors question and reframe the thinking about Indigenous knowledge, nationhood, citizenship, history, identity, belonging, and the possibilities for a decolonial future. Contributors. Jodi A. Byrd, Joanne Barker, Jennifer Nez Denetdale, Mishuana Goeman, J. Kehaulani Kauanui, Melissa K. Nelson, Jessica Bissett Perea, Mark Rifkin

An unusual pet follows a man home. The fall of "The Olympus" after the death of a beautiful boy. A battle with the Minotaur. Loves lost. Kidnapped lovers. The creation of the first man. The wind's beloved. The birth of the first vampire. These are some of the controversial stories contained in these pages: known and obscure myths, retold from a homoerotic perspective, exploring the meaning of love, desire and devotion.

This book, newly available in paperback, demonstrates how the personal became political in post-war Britain, and argues that attention to gay activism can help us to fundamentally rethink the nature of post-war politics. While the Left were fighting among themselves and the reformists were struggling with the limits of law reform, gay men started organising for themselves, first individually within existing organisations and later rejecting formal political structures altogether. Gay activists intersected with Trotskyism, Stalinism, the New Left, feminism and youth movements. As the slogan of the Gay Liberation Front proclaimed, 'Come out, come together and change the world'. Culture, performance and identity took over from economics and class struggle, as gay men worked to change the world through the politics of sexuality. Throughout the post-war years, the new cult of the teenager in the 1950s, CND and the counter-culture of the 1960s, gay liberation, feminism, the Punk movement and the miners' strike of 1984 all helped to build a politics of identity. When AIDS and Thatcherism impacted on gay men's lives in the 1980s, gay politics came into its own. There is an assumption among many of today's politicians that young people are apathetic and disengaged. This book argues that these politicians are looking in the wrong place. People now feel that they can impact the world through the way in which they live, shop, have sex and organise their private lives. Robinson shows that gay men and their politics have been central to this change in the post-war world. This book will be valuable for students and academics of Politics, Modern British History, Media and Cultural Studies and Gender Studies as well as those interested in gay or left-wing history and politics.

Based on the 2005 Oxford Clarendon Lectures in Law, this book deals with the remarkable change in society's attitude to homosexuality over the last half century. Until 1967 homosexual acts were punished by the criminal law and as recently as 1988 Parliament forbade teachers from suggesting that homosexuality was an acceptable family relationship. In 2005 Parliament passed the Civil Partnership Act, which creates a framework in which same-sex couples can have their relationship legally recognised in much the same way as marriage. This book looks at the essentials of the civil partnerships contruct, and asks whether it is really creating an institution of 'gay marriage'? If not, the next question to ask is whether civil partnership can satisfy the demands for equality increasingly being made by the gay community? In the United States, the courts have taken an active and progressive stance, holding that to deny marriage to same sex couples and leave them with mere partnership is to create a 'separate but equal' situation historically associated with the racial discrimination now universally recognised as unconstitutional and morally unjustifiable. However, the political climate has risen to a fever pitch with the current administration's push for constitutional amendment to ban outright gay marriage. In the UK the courts have been less activist, but the potential creation of a Supreme Court raises important questions about the boundaries between the roles of judiciary, the legislature, and government; and whether the judiciary should play a more constitutionally active role than has thus far been traditional?

From the 1970s through the 1990s more than one hundred feminist bookstores built a transnational network that helped shape some of feminism's most complex conversations. Kristen Hogan traces the feminist bookstore movement's rise and eventual fall, restoring its radical work to public feminist memory. The bookwomen at the heart of this story-mostly lesbians and including women of color-measured their success not by profit, but by developing theories and practices of lesbian antiracism and feminist accountability. At bookstores like BookWoman in Austin, the Toronto Women's Bookstore, and Old Wives' Tales in San Francisco, and in the essential Feminist Bookstore News, bookwomen changed people's lives and the world. In retelling their stories, Hogan not only shares the movement's tools with contemporary queer antiracist feminist activists and theorists, she gives us a vocabulary, strategy, and legacy for thinking through today's feminisms.