'Oh friends, not these sounds, let us instead strike up ones more pleasing and more joyful'. Written during the corona of 2020 and stretching into 2021, the sounds and words of music are here given a deeper and wider meaning. The words quoted above were Beethoven's own in the lockdown of his own deafness and just before letting the chorus loose to proclaim that 'all people become brothers'. The sounds he refers to are those of despair, exuberance, and utopian peace that his symphony has just portrayed. For him, and for us, the Ode is less the vision of an alternative world than an expression of a constant need to seek a joy which, beyond happiness and once-in-a-while cheerfulness, is a sense of doing something worthwhile with and, where possible, for others.

In this thesis the author firstly investigates various terms related to tathagatagarbha in the Srimalasutra. Secondly he focuses on the languages features of its Sanskrit fragments in the Schoyen Collection. It turns out that none of their noticeable language features can ultimately suggest the school-affiliation of the Srimalasutra. Thirdly he analyzes its paleographical features. Besides, the author conducts an initial study of textual history the Srimalasutra, and discusses the older recension(s) of the Srimalasutra based on the Sanskrit morphology, criteria of lectio difficilior and lectio facilior, ascertainment of later contents in the course of transmission, and the development of Buddhist doctrine. Finally he provides a careful textual collation, and makes an annotated translation.