Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance, the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow's earlier Hieroglyphenkunde on the subject. Volkmann's book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould's translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field.

The masterwork of James Allen, As a Man Thinketh demonstrates the supreme power of thought to change our outlook, attainments and destiny. Embarking on an exploration of the mind's powers, James Allen discusses how thinking influences major facets of action, both internal and in the world around us. Writing plainly but profoundly, the author demonstrates the sheer influence that thinking habits have upon our lives. The author explains his overarching belief that when a person changes how they think, their lives will reflect this difference - the attainment of things such as joy, material or other successes and inner peace represent but a fraction of the possibilities. Philosophical and motivational, this book has long occupied the shelves of millions. While short, the text represents a wellspring of value, useful to refer back to and understand time and again.

Public Opinion is Walter Lippmann's groundbreaking work which demonstrates how individual beliefs are swayed by stereotypes, the mass media, and political propaganda. The book opens with the notion that democracy in the age of super fast communications is obsolete. He analyses the impact of several phenomena, such as the radio and newspapers, to support his criticisms of the sociopolitical situation as it stands. He famously coins the term 'manufactured consent', for the fomenting of views which ultimately work against the interests of those who hold them. Lippmann contends that owing to the masses of information flung at the population on a daily basis, opinions regarding entire groups in society are being reduced to simple stereotypes. The actual complexity and nuance of life, Lippmann contends, is undermined by the ever-faster modes of communication appearing regularly.