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Books > Humanities > Philosophy > General
Few artworks have been the subject of more extensive modern
interpretation than Melencolia I by renowned artist, mathematician,
and scientist Albrecht Durer (1514). And yet, did each of these art
experts and historians miss a secret manifesto that Durer included
within the engraving? This is the first work to decrypt secrets
within Melencolia I based not on guesswork, but Durer's own
writings, other subliminal artists that inspired him (i.e.,
Leonardo da Vinci), the Jewish and Christian Bibles, and books that
inspired Durer (De Occulta Philosophia and the Hieorglyphica). To
read the covert message of Melencolia I is to understand that Durer
was a humanist in his interests in mathematics, science, poetry,
and antiquity. This book recognizes his unparalleled power with the
burin, his mathematical skill in perspective, his dedication to
precise language, and his acute observation of nature. Melencolia I
may also be one of the most controversial (and at the time most
criminal) pieces of art as it hid Durer's disdain for the hierarchy
of the Catholic Church, the Kaiser, and the Holy Roman Empire from
the general public for centuries. This book closely ties the
origins of philosophy (science) and the work of a Renaissance
master together, and will be of interest for anyone who loves
scientific history, art interpretation, and secret manifestos.
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Across these essays Arnold Berleant demonstrates how aesthetic
values and theory can be used to reappraise our social practices.
He tackles issues within the built environment, everyday life, and
politics, breaking down the dichotomy between the natural and the
human. His work represents a fresh approach to traditional
philosophical questions in not only ethics, but in metaphysics,
truth, meaning, psychology, phenomenology, and social and moral
philosophy. Topics covered include the cultural aesthetics of
environment, ecological aesthetics, the aesthetics of terrorism,
and the subversion of beauty. The corruption of taste by the forces
of commercial interests as well as how aesthetics can advance our
understanding of violence are also considered. Berleant’s
exploration is supported by his analysis of 19th-century art to the
present day, starting with impressionism through to postmodernism
and contemporary artistic interventions. By critically examining
the field in this way and casting new light on social understanding
and practice, this collection makes a substantive contribution in
identifying and clarifying central human issues, guided by an
understanding of aesthetic engagement as a powerful tool for social
critique.
The unique compendium re-assesses the value of future and emergent
computing technologies via artistic and philosophical means. The
book encourages scientists to adopt inspiring thinking of artists
and philosophers to reuse scientific concepts in their works.The
useful reference text consists of non-typical topics, where
artistic and philosophical concepts encourage readers to adopt
unconventional approaches towards computing and immerse themselves
into discoveries of future emerging landscape.
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