The human face poses a challenge to engineers, computer scientists, and psychologists alike. This book integrates different contributions by combining detailed review articles with general overviews of the relationship between different kinds of research on faces and contemporary problems in vision and cognition. Theoretical developments in this area are increasingly dependent on computer technology, both because image-processing techniques allow us to display and manipulate faces for experiments in ways that were not feasible with old photographic technology and because theoretical ideas can be expressed and tested more rigorously using computer simulation. The psychological contributions in this volume illustrate current theoretical developments that are heavily dependent on image processing and computer simulation. As technology improves, so it becomes increasingly feasible to automate many aspects of face processing normally taken for granted to develop new technological aids. Therefore, this volume also includes examples of computing developments for forensic purposes, for the simulation of plastic surgery, and for automatic animation for applications in telecommunications and creative arts.

Foreword- PART I. BASICS - 1. Introduction 2. Studio Planning 3. Sound Insulation 4. Reverberation 5. Air-Conditioning System Noise Limits 6. Sound-Retardant Windows and Doors 7. Instrument Isolation for Multiple Track Recording 8. Studio Testing 9. Plumbing Noise Control 10. Vibration Isolation 11. Suspended Acoustic Ceiling 12. Elevators 13. Interior Decor of Studios 14. Sound Power Versus Sound Pressure PART II. STUDIOS - 15. Control Rooms 16. ADR Studios 17. Re-Recording Studios 18. Reverberation Chambers 19. Motion Picture and TV Stages 20. Music Recording Studios 21. Review Rooms 22. Future Sound-Recording Studios 23. Canopied Amphitheaters PART III. ELECTROACOUSTICS - 24. Microphone Properties 25. Loudspeaker Sensitivity 26. Electronic Light Dimmers - Index Sound recording studios are often built like showcases, either to attract clientele or to provide a distinctive image for the industry. They are, thus, like people, in that no two of them are alike. Yet, all such structures have to have certain common acoustic elements if they are to function to the best artistic and economic advantages. The enclosures must be sufficiently quiet, exhibit proper reverberatory conditions (often required to be adjustable), be devoid of parallelisms between hard surfaces, have no sound-focusing concave surfaces, be free of vibrations from external and internal sources, etc. It is for the purpose of providing first design principles of sound recording studios that this book has been prepared, so that for any given size structure, satisfactory vocal and instrumental recording conditions can be established therein. All equations involving physical quantities are given both in the English and the MKS system of measurement. Also, when the description of existing studios includes linear dimensions, their metric equivalents follow in parenthesis, as is also done for such quantities as surface density (mass per unit area) and sound absorption.

The story of humanity's earliest days on earth has come down to us chiefly in the tools and weapons early hominids shaped from flint. With these tools, they gained ascendancy over less dexterous beasts and began the slow conquest of their environment. Other records, including their very bones, have largely rotted away, but their tools of flint endure. H. Mewhinney presents A Manual for Neanderthals as "a common-sense, down-to-earth study of how flint tools and weapons were made-or for that matter, can still be made by any descendant of Stone Age man." The author first sets the scene with a delightful and informative disquisition on flintflaking and flint-flakers, and then explains clearly and concisely how he and earlier Neanderthals have made flint artifacts, illustrating each step with drawings and photographs. Archeologists and anthropologists will discover in this book a modest but genuine contribution to their fields, while collectors of Indian relics and people who like to tinker with tools and master unusual skills will find it a surprisingly practical guide to an interesting and ancient art. With patience, and with A Manual for Neanderthals at your side, you too can learn to flake flint.

What will we be made of and what will the world be made of? Science and technology are extending into design fields, modifying materials and everything that surrounds us, even our bodies, redefining on a perceptive level the boundary between things and us. To identify the actual evolution of the relationship between sciences, knowledge and design, in 2014 the Madec (Material Design Culture Research Centre) of Politecnico di Milano, initiated a wide debate with a series of contributions on innovation trajectories by well-known scholars across many disciplines, researchers, professionals and companies. This public debate, entitled 'Ideas and the Matter' has opened up new initiatives for design today, new ideas, and the definition of design approaches, contributing to the development of a new methodology of creativity-driven material innovation that, in a world full of opportunities but also problems to be solved, helps design to play a role in 'giving new meanings', through designing materials and objects with a critical approach. This is a mission from which designers cannot abdicate, following the success of "Design Thinking", which was an opening up to social innovation challenges and achieving creative solutions beyond the reach of conventional structure and method. At the same time, "Open Innovation" is a go-to process stimulating ways of creating positive change in production. This book is the compendium of Madec's one-year research. The contributors to the book come from many and diverse disciplines (medicine, biotechnology, engineering, art, anthropology, architecture and design), by which design thoughts are fed.

Embedded vision is the integration of "computer vision" into machines that use algorithms to decode meaning from observed images or video.It has a wide range of applications to machine learning, artificial intelligence, industrial, medical, driverless cars, drones, smart phones,aerospace, defense, agriculture, consumer, surveillance, robotics and security.This book is an introductory guide for anyone who is interested in designing machines that have vision-enabled, embedded products. It covers a large number of topics encountered in hardware architecture, software algorithms, applications,advancements in camera, processors, and sensors in the field of embedded vision. Features: Includes a wide range of applications to artificialintelligence, machine learning, industry,science, medicine, transportation, civil infrastructure, and security Covers a large number of topics encountered in hardwarearchitecture, software algorithms, applications, advancements in processors andsensors.

The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives--it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies. Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries. The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.

The second edition of the Audio Encyclopedia provides an up-to-date review of all fields of studio sound technology, including electronic and acoustic fundamentals as well as the full range of modern digital technology. More than 850 illustrations and tables make the Audio Encyclopedia a lucid reference work for professionals, a handbook for practitioners, and a textbook for training and self-study.

Dieser Band der Reihe Fachwissen Technische Akustik behandelt die in der Bauakustik meistverbreiteten Messmethoden, vom theoretischen Hintergrund uber anwendungspraktische Fragestellungen bis hin zu den nationalen und internationalen Normen. Die Normenreihe der DIN EN ISO 12354 dient dabei als roter Faden, da sie die messbaren Groessen der Bauakustik in einen Gesamtzusammenhang bringt. Ausgehend von den Aufgabenstellungen der bauakustischen Messtechnik werden die in Frage kommenden Kenngroessen erlautert. Ein wesentlicher Aspekt ist der Zusammenhang zu den bestehenden nationalen und internationalen Normen. Schwerpunktmassig werden die Grundprinzipien der Luft- und Trittschalldammung behandelt. Beschrieben werden Messverfahren, die im Labor und in Gebauden zum Einsatz kommen. Dabei wird ausfuhrlich auf die Schalldammung als Bauteil- bzw. Systemeigenschaft eingegangen. Die aus den physikalischen Grundlagen ableitbaren Voraussetzungen der Messverfahren wie z.B. die Anforderungen an die Schallfelder und die daraus ableitbaren Festlegungen der Messverfahren (z.B. Position und Anzahl von Lautsprechern und Mikrofonen) werden eingehend diskutiert. Auf praktische Fragestellungen wie die Notwendigkeit der Fremdgerauschkorrektur oder den Einfluss der Koerperschallnachhallzeiten auf die Messergebnisse wird bei den jeweiligen Messverfahren ebenfalls Bezug genommen. Ein ausfuhrliches Literatur- und Normenverzeichnis erganzt die behandelten Themen, so dass eine weiterfuhrende Vertiefung ermoeglicht wird.

Fur akustische Planungen ist es unerlasslich zu wissen, wie viel Schall eine Quelle abstrahlt. Auch die Wahl einer gerauscharmen Maschine ist nur moeglich, wenn die jeweiligen Herstellerangaben miteinander vergleichbar sind. Die Schallleistung ist in beiden Fallen die passende Groesse, da sie die Schallabstrahlung einer Quelle unabhangig vom umgebenden Raum beschreibt. Gerade diese Ortsunabhangigkeit ist aber erforderlich, um mehrere Quellen zuverlassig vergleichen zu koennen oder um z.B. die an einem Arbeitsplatz in einer Werkhalle oder an einem Immissionsort in der Nachbarschaft zu erwartenden Gerauschimmissionen prognostizieren zu koennen. In dem Band "Schallleistung" werden die theoretischen Grundlagen erlautert und verschiedene, grundlegende Messmethoden vorgestellt. Damit wird die Leserin oder der Leser in die Lage versetzt, das fur eine spezifische Messaufgabe passende Messverfahren auszuwahlen und, falls in den einschlagigen Regelwerken keine Vorgaben fur besondere Einzelfalle zu finden sind, angepasste Loesungen zu erarbeiten, die mit den jeweiligen Messprinzipien in Einklang stehen.

An essential guide to the proven automated sample preparation process While the measurement step in sample preparation is automated, the sample handling step is manual and all too often open to risk and errors. The manual process is of concern for accessing data quality as well as producing limited reproducibility and comparability. Handbook of Automated Sample Preparation for CG-MS and LC-MS explores the advantages of implementing automated sample preparation during the handling phase for CG-MS and LC-MS. The author, a noted expert on the topic, includes information on the proven workflows that can be put in place for many routine and regulated analytical methods. This book offers a guide to automated workflows for both on-line and off-line sample preparation. This process has proven to deliver consistent and comparable data quality, increased sample amounts, and improved cost efficiency. In addition, the process follows Standard Operation Procedures that are essential for audited laboratories. This important book: Provides the information and tools needed for the implementation of instrumental sample preparation workflows Offers proven and detailed examples that can be adapted in analytical laboratories Shows how automated sample preparation can reduce cost per sample, increase sample amounts, and produce faster results Includes illustrative examples from various fields such as chemistry to food safety and pharmaceuticals Written for personnel in analytical industry, pharmaceutical, and medical laboratories, Handbook of Automated Sample Preparation for CG-MS and LC-MS offers the much-needed tools for implementing the automated sample preparation for analytical laboratories.

In diesem Band der Reihe Fachwissen Technische Akustik werden Grundlagen der Abtastung und Quantisierung, digitale Filter sowie mehrere digitale Signalverarbeitungsmethoden beschrieben: Echtzeit-Frequenzanalysator, 2-Kanal-FFT-Analysator mit Sweep- oder Rauschanregung und Maximalfolgenmesstechnik. Anwendungen und Fehlerquellen der digitalen Messverfahren werden an Beispielen diskutiert.

In Feminist Interpretations of John Rawls, Ruth Abbey collects eight essays responding to the work of John Rawls from a feminist perspective. An impressive introduction by the editor provides a chronological overview of English-language feminist engagements with Rawls from his Theory of Justice onward. Abbey surveys the range of issues canvassed by feminist readers of Rawls, as well as critics' wide disagreement about the value of Rawls's corpus for feminist purposes. The eight essays that follow testify to the continuing ambivalence among feminist readers of Rawls. From the perspectives of political theory and moral, social, and political philosophy, the contributors address particular aspects of Rawls's work and apply it to a variety of worldly practices relating to gender inequality and the family, to the construction of disability, to justice in everyday relationships, and to human rights on an international level. The overall effect is to give a sense of the broad spectrum of possible feminist critical responses to Rawls, ranging from rejection to adoption.

Aside from the editor, the contributors are Amy R. Baehr, Eileen Hunt Botting, Elizabeth Brake, Clare Chambers, Nancy J. Hirschmann, Anthony Simon Laden, Janice Richardson, and Lisa H. Schwartzman.

Number One Bestseller A unique history and 'how to' book on one of Ireland's most distinctive landscape features - the stone wall. The Irish countryside is a patchwork of over 250,000 miles of stone wall. Built from local stone according to the style of each region - dry stone in the West and the Mourne mountains or mortar elsewhere - these walls are an intrinsic part of the landscape. This unique guide by expert stone mason Pat McAfee covers the history of this ancient tradition, giving illustrated examples and step-by-step instructions on constructing, conserving and repairing stone walls of all types - whether dry stone or mortar. It includes: History of stone in Ireland How to build dry stone and mortar walls Basic and more advanced techniques Dos and don'ts of repair work Appropriate conservation methods

Sonic fiction is everywhere: in conversations about vernacular culture, in music videos, sound art compositions and on record sleeves, in everyday encounters with sonic experiences and in every single piece of writing about sound. Where one can find sounds one will also detect bits of fiction. In 1998 music critic, DJ and video essayist Kodwo Eshun proposed this concept in his book "More Brilliant Than The Sun: Adventures in Sonic Fiction". Originally, he did so in order to explicate the manifold connections between Afrofuturism and Techno, connecting them to Jazz, Breakbeat and Electronica. His argument, his narrations and his explorative language operations however inspired researchers, artists, and scholars since then. Sonic Fiction became a myth and a mantra, a keyword and a magical spell. This book provides a basic introduction to sonic fiction. In six chapters it explicates the inspirations for and the transformations of this concept; it explores applications and extrapolations in sound art and sonic theory, in musicology, epistemology, in critical and political theory. Sonic fiction is presented in this book as a heuristic for critique and activism.

In Max/MSP/Jitter for Music, expert author and music technologist V. J. Manzo provides a user-friendly introduction to a powerful programming language that can be used to write custom software for musical interaction. Through clear, step-by-step instructions illustrated with numerous examples of working systems, the book equips readers with everything they need to know in order to design and complete meaningful music projects. The book also discusses ways to interact with software beyond the mouse and keyboard through use of camera tracking, pitch tracking, video game controllers, sensors, mobile devices, and more. The book does not require any prerequisite programming skills, but rather walks readers through a series of small projects through which they will immediately begin to develop software applications for practical musical projects. As the book progresses, and as the individual's knowledge of the language grows, the projects become more sophisticated. This new and expanded second edition brings the book fully up-to-date including additional applications in integrating Max with Ableton Live. It also includes a variety of additional projects as part of the final three project chapters. The book is of special value both to software programmers working in Max/MSP/Jitter and to music educators looking to supplement their lessons with interactive instructional tools, develop adaptive instruments to aid in student composition and performance activities, and create measurement tools with which to conduct music education research.

Computational aeroacoustics (CAA) is a relatively new research area. CAA algorithms have developed rapidly and the methods have been applied in many areas of aeroacoustics. The objective of CAA is not simply to develop computational methods but also to use these methods to solve practical aeroacoustics problems and to perform numerical simulation of aeroacoustic phenomena. By analysing the simulation data, an investigator can determine noise generation mechanisms and sound propagation processes. This is both a textbook for graduate students and a reference for researchers in CAA and as such is self-contained. No prior knowledge of numerical methods for solving partial differential equations (PDEs) is needed, however, a general understanding of partial differential equations and basic numerical analysis is assumed. Exercises are included and are designed to be an integral part of the chapter content. In addition, sample computer programs are included to illustrate the implementation of the numerical algorithms.